The Corpse Retriever

Drinking and sex have actually made me so haggard. From today on, I will quit sex One praise and one day of abstinence▄█▀█●

Stacking a Armor: I am a long-time reader of Xiaolong, and I have voted for this book all my monthly votes. The following content is purely my personal opinion. If you have different opinions, you can discuss them together. Text: After reading the latest chapter at two o'clock in the morning, I saw that so many book friends were arguing about the latest plot. After much thought, I decided to write my own opinion. Before the plot advanced to Li Zhuiyuan going to college, I felt that this book was undoubtedly a masterpiece. There was no problem in ranking first on the monthly ticket list. The compact plot, the weird protagonist's character, and some of Xiaolong's unique character descriptions all added to the quality of the story. For the content of Before University, what I personally felt uncomfortable about was that the CP teaming between Li Zhuiyuan and Qin Li was very sloppy. Qin Li's character design led to a very low subjective initiative of the character, which made me read that she looked very similar to her. He is a tool man, but at the same time, Qin Li is the most important anchor for Li Zhuiyuan to restore his humanity, and Xiaolong must always use Li Zhuiyuan's inner descriptions and even narration to remind Qin Li of his importance in the book. I feel very disconnected, but this has something to do with my personal reading habits. Excluding this small flaw, I think the first half of the current one hundred chapters is impeccable. The interaction between Li Sanjiang and Li Zhuiyuan, Li Zhuiyuan's acquisition of Wei Zhengdao's spell to control the dead body at the dead body, the violent death of Zheng Haiyang's family, and the addition of Yin Meng in Fengdu. I think these plots are all very well written. But. The plot progressed to after Li Zhuiyuan came to the university. I personally felt that the rhythm of the plot was slightly out of control. Several lines were piled together, and the lines that felt like the rhythm needed to be lengthened ended hastily. The bright and dark lines were inseparable, making it a bit confusing to read. The part where Runsheng and Yinmeng learn things through hard work also gave me a strong sense of separation. There is no character monologue, no foreshadowing, and no hesitation. The two of them are like robots, without their own emotions and characteristics. They do whatever the protagonist tells them to do, and they do whatever the protagonist tells them to do. Grandma Yu, a young bird, died quite hastily in the protagonist's first battle. She was taken down in four chapters, and the process was a bit inexplicable. The protagonist had read so many books, but she didn't see any fancy spells, or any of the messy secrets of the Qin family and the Liu family. She relied on forcing Shuyou Lin to burn his blood to resist. In the end, she spilled her blood, and Granny Yu turned around and was killed like a loser. Let's talk about the most noisy Tan Wenbin incident now. Although Xiaolong made some corrections in the latest chapter, the effect was not very good. Actually, it doesn't matter to me what kind of character Li Zhuiyuan is. After all, I have watched the Great Love Immortal. As long as the story is exciting and the logic is reasonable, and the protagonist doesn't do anything too out of line, I don't really care what kind of person he is. The same goes for supporting characters, of course, and in my opinion, the logical chain of Tan Wenbin's character growth is broken. The protagonist is often the center of the event, and the growth trajectory is clearly visible. A lot of words are used to describe the protagonist's growth, but the supporting characters are different. What's more, Xiaolong speeds up the pace of the story here. This results in no content or events, or even a short monologue to pave the way for the transformation of Tan Wenbin's character. After smashing a woman with a stone to a bloody pulp, there was no reaction at all. Even though this woman is a villain, she has the appearance and appearance of a human being. A freshman who has just entered college can fool his father without changing his expression after killing someone with extreme means. It would be reasonable if Li Zhuiyuan's character did such a thing, but when it comes to Tan Wenbin's character, it makes me feel very disconnected. My impression of the four protagonists now is: one mentally ill, two robots, and one wolf destroying the phone. Our heroine is even in a standby state and is not included in the protagonist group. As for Li Zhuiyuan, I personally feel that Li Sanjiang is even plumper than Li Zhuiyuan. Li Zhuiyuan now gives me more of an inexplicable feeling. He is cold-blooded at one moment, not so cold-blooded at the other moment, very righteous at the moment, and looks like a villain at the other moment. It took two and a half hours to revise and revise, and in the end I only wrote about a thousand words. I did not include many of the more extreme views, such as the vague setting of Zoujiang, the weak official presence, and other messy things. But these are my own personal reading habits and opinions. I just saw everyone was arguing after reading this, so I was a little unhappy. After all, this is only one hundred chapters, and there is still a long way to go. I still believe that Xiaolong can control the general direction. Come on, Long. Above.

