The Absolute Gate

When he was in danger at all, he felt that the authorities were trying to harm him. He chose to believe that a mercenary he had just met escaped from prison. As soon as he met him, he revealed all his abilities. You also said that he felt unsafe if the authorities did not tell him anything. What did you say to the authorities? If there was any attitude toward that mercenary, it would have been over long ago! After escaping from prison, he used his grandpa to bully him, thinking that the authorities would not do anything to his grandpa. Do you believe the official or not? It's really just the left brain attacking the right brain. If the official setting is really bad, let me put it harshly, what is the difference between this and letting grandpa die? The comment section is still filled with ordinary people as protagonists. Stop insulting ordinary people. Nine years of compulsory education has taught such a selfish, arrogant, unfaithful and unfilial ordinary person? This is not an ordinary person this is birth. I have ordered all of Prison Island. I really like Gao Xin. I really can't stand this book.

I am Cang Yue whom I know from Bai Naben. Except for Lan Naben who read about a hundred chapters and abandoned it, I have followed every subsequent one. I am considered an old reader of Cang Yue. When I saw that Cang Yue's book was so tangled in writing, I couldn't help but wonder. My thoughts may be very superficial and may not be correct, but after all they are another way of thinking from another person. What if any sentence happens to be in the darkness of Cang Yue's logic? First of all , after reading the author's remarks, I don't think it's necessary to think too complicated about the so-called "protagonist has only divinity and no humanity". This is an online article, the core of which is coolness, and the core of coolness is "I pursue what I get." Isn't it just the lofty "righteousness of saving the world" like Huang Hei? The "humanity" level of happiness needs to be more specific, such as improving the quality of life in terms of food, clothing, housing and transportation to be envied by others, building power and recruiting subordinates to be promoted and making money, being admired for good health and appearance, being versatile and famous, and being sought after by others... In fact, the beginning of white and black is like this In terms of plot, Bai Tai is powerful for the sake of being strong. The worldly benefits he gets after each upgrade (worldly enjoyment after being rich and powerful, flowers, applause and admiration from others, family love and friendship) are not described enough, and the sense of satisfaction after getting the benefits is very "empty"; Black's way of making money with gold fingers at the beginning is not the "current optimal solution", and the dangerous way of chasing the murderer is too low cost-effective. To put it bluntly, online readers say they want to watch "Mortals", but in fact they want to watch "Mortals are happy". The pursuit and acquisition of the divine protagonist have no worldly meaning and a high sense of substitution Then, let's talk about the protagonist of "The Gate", although many people complain that he is stupid and does things illogically. But in fact, if you think about it carefully, Wu is not stupid, he is just an ordinary person, and the logic of what he does is reasonable from his perspective. However, from the perspective of readers from a God's perspective, his choice is not the "current optimal solution", so he "appears stupid", but ignores that if he were in Wu's position, without a God's perspective and sufficient thinking time, the choices he made might not be as good as him However, this is an online novel, not a serious literature with realistic themes. Internet readers don't really want to see how a mediocre protagonist makes mediocre choices, makes mediocre thoughts, and then makes the wrong choice and is severely beaten by society. This kind of thing is experienced every day in reality. If you read online articles, of course you have to read something different I think the protagonists of online articles can be roughly divided into two categories: The first is "protagonists for watching", such as divine protagonists, lunatic protagonists, genius protagonists, and alien protagonists. This kind of protagonist is like a "spectacle". What he thinks, pursues, and acts in a style are different from normal people. The author should describe and shape them to his heart's content to satisfy the reader's "novelty" mentality and shout, "It can still be like this?!" Firstly, " "Protagonist used for substitution". This kind of protagonist's thoughts and pursuits are no different from those of the general public of readers, but they can experience things on behalf of readers that they want to experience but can't meet in reality, get to know people they want to know but can't meet in reality, and have things they want to have but can't get in reality. (Extraordinary can also make people relate), the "coolness" at the core of online articles remains unchanged When writing a "wonder" protagonist, it is necessary to use a large number of delicate descriptions to make readers empathize and understand his "pursuit", so that he can enjoy it when he "gets" it. Of course, in the process, it would be better if we can get some things that the readers also feel comfortable with in the process Writing "everything" If you are a "human" protagonist, you do not need to describe in detail how the protagonist is "ordinary", but you are providing "guidance for the mortal protagonist to live the life he wants under the circumstances in the story." Most online readers are vulgar. Since you are putting yourself into the protagonist and treating the protagonist's life as your own life, you cannot allow the protagonist to make choices that are not the "current optimal solution", because in reality There are already too many people who make wrong choices in