My Skills Have Mutated Again!

The writing is good, the world view is okay, and the plot is a mess. The early stages were pretty good. Although the protagonist was a bit crazy and reckless, it was passable as a cool novel. The important turning point is in Chapter 190. Guess what the protagonist did - Nascent Soul rebelled against the True Immortal. Yes, you read it right. Nascent Soul level, upright, one against two, killed a Tribulation Tribulation and a True Immortal who were in good condition. Later, the author spent several chapters explaining why he was able to kill them. I just found it ridiculous. Isn't this explaining why you want to feed me💩? All in all, the combat power is absolutely broken, let alone the big boss behind it. If it collapses, it will collapse. Moreover, this book is a pure data flow. If replaced by other normal novels - mortals, covering the sky, and one life, no matter how strong or weak the true immortal is, it will never be broken. What the author means is that in this worldview, six pillars are on top, and the rules are set. No matter how strong other creatures are, they are just data. If I chop him down with a knife, his blood bar will be deducted if he has no skills. Magical world. The combat power is too random, pure strength and flying bricks, pure card game, skills, values, I think this is like an online game, or a second-rate online game

After reviewing it again, the defeat of the Immortal Emperor began with the Master's escape. 12 The Master was a six-pillar puppet of the Immortal Emperor. Did the Immortal Emperor regard Wuxin as the only solution? Didn't it fail without any plan and self-destruction program? It is said that the master of layout was finally dragged down by Wen Yu like a man-machine and besieged and defeated? Assuming that The book is a complete mess. The holes in the previous work were not filled in. The new work ended without filling in the holes. Why didn't I continue writing this book because of its good results? Is it really because of the comments that I lost my mentality? I read the comments in the comment section and just found an excuse to finish it. This book has completely ruined all the previous books.

It seems that QQ members have been limited in the past two days.

Understand

As title

One layer a day, a hundred layers and a thousand coins, here I come again.

Like the title, collect skills and ideas. Skill level F—S—SS—SSS—racial foundation level (the highest level) It would be better if it could have a mutation effect, but it also requires a lot of non-mutation skills. Tip: Martial arts and immortality cultivation techniques can also be converted into data and skills, and skills in this area are also required. Case: look at the introduction! Funny skills and fun skills are also required! I want it all!

To be honest, I saw a bunch of fans in the free chapter bragging about the protagonist of the previous game 😅, which hurts the character. Isn't the protagonist of this book the protagonist? I think a good protagonist of a previous game should only appear in the background, rather than taking over the main role.

Abandoned, it was much worse than the first Doomsday Summoning Frenzy.

Probably around Chapter 230, various pillar-level powers are plotting against me and I plot against you, and the protagonist goes to find the King of Kings again. In the end, I separated the original into many parts and had to play it again, which felt boring. Seeing the magnificent power of the pillar level, I want to play house in Jin District again. It just feels boring. I wonder if there are any book friends who feel the same way.

As expected, when the protagonist suffered a loss in the latest chapter, some people immediately jumped out and complained. I just want to say, Dabai, you write according to your own rhythm and ideas. Old readers have experienced the baptism of frenzy. How can they not accept the protagonist's small setback? It would be boring to have the protagonist push all the way.

It feels like someone has changed. The more I write, the worse it gets. The novice stage is not even halfway through. I forcefully changed the map and jumped up to a senior boss without any brains. The world changes color when the real immortal comes out. As a result, the protagonist tilts his head and only hits his shoulder. Really 6

It turns out it's a mass-produced product. The introduction is so funny.

Doomsday calling craze, yyds. Who agrees and who opposes?

I'm not saying that you were plotted by a high position at the beginning. You and I can become very strong and even have a high influence. I don't believe it. Kill them immediately after they are used up. Otherwise, we have to target them to death. How can we develop you, unless we didn't take it seriously at the beginning, and now we are all in the game, and there are no plug-ins or backers. If you ask me, let the pig's feet go to the fourth place, and replace it with an old character you like.

From the comments section, I can conclude that those who have not read the author's previous works are not worthy of reading this book.

There is a way of controlling comments and deleting comments very quickly. Just do the same thing as the rice circle, filtering the results of filial sons.

