The Tao and the Carbon-Based Monkey's Guide to Care

(Written on 2023.10.08) My father was discharged from the hospital yesterday, so I got on the bus to Shanghai to work and earn rice. In the car, I read "Tao and Carbon-Based Monkey Breeding Rules" that I had saved for a whole year. It has fifty-three chapters in total. It was so funny that it didn't even have to be updated every week on average. I read the current issue of this book, and its priority has surpassed "The Son-in-Law" and became the book I missed most at Qidian. The last time I stopped reading was when I read "Beyond the Garden Wall", the potted plant. Our protagonist was arranged to experience the specific image of "death" up close, and he was asked to catch a glimpse of the hem of Death's clothes. The author's diction made me feel like she was showing off her skills. I mean, he writes books like Li He. Our potted plants have always believed that death is the final solution to all troubles. He said that as long as you know that there is a place where all problems can be solved, all mistakes will no longer matter, and then all suffering and nothingness will be nothing to fear. So Jing Huang used the dream of fire to protect him and let him peek in from outside the garden wall. At first the potted plant was deeply attracted, and he just wanted to step into a peaceful dream. Then he realized the owner of the garden and was frightened to the point of going crazy. In the comments, it was written that the potted plant is called "Luo Gong died well". People can regard death as a way out because death is difficult to concretely perceive, so the ugliest thing in the world can be attractive. On the train last night, Dongli suddenly called me. I asked her why she didn't reply to my "survival confirmation" message and instead sent it to Moments. She said it was because she was on a ventilator when I first reported it and had swallowed 70 pills. "Your concerns are valid," she said.                 Then I started to laugh at Dongli for not understanding medical knowledge, how can I find pills that can kill people now, and advised me not to choose such a cost-effective strategy of swallowing pills for self-harm in the future. He was also threatened with the suffering of being paralyzed after failing to burn charcoal, urinating and defecating in bed, and unable to take care of himself. Then she said a few words to me and hung up the phone. She seems to be a completely indifferent person about life and death, perhaps because she knows that she can decide her own life and death. The novel I read last night tells the story of a potted plant on earth that went to the universe to experience strange scenes and then returned to his life. It describes Bonzai's sister, a very brave girl who faces all indescribable fears with unwavering actions. Her courage was otherworldly and I experienced adoration. But adventures always have an end. So I watched Bonzai act as a trap, fake a smile, keep each other's secrets with his sister, and then fall in love with the girl who had a crush on him in high school. After holding hands, I started thinking of the child's name. Everything Bonzai experienced in the universe will never be associated with him again. He once lit a planet with fire and killed a god's last remaining dream. He once merged with the Giant of Light and exiled the Death Star to the world of the dead. But you tell me now that he finally returned to Earth and started drinking with customers every day, manipulating the power struggle in the family business, and reading one business plan book after another. At the same time, he also has to control the playboy in the family who wants to humiliate him every moment. He is forced by his parents to go on a blind date, has a girlfriend, and is planning the name of his child. And told me that this was an ending. The potted plant came back and lived a bright life every day in the world. I mean, I actually accepted the ending. The rest of the story felt like a side story to me, like a compromise I had to make in order to make money for the sequel. Bonzai's heroic journey is over, he is "done". The following story should have his sister as the protagonist. It is the story of Jing Huang and Momolo, not the story of potted plants. And this book is so romantic.

Cool. Countless jokes do not affect the main story and character creation, and the reading process is simply like digging for treasures. Such writing style and integration of themes can be updated several times a day, which is really scary. Based on the author's understanding of science, he obviously has experience in moving bricks in science laboratories. It is very rare to have undergone rigorous scientific research training without being constrained by the scientific framework. The author's reading volume of horrific science fiction novels can be seen from the distribution of memes, but the author readily uses them to drive... By analogy with epic dramas such as The Three-Body Problem, this article is more like a Quentin-style absurd road movie. But this is obviously done deliberately by the author based on his own taste. The worry is that such taste will inevitably lead to a niche market. I think the author's next work can completely focus on characters and story but not on plot. To write an epic like Three-Body Problem, all it needs is a core idea such as the dark forest theory. The author's reading volume can definitely support the structure of the epic work. The above is my experience as a reader. As a writer, I can only say that it is impossible to sigh when one looks up at a high mountain. I just want to delete my bad article. I hope the author takes care of himself and continues to output.

They smiled incredulously. "I only saw a grand party." "Oh?" "That's what they said too." "Do I need to be concerned?" "Yes, a creature that uses drugs to suppress traumatic memories, magic to remove personal thinking, the environment denies the atrocities against them, and education causes The roles are divided, and the dream completely destroys the core personality." "It's simply evil! They should be more sensible!" "Don't expect them to be human beings. This is also a proposed idea." "This is incredible, is it reasonable?" " The author discussed freedom, dignity, and sensibility. " "What is intervening entertainment?" "Sewing pigeons with chocolate." "Is there anything worth encouraging about this behavior?" "When a pigeon chirps, it changes a word for civilization." "I think many people agree with this point of view. Are there any new tricks?" "Yes, for example, destroying civilization by drawing lots." "Too much, they are just for pleasure?" "Not entirely, for example, they require the dialogue to be written backwards." "..."

