As an Immortal, I Have to Pretend to Be a Vampire

After reading Chapter 96, let's analyze why some readers feel poisonous I hope it will be helpful to new readers and let you choose whether to click to read this book. In fact, I almost didn't click on this book because of the bad points shared by the old friends in the comment area, mainly the lack of revenge for being killed in the first two chapters, and the entangled plot of a cult later on. Later, it was recommended repeatedly and I couldn't help but click on it and read it. Generally speaking, as a light novel, it is quite enjoyable in the early stages, but it becomes more and more depressing later on. Let's talk about the first so-called poisonous point, which is the plot of the first two chapters. It roughly says that the male protagonist is killed by a vampire at the beginning, and discovers that he can be resurrected in a limited manner with more than one life. As a result, the entire process is watched by the female protagonist, a government intern witcher through a drone. The female protagonist thought that the male protagonist had become a vampire, so she came to take him away. During the process, the male protagonist tried to resist but was killed once. The male protagonist counterattacked after being resurrected, but he did not choose to kill the female protagonist. Instead, he cooperated with her for future benefits. There is actually no logical problem with this paragraph. The thoughts, purposes and means of each character are clearly explained. Some guys can't accept it because the male protagonist died once, and he killed someone to pay for his life, so they can't forgive it. But from the perspective of the male protagonist, if he doesn't want to take the escape route, the best decision is to take a gamble by cooperating with the female protagonist. You have to ask what to do if the heroine regrets it. That depends on the author. After all, this kind of plot is more in line with the plot development of light novels. For the male protagonist, the life here is different from that of ordinary people. There is not only one life, so I think it is acceptable. Later, the male protagonist also lost two lives because of his carelessness and wanting to upgrade. Fate here is an existence that can be exchanged for benefits. But if you introduce this idea, that is, life can be exchanged for interests, then the second plot is unacceptable to me. The second cult plot roughly tells the story of the two closest classmates around the male protagonist, both of whom were involved in cult-related incidents. One of the classmates, Asaka Mie, is very good to the male protagonist and treats him as a younger brother. Although he doesn't know the male protagonist's special abilities, he basically takes care of him in every aspect as a friend. There were many signs before the incident, including being preached by a cult near home, having a poor mental state and self-inflicted wounds, being suspected of committing suicide on a bridge, being discovered to have a dual personality, etc. But the male protagonist just didn't ask, saying that he would wait until the female protagonist asked for help before helping. The second classmate, Hayato Sato, is the only male friend the protagonist knows. They have also experienced some things together, and their relationship is inferior to the former. Before the incident happened, Hayato was also involved in a previous cult incident and was solved by the male protagonist. He killed the evil god projection summoned by an elite cultist without losing his life. Later, Hayato's sister disappeared, and he took the initiative to come to the house many times for help, but the male protagonist just didn't care. Finally, the male protagonist waits until the cult reaches his doorstep before taking action. Here the author spends a lot of words describing why coincidence cannot help in both cases, but it is too far-fetched to convince readers. Through the previous plot, the male protagonist knows that he can get promoted by killing evil cultists, and he killed the "elite cultists called guardians" and the projection of the evil god summoned by sacrificing his life during a special ritual. No life is consumed in the process of killing. If the male protagonist here chooses to help his classmate Ming Hui, then he will not have to face the cult leader, right? In other words, if the male protagonist helps Minghui, he can meet his needs for ability improvement, and he can also help a sister who is very good to him, and there is a high probability that he will not lose his life. Improving the former's abilities is something that the male protagonist has been doing all the time. He even lost one life when killing vampires (about three at the time) and enjoyed it. The male protagonist here already has 5 lives, but he is suddenly unwilling to do something that can achieve multiple results with one stone, which is completely contrary to the logic of his previous behavior. At first, he said that he would come to the door to ask for help, but later he refused, saying that it was difficult to carry out operations because there was no intelligence. I'm afraid that Minghui will be sacrificed at home by then, and the male protagonist won't know it yet and waits for her to come and ask for help first. I used to kill monsters without fear of death, but now I can kill monsters and save people but I don't want to. This kind of plot that forces the male protagonist to transform makes me feel tired. If the author wants to show a plot of "I obviously don't want to care about it, but why do you want to force me to do it?", It is recommended not to use a person who has a good relationship with the protagonist to promote it, because this will lack the motivation to ignore it, and it will appear that the protagonist is just a simple coward. If it must be used, it is recommended that this character refuse the protagonist's kindness due to lack of intelligence before the incident occurs. It is best to let someone else refuse on behalf of the supporting character, so that the development of the plot becomes a matter of wanting to control-not qualified to control/not allowed to control-coincidence. This will make the plot advance more smoothly. Of course this is just advice, not teaching the author how to write a book. Finally, to sum up, the book is very interesting in the early stage, but there is a very far-fetched main plot in the middle that makes people have a headache. I didn't see it later.

