Henghua

I have read nearly 300 chapters. The book is very good, but the quality is not directly proportional to its popularity. I am here to leave a review. 1. The writer is a perfectionist. From the chapter layout, plot setting, inheritance of exercises, family and country marriage, character names, and even chapter titles, everything is rigorous and quite ancient. It can be seen that the author is different from ordinary Internet article authors and has a profound cultural heritage. The advantage of this is that the book is high-level and highly readable. The downside is that it's a bit obscure, which may be one of the main reasons for its low popularity. But I hope the writer will persevere. Many famous works in history were not recognized by many people at the beginning. 2. The cultivation system has too many contexts and the backbone is not clear. Moreover, because it is close to the ancient style, it does not have a popular name. I read many chapters and only understood the division of realms, but I still did not memorize the cultivation system. Especially the protagonist's training system, there is no guided explanation, and the combat power and training stages are often confusing. During the key promotion periods for each of the main characters, there is no explanation of the training system. 3. There are too many hidden plots, non-main characters are not blurred, and the amount of information is too large, making it difficult for the author to follow the lead. Some small holes are not correct, and some big holes leave readers confused. It is not suitable for fast reading, but it is suitable for slow reading and careful reading. It is not suitable for the fast pace of online articles. Overall, the quality of this book is quite high. I hope it can be completed. It is worth recommending!

After reading Chapter 25, I was in a hurry to improve my cultivation within the clan, but when I left, I was not in a hurry at all. I wished I could never improve. I was really drunk.

There are too many calculations, no longer pure, and the methods are deliberate. I don't know if I think cause and effect are the way. Food and grass.

It is a book with a very fairy-like feel. The innovation of the book's system and cultivation methods is only secondary. It is mainly about the depiction of the world of cultivating immortals and the description of the family. It is very real. The feelings between family members are well depicted, and the characters are not stereotyped. There are nastiness and interests among the aristocratic families, but they also have the responsibility of guardianship. It has the demeanor of the aristocratic family, and the world view is well depicted. However, the pace is relatively slow and the sense of excitement is average, so it is difficult for many new readers to get into it. The reading threshold is a bit high, resulting in not very good results.

I remember that the opening chapter of Journey to the West says: "If you want to know how good fortune will be, please read the Legend of Journey to the West." Maybe in Journey to the West there really is a "good fortune", which lasts for 129,600 years. This is the longevity skill, not to mention the word "good fortune" in front of it.

The author, I would like to give you some advice, don't write about the bad character of the disciples of the sect. For example, you wrote that the elder practiced to the Golden Elixir according to the sect's arrangements without a clear goal. This is very unreasonable. He didn't even have a Taoist heart. Why did he practice Taoism? And the author writes very well, come on!

The sense of family in this book is well written, like a family with a grandfather and a father. The starting point of other family stories is too low, and the route is too low. They develop from village tyrants to powerful men, which are unhelpful or even harmful to society. They smell like nouveau riche. Looking at the aristocratic families in Chinese history, they would not have developed like this. The reason why aristocratic families are called aristocratic families is that the ancestors of a certain generation need to be virtuous and meritorious, gain universal respect from society, and have family traditions that can continue to benefit one party. The descendants may be prodigal and filthy, but they must at least maintain the appearance of respectability, otherwise they will be expelled from the family. In the book, the Wei family is a typical example of a family that fell from aristocratic family to powerful one.

Someone actually went to the classical cultivating immortal novels and said that the classical cultivating immortality was different and had no traffic. It was not the underworld cultivating that he liked to read. Therefore, he suggested that the author be a eunuch. This is something I did not expect.

The plot is fresh and refreshing, which is rare in Xianxia. However, the logic is a bit uncomfortable. Trying to deduce Yuanying Kung Fu before the foundation is completed feels like you have not graduated from junior high school. You have learned some high school knowledge by yourself, solved a few matrices, and then started to compile a linear algebra textbook. It is outrageous. You can't explain it without a powerful golden finger, but there are a lot of people abandoning the book because of the golden finger.

Alas, the book is good, but it is too wordy. I just started to build the foundation and wrote dozens of chapters. The protagonist is too protagonist. Everything happens to him when the protagonist moves. Building the foundation feels like he will become an immortal in the end. It is very difficult all the way. It tests patience and persuasion. I said before that I need to quickly build the foundation. I thought it would be done in the third or fourth chapter. I am determined to come back and help my grandfather transform into an infant. I feel that it would be better if the author wrote the dozens of chapters that the protagonist encounters during the foundation building process to the process of helping his grandfather transform into an infant after the protagonist builds the foundation. This not only enriches the content, but also writes about the grievances and resentments between the protagonist's family, his grandfather and various immortal cultivating families, and also expands the environment and humanities of the immortal cultivating world.

