Starting from the Red Moon

8-9 Points in the early stage, exciting beginning, just the right amount of suspense and weird atmosphere, interesting setting, no obvious shortcomings, common Japanese cartoon-style impotent male protagonist (bushi) after Tekken's rectification🌚 In the early and middle stages, after the dispute between Qinggang and Hainan was resolved, at 7 points, it gradually fell into the daily routine of upgrading, fighting monsters, and slapping people in the face. However, it lacked the interesting and weird descriptions in the early stage. Especially with the display of the protagonist's power, the nature of the invincible novel gradually emerged. The reader (me) lacked a sense of tension and expectation, and had a strong sense of déjà vu in Japanese comics In the middle and late stages, after solving the Black Table incident, 6-7 points, the protagonist directly becomes a plot propeller, and the routine is serious. The weird scope created in the early stage is gone, and it is no different from the general upgrade monster-killing story, but the "seven steps" power system is not clear. Especially for the old dean and a generation of researchers, the identity of ordinary people with no power is emphasized and the high-force and high-threat performance that can make the whole world fearful is severely separated. In addition, the "ultimate" that was played up in the early stage is seriously out of character. After the appearance, the force is completely lost, giving the reader (me) a sense of chaos in combat power. At the same time, in order to allow the protagonist to defeat the villain reasonably, the upgrade was too fast, the rhythm was poor, and the enemy was defeated by verbal abuse many times. However, now that the protagonist can defeat powerful enemies by shouting "Believe in faith, believe in hope, believe in truth, goodness and beauty" all the way, the secondary fairy tale cannot convince or impress me anymore (especially the ending) To sum up, the overall score is 6-7 points

The author's description of some weird things is really good, and some of the foreshadowing and atmosphere are also described very well. However, the author's description of the big scenes is really not good, giving people a feeling of anticlimactic. The most typical one is "Dad"'s first attack. The previous excellent foreshadowing makes people look forward to this plot. The author's description continues to deepen this sense of expectation, but when he actually writes this paragraph, it feels like a punch on cotton. I can't help but say: Is this it? The sound of his voice suddenly poured cold water on the blazing anticipation, which made his heart feel cold. To this day, I feel that the peak scene that is best described is actually the first time when my sister fights the boss. Although the following ones are better than the one when dad takes action, they are still obviously not good. The foreshadowing was very exciting to watch, but it faded away once the climax was written. And the more you get to the later stages, the more you feel a sense of frustration. The author describes a very strong protagonist with a deep secret, but does not give him the ability to understand the situation and control events. This makes him only resort to tricks, and many things can only be passively solved after they happen. This situation is somewhat in conflict with the powerful protagonist. It is harmless in small things, but it creates an obvious feeling of frustration in big things. Currently, I have just entered Central City, and the people in the convoy disappeared one by one because of the small enemies. The reader does not want the people in the convoy to die/the reader knows that these enemies will definitely not be able to defeat the protagonist and will even be killed by the protagonist/seeing that the protagonist has no resistance to this situation. These three feelings add up to create an obvious feeling of frustration. I wonder if there will be any improvement in the future.

