Three Kingdoms: Mount and Blade Without Equal

Real natural disasters must be like this. What kind of conspiracy is there? Look at those talkers in ancient times. They were slaves to those who played with fists. They have been groveling for hundreds of years. They are just sick. If they don't resist, they are not tolerant. They are rubbish.

I originally thought it was just a simple time travel article, but I didn't expect it to be so beautiful. Reminds me of playing a big game.

In the protagonist's situation, as long as he doesn't attack the army stupidly, even an army of millions can be dragged and killed by him. Let me tell you the simplest way. The protagonist enters the imperial city, then goes directly to the palace to kill the emperor, and then runs directly into the city with the army chasing him. Don't talk about massacring the city. It's not easy for you to just find the protagonist. The protagonist rests for a while and then goes to kill, then hides and rests, and then goes to kill again. As long as you have patience, even an army of tens of millions can be killed as long as it takes time. Currently, the protagonist does not have a method of hiding after killing. As long as he uses a city to hold back the army, or is in a jungle, he can kill an army of tens of millions without any problem. The problem is enough time. But the question is, after tens of thousands of people were killed like this, will the army really come to kill the protagonist? What the protagonist should not be thinking about is how strong the imperial army is, but that I don't want to kill the emperor now. It's the kindness I give him that matters.

Why must the protagonist realize that he is not in the game? Not to mention whether there is doubt or not, even if there is doubt, how can we verify it? A meaningless death? Who dares to risk his life? And the system is still there, there is cheating internal test data, and you can even skip time. What is the difference between being completely stealthed and in the game? The most important thing is, does the protagonist have any deep connection with this world? There is no love, no friendship, and even the feelings of family and country are brought in from history rather than this world. In this case, he really begins to believe that he has traveled through time. What he is thinking about is not to dominate the world and lie drunk on the knees of beautiful women, but how to return to his hometown where material and spiritual culture are extremely developed. What everyone will see is probably not a "hero" who kills and brings hope to the people, but a confused person who says "I want to go home" and "I can't tell the difference." Playing a game requires time to understand the world, let alone time travel? The experience brought about by the gradual integration of flesh and blood is far more enjoyable than the streamlined novel that imposes a "speed pass" buff on the reader.

This is my first time to post a book. I thought about it tonight and listened to the ending theme of Lao Sanguo, Youwei Ge, etc., And then I felt like I had a lot to say. The highlight of the author's book is that the protagonist is invincible in breaking through this troubled world, but no matter how much effort is put into fighting the rags, what remains is still rags. By cutting people off and cutting people off all the way, the territory may be getting bigger and bigger, but the fundamental problem cannot be solved. Just after the front line was suppressed, chaos broke out in the rear. With the transportation methods at that time, it would take several months to travel even slightly farther. What's more, the army was mobilized for a lot of expeditions, and it was not possible to just drive and leave. The protagonist is invincible, but he is not a superman, let alone a fairy in fantasy novels. He cannot control the world with force. If he just wants to kill for fun, then I really don't know what the future of this book will be like. The greatest significance of the emergence of war is that the emergence of a new order can replace the troubled times and bring peace. In this process, there will be many characters such as Liu Bei, Guan Yu, Jiang Wei, Zhao Yun, etc. In addition to their performance in the battle, what is really touching about them is that they have valuable qualities, benevolence, virtue and loyalty, love is more shining than gold and jade, and shines on people's hearts more than the light of swords and shadows. As the protagonist becomes more and more powerful, it is inevitable that he will shift his focus to managing his own land in the future. I think the transformation here will be a highlight in the future. I have read a lot of cool articles, but I really can't leave anything to remember. Therefore, I sincerely hope that the author can add some polish to his human brilliance in addition to describing Su Yao's military power. The speech before recruiting soldiers should not just be verbal. Under the leadership of such a divine soldier, the people in troubled times can live a better life. It is not like Cao A'ao, who said "Everyone lives only one thing, it will break the heart of a person" while allowing soldiers to massacre the city. He does not really take ordinary people into consideration. I think the author's current description of the supporting characters does not really treat them as flat NPCs. This can also reflect the protagonist's mentality. He treats people as human beings. Anyway, it is a game to experience the ancient times. You can kill thousands of enemies in battle, and you can be heroic as a leader. You can create a prosperous era of peace in the world, let the people be happy, and all races can enjoy peace. Even if it is a fictional utopia, Su Yao is able to move forward without hesitation, making people marvel at the emergence of another hero from the Three Kingdoms. These are just my personal mixed feelings. If they are inconsistent with the author's general outline, just ignore it. But recently I saw many other people in book reviews thinking, "It's just a game, I just feel good about killing it." This kind of view makes me feel a little uncomfortable. I simply hope that Su Yao can leave a heroic spirit to this world.

Right, this is the real natural disaster style

The protagonist actually didn't realize for a long time that this was time travel, not a game. I was confused after reading a few chapters. I looked at the table of contents and chapter names, but I still couldn't find it. Even the most realistic games are programmed with programming language, and the emotional state of the characters can be detected. If there really is such a real game, we have to doubt whether the game company is some kind of magical thing that can cross borders. What level of real-world technology does the protagonist have? If it is so real, you will soon doubt it, and you will try to see if you can quit at the first moment. Even from the first moment you see, hear, smell, touch, you will be doubtful. This is definitely a human instinctive reaction. If the protagonist had already popularized such super technology, the article would not have been vaguely wondering "Why is this game..."? It took dozens of chapters to realize that it was purely treating the protagonist as a fool, but the readers are not stupid, 😅 was too deliberate.

The author of Skirmishers, this plot is the same as 💩. As I write it, I become a fan of the Three Kingdoms.

The style of this book is unparalleled riding and slashing, killing and killing, and killing anyone who disobeys. Now, isn't it just like those normal Three Kingdoms fan fiction?

When I read the novel, I thought the protagonist was outrageous, but when I looked up the history of Han Dynasty, I found that there was a character similar to the protagonist, namely Duan Xi. It is recorded in the history books that every time there is a battle, you rush to the front, play first, and then fight a hundred and eighty times, and nothing happens.