I, a Necromancer, Absolutely Love America

I really like reading novels related to the Lao Mei killing line. I have read more than ten similar novels. I glanced at the comment section before and said that this book is quite poisonous, that the necromancer cannot replenish magic power, that the protagonist is too weak, and so on, so I skipped it every time without reading it. I have recently finished reading all the killing line novels and I really don't have any books to read. I have read more than 80 chapters so far, and found that it is surprisingly good, the speed of getting stronger is controlled very well, and the protagonist's development ideas are also very interesting If you are an old bookworm and like similar books, then it is worth reading. As for reviews, I can only say that many books with good reviews may be due to buying them, and many negative reviews of books may be deliberately discredited. ps: To smear people, take a look at my various paid subscriptions and then show off my IQ.

​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​: ​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​ ​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​ ​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​? First, double-line writing is not as good as single-line writing. Since Marty has his own specialty that is different from traditional politicians and can attract young people, then either accept him and become a dog, or create an accident and destroy him. What you are doing now will only become a lame plot of different lengths and lengths, trying to walk on two feet. Second, the reasonable advancement of the plot. Just like the plot design of two gangsters who quickly go offline and resurrect the dead, the fun needs to have a climax and a time limit. No one likes to watch a long and boring plot. The relationship between Marty and Brian is too long, which is not fun at all. It will only make readers think that Brian is a waste, just like Marty said If I had your resources, I would have won long ago. The simplest thing is to use the current governor as the fourth development quota, because among the current three quotas, the role of the congressman is not as good as before. Not only is it inferior to Debbie's mother, but he has also become a dispensable abandoned son. The author now writes that there are n people in New York alone who can replace him, and there is no need to continue to hold it like a powerful female professor, which will only waste the quota. Third, did the author graduate from elementary school and not study politics in middle and high school? Haven't you learned about principal contradictions and secondary contradictions? Shouldn't the protagonist's top priority now be to help Brian get re-elected? Don't you understand that if you want to do your job well, you must first sharpen your tools? Can't even distinguish between primary contradictions and secondary contradictions? The reason why a series of motions are blocked and other difficulties are because everyone is not optimistic that the old guy can be re-elected. As long as he is re-elected, it will be easily solved. All the Hart Island proposals and the like can be done with half the effort, and it should not be like the author writes. If the House of Representatives election continues to be boring and boring, I will not only not vote for you again, but I will also call on all book friends not to vote to boycott such a retarded election plot.

Let me talk about the conclusion first. I would give it 8.5 Out of 10 points. Although this book has caught on to the popularity of the killing line, it is essentially a kind of behind-the-scenes writing about one's own method. It is a field that I prefer. This book can be considered a masterpiece in this field. In particular, the plot direction is quite innovative. The plot that promotes Debbie to be a saint is even more interesting. The protagonist manipulates the slaves to package himself as the academic heir to the medical power, which is even more exciting. Although this article also has shortcomings, the author's research and rigor are lacking. Some of the descriptions of the protagonist may look a bit dull, and the suppression of combat power does exist. However, I personally think that the flaws are not concealed. The author's clever plot arrangement allows the protagonist's combat power to fully control the situation, and will not make readers feel worried. It is a masterpiece of the mastermind behind the scenes!

In the early chapter reviews, there were various criticisms of the protagonist🐢, which were depressing, and some said that the author wanted to portray the protagonist as a godfather type but the writing was not good 😥 Is it possible that the author did not originally intend to portray the protagonist as a cold "evil cultivator" or "godfather"? Actually, the protagonist is eighteen years old, and he is not a time traveler. He has reasonable respect for people, is not cynical or cold-blooded, has the moral standards of a normal educated teenager in China (referring to his treatment of his daughter Debbie and his uncle's daughter Don), and does not treat people as human beings just because he is a necromancer and has a golden finger. I feel that many people have stereotypes about the protagonists of books of the same type. They must be dark protagonists. If the supporting characters are not satisfactory at all, they will be extremely sinful and wish to die 🤔

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Necromancer

When I read Chapter 40, the author's experience is not good. Your character is a necromancer, destined to deal with death. The creativity is good, but your experience makes you look like a loser playing games. With your mentality, do you still want to control politicians? I go to a bar to collect corpses, and when I meet a slave's daughter, my eyes freeze at every turn, "Brother, what age are we in, you just start writing novels without having a good character?" The West is a jungle society. You have gathered politicians and congressmen, and you are still going to the morgue to guard the door? You can't just make up a random reason to inspect and touch the corpses regularly? Talent, a possible idea has been delayed by your experience and writing skills.