First of all, I have no intention of stepping on the work of a well-known master. That book is also being updated, but the motivation for chasing updates is not as strong as this one. Of course, it's not that the master is not good at writing, he just tries new writing techniques, but at least for now, the new writing methods are not pleasing to me. The protagonist of this book is more likable. It is obviously an invincible plot, but the protagonist's simplicity and kindness are also a little cunning, and there are some saucy operations under the iron rule of strictly abiding by the rules. It's so likable, whether it's the protagonist or the protagonist's friend, they are all very likable. The clear behavioral logic of the protagonist that the author has repeatedly reinforced through the plot makes people feel safe in such a weird world. Just like the sea-fixing needle. It should be said that Red Moon is the best among similar novels. It can be said that reading a weird apocalyptic novel has never felt so secure. The environment can be weird and the story can be dark, but the protagonist will never let us down. This sense of security does not come from the protagonist's invincible power, but from the protagonist's courtesy and kindness, which are strictly protected by steel-like self-discipline. It is different from other apocalyptic novels in which the protagonist compromises with reality, wanders on the edge, and chooses between conscience and survival (it looks beautiful, but in fact, no book can deal with these in the whole text (The Blocked End of the World may be the best representative). This kind of plot requires long-term consideration and is unlikely to appear in online articles). It is also different from other invincible novels that are too sharp or too self-disciplined (those are to please the target readers of invincible novels.) We can boldly predict that Red Moon is likely to become a template article for the apocalyptic invincible flow, just like the template article for the weird upgrade flow mentioned before. There are many novels that create excitement through the contradiction between the protagonist's character and the general social environment. The representative one is Xuer's "Hengkai Flow". You may be more familiar with his Lingjian Mountain. But this is usually achieved using a familiar world and an unusual protagonist's character. There are very few protagonists who normalize an abnormal world like Red Moon. And the so-called "normal" character, most authors still write normally, pronounced Long Aotian. The balance between darkness and warmth is really handled so skillfully (I can't help but refer to the work of the great god. The great god's work handles this point very well and is more delicate than Red Moon. I don't know if the author also referred to the writing style of the great god). The darkness of the apocalypse, the human nature that is squeezed and twisted in the darkness, and the fire that is squeezed and twisted but still shines, this is the essence of apocalyptic literature. The author cleverly designed the setting of the protagonist's family. Although everyone knows that it must be infinitely dark and cruel, the warmth of the family itself really makes people feel like a pure land in the apocalypse. It's the warmth of family, which is what it means literally, except for the first few chapters when the setting is unclear, and then you see the rest, especially the part about the family outing. This family peels off the seemingly weird outer layer, and the core is a warm and happy home. A warm and happy small family does not mean that brothers and sisters are respectful to the father and the son is filial. These things can only create an unreal concept. A father who is suffocated by social pressure and has a bad temper, but will stand up to the whole family at critical moments. A mother who seems to be omnipotent and does everything in the house to make ends meet, but is extremely delicate when going out, gossips all day long, and plays both sides, but in fact is a mother who is indifferent to the life and death of everyone except her family. A sister who is naughty and likes to tease others, but will always stand by her brother in critical moments. This is the happy and warm home we truly understand. This kind of happy family belonging to normal people placed in such a weird doomsday, coupled with the invincible power of the protagonist, is like sitting in a luxury sightseeing RV and enjoying the wonders of Jurassic Park. It's not that no one has ever written a post-apocalyptic invincible novel, but no one can write it well. The core of the apocalyptic novel is in conflict with the invincible novel. In other words, the apocalyptic invincible novel could not be distinguished from other invincible novels before Red Moon in terms of style and reading experience. But the author, through his ingenious conception and structure, managed to find a balance between the apocalyptic and invincible novels. It opened up a new way of writing. Smart authors have already begun to learn to organize red moon templates. The main reason is that there are too many things that can't be expressed under this idea that can be written out.

I don't know why there are so many "bad reviews" suddenly, but I want to say that I feel very comfortable watching it. Come on, old ghost. Don't let bad reviews put you off.

The world view is quite interesting at the beginning, but after the novelty wears off, some problems begin to emerge. In a nutshell, it's The Legend of the Old Dean. I feel like this book can't stand chewing like sugar cane. I've only read about 500 chapters.

I was young at that time and didn't know about troubles; I was still smiling happily despite the thorns; I was shy but not offset by torture; When we meet again today, I will definitely be your support! Ahhh! My little nineteen😭😭😭

The first five hundred chapters were okay, but after seeing the scarecrow in more than five hundred and forty chapters, I really couldn't stand it. It was a typical high start and low, and then collapsed in the later stage. I have been creating the mystery of the protagonist, and suddenly there is a person who has always been a tool arranged by the dean. Everything he does is arranged. Even the protagonist's emotions and joys are arranged by the dean. Don't call him the dean, just call him the author. And I have always wondered why an ordinary researcher could have the information to control the world? Where did he get the information to know so many things? I'm still tracking the situation at the institute. After reading the comments, I didn't say that the dean had any New Zealand dollars. Instead, he emphasized his status as an ordinary person. How could a "god" be clearly arranged? It feels like the protagonist is no different than a tool man.

