Contending for Wei

The protagonist without aristocratic family background has no other way to rise except military merit. If the author wants to make reasonable arrangements to rise to the top, he can only put more thought into the military. The expedition against Shu and Wu Shao must be involved, but according to the current plot and camp arrangement, it is probably too late and impossible to wait on the timeline. In order to have military merit and delay Sima's killing, it is recommended to secretly sell Yongliang's strategic materials (especially horses), or even strategic locations to Shu, in exchange for Sima Yi's personal guarding, and use space in exchange for time to grow. Also, don't try to marry a daughter from an aristocratic family to get into a higher position. Not to mention whether marrying a daughter will achieve the desired effect, given the protagonist's already disfigured appearance, it will be difficult or even impossible to marry a daughter from an aristocratic family.

Struggle for Wei 24—32

Testing the Poison, Chapter 4 Defeat In Chapter 4, the Wei army retreated and hid in a cave. During the escape, the Wei army approached the protagonist to discuss matters. The group of people defeated the battle and fled for their lives. Are you comparing woolen yarns? ? ? Does it look like the protagonist's martial arts skills are awesome? It can't be any more poisonous!

A pretty good book. The idea is great, national integration under the guidance of strong men. From this perspective, this book should have a place among the works on historical areas. After all, the concept of many historical time-travel novels is impossible to understand. They are really pure illustrations. If you can show some humanistic care in the writing, you are already outstanding. This book has reflected humanistic care and the author's thinking on the nature of ethnic relations at least from the conception stage, which is really commendable. Of course, the author's lack of writing skills and inappropriate design are quite obvious. The deductive style of writing is certainly enjoyable, but it lacks famous scenes, and there are even fewer original historical plot designs. The war and political descriptions are basically "I think" "I exposed your conspiracy and fought very resolutely, so I won" or "Others won and they were floating, but I am as steady as an old dog, so I am the one who benefits in the end." This kind of description coupled with such an idea seems to me to be a bit of an understatement. For example, when we look at the plot of Guan Gong warming wine and beheading Hua Xiong, we definitely don't see such a dramatic scene in the history books, but they added such a design. Even if they don't directly describe how awesome and shocking his fight was, the image of arrogance, slowness, and superior force was established. Similarly, this book talks about how old Sima Yi is, but only tells historical facts such as pretending to be ill and the Gaoping Ling Incident. This lacks drama. Of course, for such a well-known figure, the ancestors have already established the character for you. Even if you don't re-read the historical facts, the readers have already made up the mind for you. But what about everyone else? For example, in this book, we know that Zhong Hui will most likely have a fight with the protagonist. Well, besides being powerful and ruthless in the Feng family incident, what else do we understand about this character? What are his personal ambitions? What are his core interests? What is the source of his talent? What are his hobbies? What's the past? What constitutes his disobedience? How was his relationship with Jiang Wei established? The lack of these things makes the plot of the protagonist's victory over Guo Huai very weak, and the description of killing Hu Fen is even more tasteless. Let's take the novel as an example. Lu Bu's heroic appearance and his dealings with Dong Zhuo contributed two famous scenes of foster father and husband. At this point, the character image has been fully fleshed out, and then there are plots such as fighting three heroes and shooting halberds at the gate to highlight his bravery. With all this foreshadowing, the death of Lu Bu in the White Gate Tower makes people sigh. Of course, online articles may not be written in the rhythm of this classical novel, but the principle is the same. Even if you design a revolving door before Guo Huai's death, write about his high spirits in his youth, the pain of the death of his colleagues, his complex emotions towards Wu Hou, and his deep thoughts about his family. After writing these, his death will have weight, and the unavoidable themes of unification and peace of the Three Kingdoms will also make the article heavier because of such explanations. You still need to work hard, author.

Don't read this novel with your head in the dark, otherwise you won't be able to read it, and don't read it even if you're a bookworm. The protagonist is a little general with no family background and no status. Wherever he goes, there are a lot of senior officials from aristocratic families who don't like him and want to kill him. Everywhere he goes, there are inexplicable respects or hostility towards him from high-ranking officials. You're kidding me, he's a general with a bad background! ! !

The protagonist's decision to name his country Qin is really a poisonous point. Wouldn't such a dynasty with such a bad reputation and cruelty to the people arouse the resentment of the people? The same country name is the Sui Dynasty

I have been looking for novels that describe the late Three Kingdoms period. I personally think this is the best one. I like you as the author.

It's really bad. The main character is really bad. He's quite bold in his label. He's decisive in killing. He has a strong and decisive character. He does things vigorously and without hesitation. How do you reflect that? You're like a puppet on strings.

After watching it for so long, I am very disappointed. What the hell has been written lately. A Wen Yuan is so awesome that he can defeat tens of thousands of people by himself? ! It's just nonsense. In order to make up the word count, I drag the plot every day. A Wen Yuan tortured the pig's feet.

I would like to ask if you are a master planner of the Three Kingdoms, how should you set the skills for the protagonist? 1. Ordinary Yang Zheng, four blood, one skill: Equestrian (standard for Liangzhou generals, nothing to mention) 2 skill: Plunder (whenever Yang Zheng causes damage to others, you can get any card of the opponent, including the judgment area) Maintain skill: Plunder (whenever the X force causes damage to the enemy, you can make a judgment, if it is black, you can get any card of the enemy) Give it to Yang Zheng, if the card is equipped, equip it directly) Line: "Food, people, iron tools, and even bricks and tiles, scrape the ground three feet for me, and bring them all to Liangzhou!" 2. After taking over the Central Plains and proclaiming the emperor: Emperor Yang Zheng, four blood, one skill: Imperial Examination (in the card drawing stage, you can change to X people each getting a card, X is your current physical strength) Line: All the heroes of the world are in my hands! Second skill: Destiny (when other characters have fewer cards in their hands than Yang Zheng, they cannot cause damage to Yang Zheng) Main skill: Unity (when the X force obtains a card outside the card drawing phase, it can cause Yang Zheng to get a card from the top of the card)