I Created the Myth of the Old Ones

Don't read novels with a gay background with the idea of ​​family fun, as it can easily break your defense. There are several reasons why Ke novels are incompatible with Wenxin's painting style. 1. Everything is fragile. In Gram novels, nothing is eternal except Azathoth. 2. As long as it comes into contact with supernatural power, it will be distorted. Human will will never be able to compete with existence that exceeds the physical limits of the human body. Calling out the names of certain beings in the Ke system will cause oneself to be distorted. The only way for humans to use power beyond their own is to check and balance, taking advantage of the entanglements between gods. Maintaining a delicate and fragile balance to slow down its own distortion is, of course, like drinking poison to quench thirst. 3. The powerful "insect" in the K series will definitely end badly. Because when you come into contact with supernatural power, you will inevitably fall deeper and deeper, actively and passively move closer to God, which will eventually lead to the death of the "worm". This is the tone of a Christian novel. The final ending about Kohaku and Hongye is in line with the tone of a despairing crime novel. It is a relatively good ending that Amber can finally accompany the protagonist as an air friend. In the game field, the official endings of the Zero series and the Dead Souls series are both tragic. Unless the protagonist can resurrect them through God. But the Ke gods are "arrogant" because humans are not worthy of their attention. Paying attention is more of a mentality of teasing bugs. It's actually very difficult to write a genre novel if the protagonist is too invincible and doesn't have that sense of powerlessness. If the protagonist hits a wall at every turn, the reader will feel frustrated.

Hmm

This novel All Quiet in the Spring Day, from the beginning I thought I was lucky to catch up with an arrow to get out of trouble, but in the end I found out that there was no such thing as luck, it was just a greeting, a look at the world but I couldn't find it, and then I said "I found you" thousands of miles and time away. In the end, I may not be reconciled because the ending is so tragic. I looked away, but everything was destined to be as weak and pale as the sentence "I didn't do anything". Just watching her walk towards the destined god, the attic on the high platform, there was a sentence you couldn't hear: "In the end, he didn't curse or resent the world, he just said I was sorry and wanted to look at him." Ps: It's been a long time since I've been back to read it. After all, I've had it for too long. One look at the bookshelf with more than 200 books seemed outrageous. When I saw it, I remembered this paragraph and wrote it down. After all, it left such a deep impression on me. 😭

This novel is actually positioned as a light novel? I feel it is comparable to Lord of Mysteries, comparable to many masterpieces. The imagination, combat, plot, logic, background story, and horror are all very good, especially like I Have a House of Horrors. There are scary copies in the early stage, and then it is a very relaxing person to show the saint. I think it is a very good novel, and the author is awesome

Wonderful novel, which boss is opening a trumpet?

I feel that the script of "All Quiet Spring" is well written, and the powerlessness in the Ke-kei background and the sadness at Kohaku's death are both reflected. But due to length reasons, I felt that Kohaku's charm and the relationship between the two were not fully shown, so in the end Kohaku's Death Knife was a bit shallow, melancholy but not painful enough. If there were more heart-warming descriptions of the two of them in their daily lives, and more depictions of Kohaku's change in mood due to the protagonist, and finally the killing of Kohaku's sadness, it might have been more profound.

Is there a female protagonist? I can't stand it anymore. Qin Tiantian and Feng Yu Amber, why don't you just open a harem and stop hanging on? It feels like poisoning on both sides The writing is really good but... There are more and more strange female supporting characters (main characters), and they are poisoned and die

After reading over five hundred chapters, I must admit that the author has a thorough understanding of the essence of the Kexi myth and has written it brilliantly. He has brilliantly demonstrated Kexi's alienation from daily life, the irresistible despair and oppression of human beings, and the indescribability of the senses. All living beings under the great existence are just ants. The universe is indifferent and grand. The more you understand, the deeper you sink and the more powerless you become. In my impression, there are only a few online articles describing the myth of Ke that can compare with this book. The author is indeed It is really powerful, but I still want to say something. Even if it is a Christian article, it should not become more depressing and more censorious. Doing so will only make readers numb after being constantly stimulated, and their expectations for this book will become lower and lower. In the end, this book will become more and more niche, and its performance will become worse and worse. After all, what everyone reads is an online article, not a real Christian article. The author must understand that the real Cthulhu is niche, not mass, and online articles are fast-paced. It is read in fragments. From the moment you turn on your mobile phone to read, the reader's viewing intention is determined to be smooth, refreshing, and can be read in one go. Some plot blades can sublimate the theme and detonate foreshadowing and suppressed emotions. Emotions, but not too much. Too much will make you tired and numb. Just like the red leaves chapter and the amber chapter, I can feel the vibration in my soul, but when it comes to the wasteland insect swarm chapter, I can only produce some ripples. The author's next writing direction should no longer be devoted to such How to show the despair and depression in the background of the Ke system and how to make the knife hurt more, but to think about more interesting and refreshing plots, and return to the main theme of online articles, such as how to make the real world "lively", how to make other foreign lands more intertwined with the real world, and how to make the characters created before bloom more colorful. These are the next writing directions. Please put aside those grand and indifferent things. After all, we all still prefer lighter stories.

I'm halfway through it now, and I only have one thought. Author, don't worry about your entertainment. Your writing is like shit and full of loopholes. If you are so good at writing scripts, why do you have to split it 50-50 with entertainment writing?

Let's talk about the concerns and problems that I personally see at the moment. First of all, as the protagonist's abilities are displayed in various videos, such as "vegetative", which is used in Jiji, the greater the fame, the higher the possibility of being connected by the audience if it is used in reality. Although generally no one takes it seriously, even if you play it too much, you will subconsciously think of the possibility of this coming true, not to mention that the protagonist's daily behavior is so consistent with the appearance in the video. Secondly, this journey will be made into a movie, and the protagonist will find an excuse to say that it was filmed in a foreign country. So should it be a foreign language, or should the whole world speak Chinese? Again, if this movie becomes a hit, people will inevitably be curious about the production process of this movie and the non-existent creative team and actors. How will this be explained then? From now on, the protagonist is surrounded by more and more dangers, although I know this is to make the novel story more interesting. But with troubles and disasters happening everywhere, it's easy to collapse the background world. As more and more troubles are encountered, it is easy for readers to feel that the humans in this world don't know anything, and that hundreds of ghosts are walking around at night every day. It is really outrageous. Finally, I personally strongly recommend expanding the territory. The area of ​​​​one city is too narrow. The only way to convince readers that the world is still peaceful while the protagonist is causing trouble is to tell readers that most other areas are fine and are just the protagonist's disaster. (And don't write everything in a gloomy way) By the way, during the trip to Wajima, the scene that most caused the audience to lose their SAN value, shouldn't it be the scene where all the living creatures in the field of vision turned into aliens and still participated in the festival?