The Bonfire Shelter Company

I was praised by the traffic police for wearing a helmet correctly on the road I will forward this to the comment area Please everyone be proud of me 🙂

It's good to watch. The main character has a good outlook on life and is a rare neutral and good camp. I hope it can be maintained to avoid any character collapse later on. The organization behind it seems to be good so far. It belongs to the kind that sacrifices a few dying people to save more people. The Magic City feels like it has been completely swallowed up by darkness. This plot is quite interesting, but it will probably be revealed very late.

Science is currently unable to explain some of the fundamental reasons for traditional Chinese medicine. It is the combination of dozens or hundreds of medicinal materials. The various chemical reactions caused by the combination of dosage, the patient's own constitution, and various factors are difficult to fully explain with current science. Therefore, there is a public opinion that traditional Chinese medicine is useless and is caused by psychological factors.

I feel like the look and feel is really not good. I feel like everything makes sense, but it's just not exciting enough. Has the author really planned it before writing it? I have read a few copies so far, and I feel that it is a mess. In terms of character, the protagonist only relies on being pushed around, and is completely passive during events. There is no climax at the end of the story. The character of the protagonist is not rigorous, not much kind, not much wisdom, not much promise, not much darkness, and not much selfishness. So what makes it attractive? None of the protagonists that readers like have special characteristics, at least in some aspects that are extraordinary. Is there anything about the protagonist in this book that is extraordinary? Luck? There is almost no subjective initiative, just like watching a B-level movie, but without the pleasure of the climax of a B-level movie. It gives the impression that the author thought of some interesting plot fragments, thought of some cool settings, completed them, and then started writing. I didn't grasp the rhythm, and I didn't create the characters. It seemed to be written for myself. I may not even remember some of the settings I wrote, or I was tired of writing, and then it lost its sense of existence. The plot is self-consistent and as reasonable as possible, but it does not take into account the reader's perception. The reader seems to be able to answer every question he asks. Either this is the setting, or the protagonist has no choice but to do this, or it is actually a trap that will be discussed later. But being reasonable and being exciting are two different things. The plot needs to be enjoyable, but if it's not exciting enough, you'll always be under pressure and there's nothing you can do about it. It's not enough to be depressing and depressing. The plot has depth, but not much, and there are plenty of light-hearted gags, but they can't support the characters. Character creation has no backbone, only a framework, with a bunch of things filling it in. The plot design only has the main outline and no framework, which is reasonable but not attractive. A bit of everything, almost nothing. The writing is obviously good, and there are ideas and designs, but it is not polished carefully, so I have no motivation to read further. To use the poisonous points mentioned by netizens, there are no major poisonous points, but only small poisonous points. The book has potential, and you can read it even if you endure it.

Time travel + memory loss (even though I only lost half a chapter, I still feel so uncomfortable!), A violent emotion gradually emerged, but it was suppressed by some force.

