Deep Sea Embers

When I first started reading this book, I had the feeling that I had seen a good online novel again, because it has an unconventional plot, good writing, and the characterization of the group of characters is also unique. If it were not a structured novel, I would not even doubt the reality of this world. Until the cause of this doomsday was revealed, I felt that this was not simply defined by an online novel. I'm trying to understand the author's definition of doomsday. Doomsday is the great annihilation caused by the incompatible underlying logic of countless universes approaching each other due to proton expansion. For example, the basic rule of our universe is that there will be no speed exceeding the speed of light, while the speed of light in Universe B is only one scale. The collision of the two universes is destined to be unable to merge, so , in this structured world, countless bubble universes squeezed each other due to expansion, and the collapse of the universe resulted in the Great Annihilation. The Infinite Sea in the novel is a small shelter composed of fragments of several worlds that can harmonize with each other. The so-called outer gods are the surviving individuals, machines, and concepts. However, this shelter did not solve the coming of the Great Annihilation, but only in the last moments. It provides a hotbed for civilization to survive. World collisions are still happening outside. The outer gods died at the moment of collision. It is the inertia of the world that supports the shelter. With the collapse of the underlying logic of the shelter, the harmonious world begins to fall apart. The indescribable thing in Cthulhu is the inconsistency of logic between the world fragments. For example, if Poseidon dies, the waves will Disappear, if you can recall the waves, then you are a heretic in this world, because this concept has disappeared, the concept of death collapses, and death disappears. The collision of the universe is mapped onto the rules. I think this concept makes this novel no longer a simple fast food novel, but in fact, what I want to say is the civilization explained by the author through the mouth of the characters. If you have seen The Three-Body Problem, you should have seen Liu's words, giving civilization to time, rather than giving time to civilization, which is an application of Pascal's "giving life to time, rather than giving time to life." It was a bit confusing to read at the time, until I saw the author describing it in this book. When the end is approaching, the protagonist is preparing to enter everyone's information, detonating the doomsday outside the shelter, accelerating the ongoing doomsday, and providing the first impetus for creation. When the new world is born, humans at the end of the world survive because of complete information. However, there is a problem. Although people have survived, they have no poetry, no skills, and no knowledge. The author's point of view is that civilization without people is meaningless, and the same is true for people without civilization. Therefore, in order to continue civilization, the fire bearers in the book trek through the apocalypse, even if they sacrifice themselves, they must pass the carrier of civilization to the corresponding focus, so that the carrier of civilization other than humans can also survive. At this point, my evaluation of this book has completely changed. It reminds me of the classic topic of whether to save cats or paintings. It is natural to argue that sympathy is more important, but as a carrier of time, the thoughts conveyed by a painting allow us to feel civilization. It is not a cold painting, nor a hard stone with hieroglyphs engraved on it, nor a bamboo slip with obscure words. "No matter how glorious the memory is, it will be lost over time" "One of the significance of cultural relics and archeology lies in this information" Chinese people often say that we should learn from history, precisely because the Chinese civilization has an endless history. Thank you Yuantong for bringing him a new world, and also thank Yuantong for ending him perfectly. The ending is harder than the beginning, thank you very much.

The writing is very nice, and there are many advantages that you can understand after reading it. I would like to complain about the shortcomings. After the historical distortion event, the atmosphere became more and more youthful. The atmosphere was too relaxed and happy. It had a deliberately funny feeling like anime and manga, and even a sense that everyone was a good kid. Generally speaking, except for the beginning and the period when history was replaced, there was no part that made me feel nervous. In addition, the proportion of female characters among the main characters was a bit high, and the ability and mysterious logic chain were acceptable but a bit vague. The most important thing is that if the author has a high output, I can ignore these, but with such a new author, it is difficult for me not to pay attention to the details.

As the Ghost Captain, Duncan is a well-traveled, cruel, cruel and domineering character. How can he be described as such a gentle and licking dog? At that time, he lost control and lost his rationality, leaving a mark of horror, disgust and avoidance in people's hearts. Now he is back to say that he has recovered. Human nature, he is a good and enthusiastic citizen captain. Sherifanna ignored him and ran to lick him. Finally, he boarded the boat to join us. It was inexplicable. It felt like he was forced on them. He was different from the captain I imagined and was a bit out of place, even though he came from time travel. I still like secrecy. The Fool is cold and domineering on stage, but the curly-haired baboon is much more distinct offstage.