The red moon rising at the beginning always reminds people of the moonlight at the beginning of "Diary of a Madman"... After the red moon rises, people's spirits also go crazy. This is a psychological science fiction plus an exciting novel about upgrading and fighting monsters. However, what makes people excited does not seem to be the weird and bizarre plot and the protagonist who upgrades to cheat, but the shadow of the dark reality behind each strange situation of mental pollution. The mental pollution caused by loneliness and fear The mental pollution caused by neglecting children due to busy work The mental pollution caused by greed for the ultimate perfection The mental pollution caused by possessiveness born of love The mental pollution caused by sleep deprivation ... Every story is thrilling. What is shocking is not only the bizarre mental body images and behaviors externalized by mental pollution, but also the fact that these "mutations" seem not far away from us. The logical chain of mental variations is rooted in the depths of modern civilization in which we are immersed. The protagonist Lu Xin's "golden finger" comes from a unique setting - the non-existent "family". Only Lu Xin can see his father, mother, and sister. Various experts have determined that these "family members" are just Lu Xin's hallucinations. But "they" also "really" exist in the form of spiritual ideas. "They" ate steaming meals, quarreled, and fought side by side. "They" became Lu Xin's strength to resist all kinds of mental pollution. But, are "they" themselves spiritually polluted? The dialectical relationship between "meaning" and "form" is the soul of this work. It runs throughout, making the work maintain the characteristics of classic online novels (a thrilling sense of refreshment, fantastic and magnificent imagination, a tightly woven plot, and a relaxed and moderate rhythm), while also making people sigh and think deeply.

The feeling this book gave me was warmth, incoherent warmth. Because this feeling and idea are so familiar, I even feel like I am Lu Xin. Father and mother are really exactly the same. There is also Doll, my girlfriend, a simple, sensitive, naive person who is full of optimism and beautiful vision for the world. It's not the same with my sister. My sister is often defrauded of New Year's money by me, haha. It has been two years since that incident happened. After that incident, I was on the verge of collapse but still faced various pressures, so I could only suppress my anger. In the eyes of outsiders, I am a person with high emotional intelligence and gentleness, but they don't know that I collapse countless times every day. Lu Xin's way of venting his anger is to deal with mental events, while I vent my anger on the people closest to me. . . Including my two-year-old sister, my girlfriend and my gentle mother. Now he has transformed into an operation monster and a pressure monster in the game. As for the anger, it may come from my father and aunt. It's really hard to understand that kind of unreasonableness and overbearing. My aunt went directly to the high-speed rail station and left because of my words during the Chinese New Year last year. She hasn't said a word to me until this post. Almost two years have passed now. Although I occasionally lose my temper and break down, I have gotten much better. I always thought I couldn't relate to this feeling until I discovered this book. Many feelings that cannot be directly expressed in words are vividly displayed in stories. If you have friends who occasionally lose their temper and suppress themselves, but are usually normal, you might as well recommend it to them, thank you. Thank you to my girlfriend for accompanying me all the way, my mother for her understanding and support, and my sister who doesn't understand anything but lets me vent my emotions. Come on everyone, live a good life.

Chapter 17: Can monthly tickets be refined? 🙂

After reading more than 300 chapters, I feel that the protagonist's IQ and thinking mode are a bit inconsistent with the background of this era. The protagonist is not like a normal person who grew up alone in a chaotic era. He is still at the bottom of society. (I refer to the protagonist's thinking mode here). War, barbarism, life threats, and the end of the world. You can refer to it. I don't think it's too much about Afghan children. The article mentions that the protagonist can't remember some things in the orphanage, so his social experience shouldn't be like a blank sheet of paper, not to mention that the protagonist still has a brain when fighting. A person with a brain lives and works alone in a war-torn era, but his thinking mode is so simple and cute? , And the protagonist's thinking mode shows that society is harmonious and stable, so the question arises again. Since society is harmonious and stable, why do we need to describe the darkness of society? It's better to be consistent with the outside world. This is my feeling after reading more than 300 chapters.

The content is very touching, but I think the protagonist is a bit silly

Finished with "Spreading Flowers", Qidian is a rare novel with depth and flesh and blood, the introduction is written... Reading this novel, coupled with Pu Shu's "Life is Like Summer Flowers" makes me feel, What a beautiful and regretful world it is. Obsessed with nostalgia, the world is wild for him.