fiction, and they don't want to make wrong choices in virtual reality, so if the protagonist doesn't have a forward-looking perspective, don't give readers a God's perspective; the protagonist cannot be allowed to go beyond the situation and get lower, because in reality everyone just wants to get higher and higher, and even if they encounter difficulties for a while, they must be able to solve them immediately. Correspondingly, the protagonist cannot be allowed to suffer irreparable losses; the protagonist cannot be allowed to suffer irreparable losses; The protagonist makes mistakes and dies due to his own reasons, because in reality most people like to blame others and do not like to take responsibility; the protagonist cannot be allowed to make mistakes and die due to subjective avoidable reasons such as misunderstandings, arrogance, carelessness, etc., Because this is not the "current optimal solution"... In short, it is to allow the protagonist to avoid regrets and setbacks in reality, and the overall spiral will rise, with gains greater than losses. To put it bluntly, when online readers say they want to read "Mortals", they actually want to see "How Mortals Enjoy It". If you think about it this way, can you understand what readers are dissatisfied with at the beginning of "The Gate"? Finally, I want to make it clear that although I have said so many novice Internet articles, mortal protagonists, and vulgar pursuits, I do not want Cang Yue to write the same! If Cang Yue really writes a story full of pornographic waste, who talks about beauty when he sees it, and who wants to destroy the whole family if others look down upon him even less... Just like the box holder of "Blue and White Society", and then all the main supporting characters are beauties, and the plot is to take everything in and pretend to be cool... Then I will really hit a wall! No! So from my point of view, as a reader, I feel that in all Cang Yue's previous books, which parts are well written and which are not well written, what do I want to see? Although it is just a family opinion and only represents an individual, I hope there are any words that can inspire Cang Yue to get out of the entanglement and find his own way "Inhuman" is not very impressive. I gave up after reading more than a hundred chapters. I feel that the protagonist keeps encountering various things and is still unable to reconcile, and is always in a position of uncertainty. Stable state, very annoying (the protagonist's situation has not improved, and the situation is in danger for a long time and cannot be improved), the protagonist wants not to expose his ability but acts laxly (encountering difficulties due to his own mistakes) "Brain Hole" and Cang Yue's first encounter, as the name suggests, I am deeply shocked, the imagination is very rich, the setting is very interesting, the system is huge, it can make people really feel the vastness of the universe, but the character creation is not good, the protagonist is just a plot follower The tool man and the supporting role were lost after writing, but the advantages of the setting were so outstanding that I ignored the problem of characterization and watched it with gusto I like "Blue and White Society" very much. The protagonist's exploration and development of his own abilities at the beginning very reflects the author's wisdom. Not only is the imagination of the world view still rich and broad in the setting, but also the overall operation of the Blue and White Society and the different social forms and humanistic thoughts brought about by its existence. There is a delicate and reasonable portrayal; in addition, the character creation in this book has improved, and I even think it is the best character creation in all Cang Yue's books. There are many supporting characters that impressed me deeply. Watching the Blue and White Society go on a mission, I felt a fearless spirit of sacrifice and a sense of heroism "Information" Cang Yue's favorite book, the earth chapter is amazing. Although Huang's various strategies rely on golden fingers, they can show wisdom. The connection between the Classic of Mountains and Seas and the world view in the book is even more surprising. Yan, it is actually quite good to go to the universe later on. Both the world view and the setting of the galactic social order are still outstanding. However, the plot feels repetitive and there is no sense of substitution in the Earth chapter. It seems not as good as the Earth chapter. In terms of character creation, I think it is not as good as "Blue and White Society". In fact, some of the supporting characters in the Earth chapter have potential, but they cannot keep up with the growth of the protagonist and are gradually marginalized. The roles of new supporting characters in the follow-up are even more scattered, unlike "Blue and White Society" The protagonist needs teamwork until the decisive battle. Many supporting characters follow the protagonist through many missions and even follow the final battle, and they are fully shaped; but I like Huang the most when it comes to the protagonist. This kind of saint protagonist is quite difficult to create. If not written well, he will become naive, indecisive, high-minded and low-handed, and shout slogans. However, because Huang is strong enough, his image has been successfully established. The forward swing of the line is too long, and it keeps abusing the protagonist. Although Yan's golden finger becomes stronger the more he is abused, what matters to the readers is whether they are happy or not. If the protagonist is only strong but fails to accomplish anything he wants to do, it is no different from being weak (the protagonist's situation does not get better and better, and the situation cannot be improved if it is in danger for a long time. Problems cannot be caused by the protagonist, and the protagonist suffers irreversible losses); In addition, I think Cang Yue is not good at writing people like Yan. The