Reborn in Tokyo, but I Picked the Wrong Cheat

I have read dozens of chapters, and I feel that the protagonist's learning system requires charisma no matter what skills he learns. For example, learning to take photos requires 50 charisma, and learning kendo requires 200 charisma. The average value of the protagonist's appearance in the first chapter is about 10. He is described as being tall and mature in appearance. As a result, his charm increases by 50 by using props to smoke. Does the author think this setting is reasonable? What values ​​do you want to output when smoking is five times more handsome? If the protagonist's initial charm value of 10 is set to be slightly lower than ordinary people, what is Tomie's charm value? Is there anyone above 200 who learns kendo? Or should we set the protagonist's school's kendo club to have a higher per capita number than Tomie? In short, whatever skills the protagonist successfully learns will basically increase his charm. I just want to know when the protagonist will become a succubus. The system values ​​are confusing and do not have any logical skill learning requirements. It is recommended that the author set the values ​​​​more rationally and set a benchmark for the values. For example, the average physique of an adult man is set to 10. For example, if the charm is set to be ugly, it is 3 or less, the general appearance is 5 to 7, and handsome is 8910, which is clear at a glance. It's easy to collapse if you add values ​​randomly. Like Dragon Ball, combat power is not calculated in the later stage.

Taking the clone to eat a Devil Fruit resulted in the clone becoming self-aware. It was originally written to support Junji Ito, but I really couldn't stand it here.

It's outrageous. Learning how to develop photos has something to do with your charm... Not to mention logical closure... Did you just write this point request out of nowhere?

Just my personal opinion, I feel that the rhythm and transition of the plot are appropriate and good. As a result, when it comes to the plot of Fujiyuan's mother and daughter, it feels abrupt and abrupt, destroying the overall sense of coordination. And it ends abruptly, giving people a sense of powerlessness that cannot be achieved, and this sense of powerlessness is extremely uncomfortable for readers. In addition, the female characters may be treated in a childish way, perhaps to go against the grain or for some other reason. They may seem free and easy, but in fact they show contempt for emotions and a one-sided understanding of emotions. Moreover, the characters that have been portrayed with a lot of pen and ink ended up hastily like this, which only adds to the disappointment in the readers' hearts. All I can say is that if this is not foreshadowing or foreshadowing by the author (although I personally think it is most likely not), then it is "the stupidity of self-destructing the Great Wall."

I just noticed that the protagonist has become more and more greedy without knowing when, and there is no bottom line in greed (cheating Urami Yusuke and their tuition fees, etc.)

I've finished reading it, and as of Chapter 31, it's okay, but there are a few problems First, the numerical inflation The initial attributes are so low, and then they appear in tens or hundreds, and the numerical values ​​are like decorations without any real sense. Do you want to say that the protagonist is able to survive like a normal person with an ugly, low-intelligence, and weak body and can punch and kick weird monsters Or do you want to say that I just thought of it casually and rushed to the street without any thought of perfection? Second, the plot is too casual You can either write something more serious and dig into a story and use it as a branch line, or let the system be more powerful and write it as a comedian It is very inconsistent to be neither up nor down now Third, the background and characters Forget it, these things will not be improved in a short time, come on.

I can definitely say that this book is not a studio one, after all, it can write about the tears of the times such as ghouls and Yu Yu Hakusho, but it is definitely written by an amateur author who is happy and stuffs what he likes purely according to his preferences.

It's okay for the protagonist to be so strong and trapped in the Zero Series. This is just an AI code word.

The protagonist of this rubbish can handle weird stories, so what's there to worry about? The people above will try their best to make the best use of these weird stories, so there's no need for the protagonist.

Why are you paid for working, but there is no bonus at all for helping the police find the murderer, or finding the child? Is this because the author forgot to write it, or is there really no bonus in District 11? I really don't understand this. It's even more outrageous than the reward for finding a dead murderer in a certain place was higher than a living murderer.