Note: The following is a self-deprecating content to express support for the author. The concentration of private goods may lead to death, and the language logic tends to be confusing. The only advantage is that it is indeed very long. Another note: Most of the following content was completed in July 2021. I found out about the title event a few days ago and finished it. Therefore, the following views are only in line with my personal aesthetics and are not analyzed with sufficient evidence based on the original text. It is very likely that Mars is the product of Tu Yile's self-satisfaction. Anyway, I feel that the author doesn't care that the readers think the same or different than me, so I just boldly make nonsense. Jpg 1. From beyond the horizon In my opinion, all fantasy stories expand the boundaries of people's spiritual world, but the direction of extension is different. Regardless of fantasy and science fiction, all kinds of things that are extended from imagination have one thing in common: transcending the barriers of common sense and established trajectories, and falling into an unknown realm beyond the horizon. This kind of transcendence is different from the cognitive boundaries expanded by scientific research. It originates from reality, but it is outside reality; it appears nihilistic, light and full of emotions, but it is therefore more free and wild. "Tao Monkey" also explains this transcendence very well. This story dissolves the classification boundaries between fantasy elements to a certain extent, inheriting existing elements while injecting new ideas. It does not fall into the mold of life scenes: outstanding core features, unconventional image combinations, rich detail filling, and changeable writing styles create a scene with a strong sense of exoticness. The use of short sentences, metaphors, symbols and other techniques sets a concise and implicit tone, but the author also uses his powerful ability to create jokes to dispel the possible sense of solemnity. It is the eternal cluster of stars, the wild beasts of the forest, the fire underground, and the turbid dream. It is probably just the purest imaginary world, a spiritual paradise of confusion and confusion. If we call what we can see the horizon, what lies beyond the horizon is called the unknown. Unknown things cannot be described just because they are unknown. However, it is imagination that gives it a temporarily observable shape. Starting from the starting point of daily life, the unknowns are poeticized through imagination, and the impossibilities are embodied in imagination. This is the charm of fantasy stories such as "Tao Monkey". These concrete contents have not been rigorously demonstrated, and they may not have specific guiding value for life. But the "boundary-breaking" sense of surprise they provide may lead to the lightest freedom and creative liberation in the deepest part of the soul. I am ashamed that I have not seen Twenty Thousand Leagues Under the Sea, but I remember that Captain Nemo seemed to have said something similar to the following, which I liked very much, so I use it here as the conclusion of this part: "There is a horizon beyond the horizon, and our voyage will never end." 2. Conventions, magic, miracles Many stories have a surreal existence. A spell that produces a fixed response from a fixed spell. The natural energy carried in the meridians and compatible with living organisms. The resonance of heaven and earth caused by poetry, music or emotion. Magical technology characterized by academic organization and industrialization. Probability theory falls into chaos and emerges as a miracle of nothingness. All these are not enough. I have always enjoyed admiring these different worlds. While traveling through these worlds along with the story, one day I suddenly had a desire: for pure wonder beyond the established framework. This may sound very vague, and I can't give an accurate description of the idea. However, it can be roughly said that many "magic" settings, whether superpowers, auras, conjurations, or magic industries, just establish a causal system that is different from the real universe, that is, for a given input signal, a specific output signal will be given. They can be dismembered, organized, summarized, defined, and ultimately exist within the confines of a specific theoretical framework. These things that can be summarized can be regarded as the natural laws of the story universe, but they cannot be called miracles. And miracles should be unreasonable. From this perspective, I like the setting of ancient conventions very much. Of course, the current setting is not fully revealed, but it still successfully connects many common phenomena in fantasy works, and focuses on portraying the "incomprehensibility" of the ancient covenant to the pan-conventional and rational races. Lishi calls the ancient covenant a natural phenomenon, more like an outline drawn by rational logic and looking at flowers in the mist; but the boundaries of the outline are blurred, and the true form of the ancient covenant is still mist-like in every performance that is difficult to summarize, organize and trace the cause, giving all species with physiological structures in the Dao Monkey Universe a surreal aesthetic experience. I would like to call the ancient romance the original and chaotic romance under the tide. 3. The Complex World and Luo Binhan Luo Binhan (potted plant) is a very interesting character.       ，， Here I will just write about how, in my eyes, bonsai faces the world. The world is too big for a bonsai to sort out. There is always the unknown beyond the unknown, and there is always the past before the past. Whether looking forward or backward, the development process of things is a maze of layers and layers. All the unseen things are crazily crowding the sight, and all the fragmentary clues will not actively connect themselves. The world is always and ruthlessly huge, and all the potted plants can see are the broken flashes of the kaleidoscope. His life on board is like a huge ball of yarn. No matter how it is twisted and torn, the original thread and reason cannot be found. Compared with the vast world, individuals are obviously too small. Our observation of the outside world is like seeing a leopard through a tube. Even the edifice of modern science is the result of generations of people gathering sand into a tower, not to mention the unknown that has an unknown end beyond the known. From this perspective, each of us is a potted plant, facing the complex world as a mustard seed. But Bonzai's situation is the extreme of this situation: he is a primitive creature in the trap zone, but he boarded a starship that can travel through the universe. The situation faced by potted plants is too complicated. The treatment of potted plants is very simple. He directly regarded things beyond his cognition as a whole, and gave up on actively classifying and understanding them. His chic and confident behavior is simply shameful. The practice of potting was very effective. He quickly found his position and could continue to live a life of freeing his mind most of the time. No matter what the situation, he can accept it immediately: because unknown things make no difference to him, and since one seemingly strange thing is reasonable, then thousands of other things can also be reasonable. Under crisis, under special circumstances, he only needs to follow his own preferences and do his duty: because his choices mostly have no impact on the solution of the matter, even when he has the right to choose, he does not have the level of understanding to find the optimal solution. Coupled with the influence of regularization, now that the matter has come to this, it is better to act according to his heart. While searching for information, I found a description of primitive people's thinking, which is very consistent with the performance of potted plants, so I posted it here: "Thinking with this tendency is not very afraid of contradictions (this makes it a completely absurd thing in our eyes), but it does not try its best to avoid contradictions. It often treats contradictions with a completely indifferent attitude, which makes it difficult for us to explore the process of this kind of thinking." "The interpenetrating, integrated, and simple way of thinking of primitive people always regards the visible and invisible things in the universe as an organic and unified whole. This is in sharp contrast to our rational and conceptual way of thinking to dismember the world." [1] The world is neither predictable nor completely understandable. It is better to be blocked by soldiers and covered by water. As for whether it can be blocked, it seems to be insignificant. The resistance behavior of the potted plants is meaningless and more like a formalized shoddy project. This inactive, laissez-faire approach is probably also a manifestation of the death-seeking nature of potted plants. 4. Other words If the opening of Tao Monkey is a nonsensical joy, then when the potted plants are on the boat and Ya Lai appears with flower candy in his mouth, I instantly felt that the story was right. When I read the excerpt of Xunqu, which is full of Western academic writing style, and even the magical time markings in the quotation format, I felt that this story was fresh enough and worth looking forward to. When I read the clip of the Silence going from the Fire Cave into the Phlogiston Sea, I immediately believed that this story had enough imagination and expressiveness. I came to a conclusion early: this is a story worth pursuing. The story behind is indeed the same. The story incorporates a lot of existing fantasy elements, but this big pot of stew does not cause the flavors of the ingredients to change. This story accurately controls and reproduces the characteristics of existing elements, and also achieves innovation based on the imagination of previous generations. The author's strong writing skills vividly display the charm of these imaginations. The answer to the story may no longer be of absolute importance. The journey to find the answers is equally fascinating in itself. Finally, I hope the author will update more ( [1] Li Lifang. On the essence of fairy tales and their contemporary significance [J]. Journal of Lanzhou University, 2003(02):22-26.