The first time I read a novel, I felt itchy. So I went to the starting point to read it and there was no update. I thought about picking up a few more to read, but I still couldn't control myself and clicked in. I can keep up with other novels and even keep them until the end 😭 Can you hurry up with your big eyes and cute pupils in the fifth hour? Ten more cute pupils? More cute pupils? 😡

I already have a script in my mind The world-famous love between the aloof Queen and the expedition captain The heroic captain who was widowed in his early years Meeted the incomparable young princess at sunset Get to know each other and accompany them through the boundless deep sea Overcoming the obstacles of political opponents but fearing the ethics of the world This relationship is only Being able to stop at the court so close to the end of the world Brewing agarwood like fine wine However, things are unpredictable, and cutting-edge ideas that pursue progress will inevitably touch the veil that shrouds history It is natural that after many years of accumulation intertwined interests, huge power and paying a certain price cutting-edge ideas He was naturally strangled in the cradle Buried with his thoughts was the high-spirited and majestic Queen Therefore, the captain who had been opening up the frontier for mankind would doubt the meaning of his life would doubt the logic of the bottom of society would doubt the trajectory of the world The reality is too narrow and too supportive. So crowded that he could not accommodate his queen So he decided to shatter the space cut the curtain trample history break through the void because he believed that his queen was watching over him at the end of his great route That was the harbor of the captain of the Lost Home

Three days ago, Uncle Tong's readers received a big surprise. After a few months, Uncle Tong's new book - "Embers of the Deep Sea" set sail again. Thinking back on my last update of the book "Sword of Dawn", it can be said that it was intermittent, stop-and-go. Starting in April 2018 and ending in March 22, the update process of Sword of Dawn spanned every unforgettable life node in my youth, from preparing for the senior year of high school, to taking the college entrance examination, entering college, all the joys and hardships of the four years of college, to failing the postgraduate entrance examination, and looking for a job. Now that I have graduated and am at home, I can't help but feel filled with emotion when I see the news of the new book appearing on the screen across thousands of distances. The update of an online article from beginning to end is a long and arduous journey of learning for the author, and the same is true for the readers. For more than a thousand days and nights over four years, I was able to insist on opening the bookshelf every day and reading the updated content. In this way, there were very few readers who accompanied the author on his journey of learning, and I was far behind in the author's footsteps. Not only because I couldn't bear my temper and wanted to read it, but also because there were too many practical things that needed to be concentrated on during the long period of time, my reading progress fell further and further behind. When I learned from my friends that Uncle Tong's Sword of the Dawn had been completed, I was shocked to realize that it had been so many days since I had gone back to Loren's world to follow Gawain's adventure. Fortunately, after painstaking recollection and searching and verifying the previous plot, I finally finished reading the story of Sword of the Dawn and settled the regrets in my heart. As of the writing of this article, "Embers of the Deep" has been updated with ten chapters. For Uncle Tong, who is good at constructing gorgeous fantasy worlds and endless plots, the first ten chapters are not enough to interpret too many deep settings and plot content. The identity of the protagonist is still bizarre, the background of the Lost Home is still puzzling, and the structure of the world is still hidden in Uncle Tong's outline, surrounded by layers of fog. My feelings about the beginning of these ten chapters mainly lie in the slight change in Uncle Tong's language style. If an author needs to achieve the purpose of making people laugh, he will inadvertently imitate some successful cases before forming his own language style. For online articles, using hot words or popular jokes on the Internet is also a solution. Based on my impression of Uncle Tong's first three books, Uncle Tong has a unique style of creating a funny atmosphere. He has already moved from the need to play other people's jokes to the level of creating his own classic content and letting others spread it by word of mouth. This can be seen from the constant flow of memes in his writing. But at the beginning of this book "Embers of the Deep Sea", Uncle Tong's writing style has a slight atmosphere of Internet culture. This change has no trace and only reflects some wording and detailed description. In terms of the overall language environment, "Embers of the Deep Sea" still steadily continues the style of the previous work. I am pleasantly surprised by such changes, because these contents are undoubtedly closer to us as Internet residents. Their comedy effect has been tested by network communication and is stable and immediate. For example, if you are used to eating delicious food, occasionally ordering some hamburgers and fries will not lose its flavor. I hope Uncle Tong will continue this joyful style in the next updates. There are still few reflections, but more expectations for the future: a new story has begun, and I hope that old readers can return and reunite in the chapter and book reviews of Deep Sea; I hope that new audiences will continue to join and share the wonderful scenery ahead; I hope that Uncle Tong will maintain a healthy body and a happy family; I hope that "Embers of the Deep Sea" will achieve better results and become a classic work praised by everyone.

It's still the same, brilliant at the beginning, dull in the middle, and ending dull at the end.