Just tied, leave a long comment: First of all, the advantages: 1. The writing style is very beautiful, and the wording is very careful (words that are very disconnected from the theme of cultivating immortality will not suddenly appear in the text) The author has a very profound cultural heritage, take the example from the first chapter: [The large mahogany shelves display the two categories of Zhenfan and Fan collected by the Fu family, totaling twelve volumes and 720,000 books. Among them, the six parts of cultivation are Tao, Dharma, Technique, Technique, Za, and Wen. There are 80,000 volumes in total, including astronomy and geography, Taoism, magic, alchemy, talisman formations, and anecdotes from the spiritual world. To build the foundation of the three realms, first determine the Tao foundation and purify the true essence. Then refine the real fire and refine the jade liquid. Finally, the mysterious embryo was formed, the dragon and the tiger were combined, and the golden elixir of the great road was achieved. 2. Many of the settings are very exquisite - This is the first time I have seen the setting of the mage, and the matching jade puppet settings are also very exquisite - I also like the description of the Dashan calendar that turned into nothing due to the collapse of the continent - The setting of Yunhai Taoist platform is very playful (are you considering building an open source Taoist platform with no entry barriers in the future? Doesn't the protagonist want to teach merits in the world of cultivation on github? Everyone in the world can freely see it. Isn't that a huge merit of educating all living beings?) - Cultivators build luxurious cave tombs not only to pass on the skills and traditions, but more importantly, to have the opportunity to be resurrected in the future. This idea is great! (I have always wanted to complain about the many treasures left in the cave tombs of the predecessors in many immortal cultivators. Do immortal cultivators also need burial objects so that they can live happily in the paradise world after death?? Many tomb robbing novels use various mysterious gossip methods to find a way out of the tomb. Is this reasonable? If I were the owner of the tomb and let all these tomb robbers die, how could there be any door left inside!) (But if it is for the purpose of resurrection after death, it makes sense. Leaving a large number of genius treasures to be buried with them is for use after resurrection, and leaving a way for survival in the tomb is for leaving after resurrection) - The spiritual painter was involved in the color grinder industry, so he was in a situation where he had no good paint to use. This setting is very clever and very playful! - The description of the customs and customs of different waters is very good: Yanlong Shuishui is a cultivating family, good at fighting and secular, and can manage city construction and fortifications; The three major water areas are cultivation sects that do not eat the fireworks of the world, and white gloves from other water areas pay tribute to them; -The Baijia water area is directly destroyed by casual cultivators, which is extremely secular. As long as the wealthy cultivators can also serve mortals; 3.The author has a very strong desire to polish and perfect the setting background of his work, and feels that he takes his work very seriously (He will limit and compress the number of chapters in each volume to fit the sixty-four hexagrams, give chapters ancient style titles similar to Zhanghui style, and will write long ancient style supplements to improve the image of the characters when the author does not count the money. Although I don't read these three very much, I very much recognize this spirit of taking one's work seriously. When I read HP articles, those authors who would check the original works, wikis, and interviews with JK Rowling for a small plot in the article, although the results of their novels are often not the best, are always the type of authors I respect the most.) [Continued]