In this book, you can see the shadows of all the previous books, as well as the gains from Feilong's self-driving trip to recuperate after finishing Mink Street. For the layout of Heavenly Dao, the arrangement of Zulong, and the prophecy throughout the text that the two dragons are approaching Mount Lu, this is the same as Lizhi's prophecy to Su Bai on the radio. It has multiple dimensions and explanations, and is in line with the situations faced by the protagonists in each period Go Jiang Shi's evil background settings also have the feeling of coming from hell. The previous dungeons were adapted from many real cases, such as the cat-faced old lady, Granny Yu's daily arrangements with Li Li in Nantong, and the arrangements for Fengdu. It seems to be the shadow of the bookstore The rhythm and main line of Zoujiang are also like Dayan War, and the configuration of the protagonist team is also like Princess Zheng's Demon King's Men, but the arrangement of Princess Zheng's team at that time was Fei Long's tribute to his previous works, and now it is a tribute The spiritual core of the whole book is also like Karen's understanding of order in Mink Street, and the Taiye corresponds to Dis; The same mural stalk (evil book), and the self-naturalization of the outside team, all the radio fairies The arrangements for the heroines are getting better and better, the previous heroines are all accessories, this time Ali is deeply involved in the main plot In each book of Fei Long, you can see the summary of the previous work, and you can also see some shadows of the previous work. This book is a masterpiece This book can also see Fei Long Yuan Meng Mink Street, which collapsed at the end due to physical reasons. It is really a pity. At that time, Mink Street's performance was better than that of Daogui. Although Mink Street could not suppress the popularity of Daogui in the future, it would not collapse like this I feel that Long also has some sense of enlightenment. He must have thought a lot during his leave of absence to recuperate and during his self-driving tour. You can get a glimpse of the various insights on life in the corpse collector. Each copy in the book should have been transferred by Fei Long at that time, and the 9 large copies are probably the 9 places that Fei Long transferred (I wonder if I can write about the remaining 4 secret realms) Based on my previous insights, I integrated my experience and advantages of many books into one book, so this book is Fei Long's first five-star book. Not easy to be surpassed As an old book friend who has watched Long's journey, I am really moved. I not only witnessed Long's growth, but also saw the shadow of the previous books in this book, and thought of myself back then I saw Fei Long dare to rewrite the plot of more than ten chapters and release it for free in the late broadcast period, when his grades were rising rapidly. I still remember the three most exciting chapters at that time, watching him rise from a tall building, watching him entertain guests, and watching his building collapse. At that time, I knew that Long could make a name for himself, but looking at it now, it turned out to be true.

Age: A Li and Xiao Yuan are the same age, Runsheng is four or five years old and Xiao Yuan is the same age, Yinmeng Binbin's book friend is the same age, and Xiao Yuan is seven years old Approximate plot time and chapters

The early stage was very good, and the first sight was even amazing. Personally, I feel that it reached its peak when the Water Monkeys dug out the Peach Blossom Fairy. However, it started to change when I took on the final boss in the third year of high school (the part where Zheng Haiyang's mother described the Eight Sea Kings was really unqualified, and there are too many domestic dramas with similar scenes). Wei Zhengdao did not write as well as he should have (the only taste of writing is the introductory sentence of the Dream Ghost Chapter, and the more ink he spends later, the less mysterious and tasteless Wei is, and he really implicates the protagonist) The character of the protagonist is also the same. It does not write the kind of sense of heaven and man without emotional interference. Instead, it is a bit ruthless mode. It deliberately lowers the intelligence and forcibly sacrifices future possibilities to ensure that the present must be passed. Just to highlight the advantages of the sentient mode... As a result, the character and behavior of the protagonist sometimes seem really strange Zuojiang later... There are good and bad. Some people like the real people and deceitful style in the early stage, and some people like the cultivation and enrichment style of Zoujiang. There is nothing to say.

In fact, I have never understood why an absolutely rational person would have the motivation to do anything. The world is unkind, treating all things as stupid dogs, having no emotions, and the final state of being without desires and desires is nature, and it is impossible to have the motivation to promote anything. And what drives people to do things can only be desire. How can there be absolute rationality if there is desire? The protagonist's mother, the protagonist and Wei Zhengdao cannot be as absolutely sane as written in the book. Especially when I was separated from my inner demons and having a conversation with my ego, I really laughed. The ego's choices are completely selfish without any perspective on the overall situation, and it's too deliberate to sacrifice teammates' options at every turn. It feels like what you say is awesome, but what you actually do is stupid, so disgusting. The emotional drama between Shuyou Lin and that so-and-so makes people want to abandon the book. It is too deliberate and seems to lower the taste of the book. It has become a gangster. Whether it is the protagonist, Tan Yunbin, or the emotional scenes between Lin Shuyou and Xue Liangliang, it makes people feel that you love me just because I am useful to you, and I am very useful, so you can only love me. This vulgar feeling. I only saw the objectification of women, which raised questions about whether the author has a low self-esteem emotionally. The best-written pair is Runsheng and Yinmeng. I like you because it's you. Finally, putting aside some shortcomings, the writing of this book is still good, and the story is quite interesting. It is indeed better than most books from Qidian. It is still worth reading, and the overall flaws do not hide its advantages. If you can't write emotional scenes, you don't have to write them. Don't bury the poison anymore.

