Proving the Transcendent with the Sword

Yanzu, did you come in to read book reviews again? I must have caught you. The book review area is very messy, just refer to it for reference, we can't grasp it. Come to the comment area after reading this book. That way you can see the truth.

It's a good book, but it's a pity that the author is a bit petty. There are immortals in Daxuan who are corrupt and bloated, and there are barbarians with evil intentions outside. The Immortal Way cultivates oneself but does not save others, and pays attention to not being involved in karma and retribution, and not falling into the secular world; the barbarians prey on the weak and believe that the weak are born cannon fodder, and the strong control the channels of martial arts, making it difficult for the people at the bottom to get ahead. Although the two are hostile, they are just worse than each other. The environment of Daxuan Kingdom seems to be peaceful and peaceful, but in fact it is full of undercurrents.       ， Entry does not depend on qualifications, and cultivation does not depend on the environment. Strength and power formation speed are both strong. Compared with the increasingly decaying immortal way, it is simply a dimensionality reduction blow. After understanding this background, I really hope that I can see a grand narrative about how Kendo affects the masses from the bottom, forcing Immortal Dao and the country to reform; or when foreign enemies invade, Immortal Dao has no time to take care of itself, Kendo takes advantage of the good opportunity to expand its influence, jointly defend the enemy, and finally gives Immortal Dao a decent way to die. It's a pity that the author is too ambitious and a bit petty. The big heart is reflected in the themes: Wenzhaogong, Dihua, invincible, pretending to be a pig and eating the tiger, reverse, sect farming... The hodgepodge makes the protagonist look very fragmented.       ，， The strong admiration for the protagonist's personal force in the text also puts the sect in an awkward position: on the one hand, it seems that there is something different about it, and it would be okay to delete the sect and only write about the protagonist's flirting; on the other hand, the author wastes a lot of pen and ink to vigorously describe the development of the sect, but avoids talking about the social impact brought by the sect. The author's petty ambition is reflected in the perspective: the protagonist clearly holds the key to a new era, but the author's writing only produces the effect of constantly fighting monsters, flirting with girls, and showing off. It seems that the protagonist's grand ideals are limited to the sect's one-third of an acre of land. When he leaves the sect, he will just treat himself as a tasteless fart. This can be seen in the plot of the disciples opening a branch of the sect: there is no description of the social scene in the opening scene, and the entire story focuses on the disciple slapping the face of the old Immortal gangster, and then what happens after the disciple slaps the old Immortal gangster in the face, and what happens after the disciple slaps him in the face? As soon as the screen turns, you can see the protagonist slapping the face of the old Immortal gangster and the foreign old man on the battlefield... It seems that the development of the sect only requires killing. The emergence of Jian Zong seems to be nothing more than that. Apart from slapping old gangsters in the face and managing one-third of an acre of land within their own sect, other social impacts can be said to be negligible. It is really hard to understand that this society can be so insensitive. In short, it's a pity that this book can be read

I think it's pretty good. Revolutions require bloodshed. It's unrealistic or too abrupt for a modern person to change the world without any reason. The author didn't handle it that well, but it's not bad. The foreshadowing has been done and the battle horn has been sounded. You have to get us fired up later. Come on.

The more I read, the more I couldn't stop. Although it was a bit of a comedy style at first (I originally came here to relax and go to bed, but I didn't expect to finish it after five o'clock), but gradually I found that what the author wanted to write was not a traditional comedy or fantasy novel, but had a strong sense of reality. The status disparity between mortals and monks is caused by the serious imbalance in power. This contradiction causes mortals to always be in the most humble position, enduring endless oppression and exploitation. The sword cultivation pioneered by the protagonist is deviant in the eyes of immortal cultivators, but it is a dragon-slaying technique that even mortals can practice. The article quotes Lu Xun's articles, calls himself a revolutionary, etc., And the hidden theme of the article is self-evident. Let monks kowtow three times to mortals. Mortals would not dare to accept it. However, when people's wisdom is enlightened in the future and swords are set ablaze, the real "revolution in the world of immortality" will come. And the unique cultivation methods of the ancestors and sects, the disciples and the masters of practice have also enhanced the power of the masses. I feel like the protagonist may take the path of a "leader" in the future.

Just tell me your thoughts. Seriously, there were some people who tried to persuade me to quit in the early stage. Because the book itself has the label impression of being invincible and brainless, coupled with the inexplicable story logic in the early stage, it is very strange. But I couldn't bear to read the author's own thoughts and feelings about spiritual practice and kendo at the end. I found it quite novel and interesting. Instead, I look forward to some wonderful ideas coming later. What I like the most is that I watched it recently, which was a bit depressing but very refreshing. It reminded me unconsciously of the revolutionary history of Chairman Mao leading the Communist Party to struggle. Very touched. I hope it captures the feeling of the moment and the dawn of light. Come on. If this part is written well, Little Fengshen will be fine.

Every eunuch is a blow to readers who pay to read books

I hope the fish porridge turns into a tentacle monster! I'm willing to use Yu Zhi's ten years of single life in exchange for his transformation into a tentacle monster!

{"TopicId":"780068034927919104","TopicName":"New character design for the beginning of school"} Pretend to be a good girl

By the way, I watched Fish Porridge again and I don't know if you can see my comment. To be honest, I feel that it is quite boring now. This novel was quite good before the explosion of the Star Meteor Peak. However, after the self-destruction and traveling around the world, it is not very interesting. I feel that the pace suddenly became faster. The writing is not very detailed and I read it a bit confused. Unlike the previous opening chapters, which were interesting and detailed. They are all impressive, but now they are meaningless And there is Wang Ran. To be honest, it is a bit too heavy-handed in describing him. In addition to the protagonist, Wang Ran is almost like his own son. We should write more about other characters, such as Lao Wei, Liu Yuqiang (the fat guy has cried to death), and Wang Qinglan and other characters to bring out the protagonist's awesomeness, but don't overdo it. Sometimes I write many chapters. Readers are waiting for when to set off the protagonist or switch to the protagonist, but it still doesn't change. Following the rhythm issue mentioned last time, I personally think that to be honest, I should give up my cultivation and travel around the world. I actually prefer the kind of person who sees a beggar (Zhou Chen) on the roadside who is an unparalleled strong man. The old man can be funny. But at the critical moment, you have to be really awesome. Then when you are exposed, you can change places and continue to understand and change your identity. Maybe you have touched everything you wrote, but it seems to be too careless and not so delicate. Then the system (it seems to be of no use now) does not even check the proficiency. The writing process is too much and not so delicate, which leads to no chance to think about it (laughing). In the past, the part where the Star Meteor Peak exploded and the sky was struck by five thunders. The question is really burning. Then now it feels a bit dull and fast-paced and not that interesting (of course I know that a novel cannot be burning all the time). Now my own feeling is that it is dull. And the key battle node of borrowing the temple spirit Liu Susu to take the protagonist to cut the sword is not as interesting as before (I don't know why). In the past, when Zhou Chen was marching to the south, it was really interesting when it was zoomed in. Now it feels just boring. Of course, this is my personal feeling. I hope the author won't criticize me (laughs)

I watch pirated copies and I have no right to speak, but I still say You are too short! ! !