My Taoist Magic Comes from a World of Myths and Strange Tales

In the past, Zhuansuo reached the sky and the earth, and humans and gods were separated from each other. Today Dong Gong reopens the world, and humans and monsters are separated from each other. It should be included in the spiritual altar and revered by the world. However, the one who collected it was Tai Jian, who violated the way of humanity and violated all sentient beings, ignored the way of heaven and left close friends, betrayed the responsibility of heaven, despised the hope of others, abandoned all living beings and ignored them, making living people avoid taboos, and the souls of the dead turned into ghosts. Taking laziness as his talent and shortness as his responsibility, he wrote two chapters a day, which was originally a great rebellion. However, the shortness of his work is rare in the world. The ancients have a saying: Words and deeds can reveal themselves to others. Thinking about it now, it should still be the case.

Stealing pictures

When Laoshan Taoism was at its peak, there were thousands of Taoist priests in the whole mountain. The famous ones include Li Zhexuan, Liu Ruozhuo, Qiu Chuji, Liu Chuxuan, Liu Zhijian, Zhang Sanfeng, Sun Xuanqing, Xu Fuyang, Qi Benshou, Geng Yilan, etc. Laoshan Mountain has a radius of hundreds of miles, and is dotted with Taoist temples. It is known as "nine palaces, eight temples and seventy-two famous nunneries". Among them, the largest, oldest, most Taoist, and most influential is the Taiqing Palace located in the southeast corner of Laoshan. It is said that it was built in the first year of the founding of the Western Han Dynasty (140 BC). The first person to come to Mount Laoshan to practice Taoism was Zhang Lianfu, a native of Ruizhou Prefecture in Jiangxi Province in the Western Han Dynasty. He was a believer in Huanglao Taoism and served as a high official in the Han Jing Dynasty. Later, he resigned and went into seclusion to practice Taoism in Zhongnan Mountain. In the first year of the founding of Emperor Wu of the Han Dynasty (140 BC), Zhang Lianfu came east to Mount Laoshan. He chose to build a thatched hut at the foot of Laojun Peak with his back to the mountain and the sea to live in seclusion and practice Taoism. He taught disciples to worship, which laid the foundation of Laoshan Taoism. Because it was 282 years earlier than Zhang Daoling founded Tianshi Taoism, Zhang Lianfu was regarded as the founder of Taiqing Palace in Laoshan, and Laoshan became one of the birthplaces of Taoism in China. The prosperity of Laoshan Taoism began in the Tang and Song Dynasties. At the end of the Tang Dynasty, the Taiqing Palace in Laoshan welcomed Li Zhexuan, the first Taoist conferred by the imperial court. He was conferred the title of Daohua Puji Zhenren by Guo Wei, Taizu of the Later Zhou Dynasty. He was a long-lived Taoist who was accomplished in Taoism. He lived for 112 years and finally became immortal in the Taiqing Palace in Laoshan. During the Five Dynasties period, Li Zhexuan's nephew Liu Ruozhuo of Huagai came to the Taiqing Palace in Laoshan to visit his uncle, and built a Huhu Temple at the southeast foot of the Taiqing Palace to live. According to Huang Zongchang's "Laoshan Chronicles" at the end of the Ming Dynasty, Liu Ruozhuo "had a bright face and a bright head. He didn't know his age. He neither wore shoes nor wore hats. He didn't burn the stove in winter and didn't fan the fan in summer." He had a high level of internal strength. Song Taizu Zhao Kuangyin had heard of his name for a long time. After the founding of the People's Republic of China, he summoned Liu Ruozhuo to Beijing and appointed him as "Zuojie Lu", that is, the official in charge of Taoist affairs in the imperial court. It is said in "Tongjian of the Imperial Dynasty" that Liu Ruozhuo was "good at persuading people, he is still in his nineties, and his steps are nimble". A few years later, Liu Ruo wanted to return to Laoshan, but Song Taizu could not keep him, so he had no choice but to agree and allocate huge sums of money to build Shangyuan Palace as his dojo. At the same time, he also ordered to build Taiqing Palace and Shangqing Palace as other courtyards. This was the beginning of Taiqing Palace in Laoshan being called a palace. During the Southern Song Dynasty, Jin and Yuan Dynasties, Liu Chuxuan and Qiu Chuji, who were the masters of Quanzhen, came east to Laoshan to preach, and the palaces and temples in Laoshan were officially affiliated with the Quanzhen sect. Liu Chuxuan stayed in Taiqing Palace to preach and talk about mysteries for two years, thus making Taiqing Palace the ancestral palace of Yinshan Sect founded by Liu Zu. Later, Qiu Chuji, as the leader of Quanzhen Taoism, visited Mount Laoshan twice in 1205 and 1209 respectively, promoting the development of Quanzhen Taoism in Mount Laoshan. After Genghis Khan summoned Qiu Chuji, Quanzhen Taoism flourished in the world. Disciples of the Seven Quanzhen Sons came to Laoshan to build palaces and courtyards, which brought Quanzhen Taoism into its heyday. Later, many famous Taoists came to visit the temple. For example, in the Ming Dynasty, Zhang Sanfeng, Xu Fuyang, Qi Benshou, etc. All lived and practiced in Taiqing Palace. In the Qing Dynasty, Chu Shouzhi, Wang Lianghui, Han Qianrang and other high-ranking Taoists also served as abbots of Taiqing Palace. During the Wanli period of the Ming Dynasty, the Taiqing Palace went through several ups and downs. In the 31st year of Wanli, the four areas of the Taiqing Palace were redefined: Zhangxian Pagoda in the east, Bashui River in the west, the sea in the south, and Fenshui River in the north. Since then, with the support of the imperial court and the protection of the government, the Taiqing Palace has gradually become the largest palace in the Laoshan area. By the Ming Dynasty, due to the emergence of several famous Taoist priests in Laoshan Taoism, who were successively granted imperial titles, three more Longmen sects were derived: Jinshan sect, Jinhui sect and Heshan sect, bringing the number of Quanzhen sects in Laoshan to 10. In the second year of Ming Dynasty (1622), the Taoist priest Zhao Fuhui rebuilt the Taiqing Palace and formally determined the layout of the three courtyards: Sanguan, Sanqing and Sanhuang Palace. The three courtyards are all built with walls, each with its own mountain gate, and connected by a convenience door, making the Taiqing Palace basically the size it is today. Three The Taiqing Palace now consists of three front and rear courtyards. The Yuanjun Pavilion, Yuanchen Pavilion and Bell and Drum Towers are newly built in the front courtyard; there are 3 main halls (Sanqing Hall, Sanguan Hall, Sanhuang Hall) and 5 auxiliary halls in the old area of ​​the middle courtyard. A new main hall and two auxiliary halls are built in the backyard. There are more than 100 Taoist statues enshrined. Today's Mount Laoshan attracts believers and tourists from all over the world with its mysterious colors, towering ancient trees and large-scale religious buildings left in its history. The Sanguan Hall worships the Heavenly Officials, the Earth Officials and the Shuiguan Officials, and is majestic and high-spirited. In the courtyard of the main hall, there is a winter-resistant tree that Zhang Sanfeng moved from the island during the Yongle period of the Ming Dynasty. There is an inscription "Jiangxue" under the tree. The winter-resistant camellia, also known as camellia, is 8.5 Meters high, with thick stems and spreading branches, covering most of the courtyard. After identification, it is a rare large camellia in the world, and it is also a rare and precious landscape ornamental tree in the north. In the cold winter every year, all the flowers wither, but they can withstand the winter frost and snow. The stamens are in full bloom, with clusters of flowers and green leaves, as if a layer of crimson snow has fallen, which is a wonder. Pu Songling once lived here, enjoying camellias in winter and peonies in spring, which inspired him to write "Strange Stories from a Chinese Studio·Fragrant Jade".

