The Hidden Immortal

No, are you a refugee? I feel like a gangster who has nothing to do when he is full. The refugees are so hungry that they have no strength. Why do you, a refugee, dare to attack people in the city? Didn't ancient cities and towns have city walls? Shouldn't the refugees be released outside? Whose refugee went directly to the city to cause trouble? Shouldn't those who can become refugees have to flee from far away places? Why is your area in MC? It rains here and there is a desert next to it. People don't have anything to eat to escape their sorrow, so they eat and drink on the road every day, right?

You can just discard it when you see it on the shelves. The writing on the back is so ugly.

I feel like I'm stuck in a phase right now. The bonds between mortals are gradually diminishing as familiar people die, and the unfolding of the extraordinary world has just begun. Nearly ten chapters have been devoted to describing the struggle with the God of Incense, which personally felt a bit repetitive. These kinds of literary and military judgments are all about the protagonist being a good fairy before being exposed. After being exposed, he will immediately lose his mind and call you a wild god to come and kill him. The protagonist repeatedly works hard and then destroys a county god here and a county god there. Incense God adds a setting where ancient gods can revive themselves without being frozen, which makes up for the discomfort of the protagonist killing good people and good gods. But it always felt out of touch with the previous plot. It lacked the atmosphere of the red dust before, and the fairy flavor was not strong enough. The plot began to go along the line of fighting the conspiracy of the ancient gods, paving the way for the world view of the priesthood, rather than the direction of immortal cultivators and immortal sects. In terms of characters, the author's characters are a bright spot. They have a sense of living people and are not just tools to promote the plot. But these supporting characters that I spent a lot of time describing are almost dead, and I personally can't remember any distinctive new characters. After all, the plot and characters are closely connected, which makes me personally feel that the current plot is losing appeal very quickly. This supporting character will die in this chapter, and that supporting character will die in the next chapter. It's just a waste of time. It is indeed a little uncomfortable to keep up with this kind of book. This is also the first time I read the longevity essay. I hope the author will get better and better as he writes more. (The dog head saves your life, don't spray if you don't like it)

Look, although the writing is very smooth, the plot is really cerebral hemorrhage

1. The timeline drags on for too long. All the old people who experienced the well robbery incident are dead, and only the protagonist is still there. Since the development of Songuo Village, the younger generations have gradually become richer in life, so they will not care much about this old grudge. However, the reader's perspective is actually similar to that of the younger generations. As the plot advances to the present, this old grudge is really insignificant compared to the general trend of the world. And who will complete the emotional release feedback after revenge? It's just like completing a task. 2. The first thing to do when building the foundation is not to save Tang Shijun first. Huan'er just said that the killer will arrive in the next two days, and his life is already hanging by a thread. According to the priority, the Song family can't escape there anyway. After saving Tang Shijun, they can just come back and kill them like ants.

The following is my personal opinion. Before Chu Xun broke through the foundation building, he wrote about daily life, plain but stylish, forbearance, revenge, warmth, and separation between life and death. After the revenge, Yinsi was respectful and felt good. But in the later part, he inexplicably became younger and pretended to be a "grandson", which was a bit unhappy, and the author's pace inexplicably accelerated, and even plotted a conspiracy. This is a completely different character design from the previous one (the protagonist slowly walked towards the village chief, and the heroine did not see her enemy destroying her family even until she died, and she is now "rushing" upward). One is Xu Xutujin, and the other is Ambitious As mentioned before, the Yinsi were "canonized" by the imperial court, and the City God was not a simple figure (or not bad at all). If Huan'er later became a City God, then... It feels like the direction has been reversed, and the personality has changed a bit. I don't blame young careerists, but why have you become ambitious in your old age? Also, how can the people of Songguo Village not be familiar with the "village chief" who has always been famous and kind? It's impossible that no one can't see it, right?

The eldest daughter of an official family had to marry a subordinate at all costs.

Something feels wrong in the back.

Because if you save a person who is about to be killed (dying violently), you will be burned by karma. As a cultivator, I casually save an ordinary person's life and still have karma burn me. Am I sure that I am a cultivator? It is too casual to judge that changing one's fate against the will of heaven is too casual. According to this fate logic, death is already certain when it happens, no matter whether it is old age or death. It's not logical to tell someone's fortune even after death. Where is the doctor? Even if the doctor saves people, his karma will be burned, right? Don't talk about the reason why his own destiny cannot be changed if there are immortal cultivators around him. If you write like this, there will be no immortals. They are all fixed and no one can change them. Isn't this the opposite of cultivating immortals?

Damn, cut it! I also specially selected LV5 authors to look at. It seems unreliable. Can Qidian have a function to block authors?