It's so beautiful, I felt like the whole book was like a large collection of stream-of-consciousness poems. The author's writing style is so strong, it reminds me of the time when I first watched My Last Day. All people and destiny are blurred into the universe and time, flowing into a long black river. I read dozens of chapters and I was almost confused. There was no obvious main line, off-topic topics and confusing imagination. But that doesn't stop me from thinking that the author's writing is very good. The current chapter feels like a train with no destination known to me. Thousands of people are speeding around this train in their lives. In the sense of absurdity brought by the meme, you can see the cruel silver flash again. I really like what Momo said: Every day is a new era, and this is the eternal dream of the universe. The author is so strong. With this sentence, I can almost see the dark stars shining white in the void where there is no color. They are bright, pale and distant. The topics of borders, dynasty changes, twinkling stars and vast darkness have been around us for thousands of years. And compared with these topics, we are too young.

This book focuses on a magnificent dream. If you can't stand dreaming, please don't torture yourself. If you really have masochistic tendencies, please don't torture your family. When I go to the book review, I will say that it is cliche, that it is confusing, and that it is not rigorous. Every time I read the chapter review, it is for complaints and plot analysis. Please stop being so disrespectful, adults. How did you persevere in such a long book? 😵

○Warning: The author please leave this post immediately! ! ! [Our lives have been in chaos for a long time, and the vast universe is rolling with the wrath of entropy. We don't need to fight alone, we just want to board the raft of life and stay together through thick and thin...]——Abed ■Confidential Document No. 9890052■ It's been a long time since I've read this kind of strong genre literature mixed with science fiction and fantasy. It feels like I found a can of wafers with various flavors. If you give me Bibido's strange-flavored beans, I won't change them, and I won't exchange them for Forrest Gump chocolate. I might consider the Pan-Galaxy gargle blasting pills. The writing style and mood of "Tao and Carbon-Based Monkey Breeding Code" are very dull in my opinion. I clicked on the book title and read it several times before but couldn't get into it. Today I read it carefully - after entering the context, it started to take off and entered the author's treacherous universe. The Adventures of Luo Binhan is so interesting! ■Reading Guide: Please slow down your eyes and thinking, you are entering a forest that is completely unfamiliar to you. The snails are driven by steam machinery, the flowers exude the body odor of the fallen magicians in the Middle Ages, and the golden tigers have quantum cavities in their mouths... Non-anthropocentrism Science Fiction Challenge This book gave me a feeling that all kinds of cosmic creatures have their own independent life and civilization consciousness, and are not "humanoid monsters". What's more interesting is that the latest chapter mentions the "cosmic monster theory" to deconstruct the "centrism of intellectual subjects". Fly~ A cool humorous drink: This book does not have a very "wild" mood. Generally speaking, it is difficult for authors who are playful and imaginative to restrain their chickens... Oh no, it's the pen, the input method is naughty. It is probably the true inheritance of Douglas's British humor, or the author is a motorcycle repairman who practices Zen... I look forward to a new way out of nihilism and existentialism~ Agnostics may not only be cold and crazy... In the bustling Internet metropolis, This book is about a silly kid riding a bicycle with a Baby Yoda in the basket, whirring and flying up into the night sky, towards the huge moon - It's a good idea, but it's not a good idea The Milky Way also needs to build highways. Why can't a cowboy riding a horse travel among the stars? This is magic! ■Reading guide: If you like the following works, then this book is for you ·"The Hitchhiker's Guide to the Galaxy" ·"If you wake up and turn into a bug" ·"I messed up for the layout" ·"Rick and Morty" ·"Crazy Aliens" ·"Science Fiction World" ·"Flying Fantasy" ·"How to typesetting is getting smaller and smaller" ■42←This is a square-headed star who kneels down to worship A reader, stay