The author writes the Six Pillars so absolutely that there is no need to continue writing this book. If the protagonist can get up, it means that the author has eaten up his own setting. The strength of the six pillars was written as being too absolute and invincible, and it was repeatedly emphasized that it was absolutely invincible. Then this book should either rely on the setting to allow the protagonist to rise up, or the protagonist should end up like an ant and be beaten to death. The protagonist is not beaten to death like an ant, or the setting is wrong, because the logic has been locked by the author's repeated emphasis in the early stage... I have never seen a book with 6 final bosses, and the author repeatedly emphasized that these 6 bosses are absolutely invincible. The protagonist is arranged to participate in a battle between the highest levels before leaving the novice village, just to let readers experience what it feels like to be an ant? If you let the protagonist escape from the six pillars in the future, the first 200 chapters will be all nonsense. The protagonist does not have a unique profession, nor is he a peerless genius, nor does he show any intelligence. He should have been slapped to death by Jun You in chapter 230 and the book would have ended.

After Dabai got married, he no longer had the energy. I have been following this book all the way. Although the writing at the beginning is not very good, the protagonist has a distinct personality and must be punished. I thought the frenzy of the scene was back. Later in the writing, why did he turn into a third-rate protagonist who is hesitant, timid, and just relies on stealing chickens and cheating on the author?

I saw a bunch of uncertain shadows appearing, and the protagonist was left with red eyes and nothing else. He had no personality charm, no goals and ambitions, and was far from a frenzy. He ran away.