*The content of this article has been converted from traditional to simplified. Please forgive me if there are typos or unclear words Then I want to talk about the differences between Xiaolu, Han Bing and the doll. I feel that this part is that there is a gap between monsters and people. At the beginning, I liked Teacher Xiaolu the best. I think people should be loyal to the original person. I also thought Lu Xin could let go of it generously, but the gap still exists. There are some excellent contrasting descriptions in several places. When Lu Xin left the main city, Han Bing successfully sent a small wonton to Lu Xin, but the doll was too late to complete the puzzle of Lu Xin's face and did not make it to him. When Lu Xin was asked to go out to explore the strange things, the doll obediently stayed. This profile is really beautiful. There is not a single word that says that the doll feels very wronged and sad, but it also tells us that the doll is very sad now. "The doll held an umbrella and stood quietly in the hall watching him, watching his back disappear without moving. There is a mask on his face, and I don't know what his expression is. But the service team members next to him were already extremely distressed. After playing with Han Bing for a day, Han Bing couldn't help but expose his abnormality. However, Lu Xin had been very polite to her from the beginning. Maybe Lu Xin had already sensed that this was a person who had a mission to get close to him, but I think Han Bing here was also deliberately exposed. She didn't want to continue to deceive this person who was so kind in her eyes. Even if he is a monster, a scam without malicious intent is still a deception. "Someone is working hard for you, but you whistle at the girl in the back seat of his car?" "I quite like the way of communicating with her..." "I didn't expect it to cause her so much trouble, and I can't say sorry to her..." This was probably the time when Han Bing and Lu Xin were the closest, but later they didn't move forward at all. Teacher Xiaolu's encounter with Lu Xin is divided into several paragraphs. I personally feel that her initial attitude is a bit disconnected from her later attitude. I don't know if there is any special arrangement that gives Xiaolu a barrier that can never be overcome. For example, the initial explanation should be that she believed that Lu Xin, who killed everyone in the orphanage at that time, could not be regarded as Lu Xin. Later, it was added that some tyrants were in the process of understanding the world, but I think Xiaolu's understanding was more correct at this time. I don't think she was wrong in recognizing Lu Xin's original kindness at this time. I think Xiaolu was actually very happy to see Lu Xin come back. She was finally the normal and kind Lu Xin again. Now she asked if so many years were compensation? She was also really angry, because she thought that if Lu Xin didn't remember the memory of that time, then Lu Xin would always be a good person who was willing to give her food in the orphanage, instead of the crazy devil when he escaped from the orphanage. But Lu Xin's answer at this time was "can't we compensate?" Was what really angered her. "I will work hard to heal myself." Lu Xin said reluctantly. After Lu Xin left, Teacher Xiaolu discussed with the security guard. From the discussion, it seemed that the security guard also believed that Lu Xin's loss of control was an accident. When I reviewed the information, I really thought that the curious evil of the tyrant was a post-production. There was no Xiaolu blaming himself for coming up with an escape plan out of complacency and pity. "I will never be able to shirk this fault. The person who informed the dean is also dead. The disaster has been caused. Things have become like this. How can I say that I am innocent again?" And another part of her thought that Lu Xin had tried his best, but still failed. "But I know that he tried his best to bring everyone out of that hell. He did everything a child could do, to Fighting against those adults..." "Half of me, when I think of what happened that night, I feel scared, and I am afraid of him..." "The other half of me, when I think of him who tried his best but couldn't save the person..." "It's actually very pitiful..." However, not long ago, there was a paragraph that clearly stated that Lu Xin in the orphanage really had no feelings at all. It felt like the author had decided to give up Xiaolu and started to explain. "At that time, I felt like I was trapped in a thick shell. Seeing other people's pain and anger, he felt indifferent and didn't understand it. He just felt it was hypocritical. Teacher Xiaolu is actually a very stupid girl. She regarded herself as a friend without knowing anything about herself, and stubbornly believed that she was kind. Looking back to Teacher Xiaolu, there is No. 8. No. 8 Is the representative of the sword holder. From here, Xiaolu is afraid of acting and cannot blame her harshly. I think Xiaolu will eventually go through this period of time and finally fully believe in Lu Xin. She has worked very hard, and he is just a disabled ordinary person. Xiaolu just wanted to help Lu Xin. No matter how scared she was, or whether she was just an ordinary person, she just wanted to know how to maintain the current Lu Xin without losing control. But Lu Xin here deliberately wrote that Xiaolu had a complete misunderstanding with her, and looked at Xiaolu with a completely indifferent point of view. "I don't know what I look like in the eyes of others, but in my feelings, I have not changed. Whether it was me when I was preparing to escape... Or later... I have always been the same me, but I reacted differently..." "Actually, I just want to help you..." Ran After leaving Xiaolu, the baby came to find him. I want to completely establish that the baby is the final heroine here. The comparison here is that the baby told Lu Xin very frankly that she didn't understand him, but