After reading the entire book in one go, my overall evaluation would be a 6 out of 10, which is acceptable, but there are many problems. I really want to mention a few issues. 1. The tone of the entire novel is disconnected from the early, middle and late stages. The beginning of Infinite Stream suddenly turned into the fourth natural disaster where employees went out to fight and build. In the middle period, it was a long and exciting plot. The country and forum colleagues were all supporting and flattering the protagonist. Finally, it suddenly turned into the only hope for all mankind and started to save the world from a desperate situation... The whole tone is very strange. I think it is a salvation story. Without the test of life and death, it would be difficult to reflect the desperate situation of mankind, the hardships of the protagonist and his teammates, and the sublimity of salvation, making the plot of salvation too pale and feeble. 2. The characterization of the protagonist is too thin. After reading the entire book and looking at the protagonist, I felt that the protagonist was a puppet without any intelligence or will of his own. The author gave a death-predicting golden finger at the beginning, and used it all the way to the finale. After returning from world 13, he used Ms. Rabbit's vest to arrange the protagonist, giving the campfire power, gold card props, task prompts, and arranging to collect the components of the Fire Holder, and finally became a Fire Holder. The arrangements are clear along the way. Under the prompts of the mission and the prediction of death, the protagonist does not need wisdom to decipher the enemy's attack methods, does not need to think about how to obtain power, and does not need a firm will to fight against pollution. The protagonist has great power, but he is not a powerful warrior, nor a foresighted wise man, nor a capable leader. He does not show any qualifications that can be called a savior. Everything is arranged. Of course, the main reason why the protagonist succeeded in saving the world in the end was to become a fire supporter, and then the deus ex machina came with a large wave of powerful support. 3. Problems with company employees. The old employees in the past are well portrayed, but the new employees in the forum, as the author himself said in the article, are not worthy of their role. In the later stages of the salvation plot, the sense of contradiction becomes even more serious. In the previous plot, they were just cheerleaders to support the protagonist. Even when they helped the protagonist fight, the company gave them resurrection armor, or three pieces... This kind of funny character suddenly became frightened in the catastrophe, suddenly tragic, and suddenly dedicated himself to providing equipment to the protagonist... It is not that it is incomprehensible, but you have to have enough foreshadowing, otherwise it will be a very serious sense of separation and violation. 4. Initial fire problem. The so-called first fire is a good concept with lofty intentions, burning oneself to illuminate others, but to find the first fire as the climax of the whole story, the plot conception and portrayal are still not enough. In the plot, the protagonist's buffs were full and he tried to find Chuhuo but couldn't find it. Then he was beaten to low health. Suddenly, he found Chuhuo with the help of a series of seniors. Hmm... It's very hasty, isn't it? As the crystallization and sublimation of human will, the flame of humanity, you really found it with only the remains of a few fire-holders? The author must not arrange a desperate situation of human unity, dedication, sacrifice, etc. To help the protagonist to have an epiphany, and then take out his own heart to become the first fire, and then reverse the effect as a cause. The first fire is born from the protagonist, so it cannot be found before, but because the first fire in the future is too powerful, the power of the first fire can also be found in the past and becomes a fire supporter. I had it all figured out in my mind, but the author really left the protagonist with a residual health and then found it... There were only a few fire-supporting seniors in the revolving lantern, not even the general public. These are the main issues I want to talk about. Some specific things and plots may be a little inaccurate, but the general idea is like this. It's a pity that the author's concept is pretty good, but it feels like the writing is still a bit lacking and not polished and rounded.

I'm speechless. I don't know the strength of the protagonist at all, so I keep pressing hard. I would rather spend tens of thousands of rubbish talents than upgrade golden props, just for fun.

You better be careful, I can live until 2044

Why are there all these plots where the world will perish without the protagonist? Save the world, save the world, save the world. If the hope of the world is completely pinned on one person, then the destruction of this world is certain, certain and inevitable.

Recommended (updated from time to time): The science fiction drama "The Vast Sky", the comic "Guangmeng" (sci-fi), the animation "Armored Cavalry: The Documents of Pelluge" " and its spin-off "Mecha Jaeger Myrolink", the animation "Esgardonian" (especially the theatrical version) (fantasy and science fiction), the game "The Outer Worlds" (science fiction), the comic "Black Lagoon" (gunfight action), the comic "The Distance of the Moon" (science fiction), the ova "Knights of the Royal Church" (fantasy gunfight), the animated film "Vampire Hunter D" (wasteland fantasy), "Steam" "Boy" (science fiction), "Jubei Ninfu Tie" (action), "Galaxy Island" (fantasy science fiction), "Atlantis: The Lost Empire" (science fiction), "Monster City" (fantasy action), "Venus Senki" (science fiction), "Afro Samurai" (action), "Guardian of the Ruins (1998 Edition)" (science fiction action), the manga "Thunder Universe" (Gundam), "no life guns" (sci-fi), "Red-eyed Mecha Soldier" (sci-fi), "Wolf's Crest" (fantasy action)! A few more fighting comics are recommended: Defend the Sanctuary, Army Chicken, Almighty Fighter, High School Iron Fist, Nada Shen Shadow Style, King of Power, Fist, Lebius, Rikudo, The First Divine Fist, Swordsman Life and Death Fight, Non-mainstream Idol Hell Transformation, Empty-Handed Overlord. Angel (1989 version): Cyberpunk animation, violent and refreshing. The sword action animated film "Outlander: The Legend of the Blade" no guns life: Armored Cavalry