The big-eyed style is still the same as before, and the writing style is very good. I won't go into details about the good points. I still want to talk about my own shortcomings. 1. I have to say that the bond between Alice and the protagonist is too abrupt, or it deepens "very abruptly." The abruptness I am talking about is mainly reflected in the last dozen pictures (around chapter 480). The protagonist's expression over and over again when facing the Frost Queen She showed her "care" for Alice and was worried that she would be taken away by the Frost Queen. To be honest, I felt a little "uncomfortable" when I saw this, because first of all, Alice did not have a long and delicate plot like Nina and Shirley to pave the way for the deepening of their bond with the protagonist. Alice, in my opinion, is just a silly person. After boarding the ship, she suddenly had a strong trust in the protagonist, and this bond suddenly deepened. So personally, as a reader, I don't quite agree with the protagonist's feelings for Alice. In addition, when the protagonist asks the Frost Queen if she uses Alice as the medium or key to resurrection, due to the protagonist's "concern" for Alice, it will make people feel that the process of the Frost Queen's resurrection is similar to the resurrection of the evil devil with the help of someone's body, but this conflicts with the great image of the queen established above. Or to put it simply, I approve of Frost Queen Lenora more than I do Alice (even though the two may be "the same person"). 2. The protagonist's encounter with Hanshuang in the city-state of Vanna can be said to be roughly the same routine. He discovers anomalies - investigates the anomaly - anomalies go out of control - the protagonist shows his power to save the people. To a certain extent, this book is a thoroughly "refreshing article". In Sword of the Dawn, although Gawain (the protagonist) is able to mobilize the very powerful Voyager space station and its ancillary equipment, it has many restrictions. Big Eyeball is relatively successful in limiting Gawain's personal combat power to meet the needs of the plot. But in this book, on the one hand, we see that the protagonist is cautious and cautious in the early investigation stage of each incident, which can be said to be a standard image of a salary-seeker exploring the unknown; on the other hand, after every abnormality, the protagonist uses divine power to help the building to collapse. The two contrasts before and after really make the protagonist's outburst "extraordinarily" satisfying. But looking at it on the other hand, the protagonist's early cautiousness is like a bull in a china shop, carefully "avoiding" hitting the porcelain. But the protagonist's power does not make me feel that he has this need to "limit" himself, because for ordinary people and the people the protagonist cares about, the protagonist's power is powerful and controllable. So, there's always something wrong with these arrangements.

Has anyone counted the articles with big eyes and no milk? There is a book shortage recently, so I want to find a few books to try 😁

Recommendation: After Mystery became popular, novels with gruesome backgrounds sprung up like mushrooms after a spring rain, and they were all serious and depressing without exception. But are all novels in the Western fantasy setting like this? Not necessarily, just like this book, Big Eyeball still maintains its own style. In the background of Western fantasy (there is even a weird feeling of glee at the beginning), the overall atmosphere creates a relaxed, warm and reunited atmosphere, which has a unique flavor. In addition, the pace of this book is not fast and focuses on daily life. It is not an exaggeration to say that it is composed of daily life and small stories. Therefore, this book is more suitable for book lovers who like Western fantasy backgrounds, are more patient, and like to easily complain about novels. But even if you are not the above type, it does not prevent you from trying to read this book, maybe it will be really good. Personal review: First of all, to give a brief summary, this book tells the story of an ordinary person who travels through time to become a strong captain in a fantasy world, and then solves mysteries, discovers himself, and navigates the world along the way (forgive me😅In fact, until now, I have not quite figured out what the main plot is and what the protagonist will do in the end). Secondly, let's talk about the author. Big Eyeball is a great author and has four popular works. The style of his works is to create a relaxed atmosphere through ridicule and contrast against a serious or weird background. Moreover, the author's writing skills are getting stronger and stronger. The backgrounds of the four books range from very grand (with various planes) to the current single and relatively small world. As we all know, larger backgrounds are easier to write and easier to fill out the story. But now that the background has become smaller, the story is still interesting, which has to be said about the author's strong writing skills. In addition, the author has four books, all of which are excellent. They have never been unfinished, eunuch or "broken" and have a good reputation (except that the update speed is not very fast). Therefore, the majority of book lovers can enter the pit with confidence. Finally, let's talk about characterization. Many people don't like the protagonist too much and think he is too soft (what about regaining his conscience, being a good person, helping to solve problems, etc.), Or even like a licking dog. I don't think so, I think this character is well created. Because he is not Captain Deng, he is Earth Zhou. He is an ordinary person like you and me, kind but a little weak at the same time. What I like about Big Eyeball's novels is the positive values. From "Chen" to "Hao" to "Gao", all the protagonists can be called good people. It is natural for this book to continue this setting.