she liked to get along with him; while Xiaolu thought that she understood him and wanted to help him, but she was just silent and could not speak frankly. I still think it's quite unfair. When talking to Xiaolu, Lu Xin only said half of everything, or said it in a vague way, leaving people confused as to what exactly to say and what kind of expression to use to face Lu Xin. But with the doll, she was as frank as taking care of a child, with clear and eloquent explanations. Then there is the most miserable confession of Xiao Lu, which is about her coming up with an escape plan for her false goodwill and vain showoff, and taking Lu Xin away is Xiao Lu's way of fighting for power in front of the older children, because Xiao Lu and Lu Xin are the best, and the older children are afraid of Lu Xin, so taking him away will make the older children listen to Xiao Lu. I just feel that this self-deprecation is really not very convincing to me. The image of the deer has a big split in the front and back, which makes people feel that the deer's thoughts have been completely adjusted. I think this section completely destroyed Xiaolu's image and cut off the possibility of her being a heroine. I think it's too blunt. Assuming that all of this is true self-destruction, is evil in thought still evil? In terms of behavior, she still stood on the highest point of morality in planning and escaping with the orphans, and also facilitated the joining of Lu Xin, the strongest combat force. What was wrong with this? I still think what Lu Xin is pursuing here is the same as Mr. Da's pursuit of the real thing. Can't friendship be mixed with a little bit of use? Or is it that such a completely kind act has completely canceled out all the good relationships we had in the past? I feel that the performance here makes me quite uncomfortable. Probably starting from here, I don't like the protagonist that much. First, I feel that it is a bit special to make the character of Xiao Lu black; second, such a little use that is not betrayal fills the protagonist's heart with alienation, which makes people uncomfortable. This pursuit of flawless humanity is indeed too difficult. It's not that I don't like dolls, I also like the clean and pure character of dolls, especially after Dr. Bai said, "After this experiment, maybe the whole world will know that we have an extra queen in Qinggang." "But that's not the case." "The one we have is just a little princess." I think the whole picture is picturesque, but I still can't accept the arrangement of letting Xiaolu be hacked like this. Finally, there are a few touching scenes of ordinary people. The first is the ordinary researchers and soldiers who were affected and died. Before Lu Xin found out the fact of his death, Lu Xin asked them to leave his last words. In fact, I think this is quite right. There is nothing to be so generous about it. "If I can't go back, I want someone to tell her to find another one..." "No... That's not right, I don't want her to find another one... I know it's right now to let her find another one, so that people can understand, but I really can't bear it." "I like her, I just want her to find another one..." I want her to marry me..." Then there is Euglena pollution. Everyone sympathizes with the girl who is contaminated by Euglena, and then they will listen to that girl's words. The chain pollution from compassion is really disgusting, a bit like alluding to those who use other people's sympathy to do evil. "This is what made him feel most uncomfortable about this incident. Compassion is inherently a virtue. But now, such virtue has become a gap of pollution, which makes people feel very depressed. But no matter how careful they are, they will still be contaminated. What should they do? The next mental pollution that is so bad is that sticky notes replace the roles of two people in the object's memory. The former pervert becomes a lover, the former lover becomes a pervert, and the lover is in pain. "This at least shows that the love between you is real." "It's just that it was stolen." In the explanation After solving the problem, Zhang Weiyu fell into a coma after blocking the broken glass for Chen Wei. Although Chen Wei shed tears, she did not say whether the memory came back... Finally, it is necessary to buy time for the baby to absorb the sword holder's spiritual palace, the ultimate test question of Qinggang. I think this question and Dr. Bai's answer are really true. It's beautiful. "In a wilderness full of madmen, you have a safe basement." "It stores enough food and water for you to live for three months, while the outside is full of madmen and panicked people." "You can choose to stay in the basement, spend these three months safely, and be prepared to face the fact that you are the only living person in the world after three months. You can also choose to go out and save a few people now, but you may be torn apart by a madman as soon as you go out..." "Everyone, I think the promise we made back then was awesome..." "... It's time to fulfill it." In order for the doll to buy time to absorb the sword holder's spiritual palace, they used their mortal bodies to stand in front of the doll's spiritual palace. I would also like to mention Dr. An who is very miserable. The genius researcher is probably dead. There is no other conspiracy. I just want to express my feelings... To sum up, I think the first and middle parts of this novel are quite exciting. Regardless of the characters or the hidden creative plot secrets, it makes people nervous and eager to read on. After the middle period, the humanity of the protagonist is tested again and again. However, maybe due to personal factors, I didn't like the protagonist that much at first, but the overall compactness and plot are still great. I haven't seen such a wonderful novel in a while, and I recommend it to every reader who likes a world that is weird and crazy but sticks to a kind world. I'm also asking for more extras~

