Immortality Begins with Stealing Water Magic Talent

No need to say more

I think it's not an exaggeration when they say that you need to build a foundation during the Qi refining period. After all, the protagonist has so many talents and I feel like it's just too much if he doesn't go beyond the level. Also, when I see someone in the place of apprenticeship, I will immediately kneel down. Although it is true that I can't beat him, there is no need to add a sect. Moreover, after you enter, you will be directly blamed, and then you will be told that you need to find a backer before becoming a disciple. If you don't join the sect to cause trouble and do some scientific research, who will do it to you? As for the rest, there is nothing to complain about. I feel that the only bad point is to become a disciple and enter that sect.

I have finished reading, the author will update soon

The author will update quickly😍😍

The author writes so well, I will update it soon. I have finished reading it

After reading Chapter 41, I can see that the ideas and framework of the characters in this novel are pretty good, including the golden finger, which is also quite interesting. But the details are too toxic. The protagonist of this book has a strong sense of unworthiness, at least until Chapter 41: 1. As a monk, he married a mortal wife and said he wanted to find an ideal lover, how could he look like a 60-year-old old man? 2. It is normal to ask the neighbor named Zhao next door to help him with shopping and teach others how to do things, and give him a little profit. But sometimes you give too much. When buying blood, the market price is 60 yuan, but I insist on giving 80 yuan to others. Originally, asking this neighbor to help him sell talismans and buy spiritual fish at the same time was already a profit. Now he is asked to help buy the spirit beast blood, and he has to buy it at a price much higher than the market price. You are afraid that others will not know that you are taken advantage of. 3. There is also a 30% discount on high-end housing given by the Ding family. The protagonist is quite generous. He used his face to get the discount and then moved in with his neighbor AA named Zhao. How? Your face is not money? Normally speaking, it would be an incredible favor for him to have the extra money and the opportunity to live in this high-end residence. The hard thing is not to give benefits to others, but to give benefits to others and get nothing in exchange. 4. The protagonist goes out for the first time and teams up with others to kill monsters. As the protagonist of the fifth level of foundation building, he easily killed the big monster with one move. This big monster was carrying a team and almost single-handedly killed the team's top combat power of the ninth level of foundation building. The protagonist is already so powerful, and he still wants to ask this team of rookies to help him fight monsters. No, are you on the same level of combat power? Also, it feels weird to be in an inexplicable love relationship with a mortal wife. The foundation-building female cultivator who has a crush on the author also respects this mortal female wife and gave her a super powerful protective magic weapon. In short, it just feels very strange. Anyway, this feeling of falling in love for no reason and talking about things anywhere makes me very unhappy. I saw in other book reviews that Master Jindan made more contributions to the sect than anyone else, but the result was that he was not valued because of his poor background, was marginalized everywhere, and all his efforts were not recognized. It's also very toxic. Anyway, it was very difficult to hold back. I was so angry that I got up in the middle of the night and wrote a long article.

The treatment of female characters is too cheap. It is conceivable that if there is a genius with more strength and background than the protagonist, he can easily change the protagonist.

It's so low that it can be said that it overwhelms the protagonist. There has never been such a thing as casually killing weak monsters to draw talents. This plug-in can draw all monster talents directly. There is no limit. Other books require a long time of effort to create a talent. The protagonist of this book has many talents after so many years. That's what he said, never use his spare time to absorb the talents of weak monsters. I always only spend money to buy monsters of the same realm and higher realms. And currently there are only water attribute monster talents. I'm afraid I would have acquired a lot of spiritual root talents by now.

Can Shen Nong tell me what this book is like?

The Water Escape Technique is so awesome that you need to be talented to build the foundation. Then the Water Escape Talisman is so awesome that it takes tens of thousands of spirit stones to practice. But in the end, the Water Escape Talisman has 5 spirit stones per piece? ? ? What a joke

In the middle stage of Qi training, do Dzogchen, and in the later stage of Qi training, do Foundation building. People have practiced like dogs, so just stop preaching.

You have been practicing for forty years and you are still a Talisman Master. Once you broke through to the fourth level of Qi training, you had to keep a low profile, so you pretended to be at the third level of Qi training. I tolerated it. The next day, you deliberately spent spiritual stones to buy breakthrough elixirs. I really couldn't bear it. At your age and level, is it necessary for you to keep a low profile and pretend to be low-key and do a lot of bells and whistles?

I finally understood. This author is a stubborn person. This novel has been completely broken from the beginning. From a first-level monster with thousands of spiritual stones, to a foundation-building pill of 30,000 spiritual stones, to the 7th level of Qi training, killing dozens of monks in front of everyone and killing two foundation-building monks across realms. , I knew I couldn't read this book. This book became a high-quality product purely because of the push system of the management who knew nothing about it. The next book will still be like this and 100% no one will read it. The author took this luck as his strength and was complacent. It made me laugh to death.

It feels like there is no female protagonist in what you wrote. But you, a woman, also write too much! Inexplicably, a woman came out. Why can't you continue writing if you don't write about women?

The period of breaking through to the fourth level of Qi training is really unstoppable. It is known as buying elixirs to deceive others. After decades of finally breaking through, others will only think that you have succeeded, and breaking through to the fifth level in a short time confuses other levels. In short, the author should write more and practice more. A work has two sides, good and bad, and only accepting the good side will not last long in the novel.