Don't be a eunuch in the US. If you don't hurry up, you can go big, special, many, and change your tricks. How do you improve your grades.

The protagonist is really a bitch... For the sake of someone else's girlfriend, he discriminates against the protagonist, educates her happily, and is a cheerleader with a head full of selling flesh. He helps her overcome a bunch of obstacles. He even personally kills a supporting character and promotes her to become a saint, and even get a letter of recommendation from a prestigious school in the future... And after doing so much, the protagonist has never even kissed...

I don't know why Goldfinger was forced to be pressed like this. The whole plot is super watery and a lot of nonsense. Goldfinger was pressed like shit. Did he intend to write a novel with thousands of chapters of water and shit when he was pressed like this? Even if writing a masterpiece with hundreds of chapters is not better than writing shit with thousands of chapters? With water like this and pressure like this, why do you think others would spend money to read a piece of shit with thousands of chapters?

{"TopicId":"1274477798274891776","TopicName":"Return to Magic"} The Necromancer cannot restore magic power by himself and needs to rely on external objects. Isn't this a joke? How can you study magic without magic power? Rely on reading 😁😁. Even if you restore magic slowly, it is still better than nothing. Anyway, if you can't restore magic power by yourself by the time you subscribe, then 88

The protagonist is a softie. He is plotted and attacked. He basically does not retaliate and only engages in small-time minions. None of the masterminds behind the scenes are killed. It is a coward. Also, the author keeps suppressing the protagonist's combat power and even abuses the protagonist.

Damn, this cover makes me laugh so hard

Time travel: I worked as a nanny for a shark-armed girl who wanted to be a cheerleader in the United States.

Even though the protagonist has superpowers, he is determined to use words to educate the female partner who hates him. The author concluded that the undisguised disgust in such words and sentences is to adjust the plot. I call it: Turtle's Ruoyi While describing the female partner's body, words such as softness, the cowardly diaosi comforted herself. There are always supporting characters around who humiliate the protagonist to varying degrees. The author feels that this kind of plot is a conflict, so even though the protagonist already has extraordinary skills, he always insists on enduring humiliation and moving forward. I was so humiliated that I used a skill once, and then I went over and over the hundreds of words on the panel to analyze and upgrade. After analyzing the upgrade panel, I was humiliated again, and I endured the humiliation and moved forward. The author ended up describing a bunch of female supporting characters with physical advantages, and the protagonist's personality was suppressed and moved forward.

No wonder the little fairy said that Nan Ning was often attracted by this kind of author. His eyes would freeze whenever he saw a girl.

He talks about being a happy superman, but in fact Xiao Chunan, if the author goes to soak his feet, this book should not be so depressing.

As the title says, it's so good. This book and "My Necromancer Loves America Very Much" have become the only two books I've read.

The writing about the two female protagonists is really a failure. Most of the chapters after the release are about the protagonist wiping the two women's stupid things. The development of the plot, the improvement of the protagonist's strength, etc. Are less than 30% of the main text. Fortunately, they are not all fixed at once.

Why is Richard so interested in that Debbie? You and A go to the bar to collect the body and find that Debbie is in danger. Do you have to save her despite the possibility of attracting attention and being surrounded by guns? In the previous perspective of the protagonist, Debbie's mother can be replaced, but it is a bit troublesome. That means the replaceability is very high. So what good reason does the protagonist have to take such a big risk to save a person with no emotional basis? You said it was reasonable to save Don's father, but in the end, the plot had to be arranged for this Debbie. It's so blunt. Does the creator have any favor for this character?