As the male protagonist of Hongyue, Lu Xin is Lao Gui's 6th biological son. He is also the protagonist who follows Lao Gui in starting the Lao Fang family's IP universe for the first time. Lu Xin is steady, hard-working, practical and capable. He is such a normal and honest person. He is simply the best employee and the pride of Director Liu. The strong mental power prevented loss of control and the task was completed perfectly, which made Colonel Chen and Han Bing very relieved. The development of the story has remained exciting until now, and I am looking forward to a larger map. I hope that the old ghost can tell this story that makes me excited at his own pace. My speech is over, thank you!

The beginning of the book is extremely stunning. The protagonist, Lu Xin, and his family are very strange. Only the protagonist can discover that something is wrong with them. In the eyes of others, Lu Xin is a lunatic. There is a feeling that everyone is drunk and I am alone. It is chilling. It attracts readers from the beginning.

The author should write the ending of the doll better, otherwise, the blade must be there...

*The content of this article has been converted from traditional to simplified. Please forgive me if there are typos or unclear words The most amazing thing about this book is the first chapter. In the first chapter, we can get a glimpse of an attractive, strange and crazy world, from the red moon, the old building, the family members who behave abnormally, the warm family the protagonist knows, and the outside world. There seems to be only one person in the room, the missing evaluator who is trying to contact the protagonist, every scene seems normal but there is something weird hidden in the daily life, the protagonist in this chapter looks like a madman trying to pretend to be a normal person, all of this combines into a dangerous, but it makes people fall into it and eager to know the wonderful beginning of the follow-up. From the initial to the middle stage, the secret and madness of the protagonist has not yet been revealed, but he behaves like a strange monster who abides by the rules but is greedy for money. At this time, the plot of solving various strange cases is my favorite. Qinggang appears to be cautious in contacting monsters, relying on madmen to protect them, but there is no correct reason. Understand how powerful this somewhat greedy monster is; and the monster also agrees at this time that obeying the rules is a good thing. The world of rules is beautiful. As long as people are willing to believe in him, he is also willing to give the same reward in return. Fortunately, Qinggang did a good job in this part. Rather, it is Qinggang's goodwill that maintains the humanity of this monster who abides by the rules. However, after entering the middle and late stages, more secrets about Lu Xin began to be revealed. At this time, it is better to say that the humanity developed in the early stage of Lu Xin was tested again and again. However, I always felt that part of the plot felt a bit unnatural, but the overall evaluation was still very high. After watching the ending like this, I always felt that there was something missing in the postscript, and I hoped for more extra chapters to fill in the daily life of the characters. The key to helping Lu Xin maintain his humanity I think the biggest factor should be attributed to "trust". The trust accumulated by everyone in Qinggang bit by bit, from the initial mutually beneficial relationship with Qinggang. I still remember one of the attacks on Qinggang. Lu Xin ran back to the orphanage first, only to find that Chen Jing had already protected them, so Lu Xinze would protect Qinggang that Chen Jing wanted to protect. The description of granting the second level also profoundly reflects this trust, especially the last line of dialogue spoken by Minister Shen, who has always been wary of Lu Xin, is even more profound. "You choose to believe me, so you are not afraid that I... Am actually a madman?" "Even if you are a madman, then you are also a madman from Qinggang." "I have indeed always been wary of you, but I also know very well and must admit that our city has always been protected by madmen." At this point, I actually want to compare the past orphanage period with the Qinggang period. I think the complex relationship between the orphanage and everyone, which is both distant and close, should be caused by different mutual behaviors. This is different from Qinggang. Trust itself is mutual. When Lu Xin shows the image to Qinggang that he is willing to abide by the rules, the trust given by Qinggang is a great feedback; but the image Lu Xin gave to the orphanage in the past was that of curiosity, indifference and not caring about everything. So how can he ask the people in the orphanage to give him 100% trust at this time? While reading, I was actually quite aggrieved as to why the people in the orphanage did not trust Lu Xin as much as Qinggang. Maybe if they trusted him more, they would not have had such a tragic murder. But now, looking back, I understand that there is a difference between the two. As for the image of obeying the rules, I think it is Lu Xin's attempt to get closer to people. I think there is a great dialogue when he and his father discuss obeying the rules. His father encourages you to always be locked up in so many rules and regulations, so that you are not free. Lu Xin replied: "But "It makes me feel at ease. Rules are the ritual of being a human being." And I think another explanation is that even if Lu Xin has no impression, subconsciously Lu Xin is afraid of the self that lost control in the past and the self that was approaching God, and is willing to abide by the rules and use them to restrain himself. Maybe he also felt the pain and sadness of the first murder. Abide by the rules is also reflected in respecting family members. Lu Xin seriously regards his sister as a family member. He knows that he can actually use his sister's abilities forcibly, but he is still willing to fulfill his sister's wishes first and ask her if she is willing to lend him her power. In fact, it is difficult to make any comment on his psychology at this time. Is it because of the amnesia protection mechanism after madness, or because he wants to be a normal person so much that he is willing to stick to certain norms, or are these family members the only thing he cherishes the most? Lu Xin, who abides by the rules, does not follow the rules blindly, but has a certain tendency to be kind. From the scene where the dancers in the song and dance troupe were constantly performing twisted dances, she slowly lowered her head in the direction Lu Xin left. With graceful movements, he bowed to the only audience. The non-rescue here is very good, they all deserve their sins, which shows that what Lu Xin believes is not entirely the rules, but the rules of kindness that he is willing to believe. Under the rules of kindness, these people are guilty and not worthy of protection. Of course, we can say that the law is extremely biased because one can choose whether to believe it or not, but fortunately this is a novel world, and as long as we believe in the protagonist, he can give us kindness similar to that of a saint. The other is the passage about rescuing Gao Ting. Gao Ting finally no longer has to continue to harm herself. "When you are in the wilderness, help someone who can help you." "Originally, I thought he was very naive. When there were knights all over the wilderness, he was the only one. Be a good person." "After he died, I felt that God was accepting him. Good people don't deserve to live." "The world is full of bad people, why can't I forget that good person?" "It turns out that there are people like him in this world." "It turns out that even if he is In the wilderness, good people will never die. "The pure kindness here is beautifully rendered. In fact, I think my preference is very simple. I like to read stories about punishing evil and promoting good, especially in this context where the world is full of crazy monsters. This kind of kindness deserves our praise. In reality, we have seen too many good people without good rewards. Maybe this is why I want to see more in novels. Seeing more allows me to continue to maintain my principles and feel that there are still people walking with me. Then Lu Xin told those souls his wish in the chapter of The Sword Holder, to build a fair world without having to sacrifice souls or accuse, and you can get justice when you are born. Dr. An arranged to send Lu Xin out after he was cut off, but Lu Xin retorted, "You guys, don't arrange it for me anymore..." "I have my own principles and requirements." "Perhaps, in your opinion, this seems a bit unsmart..." "But I feel very proud." "Because, this is what it should be like to be a human being..." Another excerpt The boy who slays the dragon will eventually become an evil dragon. The explanation written here is quite good. "Many people always use the story of the boy who slays the dragon to promote despair, but has everyone forgotten the bravery of the boy who slays the dragon?" "Maybe the boy who slays the dragon will also fall, so what is there to be afraid of?" "There will be generations of boys in this world. Doesn't it mean that there will never be a lack of courage in this world?"

