Demoness, Stop!

Xiao Rong, let's just write about history honestly. Don't worry about other categories. I was blown away by this book before I even read it. I think your biggest feature is that it's extremely easy to create that sense of relaxation. To be honest, so far I still think The Little Scholar is your only pinnacle work. All the subsequent books are almost boring. Only The Little Scholar I read more than ten times. I picked it up when I ran out of books. It's the only novel in which I can remember the names of most of the characters.

Sometimes, just by looking at a person's bookshelf, you can roughly tell what kind of person he is?

Congratulations to Xiao Rong for opening a new book, come and sign this agreement! 🤭🤭🤭

Is this okay?

Demonic Witch

In fact, if you think about it carefully, do people who like to read your book really care about the plot? For me, it's not that I just like to read a harem novel that has no violence and a light-hearted plot. It's not a lousy street novel that kills the whole family at every turn and destroys you if you mess with me. It's the kind of book where even if the villain is bad, he's still bad and interesting. It's like reading a short book back in the day. The King of Shu when he was a child, and the princes in Ruyi Xiaohuangjun later... What they like is to give a wife at the beginning but gradually develop feelings for it, and then bring a future wife with a bit of a sexual nature. When writing novels, just let it happen. Focusing too much on grades or other people's feelings will only lose the original you. 😳

Keep it first. I don't think there will be any big problems in the early stage, and I don't know if the writing style has improved. I have read all of Duan Xiaorong's books. The writing style of Little Scholar is a little green, but the writing style of Xiao Langjun and Da Zhou is quite mature. But I don't know why my writing skills dropped off a cliff when I got to Gongzi, and I often felt that I was out of touch. The dialogue between characters also seems very awkward. There is also the description of the battle. The previous book was a complete mess. Since I chose to write about immortals, I couldn't avoid the combat aspect. Hope it improves. As a harem novel, the heroine doesn't need to be too much, but at least she has to stand up. In the previous book, many of them had stereotyped heroines, and I couldn't remember the names of the harems in the last one. There is also the issue of divine concealment. The little scholar is pretty good, Ruyi Ruyi is online the whole time. In the later stage, Xiao Langjun basically no longer cares about Su Ru and Zhong Yi, and he basically disappears. After Zhou entered the capital, Liu Hanyan and Liu Shen disappeared. A big heroine basically has no role in the later stage. The young master was even more ruthless, and in the later period the whole harem disappeared. There are also daily plots, I hope the descriptions are specific and thoughtful. Don't be like a running account. In the previous book, a name just appeared, and there was no dialogue or development, so I just skipped it. Isn't the harem novel about the interaction between the male protagonist and the harem? I hope this can have a good story line and not be unfinished. Not many people write about harems anymore, and it is rare that there are still authors who insist on writing about harems. All I can say is come on, keep going. The more you write, the better.

I hope Duan Xiaorong can learn from it.

The whole story is too perfunctory, just to deal with us. There may still be some loyal fans subscribing now, but what will you do with the next book? To be honest, it will be really difficult if the next book is of the same level.

I wonder if the author still reads the comment section? I personally feel that this book is not as good as it should be. When I first watched "The Little Scholar," I was amazed. It had a wonderful plot, a lot of interesting character dialogue and plot development, and it was full of baggage and foreshadowing. Looking at this book now, it's like a running mat. There is not much dialogue between the protagonist and the characters. It is all about large narrations and backgrounds. The protagonist's inner activities are all dependent on the narration. The previous writing style that brought out the characters' personalities from the dialogue seems to have suddenly disappeared? Moreover, the direct love between the male protagonist and the female protagonist is also vague. There is no daily love, but the female protagonist suddenly falls in love! ? Then after the male lead is taken over, the female lead doesn't have much of a role to play. I can only say that I really can't find the same feeling I had when I watched The Little Scholar or The Young Master. I don't know why Rong Xiaorong stopped writing historical articles, and I don't know why the last few books have turned out like this...