In order to achieve the goal of absorbing the author, I always offer a small gift, even a dried pig shank, but if the nonsense cannot satisfy Fei Pigeon, then I am really sorry and there is nothing I can do. The author hopes that readers' feedback is based on readers' acceptance of what the author has given. What I can feel personally is the indescribable romance and care: holding the sea of ​​stars in my arms. The setting is rich and detailed and easy to accept, although it may become vulgar and materialistic. However, just like the description of Mr. Ji in the Golden Bell City chapter, it seems that everyone feels and experiences the world in different ways, but for readers (here specifically me), they can indeed get an aftertaste of the unified theme from the setting that is not only based on emotion or pity. The characterization is accompanied by "Swimming Fish and Birds-Two Types of Combination Ethics" (this is also the reason why I like this book, that is, the harmonious and elegant connection and interpretation of common characteristics). In the potted plants-young master, Jingshi-Longji and even more characters with similar or different connections, in addition to the character traits reflected in the main line relationship, changes with environmental changes also make the characters more vivid. As the scene copy or the much-talked-about "heroine's revolving lantern" progresses, the changes in the potted plants are slowly unfolding in the readers' anticipation and worry. The recent volume (The Rain that Comes and Comes) completes the story of the earth, which for me adds a lot of sense of relevance based on identity. It cannot be simply summarized as a road movie or a space opera, but Tao Monkey has similar characteristics: meeting, being separated and reunited with countless people. This is what I call the joy of absorbing in interpersonal relationships. Although the bad ending of another world line has always been hanging over Bonsai's head, even the choice based on the death instinct still made Bonzai not only get full marks for this experience, but at least fill up the paper. So far, the old crew members of Silence have been introduced, and I am also looking forward to and curious about new members or guests joining this journey. (Perhaps it's not a bad idea to watch them all as guests) What I can taste in this article is, in addition to the harmony and romance of the setting and story (after all, who doesn't like My Little Pony), looking at the story of the protagonist, companions and predecessors from the perspective of the universe. In addition to the author's original expression, I can't help but add a lot of personal understanding without authorization - after all, there is a place like Sugar Land to go, which is really great.

Please give me a long review as requested. There are many things that attract me in this book, including the flash of the Galaxy Front, the young master who is not a good boy, and the real monkey's potted plant (well, he is super evolved now), but actually my favorite is the light man. Ultraman is so beautiful and glows so passionately, and the Yongguang clan is charming and troublesome. It is great to create a "world where no one will be hurt", and it hit my target. I haven't seen many light viewers, and the one who impressed me the most was Tiga. When I grew up, I always felt that light viewers were more shameful and childish. Later, I found that I was the one who was ashamed. People who only see Ultraman fighting monsters are like only seeing monkeys in Journey to the West. How can you not be naive? Beautiful ideals, in the long time, what will happen in the future? Will the hero last forever? Is the eternal approach also a possibility to end the death of all things? I'm looking forward to it. In short, I suggest that the Silence be renamed the Great Silence. (More of Luo Binhan's Shura Fields)

When Yu Zhiyu saw the back, she was frustrated and overturned countless times. Although she knew that if she succeeded, she would not have a lot of troubles behind her, but it still looked miserable In order to wipe the butt of her friends, she has only succeeded a few times.

Reading this work made me feel a sense of sadness in my heart. The fantasy world and rational thinking are destined not to overlap. In the author's writing, I successfully saw a strange and bizarre world, as well as the sadness of a traveler who can never return to his hometown once he sets out. I haven't read much of this book yet, but the characters in the author's works are out-of-the-box and full-bodied. They have different social strata and living habits, and it feels like they were put on a stowaway boat and knitted into harmonious colorful sweaters.

After reading this book again, I feel that the writing is still too obscure, especially the parts about dreams, legendary stories, frequent switching of perspectives and disconnected parts, personal pronouns without naming who is who, a large number of nouns that are not explained, etc. The description of the imagery is indeed very good, but I often don't know what I saw after reading it. The long scene descriptions or character story narratives cannot directly make people realize that it is related to those characters or clues to what happened, so that I feel that although these things are well written, they are useless and purely consume brain cells. There are also a lot of long dialogues and descriptions of psychological activities, some of which can shape the characters and some of which I think are written just for the sake of writing. As the author said, this book is not science fiction. I basically agree with this judgment. According to my personal standards, it has elements of science fiction but is essentially a fantasy adventure mixed with some classic settings. The development of the story is driven by the development of the relationship between the characters. It is more like a Japanese light novel than a Chinese online novel. In short, this is a very unique novel, a book full of imagination. The character relationship is higher than the plot design, and the description is complex and gorgeous.