A work that combines some weird elements and the overall style is more light-hearted. The subject matter is novel, with a protagonist between normal and crazy. The interesting thing is that unlike most works, there is a clear boundary between normal and crazy. The line between normal and abnormal for the protagonist is very blurry, and the author manages it just right. No, I should say it's perfect. Because of this, a rather charming protagonist was created. This is also the most attractive point of this novel. The main plot adopts a baggage-shaking approach to reveal the suspense step by step. Similar narrative techniques are common in short stories and short stories, but because they are difficult to grasp, they are relatively rare in novels. The author's approach is to share the pressure of the main plot through the creation of supporting characters. The advantages and disadvantages of this are relatively obvious, and the supporting characters must be good enough. Talking about the supporting roles alone, the technique is a bit immature and not mature enough. The supporting characters are relatively successful, but the multi-line plot is relatively average and slightly weak. The overall story rhythm is smooth and orderly. In many places, it is obvious that the author is trying it for the first time, and the handling is relatively jerky and the writing power is slightly insufficient. But the overall pacing was well controlled, and I managed to hold on smoothly at points along the way that I was worried about breaking when I read it. I have to say that the author's ability to control the rhythm of the story is really good. Overall, it is an excellent work. There are a few problems, but the flaws are outweighed. Worth recommending.

I came across this novel by accident and spent a week reading it. Personally, I think it is a rare novel. The overall structure is okay and some of the words resonate. Ready to continue looking at Scarlet. Still very satisfied with this novel, it has a certain depth.