The following is a general encouragement and general comment with almost no actual specific examples (because it will be too long). It comes from the heart of real encouragement and is not an overly filtered boast. I did sit-ups when I saw the topic about Mo Kuang. I am the type who pursues books rather than authors, but I caught this 30,000-word book. This is the Spiritual sequel to Summoning Frenzy! I have finished reading the current part of the series. The setting is very interesting. The protagonist is the type that Baymax is good at writing - Decisive and even cruel. Baymax is very suitable for describing extremely violent and bloody stories that even have an impact that is not noticeable at first sight. Please continue to work hard! The skill setting is very operable. If the protagonist's brain circuit is crooked enough, he can achieve the ultimate effect. I hope Baymax will perform better in the unexpected. If he has this bright spot, he will have a high chance of making it out of the circle. By the way, I like Dabai's characterization very much: what a "person" should look like is not a framed stereotype or program. Dabai can describe the changes in the human heart and the subtle tremors and collapses. The characters are down-to-earth and flesh-and-blood, like the kind where you can see pores and hairs, blood vessels and scars, and have a clear texture with warmth. Under the premise that the author's subjective consciousness will affect the creation of characters, he writes about people as "people" and actually subconsciously breaks through the limitations of his own subjective consciousness and objective identity. This is a wonderful feeling, full of the feeling of "human" time flow and mind change. This imperfect but distinctive point is still fresh in my memory - story It is full of vitality and uncertainty beyond the outline. The characters create the flow of the plot. It is a very natural, rough, and original description of the characters. This makes the plot not necessarily advance in a straight line, but will have forks and winding roads just like reality. A person will appear and grow in flesh and blood or fall and be destroyed. The characters are full of complexity, affected by the current situation and personal limitations. Thoughts and feelings can be suppressed, explosive, compromised and unwilling at the same time. Each character really exists in the world of the story, appears and disappears. Therefore, I really like the concept description of the "Fireworks" volume in Suzhou. I hope Baymax can maintain this feeling in this one. "In extreme environments, human good and evil will be infinitely magnified." The reason why human beings are human is precisely because of these good and evil that can be infinitely extended and the momentary wavering, exhaustion, doubt, pain and determination in these good and evil. I saw this in Madness, and in this book, I will look forward to the changes in human nature that are natural, helpless, and actively shape themselves. As for the creative concept, at least the creative concept of "Doomsday Summoning Frenzy", I agree and think I need to praise - "I didn't see it, so I wrote." I like this statement, no matter for any purpose Writing, writing "new", is always something that creators need to be encouraged. It also means the birth and continuation of an author's "authorship". The death of an author does not lie in exhaustion of talents, but in sinking into his own constraints and nervousness about the market. In any case, it is a good way for Dabai to try new things and use the old brilliant settings to give pink eggs to old books. I also hope that Dabai will maintain his enthusiasm and happiness in writing and bring more good works to book lovers. Under every book-recommendation video on related topics, I will deliberately search for comments about the book "The Last Man", and without exception, I can always find a few that recommend it. As a work that is not widely known, it is remembered by readers and well-received. Occasionally, criticisms are mostly focused on the writing style and numerical values. However, the writing style of a novel cannot guarantee the upper and lower limits. Dabai also said that he would pay attention to the numerical value in the discussion after the chapter, so I think I should have confidence in this book. About writing style: Well, I have to say that Dabai has not made much progress, or this kind of writing style should be a kind of personal style. If it is improved, it will take a lot of effort and may not be able to obtain significant returns, such as reading literary works or deliberately practicing writing methods. To be honest, the Chinese teacher didn't teach me this when I was in school. Without hard practice, I'm afraid it would be difficult to make a breakthrough. However, lack of writing does not mean "lack of writing power". Writing is the grinding and carving of freshly cut logs; writing power is the cutting of thick logs several times to create an expressive shape, so that people can see at a glance what to do and what to express. Dabai has basically accomplished this, and he can get where he should go, which is enough to give him a passing grade. What's interesting is that Dabai can often express sufficient meaning in plain language. I think this is inseparable from the creation of characters: He does and says this, which may seem ordinary, but he can bridge the character's personality from the details and complement each other. It seems that the novels should be read together. The plot synopsis... Well, given that Baymax has gone off the outline and changed the outline before, or the outline has been thrown around, I have a conservative attitude towards this, especially when the protagonist of this part raises funds to create skills together - Baymax, please take us to fly again, don't fly off. I personally like the feeling that novels are actually writing things without being "trapped" by the outline (this will appear in novels with complex author research and complicated settings), so as long as I don't get rid of the feeling of flying a kite in the strong wind, I still like it. There is a thrill of flying high and not knowing whether the string will break. One of the characteristics of Dabai's plot is that it is not a one-line storyline, and each plot has recycling and hooks. No, because people are human, different uncontrollable possibilities will arise, and naturally there will be redundant and unreasonable parts. Combined with the characterization, it will give people the feeling of, well, the extra acne and blackheads on the characters. To put it nicely, they will be moles and scars from nowhere, making the characters more "real" - although they are not necessarily likable. In short, this factor will make the plot noisy and exciting, giving it a very magical feeling. It is live and not just paper. It is definitely not subtle, but it is reflected in every part, which is magical. About the themes and concepts: Because Baymax has no explicit public reference, sometimes I accidentally find the original rough form of some theories in Baymax's novels, such as id, ego, superego/animal nature, human nature, divinity, and some narrative forms. The dark aspects of human nature are unexpectedly well controlled. The author did not deliberately point out or use it, which is different from most authors. The form of this original impression may come from keen observation and unconscious thinking in life. Of course, this is not to over-interpret anything, and I am not a philosopher, but I just want to point out that Dabai, you may seem to have this kind of talent? A character can actually derive multiple interpretation spaces and multiple interpretation angles, and it is still crudely expressed. Well, this is indeed doubtful, but when you think about Tang Haofei, you will know that his characters really have a lot of details, and the bestiality, humanity, and divinity are cleverly and complexly presented without deliberately pointing them out. When I look at it, I will doubt my life: Is this the kind of character creation that a writer who presents this kind of writing style (not derogatory) can achieve? So original and so vivid, like a sharpened stone on the edge of a cliff. Is this serious? There is a feeling that the author didn't think so much but made me pick out the words to understand and understand. This is an experience I have never had in ten years of reading. Jpg. Maybe this character "really exists" in the author's heart, and even if it is run away to catch up with the plot, its essence will not be washed away, some rough and strange talents... Moreover, the past experiences briefly mentioned by the character are completely linked to the current character and thinking, so rough and smooth, it can only be said to be some kind of unpolished talent... Maybe it is good to let it exist so lightly. This is the only one that allows me to write a character analysis paper. Is it on the radio? Well, forget it, that's good (Eason Chan's tone). The most touching theory in The Madness is "living", which fully embodies the will to survive and human instinct in the end of the world. This kind of growth-type protagonist is really good. The feeling of peeling away, making up for, abandoning, and shaping layer by layer. At least every time I replay Wen Yu, I will exude the emotion of someone who has experienced it at the beginning. Silly boy, you don't know what you are going to face... In short, I wanted to say a lot here, but there is a suspicion of over-interpretation by readers, so I will just mention it briefly. Speaking of the 2,700 words here, I feel like I am bragging about it. I didn't say anything about the shortcomings, otherwise these 5,000 words would definitely explode. A reader who finds more advantages must be well aware of the disadvantages - but old book friends probably won't care much about it, so let it go. After all, readers will choose what they like to read. If the core needs are met, it is completely OK. It is not advisable to modify the creators. The following are my expectations for this book: ①Don't collapse the old characters, don't mess with the settings. Before writing, look at what you wrote seven years ago, and continue and transform it appropriately. ②It is full of imagination and fun. This setting is very good. Please use your skills to the fullest. This is expected to be maximal. ③ When the protagonist stands up, there must be a few impressive points. This character's awakening is very clear and crazy at the beginning, and it is not easy to master it. If you write about the characteristics and charm of the protagonist, the chances of getting out of the circle may be higher, and it will be more comfortable to watch. ④Please pay attention to your health when writing? The following is the current viewing experience of the new book "My Skills Have Mutated Again": ①The protagonist uses his butt to travel through time at the beginning, and he knows which master is capable of doing it. Are you looking forward to watching the chessboard game? ② I saw the main character clicked several times in several chapters. His appearance is great, and I think of the prison article with the same figure emphasizing that it is normal. It is true that Xia Lin first met the Demon Lord or the Soul-controlling Demon Emperor. (Mainly because the prison articles are always about other people's appearance and style, which are more impressive than mine) ③Zhu laughed at me while reading: Old acquaintance, this one is familiar to me, this skill match (tsk-tsk, shakes head), while reading, he gave feedback to his book friend that both of them looked familiar. The skills chosen by the protagonist are very interesting and I look forward to the effect of the mutant program. ④Some small details are quite interesting... Anyway, I wish the new book a great sale! Keep up the good work and create greater glories!

