Let Me Go, Witch!

The picture shows her studying the runes on the altar after she transformed from a spider woman back to a human (later she was attacked and tied up by George).

"Alfa Cavalry. Dressed in Ceremonial Magic Pattern Armor" Comment: "Ah, every wizard has a set of wizard robes that fit well, and I am the same"---George "The Sword of Augusta's Heritage" Comment: "I, a fake, actually picked up the Grand Duke's sword of heritage..."---George

"Although I already have a wizard's mask (helmet), wizard's robe (armor) and wand (big sword), but this mask, ancient wizard's robe, and wand... Who said I can't wear it because I have low intelligence! You are discriminating!" - George

Magic power +1, magic energy 10/10. Produced by Back Street. Evaluation: "When I saw this appearance, I knew that this wand was not only strong, but also easier to use" - George

The story is very well written, but I don't know why but it makes me tired. I feel like the words are very dense and the information is too much or too unclear. I can't explain it.

Ghosts (other banshees)

Why does the author's writing feel so confusing? Instead of a narrated story, like a random charging carriage, could it be that the author has blurred the boundaries of psychological description and plot advancement, allowing the scenes to constantly change, resulting in the inability to shape the characters and only telling the plot?

I don't know why, but the more serious fantasy movies I've been reading lately all like the word "apprentice" so much, including low-level apprentice, high-level apprentice, master apprentice, and apprentice assistant. It's really frustrating. It's understandable that I'm afraid that the combat power will increase too quickly and the progress will be slowed down, but we still have to pay attention to the applicable scenarios of the word "apprentice", right?

The three golden chapters are full of intensity in the beginning, but the follow-up is weak... There are many problems in the previous book. For example, the failure to reconcile the weird and wizard levels leads to the collapse of the power system. For example, too much moderator content makes the heroine unlikable. For example, the level of various subplots is uneven. Some are very witty and interesting, and some are chaotic and weird. It makes people feel irritable and want to skip chapters. For example, opening a large map makes the plot very fragmented. But the background of the story itself is good, and it gives people a strange feeling that it can become a masterpiece as long as the author reinvents it... The author is good at writing witty jokes, magical story settings and unique character actions, which are very suitable for comedy. I hope the author can seize his own strengths and give up those plots that not only fail to enrich the content, but instead hinder it. (The Straw Town in the above article is quite good. It is both abstract and fun. It is much more interesting than the Academy of Gods and Vampire Wizards. The atmosphere that is obviously very happy but is particularly eerie after careful consideration is much better than the forced and indescribable development. It can be connected with the plot at the beginning without being separated. It can be developed as a long-term branch plot. It can be adjusted from time to time. Why is Roland's little romance happening again? "The me of yesterday, the me of tomorrow, does it count as me?" "How can a person be a saint, a devil, a profiteer and a fanatic at the same time? What, you said you saw me in the "flower" shop?")

The monetary system is so bullshit. People who are desperate for three hundred dollars can just spend hundreds of thousands.