character is stubborn, wise and foolish, has unique thinking, is simple and can occasionally get to the essence of the problem, but the author does not show the standard of what he doesn't understand and what he can understand, so in my eyes, if he wants the protagonist to trigger the plot, he will make him disobedient, and if he wants to explain it, he will make the protagonist understand again. (The protagonist of "Gate" also has this problem. He is written to be smart and stupid, cautious and reckless.) Maybe Cang Yue himself is too smart and rational, so he can't grasp this degree? In fact, Yan's natural character combined with his powerful abilities are very suitable for "spectacle" creation. He uses strange brain circuits to create people and create a sense of satisfaction. It is a pity to write him in such a way that he can neither empathize nor feel happy. The setting of "Sin" is very imaginative as always, and the dark logic can be used as an explanation for the fantasy system. The main line of the story is the omnic crisis and the racial struggle. The social form is reasonable and unconventional. The different ideas of experts from all walks of life have their own merits. There are more points that I agree with than many underworld cultivating patterns. The description of high-dimensional abstract battles is unique enough. However, the ten-dimensional setting is still limited to an island, which feels quite contrary to harmony. Of course, the main problem is that the rhythm of the story is too tight. The protagonist is always in a state of being exhausted and unable to rest. This also results in the overall development of the world view not being broad enough and detailed, character creation being hasty, and some sensational places not having enough foreshadowing to appear abrupt. In addition, regarding the game, I am one of those readers who skipped it. Let me tell you my thoughts: First, the reasons everyone is mentioning are that the rules of the game are too complicated. No one will read a thousand words. I am here to read the novel, not to do the questions. The two-hundred-word rule is the best, and the five-word rule is the best. A hundred words is okay, just keep it as complex as the first two chapters of this book or the Illuminati horse racing game in "The Message"; second, the problem-solving ideas are repetitive, and the problem is always solved by chewing words and playing word games, but the right to explain is only in the author's words, which is too shameless; third, the game process The writing is too boring. In the early stage, the rules are simple and clear, so the focus is on the game between people, with plots and character creation. Later, the rules become more and more complicated, and it becomes a long discussion describing the logic of solving the problem at each step, without storytelling; fourthly, the plot inside and outside the game is separated, and the protagonist encounters the outside world. When you get into a crisis, and then enter the game, you have to put aside all the external things, and face new supporting characters and new events that have nothing to do with the previous one. It feels like watching a TV series and suddenly changing the channel. At this time, I don't have the patience to watch new programs, and I just want to change the channel quickly. Taking it all together, I think Cang Yue's biggest advantage is the setting. This is also Cang Yue's unique business card after so many books. So don't set limits for yourself, and you must continue to carry forward it. In terms of plot, my suggestion is not to abuse the protagonist! Don't abuse the master! Don't abuse the master! Specifically speaking, don't use "the protagonist is constantly being hunted" to promote the plot (the beginning of Yan and Wu also have this problem), the rhythm should be relaxed and moderate, like "The Information", the protagonist independently starts the main task (the big goal that cannot be achieved in a while must be important but not urgent), and then calmly divide the completion method into specific steps (break down the big goal into small goals, and independently grasp the emergency response). It is a non-urgent rhythm, and the story does not go off track), and be realized one by one (realizing the sense of accomplishment in a timely manner). In short, "initiative" is very important, and the feeling of "I pursue and I get" is very important In terms of the protagonist image, the rational and intelligent protagonist is Cang Yue's comfort zone. I feel that instead of reluctantly writing characters that I am not good at, it is better to strengthen the sensational points in the places I am good at. The key to online writing is to mobilize the readers' emotions. Cang Yue is actually very good at using one event or several scenes to create short-term characters, and many of the clips are very touching. The long-term characters are the most vivid in "Blue and White Society". Cang Yue is very good at writing characters who "spend their lives and blood for XX beliefs". Therefore, it is better to write a protagonist who is as powerful but not omnipotent as Hei, leaving plot space for the supporting characters to fight side by side with the protagonist, collide with ideas, and grow in bonds, instead of being carried away by the protagonist and left behind by the plot. I heard that this Yu Emperor is infinite? This is actually very suitable for writing team portraits! Expect! In short, I am looking forward to a story that has "Cang Yue's consistent and unconstrained settings + the group portraits and sensationalization of the black period + the refreshing and immersive feeling of the yellow period plot". There are countless starting authors, and there are only three authors I have followed since my novice period. The first one is Butterfly, which is platinum, the second is Squid, which is also platinum, and the third one is Cang Yue. So, Cang Yue, you can do it! I'm optimistic about you! 👍