The human way is vague, the immortal way is vast; The ghost way is happy, and it is the door of life; The immortal way is precious, and the ghost way is precious; The immortal way always brings good luck, and the ghost way always brings misfortune; The high, pure and beautiful, the tragic song is bright in the sky; I only hope that the way of heaven will be fulfilled, and I don't want the way of humanity. Poor; Quan Miao Mansion in Beidu, there are thousands of ghosts in it; But if you want to suppress people's calculations, cut off the door of life; A people sing cave seals to take pictures of Bei Luofeng; Recite demon spirits to kill six ghosts; The weather is turbulent, and my way is prosperous;​

A scholar in Donghua named Song Lin, who was born with a devil's scroll Killing his fellow disciples ruthlessly, speculation is the way to win Taoist hearts All the agencies were involved in the war, and he turned back and made Feng Langning Stealing the title of Dongguan God, but angering scholars on both sides of the Taiwan Strait Personally trying new concepts, leaving no relatives in the wall Coming and going, the magic was accomplished, and then entered the wind and waves of the Jiangtu Dagger blades appeared in the battle on Meishan, The life string has no thought In the end, it was the Taoist master who wanted to extinguish his body and soul Hearts and minds are fighting against each other, which brings him into trouble with the master's family The Holy Majesty of the Holy Mighty Heavenly Master, the arrogant son wants to be independent There is a mystery on the Thunder Mountain, which involves the appearance of the Holy Mighty Tianhe Some plans and some people laugh, but no one knows this reason Since then, Dongguan has worked hard to figure out, and several fierce battles have made many people happy Famous articles and good opportunities are discussed, and only then can one enter the temple of experts Have to be close to the authoritative mage, and the tiger skin can cover the cunning fox's body Involved in conspiracy and seeking opportunities, the mage was deceived by the villain Tianhe Ziyun deceives people very much, seizes people's souls and deceives them. Unexpectedly, the master has seen through it, and since then he has recognized it in his heart It is difficult for Tianhe to know Song Lin's power, and Zhengsi died in a battle This is the deepest hatred in his heart. Buried, the two sides of the Taiwan Strait formed a self-contained fire and water Emperor Donghua had great ambitions, and he changed the old system with a broad ax and a broadsword Several views and Taoism were the first, and from then on the subordinates made it Joining vertically and horizontally to get help from others, stopping the heart To calculate the enemy Finally, the power of the Tianhe is equal, so that the official and the heart can be restored The heavens are connected with the vastness, and the righteous path has been prosperous since then If you want to know what will happen in the future, you should wait for the author's book one day

Okay! ! ! Finally let me find where your swordsman magic lineage comes from! I thought it looked familiar before, as if I had seen it somewhere! I've been looking through Daozang in the past two days! Finally I found it! (=^▽^=) Is your swordsman based on the ninth-level swordsman in the "True Dragon and Tiger Nine Immortals Sutra"? In Daozang's "The True Dragon and Tiger Nine Immortals Sutra", Taoism divides sword immortals into nine levels, that is, "There are nine different levels of immortals, the first heavenly knight, the second immortal knight, the third spirit knight, the fourth wind knight, the fifth water knight, the sixth fire knight, the seventh air knight, the eighth ghost knight, and the ninth sword knight." The specifics are: The first heavenly knight, this fairy is given a sword by God. The second immortal hero has completed the journey of true ascension to heaven, and has refined his energy into a cone sword. The third spirit hero is already an earthly immortal. He lives in the mountains and refines swords and daggers. When he hears about injustices from thousands of miles away, he flies his sword and stands there. He is called the spirit hero. The Fourth Feng Xia, who is also an Earth Immortal, has refined a sword and a dagger. He has been practicing for a while, but he has not yet mastered the Ji Ling. He knows that there is an uneven place, and in a ventilated place, the body and sword are all at once. The fifth Aquaman was originally made from Narcissus, and his name is Aquaman. He cannot fly without water. The Sixth Fire Man, who practiced self-immolation, is also called the Fire Samadhi. He made a dagger and a sword. When he wanted