Wasteland Drifter’s Journal

It is recommended that the title of the book be changed to "After arriving at the end of the world, you can only choose to wander" "How long can a dog survive in the end of the world at the beginning?" "The magical costume of traveling through the apocalypse starts, but it's a zombie" "After traveling through time and becoming a zombie, I can only farm in the apocalypse" "What is it like to live in the apocalypse and become a zombie? "After time travel, I am a zombie wandering in the apocalypse with my system"

In order for future readers not to think that the previous ones are poisonous because of some bad comments, I posted a chapter specifically: 1. Whether you can digest it or not depends on the settings. Zombies can also digest humans. It cannot be said that zombies can only eat humans and not eat anything else. Personally, I think it depends on the settings. As long as it can be justified 2. At the beginning, the protagonist didn't know whether the zombies would attack him, because the zombies exuded hostility towards him, which made him think that the zombies would attack him. Later, it was written that the zombies only exuded hostility towards dogs. When I saw this paragraph, I made up my mind about whether zombies would attack dogs. Am I too sensitive or are you not careful enough? Ps: It was clearly written before that the protagonist also wanted to eat dogs at the beginning.

Great writing! After reading it, what I like most is the author's rhythm and details. The detailed description is really rich! Making weapons, eating, various behaviors, and describing the environment. The protagonist's particularly natural, delicate and real feelings and inner activities make the apocalyptic novel feel very immersive! The character of the protagonist is also an "ordinary good guy" that I like very much. He is not like a comedy protagonist who becomes cold and strong, or like a Japanese comic who is weak and struggles a little. They are ordinary people who are kind-hearted and love life with good psychological quality. Then there is the overall atmosphere. It is quiet in the apocalypse but does not seem depressing and desperate. Instead, it has a sense of comfort like a novel about living in seclusion and farming in the countryside. When the author writes about the end of the world, his memories of the original normal society are really the finishing touch. For example, drilling a hole in a python, the sound of a plastic runway, and the protagonist's memories of the past. All of a sudden, the apocalyptic environment becomes easy to understand and imagine, and it has a bright color that soothes the rhythm. Come on! Supplement: This is not to guide the author in writing a book. Now that we have seen the evolution of the protagonist, and with the guidance of the game system, there will definitely be an improvement in strength in the future. I just hope the author can grasp it well. If the power is too high like a post-apocalyptic supernatural novel, then the detailed description of life will not be easy to present. After all, if the protagonist becomes a full-scale magician or Captain America, then writing about life like this would be a bit out of touch.

I rarely comment, but I'm not unhappy about it. I didn't see the paid chapter. I like to read apocalyptic stories just to see the protagonist who picks up garbage and is lonely. I don't hate literary youth or anything, but the moment Tang Xue appears is too fragmented. It's too routine. It shouldn't be like this. I'm very irritated and don't understand. In fact, I don't need to be special when I have Xiaoyun. I want to add a woman. I don't like love in the apocalypse, or this kind of time-travel apocalypse novel. Isn't it good to be a lone wolf in the apocalypse? Picking up garbage, becoming stronger alone, and using the words Tang Xue said is too fragmented. It cannot be explained by a mental patient. It has been in the apocalypse for so many years, and it is very difficult to find a book that suits my appetite.

I just saw two chapters on the shelf, and the further I read, the more strange it becomes. The first part is humorous + upgrading + exploration + warm, and the further back, only literary youth is left. I feel that many books are like this. The beginning of the book is good, and it says that the author is suffering from literary youth disease. It feels like I am watching Riqing.

In the description of Chapter 23, it is said that Xiao Yun'er's eyes are completely dark with no whites. If the actual image of the character is based on this, it will be very strange. I made 3 comparison pictures and put them in this post Pitch black version Red eye version Color version It can be seen that if you want to restore the cuteness of the character, the eyes described in the book cannot be done.

Just read Chapter 80 Tang Xue's poisonous point. After browsing the comment area, I found that many people feel physically uncomfortable. There is no change later I should have known to read the comment area before reading the book.

How should I put it... As soon as the woman picked up by the paid stamp came out, something felt wrong. Even if some of the previous plots are not enough - what can I say? Reality? Precise? Anyway, that's what it means - in short, excluding the irrelevant and unreasonable details, the experience of the whole story is relatively smooth - until the female survivor speaks after being rescued from the cage. The protagonist is abruptly reincarnated, and as an individual is abruptly separated from society, a series of changes occur due to the combination of his own specific physiological conditions and the "golden finger" (but it is the processing of this golden finger that made me replace "very smooth" with "relatively smooth" in the previous article). The whole process is enough to make me, the reader, feel "reasonable". Until the female survivor spoke, I felt as if I was eating a soup dumpling filled with sweet mapo tofu filled with strawberry pellets - it was about this level of awkwardness. After that, the whole plot kept me immersed in this emotion. It's hard to say whether it was the hallucination "Friday" caused by the male protagonist after reading too many Korean dramas, Japanese dramas, and female comics. When writing this review, I only found this explanation that can relatively ease my feelings about this plot. I personally don't understand how the author thought of portraying such a character in this way (scratching his head). An inappropriate metaphor is: It's hard to imagine a Japanese-style otaku character appearing in "This War of Mine" - yes, a survivor on such a battlefield cannot have such a life attitude. He must have other aspects, other lifestyles that are more adaptable to the environment and easier to survive - but I am not interested in learning more about it, so I leave.

The D drive of my laptop cannot be stretched when I dismantle it.

After Tang Xue was rescued, there was a sense of literary youth, especially when HSA brought Tang Xue to find the protagonist. The protagonist was still pitiful and compassionate, and only knew human beings. Xiao Yun'er was kind to him and he couldn't see it at all. Also, the protagonist was quite strong when he was lying down, but then he started to want to become stronger. He was beaten into a dead dog, and he begged his grandpa and grandma to sue his grandma. Either Xiao Yun'er wanted to save him, or he wanted to be saved by the macho man. It was too depressing. The protagonist was like a waste. The plug-in of the system directly became part of the fungus owner's authority.