After watching the Frost copy, Duncan himself was actually less involved in it, and the perspective further shifted to the common destiny and struggle of mankind. This is why it is possible to write a full-level protagonist but still not lack a sense of substitution and emotional touch. Of course, the protagonist himself is almost in no danger in the current setting, but the focus of the story is not the protagonist's own experience, but the perspective of the protagonist - no matter how powerful he is, his understanding of the world is always at the same level as the reader - to slowly understand the world and experience the struggle and history of human beings with other characters written by Big Eyeball. This is different from traditional novels in which the protagonist is the "protagonist". It is an excellent means of describing group portraits, and it is also one of the reasons why this book is wonderful.

Ah, I feel so uncomfortable because of this disconnection. I really want to see the next chapter, the conversation between the teacher and Duncan.

How can I put it, the books with big eyes are so powerful that I have to memorize each book after reading it several times, but I can't read other people's books, and I will go through a book shortage for a long time, so brothers and sisters, read carefully 😏

The whole is composed of daily life and stories one by one, and there is a lack of tension because the omnipotent captain will solve any trouble. Following the setting of the Xiling system, people are brave and perseverant, and gods are compassionate and responsible. All kinds of funny jokes without any sense of violation. The above characteristics make me feel like I used to watch Xiling Empire, and the writing style is even better than Xiling Empire. But there is one thing that I personally think is not good, that is, there is really no sense of tension. Some of Uncle Tong's settings are a bit routine, and the supporting characters and the general direction of the story are easy to figure out. In this regard, the Xiling Empire has the advantage, because Chen Jun is only an initial account after all, and there is still a lot of room for growth to create suspense. However, the captain is a max-level account with no room for improvement. The only option is "the invincible captain solves the problem." This is actually very easy to cause visual fatigue, especially since the rhythm is relatively slow...

Oh my god! I just saw the event~ "Embers of the Deep" mainly tells the story of the protagonist traveling to a strange and mysterious world of steampunk + Cthulhu flow, becoming the captain of a ghost ship, and exploring the secrets of that world. The world was once destroyed, and everything was covered and buried by the ocean over time. Even the remaining records are unclear and contradictory. Even the most knowledgeable historians cannot tell the truth in the gray fog. Only a few land masses remain, and there are indescribable existences under the deep sea. The old days have also died, and the survivors have created an artificial sun at the expense of their own sacrifice to continue to maintain the world. After waking up, the protagonist finds himself trapped in a room. As long as he walks out of the room, he will become the captain of a ghost ship in another world. His abilities are very powerful, but he knows nothing about his own power. He didn't know why he turned into another person. He only knew that if he didn't pretend to be that person, he would probably lose his life in the next second. Of course, as the plot develops, it seems that there is a mystery behind everything. With the world view well established in this book, the grandeur of history and the universe is fully demonstrated. The character creation is also very good! Not to mention the interesting dialogue revealed between the lines, the collision of modern civilization and another world... Is really interesting. Under his light novel-style narrative with a strong personal style, readers can not only feel the mystery of Kexi, but also maintain a light and interesting reading experience.

The biggest advantage is that the supporting characters don't ask questions. Instead, he will trust his teammates. I told you it's very dangerous to see that kind of teammate, and the book you insist on delivering really makes your blood pressure soar.