These chapters are really frustrating to read, so the protagonist is treated as a pawn, and so far he has no ability to resist. Should the author stop writing this kind of plot that first suppresses and then rises, or should he write it to the climax all at once? Do you think this kind of plot can attract people to watch these days?

I haven't watched much of it so far, but I always feel that the protagonist's character is a bit baffling because the identity of the protagonist in his previous life is not introduced. The protagonist has some pure evil. He does not do things that harm others because it is beneficial to him like Wen Yu. Although Xia Lin has the backstab skill, he uses it with peace of mind and no sense of guilt. Sometimes he doesn't even deliberately disgust others for the purpose of backstabbing. I like villain protagonists, but what I like is the kind that is arrogant, mentally strong, self-interested, has its own firm goals, doesn't care about worldly constraints, and is like Gu Yue Fangyuan who keeps moving forward for his own goals, no matter what the means. But Charlene felt to me like a cunning rogue who abused her power just because she got it. There are also some bad Internet jokes that are often played in the book. The skill settings are also a bit weird, such as the skill that makes others fatter, and the Dongfeng Missile Fist. This skill somehow lacks some sense of coordination and combat performance, because the battle always ends in an instant. As a long-time fan of Kuang Chao, I still feel that it is a bit inferior to Kuang Chao. The above is the problem I think. I think the plot and copy are pretty good. One more thing, I don't see much of it now. Maybe the following chapters will explain these issues I think. Even if there is no explanation, it is my personal opinion. Everyone has different aesthetics.

Dabai, please continue writing about pet animals or apocalyptic stories. It will definitely become popular. The environment is no longer the same as before. There is a shortage of such explosive products. There will definitely be nothing wrong with writing it.

The Six Pillars came out too early, and the strategies they followed were difficult to evaluate. They were really a failure.

In Chapter 443, the male protagonist said that there is no reason to suffer losses when investing in his own servants and women, but here the male protagonist just invested in one person, so the servant and the woman should refer to the same person. But I vaguely remember that the tag says there is no heroine. Don't tell me that the woman in the protagonist is not the heroine. Is it suspected of deceiving readers? It's not that you can't accept a female protagonist. Your behavior of tricking readers into killing them is really despicable. Please give the author a reasonable explanation.

The last sentence in the text of this book is As he spoke, Xia Lin took Scarlett's hand.