I just read the first chapter. Even if I travel to the world of immortality and have no spiritual roots, how can the protagonist persist for more than forty years? If you don't understand, you just rely on listening to the legendary powerful evil spirits to become enlightened? The reason why people can persevere is because they have hope or have no better choice. Where do you get hope? If you don't hang up and don't go out to explore, you won't get any opportunities. As for a better option, you can go to a mortal dynasty during your Qi training period and enjoy it for the rest of your life. Moreover, there is such a thing as corvee service in a free trading market. I don't live near here and I only come here when I want to trade. Why, can you capture this kind of casual cultivator and serve him? What's more, if you go to the mortal dynasty, you can still have children and rely on the spiritual roots of the next generation. The talent of the next generation will be better, and it can give you some opportunities. There may even be a protagonist in the next generation who can reverse time and space and resurrect you. No matter how small the probability is, is it not better than being an ant here?

Cultivating immortality while insisting on scientific principles 🙂 is really a left-brain attack on the right-brain. . . .

The protagonist, the Holy Mother, likes to be a good old man. You are the only one in your family who cultivates immortality. The two of them are not enough. They have to call their sons together. The more people cultivate immortality, the less aura. Let others buy talismans and help you buy monsters. Every time the monsters you buy are related to the newly practiced talismans, are you smart and others are stupid? If I have a low cultivation level, I will directly spread rumors that you have a golden elixir. Every time the monsters you buy are related to the new talisman,

I don't watch, but others watch.

I was poisoned by the recent chapters. The protagonist is regarded as invincible at the same level. The sect looks down on it and plans to use it as a cow...

Prices have collapsed! There are only one or two thousand high-grade magical instruments. Can there be more than 10,000 first-level high-grade monsters? ? ? ?

I feel like this is the hardest thing to write. If you have a lot of talent but can't beat others, you're done.

The Golden Elixir Realm is a mess. After the fake elixirs, real elixirs, and golden elixirs are finished, they have to be divided into low-grade, medium-grade, and high-grade. As a result, before they are finished, they have to be divided into bullshit ordinary golden elixirs and all kinds of messy mutated golden elixirs. What's even more outrageous is that even spiritual veins have to be divided into attributes. Having so many meaningless settings does not mean that the author has many ideas, it is just to facilitate the word count.

What's the point of the author describing the ruins of many masters? The protagonist keeps wiping the butts of the senior and junior sisters, trying to show the helplessness of the mixed martial arts, but also the sophistication of the world

This book is truly a masterpiece! The background is very reasonable, and the class structure is serious. Even someone as awesome as the protagonist has to be careful when dealing with it. It can be seen that other casual cultivators have not come forward! The realm is also very rigorous, and there is a sense of immediate sight between ordinary Chinese and Korean monks facing high-level monks. They can clearly distinguish the difference between ordinary monks and genius monks, and the difference in strength between casual cultivators and sect disciples. I feel that this is obviously different from other novels. The combat power of other novels is obviously empty and empty, which makes people feel exaggerated. It makes people feel that anyone can defeat a high state. The combat power of this book is relatively reasonable, and the method of obtaining resources is also good. It feels like it comes naturally! Cultivation of immortality is never done alone, but a group provides a person to reach the corresponding realm. Without strength, without background, even precious resources cannot be obtained. This is the essence of society!

I would like to seriously discuss the core training settings of this book. It is clearly set that the talent points are fixed for life, and the talent directly locks the upper limit of cultivation. Low-level talent monks are trapped in the first great realm for life, and cannot even reach the perfection of this realm. If this set of rules cannot be broken, then the four core elements of traditional immortality cultivation, wealth, companionship, law, and land, will all lose the underlying logic of their existence: No matter how many elixirs, spiritual veins, high-level skills, or opportunities in secret realms, they cannot break through the ceiling set by talent; apprenticeships with masters, and training together cannot help low-level monks cross the established upper limit. Since hard work, resources, and opportunities cannot change the final outcome, what is the motivation for the monks at the bottom to desperately compete for resources and practice hard? The end of life can be seen at a glance, and there is no possibility of crossing any class. A rational person will most likely give up his practice and become a mortal. He will not continue to practice hard and fight with each other for opportunities from generation to generation. It is completely understandable to want to highlight the importance of talent, but talent can only determine the speed of cultivation and the difficulty of bottlenecks. It should not directly and permanently block everyone's promotion channel. While promoting the fatalism of absolute talent, while also writing about mortals becoming immortals, they are in conflict with each other. And currently, only the protagonist has the privilege of improving his talents. The rules for everyone else are solidified, and the world view is very fragmented. If we write according to the existing framework, we are almost destined to continuously add special treasures, secret techniques and other patches to complete the plot, and it is inevitable to eat up the settings before and after. I really hope it can be explained. Under this system of locking the upper limit of talents, what is the actual significance of ordinary monks chasing the wealthy couple?

It's okay to be a little bit addicted in the front, but the research institute in the back has to be modern. Cooperating with the Yuanying of the sea tribe, others have everything, and then they only cooperate because the protagonist helps him improve the marine ecology. I really don't understand why you try so hard to bring modern ideas to the world of immortality. Is there still a lack of food in the sea? What else is there to do about marine ecology?

I want to skip it every time I encounter it. If these were removed, I feel like this book would be on a higher level.

Come on, Shennong. As long as it's not too poisonous, I think you can give it a try. A few minor flaws are acceptable.

Why is the power of the water method greatly reduced if it is separated from the water? How to fight? If there is no water in the place where the water is fighting, it will not be a fight.