​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​ At that time, Yuan Tong was writing "Abnormal", and it must have been recommended by an editor, so I clicked on it and took a look. I thought it was very fresh. I think it was because of this filter that I first saw. Until now, I still think "Abnormal" is very good. Later, when I was catching up on updates, I went to read "Xiling". I laughed a lot when I laughed, and I held back when I was touched. Then I followed "Sword of Dawn", and then came to this book. In this way, although I don't write much about it, and I don't comment much, it can be regarded as a good one. I am an old reader, ha~ This time I saw Yuan Tong said that his energy is not as good as before, and it is rare for him to write a long novel again. I suddenly realized that I have read it for so many years. On a whim, I decided to leave some feelings. The following are my humble opinions. Please forgive me for laughing. These four books have always been characterized by far-sightedness. They can see the ups and downs of life in the big picture and the joys and sorrows in the small ones. However, the four books have their own characteristics. These characteristics are reflected in different aspects: …………The person of the narration………… For "Xiling", the most distinctive point is... The first person. Its advantage is that it can have a strong sense of substitution, but this writing method can be called a filter, because its disadvantage is... Why do you let me bring it in like this (laughing~). I personally think that this feature actually prevents many readers from reading "Xiling" from the first chapter, because the biggest problem with first-person perspective writing is that the author can only show readers what the protagonist can see. When Mr. Chen was still "ignorant", the early exploration of Xiling's background, organization, and abilities, the description of different novice tasks, and the corresponding follow-up developments were laid out in front of readers in a relatively scattered way. When you are usually working and studying, when a bunch of unrelated things are slapped on your face and you have to do it, you may be irritable and don't want to do it anymore, let alone reading online articles? This is the limitation and conflict between the first perspective and the multi-branch story. After about 200 chapters, this scattered sense weakened. One reason is that the tone of the story has spread out and there is no longer a need to describe quite a few basic settings. Another reason is that the character's perspective has been gradually improved. I personally think this is the main reason: Thanks to the powerful technical capabilities of the Xiling Empire, Mr. Chen is actually able to obtain information from more aspects when he intervenes in various events, and his understanding of events is more diverse than in the early stage. Although it is not comprehensive, it is enough. Because even when writing from a third-person perspective, in order to leave the reader with a story and a sense of involvement, the events will not be unfolded directly. In this way, the story can be narrated very close to the third-person perspective. In fact, I think that except for the first two or three hundred chapters, changing all the remaining chapters to third person will not bring about a big change in the perception.        ，，，，，，，，， In comparison, the protagonist group of these three books is more like a gang, each with its own characteristics. However, the other members of the protagonist group of "Xiling" have a sense of affiliation surrounding the protagonist. This sense of affiliation is not only determined by the relationship between the characters. At least in "Xiling", the main source of this sense of affiliation is the necessary need to describe the close relationship between the protagonist group from the first perspective. Generally speaking, in online articles, the first perspective is used to describe the story experience of a team in a grand world with multiple branches and long main lines. This challenging choice and the resulting needs make the look and feel of "Xiling" independent from the four books and become a unique existence. …………Narrative position………… In online articles, the position on which the protagonist's actions are based is a very important basic assumption. This is related to the protagonist's basic action logic and... Whether this book is enjoyable or not (hey~). For example, if the protagonist is born poor and has neither a golden finger nor great luck, then the narrative stance will be more limited, more personal, and more embodied in small events; if the protagonist is born noble and wise, then the narrative stance will be relatively grand. Correspondingly, the pleasure of the former probably comes from overcoming an unfair fate after struggling, while the pleasure of the latter should come from being able to decide the world with one hand. Some online articles look strange and uncomfortable because of the mismatch between stance and approach. For example, there is a "classic stepping stone for a rich boy"-style protagonist who clearly has a lot of resources but is always petty, and a "poor boy, my wife, you"-style protagonist who fights unfair fate with unfair hands. This is an imbalance between stance and approach. And these four books by Yuantong generally range from big to small, which is very similar to what many book friends say, "the stories are getting smaller and smaller." The stance of "Xiling" is upright. Its stance is that the lost super civilization can restore itself and solve the remaining problems. Therefore, the way to solve the problem is to directly solve the root cause physically. It is upright, simple and direct. The description of other civilizations is even more so. Their stories are theirs. The story, I save them is my sense of God driven by morality. This method makes "Xiling" very suitable for writing stories with multiple worlds and multiple branches. It can always bring different feelings to readers through different stories. This is also the original source of Yuantong's feature of "seeing big things in life but with many misfortunes". The story of "Xiling" is very long, and the main line is very continuous but also very scattered. Compared with the main line, "Xiling" is more influenced by the fall of the former Xiling. If Xiling were not still there, the book could be called "Post-Xiling Era" (laughs) "Abnormal" is essentially a derivative of the plot of "Xiling". Its position is to serve as a super-civilized local police temporary worker to solve local underworld and neighborhood conflicts (hey), so the solution to the problem is more gentle, and must consider each civilization itself. In addition to curiosity, its driving force is more of a sense of responsibility. Moreover, Hao Ren's position allows him to put himself more in his shoes and use limited means to directly investigate, participate, and solve events, allowing readers to have a perception closer to themselves even from a third perspective. The stories of different civilizations, especially the tragedies, have a more obvious feature of "their fate is full of misfortunes", making people sigh for their struggles and courage. "Sword of Dawn" and "Embers of the Deep" gradually differentiated from the first two. Although "Dawn" is still a derivative of the background of "Xiling" in a strict sense, this derivative is essentially dispensable. The position of "Dawn" has also officially separated from the super civilization and its affiliates, and entered a position similar to those of the civilizations saved by Xiling. The future of the civilization represented by Gawain is not bright, and he himself lacks ability. Therefore, the environment and background are more depressing and urgent, and his behavior is more cautious. Although he has the blessing of the ability to "travel", the protagonist's behavior begins to deviate in the direction of strengthening his own strength and fighting for