I was persuaded to quit by the title of the book, but luckily I was brought back by a TikTok two days ago! After reading more than 10 chapters, I couldn't help but sigh: Damn, it's so well written! ! ! Uncle author, how come you have so many wild inspirations? ! (This first review of 14 years of reading is dedicated to you)

Come and write a book review when you see an event happening. I first saw this book as an automatic recommendation from Qidian. It was a book shortage at the time, so I clicked on it and read it. It's probably like the feeling of being hit by radio waves! I kept seeing Mencheng, a city with thousands of houses, which made me very excited, and what I thought in my mind was "This is what I want!". When I first watched it, the thing that impressed me most was the Ten Thousand Chong Roll. The burgundy ponytail has so much staying power. Especially the scene where the potted plant is escaping with a burgundy ponytail, the description is very cinematic, and the corresponding scene can appear in your mind when you look at it. What I still can't forget is the phrase "Fly, fly higher!" With the burgundy ponytail. The craziness of the burgundy ponytail is all reflected here. Later, Chao Hui Sheng said a long farewell. After watching it, I was wailing about the burgundy ponytail for three whole days... I really liked her. My first feeling when I saw the Chixian volume was that it was novel. After all, how could an average author do such a job? The vernacular part is not difficult to understand. I was not used to it at first, but after reading a few pictures, I became assimilated and even started to speak. I have to say that this way of describing different places through different writing styles is really immersive. Except for the final transformation chapter in the Senluo volume, my favorite is the milk tea girl's monologue. In the shadow path, the wellspring of the heart gushes out... Feige, you are really good at writing. There are several chapters in it that I will revisit from time to time to the point where I can almost memorize them. The feeling of writing about Black Star is like flesh and blood, and the feeling of writing about Milk Tea Girl is like the wind blowing through the cave. In other words, it has a strong sense of another world, which makes people feel that this is a completely different place with completely different people (creatures). I really wonder if Feige really took the Silence. The wishing machine, my favorite wishing machine. It's a scene that would only appear in a dream... But dreams wouldn't be so gorgeous. Bei saw a singing flower growing on the table, which was absurd and beautiful. I also really like the people in Jinling City who put themselves together in a mess... It's so beautiful, and it feels like a fairy tale? At the end, Black Potted Plant and Prenci splash wine in the universe, making the ending seem happy and light. When the stars are extinguished, the residents are enjoying life drunkenly... Finally, I still want to say thank you to Feige for writing, thank you to Qidian for the automatic recommendation, thank you to Silence, and thank you to Luo Binhan. I also want to see Luo Binhan, Zhou Yu and Zhou Yu appear together in the new volume. The three of them are so interesting. I've seen the game Dead End before, but I've almost forgotten about it. I just finished playing it for the second time recently. I wish Fei Ge good luck, and wish everyone good luck. It will be great to watch Silence go on in the future!

It's beautiful, it's amazingly beautiful. The author is really a very imaginative person. Personally, I think it can be read as an interesting book for children after the adaptation (because I am a liberal arts student but I think the reading pressure is okay). It's an author that both children and adults will love. It's really great. And it makes me worried whether I will be able to find a similar replacement after reading it. It may be the first time I have read this type of article, haha, and I was kicked into a trap by the author. Of course, there's no rush now, I've only read one-eighth of the 800+ chapters. But if there are similar articles, please recommend and share them!

Good book. Reading this book made me feel like I used to read books about craftsmanship. The last few chapters made me feel like I was back when I first read "Dream of Kadasi". I haven't seen this kind of bizarre and bizarre fantasy for many years.

This book had been on my trial bookshelf a year or two ago, but for various reasons I had not opened it. However, because I needed the coupons, I subscribed to some of them before I read them, and gradually I accumulated nearly half of them. In addition, a reading event recently recommended this book with double points, so I continued reading with the mentality that it would be a bit of a loss if I didn't read it. Before reading, I briefly looked at the table of contents, character cards, and discussion forums. Three first impressions lingered in my mind: (1) It took so long to write the first chapter. It was 19 years ago? (2) Why are the supporting characters more popular than the protagonists? Why do the supporting characters even have exclusive cards but the protagonist does not? (3) What are the discussion forums talking about? What does it mean to eat fungi? What the hell is dreaming about? A week ago I finally clicked on the table of contents and slowly... Saw 400 chapters. Forgive me for reading other novels at a glance, but this one is really not good! Whatever potted plants know, I know. Most of the time, I am stuck in [describes a good thing - (a long list of names) who is this - funny jokes - what the hell]. Every time I click on the discussion forum, I am afraid of spoilers and want to get some explanations. As for the Zhang Hui style part, clicking on the comment area is purely a first-aid measure. After graduating from high school, it has not been easy to find the words I know from the semi-classical and semi-vernacular style of writing - reading Chinese novels is very tiring, and there are too many words that I can't understand; reading the style is very tiring, it reminds me that I am studying for a master's degree; reading Western fantasy is very tiring, and the name is too long and I can't remember it. But I really like the nonsensical parts in it, a bit like watching "Monty Python and the Holy Grail". Up to now, I seem to have read a few complete stories half-heartedly, and I don't seem to understand anything at all. The thing about the potted girlfriend is still fresh in my memory. This person seems to be a wife-killer. The alien cultivator has to complete the trial, which is already halfway through; and the author is a graduate student (at least as of Chapter 400) and often takes time off for tutors, group meetings, and projects. I also understand why the supporting characters are more popular than the protagonists, and the bonsai does not look like a traditional protagonist. . . But potted plants have a sense of substitution, otherwise who would I be? Young Master, Gospel Clan, Wishing Machine, Ultraman, Lizard or Najie? After reading Chapter 400, I still cannot participate in the discussion of heaven and humans. I still have to honestly leave a comment, as if the comment is some kind of reference. Fortunately, I didn't encounter such spoilers like XXXX later. Let's continue watching Big Brother, the Savior of the Light. Anyway, save your claws for now and then talk about it after you finish it. . .