Although the general plot of "Henghua" is based on "Journey to the West", I always have visions of "A Dream of Red Mansions" on some characters. Here are the correspondences of some characters that I have summarized: The Twelve People of Fu Jiabai Palace - Jia Jiarong's Mansion Twelve people Fu Xuanhe - Jia Zhu (suspended death corresponds to early death)\Li Wan (Four Rui Dragon King) Unnamed - Jia Cong (died young) Fu Xiangfeng - Jia Lian\Wang Xifeng (Four Rui Fenghuang corresponds to Wang Xifeng and his wife, but it can also Can be the virtuous concubine Yuanchun) Fu Yaozhen - Jia Yuanchun (as the eldest sister, she often admonishes Henghua, the good Qin corresponds to Yuanchun's maid Baoqin, or it may be Xue Baochai, the crown prince) Fu Maiyuan - Xue Baochai (Chunyang Rijun corresponds to Baochai) Chai's natural heat poison may also be caused by Yuanchun, the Minister of Fengzao Palace) Fu Henghua - Jia Baoyu (The Yuan Gong of the Creation Hui corresponds to the creation method of Nuwa's Sky-Mending Stone) Fu Tongjun - Lin Daiyu (Queen Penglai corresponds to the Scarlet Pearl Immortal Grass, it may also be Tanchun) Fu Liuhui - Shi Xiangyun (the four auspicious celestial turtles correspond to the golden unicorn of Xiangyun) Fu Pengming - Xue Baoqin (the four auspicious celestial turtles correspond to the perfection of Baoqin) Fu Baimin - Xing Xiuyan (to be honest, these two people are I found it by force. They may also correspond to Eryou, Erli and Jia Huan) Fu Sitong - Jia Yingchun Fu Xiantong - Jia Tanchun Sun Yuntong - Jia Xichun Dongfang Yunqi - Chai Daiheyi Fu Xuanxing - Zhen Baoyu Xugutang Fu Ruiying - Jia Daihua of Ningguo Mansion Fu Danwei of Baihuangtang - Jia Daishan of Rongguo Mansion Mu Putian - Jia Shishi Fu Beidou of Baiyutang - Jia Dairu He Hengshou - Li Gui\Ming Yan He Xiaoyu - Hua Xiren\Qingwen It feels like it can be said that if Henghua hadn't traveled through time, the Fu family would have declined like the Jia family. Henghua saved his grandfather, and the Fu family would still have hope. You should be able to find more correspondences, right?

The author is not Wuji. I joined Wuji's group and asked him about it. Wuji has quit writing books. Stop making excuses about Taihao. Wuji was destroyed like this. The author's writing is quite good. Don't substitute other people's works.

The writing style of this book is very different, I hope it will be successful, but it is not suitable for me. The shortcomings in my opinion are: 1. It is too literate, the wording and the title are biased towards book-shaking, not natural enough, very cumbersome, especially the title is too time-consuming. 2. The protagonist is too much of a drag and is too enthusiastic in doing things and even acts like a good person (although it is written under the influence of his cousin and grandfather). 3. The protagonist is too feminine or weak. There is a chapter where he asks the maid to play turtle or something, but the maid refuses. In the cultivating system, he should be killed on the spot. The servant's bounden duty is to obey. Even a maid is so disobedient, she is a loser to the protagonist. So, the author should write about the city. The uncontrollable environment of cultivating immortals is not suitable for the protagonist

The low-level monk is still deducing the exercises. What a ridiculous plot! Just like primary school students deriving quantum mechanics in modern society, Goldbach's conjecture is as ridiculous! Excuse me, for a low-level monk, no matter in terms of knowledge, intelligence, spiritual consciousness, or brain development, what support does he have in deriving the exercises? High-level monks write down the exercises casually, which is equivalent to the low-level monks' 10,000-year derivation!

The quality of Wuji's books seems to be very good. Why are the results so average?

(In the author's words, the author's reply aroused curiosity, so I went to Baidu to search) First, the author Bai Yutang reminded me that the names of all the characters in the hall are related to the stars. This seems to be very simple, because after searching, it was found that Baiyu itself has a meaning of referring to stars. The words come from "Ancient Yuefu Longxi Journey": "What is there in the sky, white elms have been planted all the time" and Du Fu's "Dajue Monk Lanruo": "Xianglu Peak is hidden in Qinghu Lake, and the apricot planting fairy's home is close to Baiyu." In addition, this meaning is often used together with "Zhongxing". Let's talk about Xujutang, the current main line of the Fu family. When Baidu comes out, the first connection is Xuju country, which is a country with the surname Feng. It is a descendant of Taihao, and should be the descendant of Taihao Fuxi's Feng surname. I think the name of the hall indicates that the Fu family is the direct descendant of Liufeng Hall and the descendant of Fengxian. It also implies that the Fu family has a connection with Fuxi and is even a descendant of Fuxi. Finally, there is Baihuangtang where our protagonist Henghua is. This is more related, let's talk about it one by one. One is that the Baihuang clan was one of the ruling clans in the Fuxi and Nuwa clan political system during the Chinese Clan Alliance era (this paragraph was read on Baidu Encyclopedia, and there is even a detailed deed in 7000 BC. I can only say that the credibility is not high). The other is the quote from "Guqin Shu·Volume 1": During the time of Fuxi, Yinghu paid tribute to Zi, and the emperor ordered the Prime Minister Baihuang to drink the qin. One is called Danwei, the second is called Ancestral Bed, the third is called Wenwen, and the fourth is called Henghua. (This directly contributed to the names of Henghua and his grandfather) Third, Baihuang also named Baihuang and Baihuang, which should be the names of ancient emperors and are suspected to be descendants of Nuwa ("Yi·Xici" "Bao Xi's family died, Shennong's family wrote" Kong Yingda of the Tang Dynasty said: "Nuwa's family died, and then there were Dating family, Baihuang family... All fifteen generations were accustomed to Bao Xi's name is also.) It's roughly the stuff that came out of Baidu. (In fact, I just looked at Baihuang and Baiyu and thought they were related to trees. From this point of view, they are more related to Fuxi) (Of course, this is just my personal opinion and does not represent the author's opinion).