to fly, he had to turn into a ball of fire and ride on it, so he was called the Fire Man. The seventh qi man only learns to control his breath, and then he refines the essence into a sword. The sword becomes like qi, and he fights back and forth. It is called the qi sword. The eighth ghost hero, whose form cannot be seen by humans, is an ink-and-wash sword of a deity. He comes and goes as if he has no energy. Ninth, those who meet a swordsman may also be able to realize random things because of encountering a sword. The lowest level swordsman just got a sword by chance. Although he learned the swordsmanship, he only learned the superficial Taoism. As for the second-level Xianxia, ​​they have cultivated both internally and externally, and the innate vitality in their bodies has been cultivated to perfection. This is the Taoist classification of nine levels of sword immortals. So how is the sword fairy made? Taoism advocates tranquility, inaction, weakness and non-fighting. However, as the "Huangdi Yinfu Jing" says, "He is born to kill, which is the principle of Tao." Taoism also has the belief in the God of War. Therefore, "sword" also plays an important role in Taoist culture. Taoist swords are also called magic swords, divine swords, spiritual swords, etc. They are also a kind of magic weapon used by Taoist masters when they hold fasting rituals. They have special power to exorcise evil spirits and avoid disasters. There is a description of swords in Ge Hong's "Baopuzi" of the Eastern Jin Dynasty: "talisman swords can only ward off ghosts and ward off evil spirits." The founder of Taoism, Zhang Daoling, used three and five male and female evil-slaying swords to subdue the six demon kings. The heavenly master Xu Xun used the dragon-slaying sword to get rid of the dragons that harmed the people. Emperor Zhenwu held the Northern Black Chigon Horn Demon-Severing Male Sword to quell the demons in the world. The swords used by the above-mentioned immortals are all tangible and real swords. They are awarded by the gods in the sky. The immortals hold the divine swords to subdue demons and protect the Tao, and protect the people of the world. However, these immortals cannot be regarded as sword immortals, because the "gods" and "immortals" in Taoism are different. Zhang Tianshi, Emperor Zhenwu, and Xu Tianshi, who have clergy positions, belong to gods, while the sword immortal Xiaoyao Zuizi belongs to immortals. So what is a sword fairy? Taoism divides immortals into different grades. For example, the famous Taoist scholar Ge Hong divided the immortals into three levels, namely, heavenly immortals, earthly immortals, and corpse-resolving immortals: "The superiors raise their bodies to ascend to the void, which is called heavenly immortals. The sergeants who travel in famous mountains are called earthly immortals. The corporals shed their bodies first after death, which is called corpse-resolving immortals." Two Quanzhen founders, Zhong Liquan and Lu Dongbin, further subdivided the levels of immortals into five levels, namely, heavenly immortals, divine immortals, earthly immortals, human immortals, and ghost immortals. The Patriarch Wang Chongyang said in the Taoist Scriptures: "I heard that there are five levels of immortals in the "Ji Dao Ji". The first is a ghost immortal who does not keep the precepts, keeps drinking and eating, does not kill animals, and does not think about good things. The second is an immortal who cultivates true energy and longs to live. The third is a war-loving sword immortal. The fourth is a meditative practitioner and is a god. The fifth is a filial piety to parents and teachers, called heavenly immortals." Sword immortals are considered to be a kind of immortal who likes war. The "sword" mentioned by the Sword Immortal is not the sword in his hand, but actually the Qi refining, cultivating the Lung Metal Qi in the body. Master Huang Yuanji once said: "Taoist students must first practice swords, which are innate vitality. Secondly, they must cast mirrors, which are innate spirits." This is also a way of Taoist inner alchemy practice. Inner alchemy refers to Taoists who use the human body as an alchemy cauldron and use the "jing, qi, and spirit" in the body as medicine, and refine it in their own bodies, ultimately reaching the state of "refining essence into qi, refining qi into spirit, and refining spirit into emptiness." Sword Immortal is a monk who refines the innate vitality in his body to become an immortal. The swordsmanship practiced externally is just an auxiliary for cultivation. Phew ~ finally finished! Anyone who is interested can take a look! Can the author add some details for me? For the sake of my difficulty in typing! *^_^*  O(∩_∩)O