*Having not watched the previous work, and there is a high probability that it will be OOC, I will do it first out of respect. Robin Hood's character analysis has been mentioned by Mr. You Guang in the book circle. He just crossed it out. I actually don't understand the principle of the White River Curse on Robin Hood. What is the purpose of this curse? I don't understand it just by looking at the plot at the moment, so I have to wait for the follow-up. Jing Huang, who stole the potted plants during Earth Travel, is a character with a more distinctive personality. It even made people think that he was the male protagonist and Robin Hood was just a perspective tool. But after the curse on Robin Hood gradually spread, it made Jing Huang look like a tool man (crossed out) who took care of potted plants for Zhou Yu for a moment. When it comes to Jing Huang, the most obvious character trait besides his bad mouth is his rule-based nature, he must practice what he preaches (except for talking about your ashes, which actually does not harm people), and he has high moral standards. Judging from the description of the laws in the article, especially the ancient laws, these are racial attributes that they also identify with from the heart, just like the rational monkeys who feel from the heart that good food is good civilization. In addition to the classic elements, Jing Huang also has a more rebellious side, such as the food on the Silence [but this is still a sweet party]. Some little hobbies are very interesting. Robin Hood mentioned that Jing Huang liked to watch Qing palace dramas when he lived in his house. This is beyond my understanding. After all, if a monkey makes a monkey version of wisdom drama, I will not watch it, and as an ancient rule, Jing Huang often falls asleep in the trap zone on the rational side. But from Robin Hood's recollection, these dramas are not purely hypnotic props. I can't help but suspect that Jing Huang is still very childlike and has a strong sense of curiosity. As for Jing Huang's style of doing business, the most obvious one from the Mencheng case is the word "reckless" (crossed out). At least his idea was very direct, finding witnesses → investigating the crime scene → tracking Xingzang based on the inferred characteristics of the suspect → promoting him. In the current dungeon, Jing Huang's actions to seduce the world are quite fast, which makes people wonder whether the purpose of the Silence coming to this area is related to the Ten Thousand Insects Butterfly Mother that is about to be burned. Then let's talk about Ya Lai. Regardless of her background as a member of the Evangelical clan, she is a big sister who looks carefree but is actually extremely reliable, and the majestic mother of Silence. Her style is basically used to grasp information, and it seems to be more reliable and widely used than the real information terminal ∈. I'm very curious about the tattoo on her abdomen. I wonder if this pattern will be considered a foreshadowing in the future. After all, Ya Lai's origin is worthy of scrutiny. In the chapter, a book friend pointed out that even Jing Huang had never seen the curse of Ya Lai's knife, which was very suspicious. In fact, I did consider that Jing Huang's saying "I don't know" is equivalent to saying "this is magic", but he didn't need to add that he hadn't seen it before, which shows that he really hadn't seen it. This focuses on the question that the current information cannot answer at all. When did Ya Lai board the ship? Why get on board? Just because Jing Huang needs a mate? There is actually no point in discussing these issues, but Ya Lai's character or position is also very vague. For example, the Most Holy Gospel, as Fen Chen's younger brother, seems to be on the intellectual side (is it true?), But what about the Gospel clan? As a vassal of the Most Holy Gospel or as an independent free people related only by blood? If it's the former, Yalai can be called a maverick. Maybe people like Bonsai who don't know much about the Evangelical tribe will acquiesce in his position when they see Yalai. At present, there seems to be no such plot, so the default is that the Evangelical tribe is a normal race that is alienated from the Holy Gospel. Yalai is also very interesting about Robin Hood. He said it is like raising potted plants, but it is more like observing potted plants, observing experimental materials, setting up environmental conditions and experimental procedures, and observing their reactions. It is also like the kind of person who is very curious. She is more like an ordinary friend than a guardian. Her positioning of Robin Hood is definitely not just a specialty potted plant brought by the captain. The specific kind remains to be seen. That's probably all I can think of. Regardless of their racial attributes and inherent labels, these two characters are both interesting in novels and in reality. Of course, I personally think that Ya Lai is more like curiosity (reason) and Jing Huang is curiosity (Yulu). The difference is that curiosity relies on observation to adjust one's understanding of monkeys at all times. Yuolu's curiosity is different. He just wants to see what tricks the monkey can play. No matter how strong the whole life is, it will not prevent you from being a monkey [x]

(I just read Chapter 20 and decided to pursue it for the time being. I took part in an activity. Four hundred words, maybe? The Bizarre Adventure of the Carbon-Based Monkey Alien Potted Plant As a reader whose reading experience of science fiction works is limited to monthly magazines in primary and secondary schools, "Interesting, very interesting" is my current evaluation of this book. The opening is very magical. The story unfolds with a sense of fantasy. I thought I was going to go on a superpower adventure with my friends, but then I was captured by aliens and went on a space trip? When I read the book, I felt completely in sync with the protagonist. I saw all kinds of strange and unfamiliar terms and a lot of unclear words, and I was confused: What is this? What is that? I don't know, I don't know anything orz I have to say that the setting of the protagonist is very friendly, because there is always someone who can be confused with you This book has hardcore parts, and there are also light-hearted parts, and it is full of flaws but can't say it out loud. How can I put it, the whole process is high-energy Looking at the title of the book, I thought it was the protagonist raising carbon-based monkeys. The characters are very clear. There are not many characters seen so far, and each character has distinct characteristics (Renwaichu is very happy In short, it is a confusing but interesting book, worth reading.