According to unreliable information, the ending of Absolute Gate is Wu Zhong angrily opens the Cang Yue Steel Gate

Is Wu Zhong's life now in a golden age? It doesn't really matter what the answer is, because I believe he lived in a golden age. Has anyone successfully used a true absolute blow before Mo Qiong? In other words, he was actually the first, and luckily, with the help of Emperor Yan, who was in the true unknown realm, he succeeded on the first try? Where is Emperor Ziwei? Did he succeed in the first attempt? Those successful examples must be inseparable from Emperor Yan's help, right? Yes, that's for sure. A more detailed summary is probably: "Emperor Ziwei now relies on his magnanimity and firm determination, coupled with the help of Black Emperor, to create a golden destiny with a success rate of 99%, while Emperor Yan's dream from ancient times gave the remaining 1% success rate to complete. Of course, the reverse is also true."

Personal opinion, here is my list of Cang Yue's books: Blue and White Society > Information Omniscient > Brain Explosion > Non-Human Gene Synthesis >> Sin Domain Island = Tiandao is not at work today >> Absolute Gate. A brief review Blue and White Society, there is no doubt that it is a god among gods, it is a game that really brings people into the world view of Blue and White Society, and brings this organization to life. The plot has ups and downs, and the exploration of the protagonist's own abilities reaches its peak. It has created countless classic characters, whether it is the protagonist Mo Qiong, or the supporting characters - Gou Ye, Kelon, Adams, David, other great arbiters, Qin Lili, the second-generation assassin master of the Little Brotherhood, and even the fourth-generation president who died for love in the end. Everyone deserves respect and is worth remembering. Each of them is for their own goals and beliefs, exhausting their own will and wisdom, and abandoning their own way to fulfill their own way. In my opinion, it is the best drama about a group of asylum seekers. The Omniscient Informationist is the book with the most in-depth world view among all works. After reading it, I already feel that the dimensional setting and even the ancient mythology have been deeply changed in my mind forever. The feeling of reading this book is like following Huang Ji all the way from one thing on the earth to seeing endless knowledge and possibilities from three dimensions to nine dimensions, and finally choosing to tolerate everything and become a golden destiny. Huang Ji is the gentlest protagonist, the most divine protagonist, and the protagonist who can best turn enemies into friends, because he is indeed a doctor. Although this book has a huge proportion of protagonists, it also has several interesting supporting characters, such as Brando, many strong men, and so on. My imagination is crazy. Apart from being dissatisfied with his ending, although I don't like Bai's goals and ideals, I still admire his operation and courage. Imagination is also the protagonist's ability that I most want to have. The four-dimensional cliff was also the most despairing gap I had ever read at the time. The impression was really profound. Non-human genetic homozygous, to be honest, I didn't finish it, but in the end Mr. Lan Da was able to achieve endless transcendence, which makes people admire his courage. Sin Domain Island, the dark logic of the protagonist is really unreasonable, but the struggle process is also very tragic. On the whole, it is self-justifying. I am sorry. First, the plot speeds up in the middle. I could have watched a lot more games. The dark logic of the protagonist is really interesting in the game. If it can be written more, I think it will be better than Inhumans. The second is that there are so many final bosses in the end, and the defeat is too clownish, which feels a bit anticlimactic. Finally Tiandao is no longer working. Yan Nu is my second least favorite protagonist in Cang Yue's book. I like all the previous ones. The reason why I don't like him is because he always has a kind of clear stupidity. You can call it a character. I can't like this kind of character who never grows mentally. Even if he grows later, it will be the growth of his characteristics, not his own. I think it was too much to try to improve the character's absolute adaptability to this characteristic, and the possibility of the character itself becoming complex was eliminated. I'm watching a story about a humanoid cheat, and it doesn't matter who the protagonist is. It can be said that Yan Nu is the true Holy Mother, the Holy Mother who is so disgusting that it is gone. In my opinion, such a character is not as charming as the previous ones. Finally, we come to the protagonist of this book. Wu Zhong is indeed an ordinary person, and a fool among ordinary people. No wonder he can only repair cars at the beginning, and that's the end of his intelligence. He is like the kind of D-class personnel who accidentally acquired abilities. He struggled to survive, survived a few times by luck, and had a little intuition about disasters and foreign objects - this was amplified by abilities, and it was classic that it was not a character growth but a plug-in growth. In order to survive in the immediate future, I don't consider any long-term prospects, I use whatever is given to me, and I only think about the cost after using the disaster and foreign objects. I make decisions based on whims. I have no plan, no goal, no brain, and no sense of responsibility. You only do it once or twice, it's annoying to keep doing it. Moreover, there are too many things in this book that should have been unfolded but were not unfolded, causing the plot to be too hasty and indirectly causing the characters to fail to grow. I guess I'll wait until this book is finished. After it's finished, I'll read the ending and then decide whether it's necessary to read the rest. I'm giving up now. Having said so much, in fact, as a loyal reader, I have deep feelings for Cang Yue and your books. Otherwise, I wouldn't be able to read every book. Every book is a treasure. But my feeling is that Cang Yue's creative ability has obviously declined since the beginning of Tiandao. I think it's time to leave. Please put aside the previous settings, put aside the Blue and White Society, and put aside the shackles of the identity of the demonic Cang Yue. There is no need to put all the worldviews together, there is no need for the new work to be related to the previous work, there is no need to set limits for the protagonist, and create a meaningless glass ceiling. It will just be dancing with shackles, and they will become tighter and tighter. The more you care about the previous work, and set limits and be cautious for the sake of the previous work, the more unlikable the characters you write will be, and the more far-fetched and rubbish your plot will be. I hope Cang Yue can break out of her cocoon and be reborn in the next Infinite Streaming book. I will still read it then. Sincerely, salute.