This is not a refined idea🙂🙂🙂

Then let me ask you, do you choose to be the protagonist? Most of the Uncertain Shadows are from the Demon Emperor camp. It would be too sad if the wild ones have no position. If you are close to the Tongtian lineage and you have the ability to give you a top immortal profession + practice skills, will you change it? Where is the Lord of Hosts? Then it is impossible for anyone to invest in you in the ranked battle, unless you are very talented and have achieved sequence one in various operations. Then the question is, at this time, if you have a Lord of Arms transfer, should you transfer? Then let's take a look at the situation of the protagonist. After being added with good luck nuff by Tongtian, he broke through the limited skills at the beginning. He got the main combat skill in the first Ember Zone. Before the sequence war, the assistance attributes from all parties directly squeezed into the ranks of veteran strong men. After the sequence war, his skills were approaching perfection. Then he entered the Ember Zone with various perfect combinations. He killed an old monster from the cultivating camp and exchanged a bunch of resources to increase combat power, and then he could barely reach Jun You's side. After taking the soul light, there are a lot of adventures and squeeze into the top three of the Ten Thousand Races sequence. Can ordinary people have this configuration? Normal people have to worry about their main combat skills in the early stage, let alone the three major systems in the future. The core skill of random replacement lies in the skill of random replacement. Without this skill, you can't build a system even if you have the idea of ​​​​building a system. The sub-cores are fair trade and canteen, one is instantly weakened and the other is used for the third system As for the second system, the miracle system, let me ask you, are you the protagonist? Just from the name, you can tell that you have to rely on a large number of skills to guarantee the minimum, or you can get lucky and hit it once. This uncertainty alone cannot be used as the main battle system. The third system is the universal combination system. This can be considered alone or combined with the first system. This is what ordinary people should consider. After finding the main combat skills, brush skills and match skills according to the main combat skills.

My biggest feeling from Frenzy to Uncertain Shadow is that the problem is getting bigger and bigger. The most powerful skills of "Frenzy" are undoubtedly the protagonist's [Absolute Balance] and the ruler's [Life and Death Battle], which can be called brainless enhancement. The other Faceless are equivalent to copying a pseudo-protagonist, and Baqi is equivalent to eight complete protagonists, but none of them are as big as Xia Lin. To be honest, the Lord of All Arms in "Conquest Paradise" doesn't feel that strong. Although Lao Wang in "Uncertain Shadow" is neutral, at least his strength is known as "top three pillars". However, in "Conquest Paradise", Lao Wang, the professional Lord of All Armies, feels like garbage. Without Legion Advent, it is not as good as other martial arts cultivation professions. With Legion Advent, it is said to have the power to crush everything. In fact, it is targeted by various enemies, and no crushing operations are performed. The six major professions in "Uncertain Shadow" ① The over-limit ones are pure numerical monsters from [Old Dominion], but the numerical value can only be seen, and it looks very awkward under the various mechanisms. Xia Lin has never been afraid of the over-limit ones, and his greatest achievement is chasing Xia Lin in the Black Star World for a period of time. ②Soul Master, from [Soul-controlling Demon Emperor], the biggest record is actually from [Frenzy] protagonist Wen Yu, but it is far inferior to Xia Lin's [Uncertain Shadow] supermodel. ③Lord of All Arms, from [King of Kings], his biggest achievement is the 999th floor of Babel Tower that suppresses the protagonist and Wu Xin through realm, or because he is Wang Wei's son. Other Lords of All Arms say that they develop through farming, but even the strongest Lord of All Arms can only make soy sauce in the battle of Wu Xin Xia Lin. ④ Immortal cultivator, from [Heavenly Creator], with versatile methods and super high racial value, can be said to have the highest average value among the six professions. He can hit twice in all kinds. The greatest achievement may be the time when the immortal beat Xia Lin to death. ⑤ Warrior, from [Super Star], the numerical mechanism is pretty good, but the maximum achievement is only the time when the world was transformed to level 12. ⑥The evil god, from the [dark side], pure trash, was killed by Xia Lin like a dog. Xia Lin, the only and largest ally in this book, with occupation [Uncertain Shadow] + [Pillar of Eternity], is the most ungrateful among all the protagonists of this author. He has a 10 billion racial value + 10 billion physical fitness before leaving the novice village. It can be said that even before leaving the novice village, he can beat the soul-controlling demon emperor Wen Yu like a dog who has not obtained the last resort [absolute balance], and has various heaven-defying abilities. The sub combo is absolutely unkillable and will only get stronger the more you kill it. The advanced wishing machine combo can basically satisfy most of the protagonist's wishes, including but not limited to eliminating the cooldown of various skills, eliminating various debuffs, and unlimited evolution points, so all skills are unlocked and you can combine skills at will. Pillar of Eternity provides that being hit four times by a skill can directly invalidate that skill. The fit can be called the hook among hooks, Wu Xin? The only son of the Creator of Heaven? What is it? Can you compare with Xia Lin? Monsters with incredible numerical values ​​+ monsters with incredible mechanisms! ! !