My Notes on Becoming a God in the Mortal World

First, a county funeral parlor must be run by a state, so I don't quite understand that there are only two funeral parlors, and they are all privately operated Second, I don't quite understand why there are so many corpses parked for a long time. In rural areas, they are buried after they are parked. Except for extremely special ones, funeral parlors park them in the hall after makeup is completed. Generally speaking, they will not park in the morgue Third. I think the issue of burials in the cemetery is a bit far-fetched. The staff are so brave that they dare not bury them for the sake of commission and use them as feng shui for others. Moreover, wealthy owners who pay great attention to feng shui usually choose free graves, so I don't quite understand this issue.

It's a good book with good ideas but also many shortcomings. Firstly, the domestic administration is really rubbish. Without a protagonist, I feel like I will be destroyed. Secondly, a few chapters are inexplicably added in the middle, which are said to be small copies but are purely crushing water chapters. I go to this classmate and that classmate to help, and also give a few peach charms by the way. There are too many trivial matters and the protagonist is very low-key. Go away; thirdly, the level of the combat power system is too chaotic. Golden Finger basically only has spells but no magic. I am curious that all the Yin cultivators in this world have not mastered anything. Also, the insertion of the old bamboo ghost in the early stage is really stiff, just like the ghost cat in the troubled times.

Overall it's not bad, but the three views are too simple, the good and bad are too clearly proportioned, and the Bureau of Investigation is too drawn out. It doesn't matter if it's drawn out, but the narration is very awesome, and it's very embarrassing to be drawn down when something happens. It's better to write the opposite, or not write it at all.

Don't always rely on yin to redeem. The protagonist can also slowly learn skills such as incense making, ink making, and carving. The more things he knows, the person's personality can also become calmer. Don't just rely on plug-ins, and your senses will be better.

Why do I always feel that without the protagonist, the country is gone? Every time it is the protagonist who turns the tide, which shows that the country is very weak.

The story is okay, the folk customs are weird, but not scary. It would be better if it was written according to the content in the introduction. The advantage is that it can tell a good story and can be watched. Disadvantages: 1. There are too many settings, which restricts and suppresses the protagonist too much 2. There is too much content and there is no need to write out a lot of unnecessary skills. Just introduce them when they are used 3. The matryoshka is serious, and the book's predictions The ability to speak was very irritating in the early stage, but got much better in the later stage. The current world, the secular world, and the world behind it. If you start over every time you enter a new world, it will completely destroy the rhythm and coherence of the story. It is not just a simple change of the map. How many readers can be retained in the future Let me give you some suggestions or exchanges later. This book gave me the feeling of being in the end of the world at the beginning, and the outline has been changed later. It felt too messy. At that time, tell the story properly, don't mess with those settings, and don't make those hermit masters come out. It's actually good. But later on, I couldn't hold it back. I was too greedy and wanted everything. It seriously damaged the previous plot, including the ending of this world. It was also a big failure. The story had already been laid out, and there was so much to write later. I don't understand why it ended like this, just to reopen the world later. Come on, I personally think that we need to reduce the description of the real world in the future, or integrate the real world and the secular world with invasion and the like. Don't write about the setting of the two worlds, which is too confusing. The protagonist's current ability can only protect himself in towns and counties in the secular world, and the sense of satisfaction is completely gone. The way to continue writing is to write about the secular world well, use the hook to erase the points that will be exposed in the secular world, and pass through the early development stage in one stroke.

The title is a scam. I thought I was going to do something to the dragon at the beginning, but it turned out not to be the case.

Overall, it's a good folklore book. The current name "Notes on Becoming a God in the World" is more attractive than the previous name "Funeral Dragon". I have read this book before, but it was under the old name, so I just looked at the introduction and left. After the change, the name and introduction are still quite attractive. I also read the latest chapter in a few days. There is not much poisonous point in the whole chapter. The protagonist's plug-in is a note that can predict death. Before it was released, the notes were written a bit like a simulator. Repeated content was written over and over again. It was changed after it was released. However, from the beginning of the state fusion, there are large sections of water settings. I scanned them with one glance. I don't want to read your introduction to the fusion of water state. Another shortcoming is that the Management Bureau is poorly shaped: while talking about how naughty the Management Bureau is, it is destroying teams and bureaus again and again; while talking about how the cult is afraid of the Management Bureau, acting like a rat, and at the same time being pinched by the cult as a soft persimmon. It is penetrated like a sieve, and it feels like it is a force. You can kick the Bureau to the curb, and you have to rely on the protagonist to save the situation every time. Although everyone knows that you want to create the protagonist, your setting is very contradictory. The expressiveness of the Bureau cannot be reflected at all. It is like a clown who pretends to be in front of the protagonist every time, hoping to reflect the strong character of the Bureau.

Thank you bosses for your support~🙂

After reading it, I feel that the overall change is good, but I always feel that the description of the Investigation Bureau gives people a weak feeling. It is full of various methods of cursing Taoist ancestors and foreign forces. The incidents that the protagonist comes into contact with the Investigation Bureau are completely like pendants.