destiny with wisdom, which is the so-called "struggle to fight for destiny". Although Yuan Tong's style prefers the protagonist to solve problems in a direct way, facing directly does not mean convincing people with power. I think this is the biggest change in the style of "Dawn" compared with the previous two games. At the same time, this decentralization of the position, combined with the third perspective, officially begins to involve the story of people outside the protagonist group. The increase in attention to individuals, on the one hand, connects the protagonist more deeply with the world, and on the other hand, it links the world with readers. The former ensures that it is alive, and the latter ensures that readers can perceive that the world is alive. From this point on, there are more joys and sorrows in small places. When it comes to "Embers of the Deep", the reduction of the position in "Dawn" did not continue, but was enlarged to a certain extent. However, the background tone was further suppressed. The reaction brought about by the two is that although Duncan is very powerful and can directly convince people with his force and solve many things, there is still one big visible thing that he may not be able to do yet. Therefore, while the general storyline of "Deep Sea" and "Dawn" are similar - that is, finding a way out in the face of a world crisis - the former is more depressing and desperate, because even though I can easily do so many things and solve so many disasters, there is still one thing I don't know what to do. At the same time, this point is emphasized many times in the article. The oppressive feeling of this writing further strengthens the feeling of "I fight for my life with God." From this point of view, the position is a little more relaxed in ordinary situations, but overall it is compressed, that is, Duncan is a god who has returned to the light, but the ending is right in front of him. Although we know that the ending must be bright, it is a pity that online writing is the art of process. From the perspective of the gradual change of stance, Yuantong showed his thoughts and aura more delicately step by step. From the large quantities of food in "Xiling" to the exquisite food in "Deep Sea", the stance became smaller and the expressions became more. …………The emotions of the narrative………… The writing itself is emotional. A tragedy, written in a pessimistic way is certainly sad, but written in a cheerful way, it may be ironic. For example, science fiction writing sometimes needs a sense of weight, and the writing may focus on the big picture and the writing may be more serious. Sometimes it needs to be cheerful, and the writing may focus on the small and the writing may be lighter. It is obvious that the writing style of these four books by Yuan Tong has changed from brisk to serious. "Xiling" may be due to the initial preference for two-dimensional material selection, and the consideration that the first perspective has to introduce life events. The writing is mostly cheerful, and at the same time, the inhuman background setting and the emotional setting requirements of the harem sometimes make the writing seem frivolous. To be honest, my attitude towards "Xiling" is generally more positive than negative. This derogatory part largely comes from the frivolous writing of the daily part, which makes me feel that this should not be written here. This may also be a major reason why the content of "Xiling" is relatively weak. Of course, this is my opinion and is related to my personal reading needs. Switching to "Abnormal", the writing is generally more lively, but the proportion of seriousness has increased significantly. This seriousness comes from the solemn feeling of the demise of civilization, and also comes from the gradual compression of the writing of life events. As the story develops, anyone in the Hao Ren family may bring new tasks, and this task is usually admirable, followed by a reduction in life time, and is concentrated on the thoughts and excesses of the protagonist. I personally highly recommend the book "Abnormal". The main reason is that it has a good balance between seriousness and liveliness, tension and relaxation. It is very suitable as an online novel to immerse yourself in and relax. This is rare in an environment where most online novels are either protracted or overly tense. When it comes to "Sword of Dawn", I personally think that seriousness begins to overwhelm lightness. Looking at the relationship between these four books, "Dawn" is a magical turning point. The stance and color of its story have significantly changed compared to the previous two books. "Dawn" formally lays out the serious environmental background, telling readers that what is described here is not a good place yet, and joy is still just a luxury. In terms of writing, "Dawn" shrinks the light part again, shrinking it to the characters' behaviors and specific cognitions. Therefore, in "Dawn", it is easy to label the characters with behaviors that will not change, such as who can't beat the goose. Although the first two games are also possible, in comparison, the labels of the characters in the first two games can be more diverse. For example, the Northern Dog loves to eat bones and protects its tail, and the housekeeping bat has nothing to do with racing swallows. However, the labels of "Dawn" are more simple. For example, apart from hair restorers, what else does Solderin have in life? This is a contraction of writing. In addition, "Dawn"'s dramatic abstraction of specific personal behaviors and the conflict with the heavy background have an obvious effect, that is, readers know that this is a tune-up, which is the most cost-effective joy in the midst of sorrow. It is also a lubricant for the story's excesses, preventing readers from sinking into the heavy swamp. After all, this is an online novel. The side effects are obvious, that is, the conflict itself. In fact, these actions are unnecessary or manifested in a shallower way, and Yuan Tong directly dramatizes them. This may be a compromise chosen after rational thinking. I personally don't like "Dawn" very much. The reason is that these conflicts make it difficult for me to be immersed in the serious atmosphere and to watch it relaxedly. However, there should be many people who like it. After all, the dilemma is actually the best of both worlds. Finally, when it comes to the unfinished "Deep Sea", it is actually obvious that Yuantong has further compressed the behavior. Although it is still "harmony among the evil", the harmony itself has been further abstracted, functionalized, and may even be a little unharmonious. The taste has been diluted by evil and has become reasonable, such as Mechanical Morris. At the same time, the reduction in the number of characters involved further weakens the joy. By "Deep Sea", these humorous parts have officially been submerged, and the heavy story has become absolutely dominant. Here, the joy, although it may still be inappropriate, is no longer glaring. In short, these four books by Yuantong do show signs of giving up the joy of words and switching to the story itself. The writing is more restrained, more purposeful, and more reflective of the heaviness of the story itself. ………………………………………… Having said so much, I am not sure whether I have said everything I want to say, and I am not sure whether I have made it clear to you. I cannot allow misunderstandings or conflicts. I would like to apologize in advance. Everyone, Haihan, of course, I have written too much and I can't finish it.        ，，，，，， I don't know if this is a bottleneck period for online writing or a decline. At this time, it is already a good thing to have a stable and good author. Yuantong still has a lot of ideas that I haven't written yet. I still have many years to wait to read the online articles. I don't know how many more years I can continue. Are you still willing to wait together? On the 29th day of the twelfth lunar month of Geng Pleiades year