The recent plots are not very scary, are they boring? Are there any real horror novels?

Since this is a book review, both good and bad are written for reference. Overall evaluation: The characters are delicately created, and each character has outstanding personality in the later period; The story is excellent, relaxed and relaxed, with ups and downs; The background worldview is complete, directly adopting the national background at the beginning of the century; The ability worldview is incomplete, and it is impossible to evaluate the strength of each character; The writing is good, but the plot arrangement is problematic and the details are flawed. I think this book is an excellent story with good characters, plot and environment. But the ability world view, that is, the combat effectiveness system, is very poor. Because the combat power system is very poor, many plot arrangements are incomprehensible and divorced from the story itself, as if it is just inputting text, let alone the calm before the storm. First of all, what is a combat system? 1,000 Yuan is less than 1,001 yuan, but some people can use 1,000 yuan to produce the "effect" of 2,000 yuan, but it is basically not comparable to 100,000 yuan. This is a combat system. However, the protagonist's ability in this book is basically a black box, derived from the master's basement and the protagonist's invincible learning ability. In many cases you don't know what their abilities can be used for and to what extent. Formations are used to trap enemies, but after the protagonist's formation ability is improved, how will his ability to trap enemies be improved? Feng Shui, as the top "skill" in this book, has even been reduced to a pendant of the formation, providing a dimension to the formation. Many times readers not only cannot know whether his ability is worth "100 yuan" or "1,000 yuan", but they even don't know how this ability can be used. Furthermore, there are many in this book where the protagonist makes some inexplicable arrangements, and then produces certain effects, and the reader does not even know what the logic is - "the protagonist sprays his own blood on the road, and then the big turtle will be hindered when it comes", why? It was not used like this in the first 3 million words, and I don't know if it was a formation or Feng Shui or something else, but it had an inexplicable effect anyway. Charmander uses splash, and the effect is outstanding, causing the opponent to sleep. Then, it is because of the incompleteness of the combat power system that many plot arrangements are unnecessary. It doesn't matter that the combat power system is incomplete, and the story is enjoyable, but if you focus on the details of the foreshadowing of the battle, it will become a highlight and difficult to watch. Why arrange a combat plot? It's a coincidence. Although the ability of 1,000 yuan cannot beat 100,000 yuan, but under the clever arrangement of the author and the right time, place and people, 1,000 yuan defeated 100,000 yuan. This is wonderful. It makes sense for the protagonist to place a gun in a specific location and eventually shoot the enemy. However, when the combat power system itself is incomplete, the author actually arranged a lot of foreshadowing. In order not to reveal the plot, he also gave the example of the big turtle. As an irresistible enemy, the protagonist has made a lot of pre-arrangements, really a lot, at least for several chapters. For example, the protagonist spills blood on the ground, but he doesn't know what the purpose is. When the author reveals its function, he doesn't feel suddenly enlightened. He just feels confused. There is an obvious feeling of "you just have to open your mouth to say what the purpose is." And this kind of description actually exists in large numbers. Not to mention that because the author does not directly explain the enemy's ability and strength, many arrangements you do not know what the text is describing, and you do not know what the purpose of this text is until it is revealed later to advance the plot. This book is an excellent story. Since it does not create a combat system, it is recommended not to arrange a large number of seemingly logical battle preparation plots. The author has ordered all of his previous books, but has not finished them all. This is the biggest problem. I hope the author can make the most of his strengths and avoid his weaknesses, and bring us a better next book.

There was no hero at that time, so Zhuzi became famous. .

What is the relationship between the team members and Li Zhuiyuan? Ancient kings and ministers? The context (classmate relationship) cannot be connected. The big brother who takes the lead in the world? It doesn't look like that, there is no charlatanism, there is no way of protecting my little brother. Good brother? It's not like, so indifferent, where does the brotherhood come from, including Runsheng's long-term unilateral sacrifice for no reason. Good friend? Not to mention. So every time I see a chapter about team relations, I feel so embarrassed that it looks so different. Including Tan Wenbin replying "I understand" every time. If it is any of the above relationships, how can there be such a reply to the superior's order in reality? Even colleagues rarely reply to each other like this on a daily basis. Sometimes, they can be completely skipped or written down, but they insist on writing a reply: "I understand", which is very awkward from a literary perspective. You said that the author doesn't know how to write about character relationships, but the old lady and the like seem normal when written, which is really embarrassing.