It feels so suffocating and boring. Even though someone like Lu Qian is so comfortable, writing this book makes me feel so suffocated. It's really uncomfortable!

This book is a cycle of routines: The protagonist gets the opportunity to copy The protagonist actually steals the limelight and stirs other people's cheese The protagonist is not afraid of power and destroys the opponent (small) The protagonist gains a protection period and develops quickly The protagonist lets the opponent (old) suffer and be protected/rescued The protagonist looks for opportunities in the copy... There are also small routines such as the opponent's handle being revealed and his reputation being ruined. However, the dungeons written by the author are all wonderful, the setting system is complete, the protagonist's route is clear, and the main world is not boring. Although the routine is old, it is good as long as it can be used. The later stages of this book are better than the early ones. It was a little chaotic in the early stage, but it got much better after the protagonist made up his mind.

Advantages: The subject matter is good, and various early myths are interwoven together, giving it a feeling of ancient supernatural novels. Disadvantages: The author's writing style greatly limits the upper limit of the book. There are many places where the writing is so rough that it is difficult to read. Dialogue, narration, and narrative all need to be carefully polished.

See Chapter 189. Starting from Chapter 168: Reality Pill Formation, I didn't feel very happy. I read Chapter 189 hastily. I don't plan to read it later unless I really don't have any books and I will come back again😂. How to say it? It's okay to be stuck in the realm and suppress your strength, but you have to give a reason that readers can accept. This is not the problem. Okay, it's nonsense. The focus is on the promotion of the protagonist's strength, which does not bring any sense of satisfaction. What does promotion bring? Most of the benefits such as increased power, increased reputation, etc. Are written out, but I don't feel much when I look at them. Also, this main world is already so bad, is it really a large harem? The drama of palace fighting is going on all the time, I vomited. This human race is also a weird one. There are many demon kingdoms looking around from the outside. From time to time, they will invade and massacre as an opening ceremony before the banquet. They are obviously being raised as lambs. However, the human race is still fighting with their own people to death. Are they leaving this show to the demons? This will make the monsters feel comfortable and kill fewer people next time they invade? ? ps I was really melancholy when I started writing it. I was melancholy without a good book. The more I wrote, the funnier it became, so I gave up.