When writing about this kind of subject, the protagonist can be the Great Love Immortal, or even the Holy Mother, as long as the writing is good and feels good, there is nothing wrong with it. I thought it was quite novel at first, but when I saw the Sting Bar, I couldn't resist anymore and I fainted. My eyes turned cold, which is a thunderous adjective. The setting is not that the time traveler is just an ordinary person. After resurrecting the two servants, I don't feel where the control is. I still have to give him a slap and a candy. Then the character design of the female supporting character was so disgusting. She was either a cousin or a girl with big eye makeup. She had to be saved when she got to the Sting Bar. No one knows, forget it, and then Daibi still wants the protagonist to die. . . Really dying from poison is worthy of being a daily introduction to poison, hard💩with a soft sandwich inside💩. . .

Naughty, boring, not as good as the top and not as good as the bottom. The more it goes on, the less interesting it becomes. Either it's a literary mistake, piling up confusing and meaningless descriptions, or it fails to grasp the key points of the plot and talks about unimportant things over and over again. The abilities are average, the characters are boring, and I really can't stand it anymore.

Falling intellect, eunuch, brainless Always talking about being low-key, the result is that I have been playing the same old tricks many years ago, pretending to be cool in front of others, where is the low-key? There is also Debbie who is a troublemaker. What will happen if you just tell her mother that you saved her life in just one sentence?? It disgusts readers to pull her back and forth. Eunuchs are eunuchs. In mg, they always play hard-to-get while saying they won't eat and at the same time, like Chu Nan, they get high when they touch her. It's so senseless.

FW author, there is no one else who can write about such a popular subject.

A useless congressman and a cheerleader who depresses his wits. Although the author writes it very quickly, I can't stand it anymore.

The protagonist's intelligence is added to the dog 🙂🙂🙂 The pretentious plot is very intelligent. The protagonist's various intellectual performances are inferior to those of normal people. Mike has been following him for so long, and he even came to the door before he guessed that he was the murderer. It was unthinkable that Mike could be killed and resurrected, and then find a time to let Mike either get into a car accident or commit suicide to regain his quota. Don't say that Mike can't be killed. According to the expression of painful touch in the article, if you touch him, why does he take out the gun?

The protagonist should be the kind of person who feels that the emperor cultivates the land with a golden hoe.

I watched it by myself if I didn't believe in evil. The main character was inexplicable. She was the only one in America, and then she was a eunuch. The first person to be resurrected was a classmate's mother. I thought there would be some exciting plot development based on the description. But it turned out that the main character was a eunuch. Everyone was ready and he thought it was nothing. Then the slave's daughter, the cheerleader. After reading the plot, I thought they would be a mother and daughter. But when it came to the shelves, the main character was still a virgin? There is also the father's good friend's daughter, a banana, and there are various side descriptions. I thought she would be too strong at first, but the result is strange and ambiguous, not ambiguous and all kinds of inexplicable There is also the recovery of mana, which is actually stuck. You damn, write a necromancer. There is no way to return to mana independently and he can only rely on taking mana pills...

I came to watch "Don't Eat Beef", but I only saw a lot of boring daily life with my little girlfriend. The progress of the main plot almost stagnated, and I didn't even feel that there was anything to write about the main plot. And my daily writing is procrastinating. I write more than 10,000 words a day without a few key points. I can't stand the plot where the second female lead invites the protagonist to bed but is interrupted by her sister. I don't even know what the meaning of this plot is? Also appears in the published chapter. If you don't know how to write emotional drama, don't make it difficult for yourself and torture readers, okay? There is also the scene of rescuing Leon. You are already at the peak of your mortal body and you still can't hit anyone with a gun. You explained that I haven't practiced so I won't pick on you, but the next day on the island, you directly transformed into a sharpshooter and hit with a pistol. What does it mean? Why don't you just play me?

To be honest, the current protagonist is the most useless one I have ever seen in novels of the same type. He has written nearly 1 million words even though he was given such a big cheat when he appeared. He is still working as a nanny and wiping people's butts every day with a hammer and a hammer. He has been around for so long and has no assets, no background, no strength, and not much. Still, the lucky oriental pretty boy is too abstract.