I came here from the author's previous books. Indeed, Cang Yue has been doing one thing, which is to write something of his own. This is very good. It can be said that this is the persistence that a real and good writer should have. I opened it and saw that the author had published a new book. I was very happy. When I looked at the introduction, wow, it seemed a bit like the beginning. In the end, I clicked in happily and read dozens of chapters with a frown. Throughout the whole article, I only saw his arrogance as an old author!! I have read books for so many years, and this is the first time I see the protagonist communicating in dialect with others. I don't understand what the meaning of this is. I have to read the comments one by one to read the vague explanations given by people who also have little knowledge to understand what the protagonist means. The plot is even more illogical. I don't want to say that even though a loan can solve a problem, I must use my superpowers to challenge the country's bottom line, just to show how awesome the protagonist's friends are, and then let the protagonist start as a wanted criminal. Tmd, don't tell me that you can't think of a better way. You're just too lazy to think about it. Is it difficult to make the protagonist a wanted criminal? Is there no other way for her to come into contact with other supernatural beings? What did you drink to think about this?

It's not bad, it's really toxic to me, and it's a typical moral mismatch. After reading more than a dozen chapters, the writing is good. In just the first few chapters, the protagonist has a strong sense of anxiety, depression, fatigue, and a potential desire for destruction. The main plot of the first dozen chapters is that a poor loser acquires the conceptual superpower of opening and closing all doors, and then starts to make money in a crooked way. The high-sounding reason is that the grandfather is sick and about to die. The overall writing style and plot line indeed express the desire of the lower class to destroy everything and smash everything. But it is indeed a niche book, and it is not a popular online article.

Final Chapter "Please, please close my door..." The demonic nature of the Supreme Heaven was filled with tears. It's so miserable. Ever since Wu Zhong touched her buttocks, Cang Yue has been unable to get close to her. "Okay then." Wu Zhong smiled evilly and helped Cang Yue close the door. A few days later. "Why can't I open my door?" Cang Yue asked doubtfully.

Cang Yue, I beg you, let Wu Zhong be the leader of the Straw Hats! Who doesn't like a silly, cute and erudite Dr. Cat😭. I liked De Biao a lot at first, but now I like him even more (Ten thousand blood books are being collected...)

Dark History