Is the city here very small, with a few thousand people or tens of thousands of people? What kind of war is it? It's just a war between a few people. Purunde is like this and so is Frost, as if trapping one person can determine the outcome. If the urban system were like this, it would be too fragile. The world view is set very grandly, but it actually feels like playing in a sandbox. The personality of the protagonist also rises and falls intermittently, and the main body cannot see anything in the dark without lighting a lamp 🤔 I can only say that this is very normal for people.

The reason for ordering French fries

First of all, I want to praise the writing power of Big Eyeball. To be honest, after reading this book, my perception has changed a bit. My overall view on Wudi Wen. I used to think that Wudi Wen was only suitable for novice authors, but looking at it now, it is not the case, because Wudi Wen It itself eliminates the driving force for upgrading online articles, leaving almost only puzzle solving, and Big Eyeball does write puzzle solving very well, and although there are many elements in the novel, there is no corresponding slap-in-the-face plot. I feel that their so-called slap-in-the-face plot I can only write like this when the overall arc of the character is not high, so it seems very insulting to other people's IQ. I don't know what Big Eyeball's previous books are like, but in this book I do feel that his shaping of characters is quite good, especially the shaping of Fanna, and the construction of the overall world view is no longer limited to certain authors. They only write about life in the extraordinary world, not what life is like for ordinary people in the extraordinary world, so this leads to the construction of a world view. It is difficult for readers to calmly imagine how that world works. I also feel that the warmth in the description of the entire world environment is very good. Although many people laugh at this as a bourgeois-style warmth, is warmth necessarily bad? I don't think so. Does it mean that great suffering and great sorrow are required to be in the interests of the proletariat? Can't the proletariat get better? I feel like this just isn't right. And the overall ending, I think it's okay. After all, to be honest, many ancient gods wrote, such as blasphemy, many people think it's unfinished. Of course, there are still shortcomings, that is, in the later period, too many scenes of Alice's guillotine were used, which made me a bit tired of aesthetics Finally, let me digress a little bit. Even after reading this book, I have been looking for novels with similar writing methods to narrate the plot? To be honest, I couldn't find much, and then I went to watch anime. I asked Deep Seek, and there was no similar Japanese anime recommended to me. This made me think about why this kind of similar invincible novels are not or rarely seen in foreign works. I can only say that the economic foundation is different. To give an example, in the case of a capitalist country system, it must be accompanied by oppression and exploitation, so it is difficult to produce very, very few people who can change the world through the power of one person or a team. After all, the environment determines consciousness, the economic base determines the superstructure, and the overall social psychology determines the direction and direction of social and cultural works. Therefore, it is difficult to find a replacement for this work. I believe it is a novel that I will not regret after reading it.

After the world view is decrypted, it ends at the speed of light. Even a big-eyed person can't escape a slightly clichéd ending. It is simply a fate that the invincible flow cannot escape 😭.

I read the entire book in five days, and I have to say that the author's writing style surprised me. He blended the warmth of this sea into the thick background story. There are no traditional alternative villains and no messy plot. The characters' IQs are all online (except for the two bulletproof brains). The various supporting characters are full of images. The most unforgettable thing for me is actually the gods, who truly love these remaining "human beings". "Mortals and gods are each doing what they can. One rushes towards the unknown and death, and the other guards the shelter with his rotting body, all in order to continue this embers... (What a pity, the good book is short, 2.6 Million words can only be regarded as a bowl of rice porridge for me, but maybe short is the root of the excitement, I have to look for books again...)