Many of the family sects are rising sects, but in this book the Fu family itself has a certain power and influence and is considered a second-rate force, so many family members can have a good training environment without having to become apprentices to the sect. Then the author brings up the biggest pain points among all the forces in this book, one is the problem of martial arts, and the other is the problem of spiritual veins. Based on these two pain points, if you want to increase your power, you need to solve the problem of skills and build Buxianzhou. Therefore, the plot of the protagonist upgrading his family to a top family will not be abrupt. First, all the foundation-building and Qi-refining disciples are personally guided by the protagonist, so these disciples will definitely be very powerful when they grow up in the future, because there is no disciple of that generation who can be personally guided by the person who created the Book of Heaven, let alone tailor-made. The second protagonist's Si Ruizhou plan, as well as the cultivation family's practice of cultivating children introduced in the book. Therefore, as long as the book focuses on how the protagonist is arranged, the situation and future of the entire family can be seen, and there is no need to worry about the family's strength not being able to keep up later. So I have already written so much. Can the author update more?

If you don't understand, just ask: Donglai and Nanyan should be considered small continents? Tongtian Continent and Ten Thousand Demons Continent should be older continents. This world should not be as closed-off as we imagined. The development of Immortal Dao in Donglai is not at the forefront of the world as I imagined, nor is it the group with the deepest foundation. Enlightenment has existed since ancient times, but Donglai has only now had the opportunity to achieve enlightenment. It makes me feel that Donglai is a bit like a second- and third-tier city. It has unique advanced technology (immortal development) and potential (opportunities for enlightenment), but the overall strength is not the strongest, and it is struggling to develop in a corner.

It's rare to see a book that recognizes that mushrooms are fungi and not plants. I like it. The life patterns of fungi are very interesting. They are parasitic to animals, parasitic to plants, parasitic to other fungi, fed by ants, etc., Form mycorrhizal symbiosis with plants, form mycelial networks to symbiosis with forests... I hope to write more if I have the opportunity. I don't know what kind of cultivation method is involved in plants. I have always felt that the settings of elixir roots like flat peach and ginseng fruit trees are very fake. They take thousands of years to bloom and bear fruit, and the longer they last, the more medicinal properties they have. They are just tools. It stands to reason that in order to prevent extinction, various toxic chemical (metaphysical) weapons should evolve, or have physical properties that are difficult to collect and utilize, or live in symbiosis with animals to protect themselves. As for fruits and seeds, wild things, the seeds of delicious fruits should be hard or poisonous, and the seeds of inedible fruits should have the function of spreading seeds. I have imagined the setting of spiritual plants, and I have imagined two routes. The tree will last forever, and the herb will spread and incarnate into thousands. But what is the ultimate goal of the cultivation and evolution of plants, trees, mushrooms in the fantasy world? Transforming a human into an immortal is too monotonous. After all, it is difficult for me to imagine that I am not a tree or a tree. Hope to see some good ideas in this direction. Personal association, it is not a requirement for this work, it should not deviate too far from the main line.