Personal opinion + personal guess + if you give me the pen, I will write it The end of the penultimate chapter is good, but adding the last chapter will make it complete. I just finished roughly reading it yesterday. The Red Moon in my eyes has never been Lu Xin's battle alone. In the confrontation with the sea country monster, there will also be a proud smile in the interrogation room. When Lu Xin was trapped by the "original" power, there were classmates from the orphanage who were willing to help him. The ability of a person with abilities to know shit (doge) If the penultimate chapter ends, and Lu Xin goes to become a god alone, maybe the creatures under the red moon pray silently, waiting nervously in endless fear and expectation, waiting for the dust to settle, waiting for the initial inspection, and they are powerless to do anything about their own destiny. But in the last chapter, everyone is also working hard. There is no savior. He is just a group of people who are equally confused. Under the guidance of their predecessors, they learn to protect civilization. 1 The red moon is coming 2 The polluted Lu Xin 3 Sister's help 4 Qin Ran 5 Zhang Sihuo 6 Sister becomes the ultimate replacement for Lu Xin 7 The cured Lu Xin 8 The bright future The beginning and the end echo, one to eight are just mirror images, without the last chapter eight would be gone. By the way, I would like to praise the author for putting the heroine doll in the first few chapters. Personal Guess Thirteen Ultimates 1 King of the Night 2 Life Stalker 3 Black Queen 4 Fire Thief 5 Sword Bearer 6 Void 7 Pale Hand 8 Crowned Clown 9 Staff Hidden Man 10 Abyss Worm 11 Mother of Torment 12 Nightmare of God 13 The most miserable person in the deepest part of the abyss (The above ranking is in no particular order) 13 It can be seen that it should be the "first" that "died" at the bottom of the abyss I would like to blindly guess whether the real first is one of despair and hope. After all, despair to the depths should be like numbness, and God's eyes should be indifferent (can't be described), but in that case, wouldn't being numb to the extreme look like God's eyes? If you follow my nonsense above, give me the pen and I will write. First add a title in the first chapter to talk about Lin Mo's despair, and then end the last chapter until Professor Bai talks about his plan, card, and cut off the rest (because I am less educated than Lu Xin and I really can't read the hidden meaning behind it), and then add it. ("This is the plan of that genius researcher.") Obviously he is the most desperate person, but he left the last hope. After all, the opposite of despair is hope...

The plot is very good and very novel. But there were no big ups and downs. The only ones that made me excited were the chapters where the first generation research institute showed up, my mother was forced to betray and finally turned into a card! Even when I saw the final siege of Qinggang and the ending, I didn't have much emotion. What motivates me to pursue this is that it is different from the popular Xianxia harem genre. It's still very attractive to me, who is coming into contact with doomsday and wasteland flow for the first time, haha! Moreover, the plot logic and thinking are well-founded and comfortable to watch!

Silently asking, does this novel belong to the new ghost story genre?

I have finished chasing this book, and I have not officially finished it until now. I feel very empty after reading it. I hope the author can produce more high-quality novels. Come on.

I didn't read much of the book before, and I stopped reading half of it. When I was reading it, I thought this abyss... Is it something like Warhammer 40K subspace? There should be some reference.

This is an unexpected work, but it is Lao Gui's successful transformation work. The theme of soft science fiction, the setting of the apocalypse, the ingenious design of Wenxin Family, and the author's detailed control of the plot of the story all make this soft science fiction another successful work. And the feeling it gave me was this book. I saw another possibility of wasteland novels. Now my expectation has been realized. After all, since the success of this book, wasteland novels have begun to imitate again, which is also a new success.

The world view of the Red Moon is very unique. When the Red Moon comes, the spirit is polluted and everyone goes crazy. Only Lu Xin finds out the clues. The main line is to crack the mental pollution caused by the red moon, and mainly describes the different routes of three types of people. The first type of people just want to escape in the face of disaster; the second type of people try to save themselves from despair; the third type of people show the brilliance of human nature in the dark side.

Sometimes what we see may not be true, but what we cannot see may not be false either. The author brings us a moving and eye-catching story in a chaotic descriptive way. Here we will see the protagonist's warm family, as well as the entanglements of right and wrong, love and hate. Strongly Amway, readers who see this recommendation, come and read it.

This post has exceeded 1,000, live broadcast of women's clothing. You have gone too far. Two people built almost 500 buildings. When I had time, I originally thought it would be early June, which was crazy. The women's clothing has been purchased. Initial photos have been taken. The follow-up live broadcast is being prepared. Already broadcast live

The main characters have basically been drawn, and Lu Xin may be the most controversial. After all, this character has very diverse characteristics. Secondly, the gecko is drawn according to my own feelings. I don't think he is a good-looking character, but he is very cool-looking. Other characters have been designed as described in the novel as much as possible.