Peerless Brocade-Clad Guard

After reading Chapter 20, I don't want to read anymore. Let's not mention the old clichés of salt. In it, the protagonist is killed once, tortured and threatened. Just because she is good-looking, she can be the heroine, and is dominated by her lower body?

Let's write back to the style of Xiaoyao and Ruyi. These two are my favorite historical novels.

It's a good read of alternate history and daily life, but I always wonder what you're doing with your fantasy cultivating immortality.

Brother, let's write fictional history!

The first part is okay at first, but then I can't stand buying salt anymore. I have no identity and background, so I go to someone (the setting is a local emperor) to sell the craftsmanship, and ask for 30% of the price, and still bargain. (This is to deal with a hundred households making things difficult for me.) Oh my God, is this really a great writer?

The plot is too poisonous. After reading a few chapters, I was controlled by the beautiful woman in black robe.

Why does this thing keep cutting books? It seems that it has been kept for the past few years.

In Chapter 14, the poisoning begins. The salt production technology uses more water, and with this technology, I think I will kill people and get goods after I know it. Who will sign the contract honestly and fulfill it? At the very least, I have to find out what is going on. Moreover, the protagonist did not say anything or hinted, so he took the initiative to be submissive and resolve the conflict. The setting of the protagonist here is Southern Xinjiang, a wild land.

In both directions of this book, I feel that there is no sense of writing. The plot is boring and there are a lot of female protagonists, but basically none of them have attractive qualities or distinctive images. If the author can read this article, I personally suggest that if the author publishes a new book and prefers to write plots, 3-5 female protagonists are enough. Try to write with characters who can get along with each other on a daily basis. It needs to be more exciting, and then the direction of cultivating immortals is too open. It feels like the protagonist becomes invincible without doing anything. The heroine and cultivation are not very attractive. The last few books are almost like this. I think Ruyi and Xiaoyao are the best. At least when I read them back then, I thought they were very good. The recent ones are like useless and a pity to be discarded.

After reading so many books about Duan Xiaorong, I still feel that The Little Scholar and The Young Man are the best. The rest are a little less interesting. Many of them are high-end and low-end. I suggest that the plots be polished and polished.