I don't know if the author has ever read an article called A COC Module for a Flock of Birds Dedicated to Your Soul The design style of the cover is exactly the same as the design and layout of that article, and the text content is equally interesting. I'm not comparing, I just thought of that article wonderfully when I was reading this book (this is indeed a compliment! I like this book so much!

The problem of joining the group forced me to follow 400 chapters in two days (of course, the main thing is to read) From the perspective of a late-comer reader, the problem does not have to be so real-time. Readers who have read dozens of chapters of Ziyun should be considered to have been screened by the author. The difficulty of the question "The relationship between Ziyun and Robin Hood" is enough to serve as a threshold for joining the group (right?) In fact, it is recommended that the author reminds the "Dead End Game" in the early stage. When I read it, I always felt that many settings and character relationships were unclear orz. (Making me suspect that I am reading a book in py) In short, this book is very powerful. I feel kneeling for the first time in eight years of reading online articles. The last time I felt this way was when I was reading "In Search of Lost Time".

Is it half a month now? (Sad)

It's even, I like it very much, but can you please take care of me, a person who doesn't want to use my brain when reading a novel, so that I don't read ancient prose again. . . I skipped, skipped, skipped those few paragraphs, and whether the protagonist's girl connection was a bit too much. It doesn't matter if there are more. The key is that some characters can't be tolerated, such as the little girl and the recent shadow girl, which is a bit embarrassing. . . I would rather have a clear heroine, even one I don't like, than watch 5,678 more supporting heroines interact with the protagonist. . .

Halfway through, I felt that the front part was pretty good, but I couldn't stand the classical Chinese text in the middle, which made me very tired.

Are Dead End Games Gone? The latest chapter shows Tao Monkey

To prepare a fanfic, let's make some vertical drawings first. Update by chance.

A blank piece of paper with a book title and author's name would look better than this. At first glance, I thought it was the opening of an old movie from the last century, or the opening of Ultraman. The five-cent special effect is all dark blue, and the words can't be seen clearly. Although the deep background color is very eye-catching, it makes people feel off-putting. Combined with the dark red/orange words, this font, and the star at the top. There is an old, outdated, last century impression that strikes the eye, very ugly, very eye-catching, very ugly

