This Hero Is Truly the Scum of Humanity

Together, these two are not half as disdainful as the male protagonist.

It was very interesting to watch at first, and the writing is also very good. After watching it, I suddenly became impatient and spent my time. I kept analyzing this and explaining that. In fact, very little of the plot was advanced by describing the actions of the protagonist. Most of them were forced. Who would have the patience to watch this?

You have to read this book with your brain. At first, I thought it was the kind of movie where the main character is not a real brave man and "he can replace him". But it turned out to be a Guy Ritchie movie, with multiple narratives, and finally closed, with the hero fighting the bad god.

First of all, it is a purely subjective evaluation and has no reference value. This book is well written. It has two flaws, but they are minor flaws. The plot design and character creation are both very good. The characters of several main characters are well established, and even the supporting characters with little description are very eye-catching. The main plot + the male protagonist are very Japanese comics, similar to the combination of a black-hearted enterprise + a cautious and courageous person. The male protagonist has a very charming personality. Although it is not as disdainful as the male protagonist of a black enterprise, it can be said to be unique. This alone has surpassed 90% of the books in this category. Now that the prologue "rebirth" is probably over, the first chapter "Goblin Farmhouse" has reached the later stage. Although it seems a bit too big, I don't know if the author will involve x. It depends on his performance. I will not comment casually on the content that is not written. I will just complain about two minor flaws. One more nonsense, it's not about promoting first and then suppressing, it's really well written. The following complaints are based on the fact that this is a good book. Then the following is "suppression" (funny), two small problems that affect the perception. Simply put, they are "snapshot" and "chaotic narration" "Snapshot" is quite straightforward. Don't always write parts of the plot and characters that are missing. "Snapshot" is a good way of writing, but it doesn't let you know everything. It's all written in one stroke, the end of the past life is written in one stroke, the beginning of this life is written in one stroke, familiarity with old people is written in one stroke, strategy and planning is written in one stroke, ability description is written in one stroke, and the core settings are written, you give me a single stroke and write a little bit to prepare for the future. This writing method is for you to use it once or twice to increase the interest, not for you to write a book in fragments. Then based on "one stroke" and God knows what the author's outline is (most likely there is none), the worst situation that occurs is "chaotic narration", which can also be called "sleepwalking writing". There will often be a plot that I am happy to watch at the beginning, and then suddenly jump to another character to do another unrelated thing like sleepwalking, and it is not starting from the beginning. Writing, it's like deleting the tail of one and the beginning of the other and forcing them together. It doesn't matter if the plot is skipped. Can you at least provide a dividing line? Can you stop half of the sentence "The male protagonist feels so and so when he does thing a", and give me the next sentence "The supporting character is thinking about something, and he feels so and so about thing b". How can you put the two contents together without the slightest relationship. . . Although I can understand it after just thinking about it, can you please don't let me read a book and worry about how the male protagonist dealt with it in the end, and who suddenly did this next. . . How about giving the plot a beginning and an end? Actually, these two writing methods are normal writing methods for novels. They are very common brush strokes, interludes, flashbacks, and random narration. But don't use this writing method for the entire book. There is a word I used earlier that is quite accurate, which is to write the book in fragments. The look and feel of this book is a bit like breaking a top-quality novel and then putting it together blindfolded, and many of the fragments were lost. . . It's actually a bit outrageous. That's it, it's a book worth reading. It's a wonder to be able to combine such good characters and plot like this 233

Why? Why is it that every time I find a good book, it's like a seedling🤔🤔🤔

After reading a few chapters, I would like to express my thoughts. It is really unreliable to establish an initial base through goblins and slimes. A certain cute slime king can do this because he is awesome enough to destroy a country by himself. He has ghosts, demons, and pig kings under his command. The protagonist is now really poor and powerless, and he does not have the capital at all. What are humans talking about? People who are not our species must have different hearts. Countries can fight each other, not to mention even the species are different. Now the protagonist does not have any defense force, and even the forest is not unified. He has contacted the human country so early. No matter how harmless you package it, you can't change the essence of this matter: you controlled a large group of goblins and slimes through unknown methods. What is your purpose? How to control it? Why should we control them to run a so-called farmhouse? In addition to goblins and slimes, can I control other stronger monsters? If you just spread these words casually, you will become more and more outrageous and easily trigger panic. It is impossible for those in power to believe whatever you say. You said that you gathered so many monsters to serve the people. How the hell are you lying? If you don't make it clear, you will either accept control or be eliminated. No one in power will leave such a huge unstable factor beside him. By then, you won't even have the power to resist, and you will be waiting to die.

It looks very messy, always pretending, and has no clear goals. It seems that everything is in place, but in fact, the author is cheating. He often thinks that he thinks that others think,

It's fun to be funny, and occasionally a sentence is really interesting, But what kind of bullshit plot is this? Looking from one end to the other, the buddy who is watching has a question mark in his mind? There seems to be no plot at all, and I can't understand it at all... When I read the first two chapters, I felt that this book should not be a blockbuster, it is not even a high-quality book. After reading more than 20 chapters, I found that there is a reason to rush to the street...

Great

The author is really great👏. Zhou Li's seemingly heaven-defying actions are actually under the control of the gods. This is a normal situation. How could a brave man who was summoned and reincarnated many times get rid of the control of the gods all of a sudden? To be honest, I saw Death Ghost being killed before, and it was really a bit regretful. I secretly thought that this book was a bit broken. I didn't expect that the author had completed the settings here. It was really detailed! It can be seen that the author has an extremely detailed outline. Although Zhou Li is the biggest variable, he also abides by the biggest fixed number. He has been reincarnated several times, accepting the arrangements of the gods, and shouldering an inescapable fate. The stronger he is and the more he pursues the realization of his own path, the more he cannot escape from this established fate. It is really a balance! The weaker the person, the more likely he is to get rid of his fate, but when he is weak, he has no strength to get rid of it. The stronger the person, the more strength he has to get rid of the shackles, but it is precisely his own strength that restrains him and cannot get rid of the shackles of fate. No matter how Zhou Li felt that he was carefully planning to get rid of the gods, only now did he realize that what he wanted to do was destined, and this was the "main line" of his destiny that he could not refuse. At the same time, the arrival of the plot at this moment also means that it has officially reached its climax, the world view has been completely laid out, the main line has become clear, and the story will usher in a summary stage of the first half. I am looking forward to the story that the author will write next.