I'm the kind of person who has weird and picky reading tastes. Big Eyeball's somewhat evil and humorous style is very suitable to my taste. There are a few things I like better. One is the good structure. I dug a lot of holes but basically filled them in. It can be seen that I have a strong ability to control my own story. The other is the good shaping and supporting roles. The creation is very careful, and I admire the power of the eyeballs. However, the image of the protagonist group is relatively fixed from beginning to end. Personally, I feel that the advantage is that the characters will not collapse, but it is a pity that there is some lack of growth. Thirdly, there is no heroine, no CP, and no harem (it belongs to personal aesthetics). The family friendship and a few loves in the book are very touching. Fourth, there is an inexplicable sense of security (?). The captain is invincible from beginning to end, and the crew members are basically untouched. Every god loves people very warmly. It's really Asasi (sigh). Looking forward to the next book (if you keep it first, you won't die anyway hhhh)

More than half of the time I watched it, my heart became heavier and heavier... The end was getting closer and closer, and everyone was working hard, like fireflies who were not afraid of the light of fire, and ants who tried to drag the elephant, in vain and stubbornly, exchanging death for life. In this extremely twisted and dark era, humanity is incredibly glorious and righteous. This is a novel without a villain. There is no difference between the good and the evil gods. They are all working hard to keep the world alive. Even the oblique cultists who looked abominable at first are just a group of poor people who don't want to be abandoned anymore and want to grab tickets to the doomsday ark... Our captain has also grown from a frightened man trapped in a ghost ship. A man who has the ability to turn the tide, the burden on his shoulders is so heavy that every time I think about the beginning of the book, Uncle Duncan teaching his little niece to ride a bicycle in the afternoon, watching Miss Doll fight with the boat, and giving Ai some French fries, I will cry for these warm and beautiful things. I not only hope that he can be an ordinary person, go fishing, walk with birds, drink tea, and occasionally pick up his old profession of teaching, but also hope that he can create a successful world and let everyone have a perfect ending... Hey, a heroic protagonist always makes people feel bad, maybe the greater the ability, the greater the responsibility...

So cool, so cool, so cool 😍 Commemorating the first fully ordered book Suspense and micro-horror + soft science fiction + humor + warm daily life, rich and three-dimensional character creation, interlocking plot structure, fascinating puzzle truth, and my personal favorite point-short and compact size. The plot of this book is compact and logical, so it does not describe other city-states, but describes three city-states and goes through them all. I think this is commendable. In addition, the proportion of daily life and the main plot is also just right. It doesn't say that there are too many daily routines and it seems too watery (name the gentleman here), nor does it say that I am overly nervous because I keep writing the main plot. Because I read it all at once, the whole process feels very coherent and comfortable to read. And daily life is not just daily life, he may also play some other roles, such as Duncan teaching Nina to ride a bicycle, which echoes at the end of the article (can you hold back from crying?) By the way, who knows the sense of redemption I felt when the music just played to the night star when I saw the ending 🙂 Finally, I praise the God of Maya and thank him for allowing me to find a place to live and purify my eyes in an era where bad articles are everywhere. Oh my god!

The elements of Cthulhu are 1. Indescribable terror and seeing the whole picture will make you go crazy 2. Weird (alien) monsters, in Luo Lao's setting, they actually have their own hometown, rules and even civilization 3. The essence of evil gods and monsters is high-latitude life and even socialism. Human beings cannot understand high-latitudes, which leads to panic, which means it is essentially a science fiction story. Nowadays, many people analyze the setting of Cthulhu's monsters and evil gods in detail, but their Cthulhu works only scratch the surface, and it is difficult to find differences with monster movies The most rare thing about Embers of the Deep is to reach the soul of Cthulhu. Behind the horror is the unknown and science fiction. Even if the author feels that what he is writing is not Cthulhu, the disaster scenes in the article have captured the essence of Cthulhu. When "The Sun" appeared on the stage, the ridiculous shock made me understand why Cthulhuli would be frightened and go crazy when they knew the truth. So I like to watch those clips of ordinary people being tormented by unknown gadgets when the protagonist is not on the stage, which is particularly touching.

I was playing a ship-sailing game while reading the book, and I felt very immersed in it. Although it is not a world, the setting, development, funny parts in the middle, and the final ending of this book are all very good. It can be said to be a masterpiece in the Cthulhu genre.

It should be a published book, not just a paid novel in the starting point. I can't say that it can sit on the same table as "The Three-Body Problem" as a science fiction book, but it does support the facade of Qidian's science fiction division. Cthulhu, science fiction, navigation, the article requires thinking and understanding. It is artistic and full of exciting points. It is suitable for both refined and popular tastes and is in line with the mainstream of current readers. Order it all! take my money. Jpg

I originally saw Hotel Alien first, but when I heard there was a prequel, I came over to watch it and couldn't stop.

Are you going to write more after the extra chapter? It's not enough to watch 😭😭😭