The Great Wilderness Matchmaker

An author who writes diligently is often worthy of a long-term subscription; an author who is good at making jokes can always bring relaxation. From this perspective, the reading experience of this book is indeed good, reaching the level of food. In addition, thousands of words are updated every day, and it is both interesting and chewy. These are the highlights. (There should be a but here) However, the shortcomings of this book are also obvious. First, there is a lack of a main line that can summarize the overall situation. The basic thread of the book is that the protagonist wants to live, but he is caught in the friendship and conflict between his grandfather and the emperor in his twilight years, so he has to move between the cracks, wanting to preserve family ties and be at ease at the same time. Is this main line reasonable? Reasonable, but not strong enough. Because this main line is too short, focuses on the "now", and is an almost unsolvable problem. The essence of this contradiction is the contradiction between the continuous expansion of imperial power and the continuous decline of the emperor's energy. This contradiction is too ordinary and difficult to fundamentally solve, so it will not be powerful enough in terms of plot driving. In order to promote the plot, the book keeps the emperor in emotional contradictions and repetitions. This is feasible, but being too entangled will weaken the emperor's deterrence as an important BOSS. The book also creates a character named Huangjie who has a very extreme emotional state. The creation of this character is successful. Her crazy image and corresponding style of doing things constantly promote the escalation of conflicts and the development of the plot, making a great contribution. However, as Jiang Huai becomes the first, the author must find new things to promote the development of the plot, hoping to do better than Jiang Huai. Referring to the brief review of this book, the author may want to gradually promote the conflict between the princess and the emperor - after all, the hatred of patricide is irreconcilable - but I would like to remind you that this conflict is also very entangled, and it is easy for the plot to stagnate (the characters are in a dilemma), and then it will reach the stage where the reader feels that the "pace is too slow". This problem once appeared before Jiang Huai became active, and was solved with Jiang Huai's activity. Now that Jiang Huai is gone, the author is advised to consider it carefully. By the way, although the label of this book is "easy", it does not mean that it cannot use the hatred between country and family, the separation between heaven and man, or racial war as the main driving force. Because what is relaxing is the narrative atmosphere and the sense of security that "problems can always be solved" are given to readers, while the sharpening of contradictions is the driving force for reading. Second, the scenes in the book are poorly expressed. As a writer who writes thousands of words a day, a high word count is inevitable and harmless; but repeatedly using some too bland scenes as the location of important plots will weaken the performance level of the scenes. For example, many plots in the Zhao family occur when the whole family is eating. The scene of eating is used over and over again, and readers are still very interested when they first see it. After seeing it ten or eight times, they will inevitably feel bored and just want to skip it quickly. Although the subscription money is not less, the reading experience will decline, and in the long run, it will easily become a poisonous point. It is recommended that the author put some thought into these aspects and create some new ideas. After all, high-quality scene creation can not only stimulate readers' interest, but also improve the number of words and improve expressiveness. It is worth the effort. Third, the plot has not yet been able to achieve a degree of relaxation. An excellent author knows how to arrange intensive emergencies for the protagonist, and also knows how to relax a little when things "come to an end". This book contains a lot of jokes, which is a good thing and a major feature of the book. However, if the author wants to focus on the whole book, he needs to consider how to adjust the rhythm of the plot. When the conflict is intense and the plot is tense, speed up the narrative rhythm and reduce the stacking of words; if you still have room for it, you can even consider flanking perspective descriptions and multi-line converging conflicts, or even use POV techniques; and when the plot "comes to an end", let the protagonist take stock, make a stage plan, or make some dog food, which are all desirable rhythm adjustments. In short, overall, this book is good enough to be read for a long time. Friends who like light reading and fun driving should not miss it. I also hope that the author can accumulate experience, continue to make progress, and portray vivid and vivid characters, so that the book will become better and better. The above is just a bit of personal opinion, I hope someone can get it out of my head.

There is no such thing as a harem novel. If you are not convinced, come and argue. Remember to bring the title of the book.

The plot was good, and the driver was driving at the speed of a high-speed train. The experienced driver said that it was quite enjoyable and his waist could bear it. The protagonist is not from Qidian Orphanage, and his interactions with his family are very lively and funny. At present, none of the main characters and supporting characters have been fleshed out, except for the princess of Qi, but this is also because she is not the main plot yet. I have read some novels. Everything that has nothing to do with the main line has to be watered down for one or two paragraphs. Water is not the problem. The problem is that after 3,000 words, the main point has not been reached. The author has cut off all the irrelevant ones to make the potential for future conflicts more obvious, which is exactly what the introduction points to. The arrangement of Goldfinger is a little abrupt, but it also gives a reasonable explanation and brings out the next crisis. The most important thing is the author is a girl! The author is a girl! The author is a girl! Say important things three times. It is said that if you are not good-looking, you will be scummed by middle-aged scumbags several times.

I heard that you are going to marry a middle-aged man🙂

The man who supported his wife in the Great Wilderness, the scholar in the Great Wei, the watchman in the Great Feng, the night watchman in the Great Li, the sword bearer in the Great Qian, the bad guy in the Great Zhou, the storyteller in the Sui...

Opening the category of Xianxia, ​​the first one is The Scholar of Da Wei, the second one is Da Feng's Watcher, and the third one is Da Huang's Wife Supporter. When did this book of Da Xia Worker pop up🙊

Every time I see talk about immortals and Buddhas peeking into the fate of mortals, this is obviously the worldview of Western mythology, and we should be wary of Western cultural penetration.

I heard that if the book's grades are not good, the author will marry a middle-aged scumbag?

I think if the title of the book is changed to Dahuang Supporting Wife, more people will read it 🙂

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