Lady Bamboo in Langhuan Hall

I came up with an opera method, which can be combined with the cloud axis to invite gods to the upper body, or you can practice it by yourself. I don't know much about opera, so if there is anything wrong, I hope you will understand it. Tao of Opera: The self is me, the external self is everything Adhere to the true self, and the image of the Tao comes from the dust, and the one who is not stained is the Tao Immortal The Tao Immortal, the superior true self exists forever, understands the great principles, and knows the evolution of Tao. The average person is able to uphold the true self, understand the great principles, and perform the Tao invisibly along with the Tao. With the power of Tao, those who are unable to rotate through the Tao and Dharma can practice hundreds of magical powers. The inferior ones, who know their true self, pretend to shape the Tao, act out the Tao themselves, and perform many magical powers. They can use incense to shape the Tao of other people's hearts, and they can also use the power of others to perform other people's methods. A Taoist actor can perform the truth of the Tao, he can perform magical powers, and he can also use other people's methods to fake other people's powers. Talking mask: draw the image of the Tao and its body, connect the power of the Tao, and interpret the story. Disadvantages: There is no distinction between self and self, easy to enter the devil's way, split personality, too much miscellaneous knowledge, it is difficult to understand, personality can easily become the incarnation of others, ranking in the lower ninth level In the early stage, it is necessary to have experience in the world, practice one's own mind, observe other people's personalities, and gather the wisdom of hundreds of schools to consider the journey of the great road. Low supernatural powers, mostly for people to take advantage of.

Where can I find Wuji's new book? This author opens his vest every day

Reading the new chapter makes me feel uncomfortableòᆺó The Heavenly Book should be preached to people by people who have excellent character, will, luck, qualifications, and talents, and who have the opportunity to become enlightened. This kind of genius, without the Heavenly Book, is as peerless as ever. With the Heavenly Book, the upper limit is higher and the same realm is stronger. Even if it is not as good as Henghua, it has a complete inheritance and can rival him. For example, Dongfang can solve Henghua's doubts and discuss the Tao with Henghua. Let's not talk about the deeds of discussing the chess immortal and the real treasure of the fallen immortal. His only one sentence "I refined the moon in the six yins, the great way has been completed, where is your way" is his unparalleled grace. But for those other heirs of the Book of Heaven, Fang Dongyuan is related to Hunyuan but has not yet obtained it after all. It is understandable if the original version is not inferior (Huang Yu can also comfort him by saying that he has not grown up). In the new chapter, these two are also worthy of passing on the Book of Heaven? One is a completely low-end version of Fu Henghua without his own characteristics, while the other doesn't like swordsmanship but dare not go out of his own way. Then even if the Heavenly Book has other purposes, it won't humiliate yourself so much, right?

What do the words purity and impurities of mana that appear frequently these days refer to? What is the principle of elixirs promoting cultivation? Speaking of which, is the accumulation of mana in this book similar to the way mortals absorb free spiritual energy and turn it into their own mana? Pure and heterogeneous are opposites, but what is the direction of this purification? In my impression, the protagonist's mana seems to be able to be converted into other types, so it can also be used to convert other people's mana into other people's mana due to its high efficiency. So what should we understand when it is said that the protagonist's mana quality is more "pure"? Isn't it possible to convert back and forth? Looking at the writing, it seems to be expressing concise and mellow meanings.

What we are saying is that currently, it seems that among all the children of the Fu family, Xuanhe has the highest talent (the Wei family has a higher eye but also inherits his talent; as mentioned before, the immortality may have become a golden elixir; Fu Beidou said that he alone can suppress all the contemporary people in Baiyutang) There are children; Henghua also said that the eldest brother is extremely talented; Fu Rui should choose him as the successor to the Fu family), but according to the supplementary records, it is inferred that there are "Futian Four Rui, Changqing Three Heroes, and Xuanxing Twin Jewels" in later generations. What is the situation of Xuanhe? Or is he the tenth person?

Isn't it right? There was obviously a bug. Wasn't ten thousand years ago a long time ago? A golden elixir lasts almost a thousand years, and the sect can only be passed down for a few generations. There is no sense of vicissitudes at all.

There is a question: The setting of this article has a limit on the skill, but it can be changed - if the two skills are very different, the skill must be wasted and re-cultivated (such as Fu Henghua), and the two skills are related to the transfer (such as Fu Xiangfeng). The Canglan Lidao should be water. Although the cultivator has a fetus to change shape, doesn't it still require wasting the skill and re-cultivating to compose the heavenly book?

A little combing, please give your opinions😁

Let's just say, Xiang Feng, it's very embarrassing, now... As the first one of the protagonist brothers and sisters to appear, he is still the Four Rui Fenghuang in the later generations. He lacks a bright spot. Now 😵 his character image is very three-dimensional, but his ability is not bright. He himself doesn't like the talent of Feng Yu. His skills are mainly wind but he has not used them. Studying swordsmanship and longevity can't compare... When will it be strengthened (ㅇㅅㅇ)