Since Luo Binhan was in danger in Chapter 123, his character has undergone some changes. The more obvious plot fragments are "hatred of life, rejection of life, and destruction of life" at the end of Chapter 123; "a deep voice is calling him" in the middle of Chapter 124; "chest filled with emptiness" in the first half of Chapter 125; some ancient power hidden in the eyes in the first half of Chapter 127, and disgust for the existence of White Tower apprentices. The following are relatively certain facts Based on the above plot, readers familiar with the previous article can easily see that a certain curse on Luo Binhan has been revealed. He has begun to regularize and is hostile to creatures with rational attributes. The answer is hidden in the "Starlight Realm" entry at the end of Chapter 105. Luo Binhan has begun to transform into a dragon. An earlier detail that may be used as evidence is in Chapter 99. The clinic where Luo Binhan received his severed hand is located at Yuluduan. The following is speculation Regarding the White River Curse, that is, the dragon transformation phenomenon, according to Jing Huang's explanation at the end of Chapter 102, the White River Curse is based on "intimate knowledge" and may be avoided by traveling far away from the territory. The person who formed the curse together with Luo Binhan was undoubtedly Faxiao Zhou Yu, whom he mentioned many times. As early as Chapter 65, when Luo Binhan dreamed of Zhou Yu after learning about "Tian Jue", we can infer that Luo Binhan's trip was caused by Zhou Yu. Time goes back to the first encounter between Luo Binhan and Jing Huang. According to the words of the initial dream at the end of Chapter 84, the dirty nightmare sound, and Jing Huang's narration in the second half of Chapter 102, 0206 and the new "Tian Jue" who froze the development of the initial dream based on the earth, Zhou Yu was infected by Tian Jue because of pursuing his childhood sweetheart. Regarding the choice of location and the reason why the insect mother signal device appeared on the earth, it is expected to be related to Zhou Yu's Dead End Game, Li Li's Abyss Machine and Yucheng's Lunxing Biological Company. It is mentioned in Chapter 9 Silence Warehouse, Chapter 100 Jing Huang's Taunt, the end of Chapter 111 and "Dead End". Jing Huang tracked 0206 to the earth and cooperated with someone who had a grudge against 0206 to deal with 0206. This person was initially estimated to be Zhou Yu. The evidence that Jing Huang knew that Zhou Yu was infected with Tian Jue is located in Chapter 102. The initial symptom of Tian Jue transmitted by 0206 in "Dead Spot" is the loss of hot and cold sensation, and the time point when Zhou Yu changed from a severe mysophobia to relying on takeout for all meals coincided with Luo Binhan's overseas trip and Jing Huang's stay at Luo Binhan's house. Zhou Yu and Jing Huang paid a great price to deal with 0206. According to Jing Huang's words at the end of Chapter 60 and the beginning of Chapter 62, the dialogue between the Queen of Stars and Jing Huang in Chapter 39, and part of the "Dead End", the price Zhou Yu paid was to live in Yucheng forever, which is the "Miganzhu City" when Luo Binhan first met Zhou Yu in his dream in Chapter 40. Due to his experience in "Dead End", Zhou Yu became the dependent and "new sword" of Yucheng City Lord "Snake". The Princess of Crystal and Magic Sword Chen Wei mentioned in Chapters 96, 100 and 116 were the former "actors". As for Tian Jue, according to the image of Luo Binhan dreaming about Zhou Yu in Chapter 65, he should be using the same blood protein controller as Mi Gula. On the other side, the price Jing Huang paid is currently unknown. He owed Zhou Yu a lot of favors and agreed to several of Zhou Yu's requests. At present, they are: sending the residual dreams of the deceased in Yucheng back to their hometown, taking Luo Binhan to the outside world to escape the White River Curse, and perhaps placing Li Li in the Silence warehouse. Zhou Yu also added two spiritual hints to Luo Binhan before he left. One was to force him to forget the pollution information, and the other was to build Li Li's image when Luo Binhan was about to die, looking for a glimmer of hope. According to the end of Chapter 107, Jing Huang went to the Wild Zone through the Gate City to find the secret door, in order to find a way to break the curse without erasing the fate of the cursed person, that is, a way to break the White River Curse of Luo Binhan and Zhou Yu. In the Chonghong Library, Popa said that Princess Crystal also took her companions to the wild zone to seek knowledge about the outer realm and the "Weird Guests", or to assist Zhou Yu in breaking the White River Curse. In the middle of Chapter 100, Eden said that "Magic Sword" had asked about Jing Huang's whereabouts, maybe to seek cooperation, or maybe he came for Yongguang's prophecy. The following are predictions At present, the main driving force of the plot, at the macro level, is the war between reason and law, that is, the galaxy front; the confrontation between Pirate Fire and Fen Chen; and the battle between the top ten. On the micro level, there is the Curse of the White River and the Prophecy of Eternal Light. Zhou Yu Take Chapter 105 "Starlight World" entry and freezing as an example. When the White River Curse is revealed, the cursed objects will have a highly dangerous reduction phenomenon. It can be seen from the example of Migula that regularization will cause the blood protein controller to fail and the world will be out of control. The currently known solutions include trading with the developer's initial dream, or based on the second half of Chapter 99, using the sea of ​​chaos, similar random processes or wish machines to carry out dangerous regularization. Neither of the two paths conflict with the White River Curse. The rational side entry contains "a highly dangerous reduction phenomenon", which has the possibility of solving Tianjue; the legal side entry "One person becomes a dragon, and all the remaining family members are crazy" and "brothers kill each other." It is known that Luo Binhan, who turned into a dragon, hates rational creatures extremely. Refer to Freeze. It is possible that the curse will cause Zhou Yu to turn to the Fenchen faction. In addition, the formation of the White River Curse may be related to the Dwarf Star Demon and 0206, and the time node should be during the pursuit of 0206. Jing Huang The currently visible content of "Eternal Light Prophecy" is located in Chapter 39. The Queen of Stars narrates: "The tenth month will rise, the twin stars will converge on the top of the abyss, and the Eternal Light Messenger will be born from the fire." The clues related to "Double Star" are Chapter 39 "Son of Double Star", Chapter 111 "Dwarf Star Demon", and Chapter 117 "Dwarf Star Guest"; the clues related to "Abyss" are "Abyss Theory" and "Burning Moon", which are speculated to be related to the dispute over stealing fire and burning Chen. It is known that the Dwarf Star Demon is headquartered in Black Dwarf, and disguised as Jing Huang to attack the White Tower Mage. In Chapter 109, Jing Huang suddenly became impatient when he heard "Zombie White Dwarf". He speculated that it was related to Chixian, and "Magic Sword" and "Hunting Dog" might be the same candidates. In Chapter 39 of the Queen of Stars and Chapter 97 of the Initial Dream, both Yulu and Lishi confirmed that Luo Binhan was related to the Yongguang prophecy, and his role is currently unknown. In addition, regarding the ending of the character, in Chapter 69, Jing Huang confirms that his realm is becoming a god, in Chapter 96, he shows the characteristics of the realm of returning to the void in the Courtyard of Gods, and in Chapter 84, the initial dream explains in detail the "Tao" of Chi County. Jing Huang finally either follows the Tao and leaves, or breaks through the structure and knocks on the door of Jiuyuan to become the original species. Both of them may lead to the loss of personality. In addition, referring to the ending of Spellweaver, it is known that Fen Chen is located in the abyss, and the possibility of Jing Huang and Fen Chen meeting cannot be ruled out. Luo Binhan The process of transforming into a dragon begins. Chapter 124 shows that Li Li is still in consciousness, which may delay the process. Taking Frozen and his brother as an example, those who transform into dragons are less likely to commit suicide, so Luo Binhan may inevitably confront Zhou Yu head-on. Chapter 92 shows that "Fa Jian" and Jing Huang are very paranoid about protecting mortals, which may lead to a melee. The relevance of the entries for "The Stranger", "The Dwarf Guest", "The Curse of the White River", "Filankel", and "The Lionheart Royal Family" is unknown. The ballads of the Lionheart Royal Family may be related to dragons. The Curse of the White River may have an exception to the curse in Outland.

Although the world is vast across the world, fortunately we share the sun, moon, and sky. Sizi is sincere and approachable even to the end of the world. That's right, all the heroes of Silence are here!

His vision followed the piano player into the flower forest Pull aside the red and white branches, and saw the young man in red clothes in the empty valley