What an incredible author, those words about being in heat are almost in every chapter, and they have seriously affected the plot.

After reading Chapter 234, I was ready to give up. (Fortunately I bought it chapter by chapter, not in bulk) Female readers. I feel that the male protagonist's character is gradually blurring, the logic of the story line is unclear, I spend money to read lsp quotations in each chapter, and the plot advances slowly. Wen gradually became a harem. When there are not many female protagonists in the early stage, each woman still has some characteristics. Once she likes the male protagonist, she will become brainless. Not to mention the more women there are in the later period, the portrayal of each one is like an assembly line with no highlights. There is also this small group established by the male protagonist. Chapter 234 has not made much progress. The other one is Ito? In the early stage, it was said that it would take many people to wake up, but it was written down directly. There was no highlight of any martial arts. Every fight was just the hero's role, and the rest was over. This group is a waste of plot. Just write whatever comes to mind. In fact, the early stage is really good. In the middle period, when the harem becomes a harem, the male protagonist becomes bored when his mouth becomes yellow and his body becomes yellow. Every woman's psychological changes are wholesale. Also, the combat power system is not quantifiable, and the male protagonist has been resurrected nearly 100 times. Lots of golden fingers. It's already going to be written as invincible by the author. I don't understand how to make it round later. I will probably abandon the article.

Personal summary of this book: I will give the rating first 4/10 If you like long articles, you can continue reading. Protagonist: Unpleasant personality, talkative, not serious even when doing serious things, full of slander, the plot momentum in the early and middle stages is obsessed, in the early stages, he is buried in turtles, in the middle and late stages, he is a flirtatious trash talker. Maybe the author thinks this kind of protagonist is very handsome. In terms of supporting roles: Xiao Shou, the second male lead, hangs out with the female protagonists every day. Maybe the author subconsciously feels that the cross-dressing scene is very satisfying, and Xiao Shou fits his XP, so he doesn't distinguish between men and women and just hangs out with the female protagonist. The rest of the heroines: The characters they first appeared on the stage still hold up, but after a while they all turn into fighting for favor, fighting for favor, and fighting for favor. Although the reasons for the fight have nothing to do with liking the protagonist, the nonsensical farce that destroys the heroine's design makes it difficult for people to feel involved. The author has almost brought the IQ of the female protagonists in the earlier characters to the same level as the male protagonists. Both the boxing sister and the intelligence sister have been assimilated into trash talk masters. Finally, I want to complain. The impact of the Sato siblings on the whole book is basically insignificant. It is more forceful than forcing it in. The brother is a petty lover and is basically written as a woman, which is a bit disgusting. The sister has dual personalities, one brother controls the other and loves the protagonist, but they share the same body. The author also brazenly claims that he is a pure love warrior. It is seriously suspected that the author's so-called friends and relatives came to rubbish with the character or the author's own petty amusement. Plot: The early stage is a masterpiece. The plot is solid in terms of development. It is not too deep but not too broken. Although there are bad jokes constantly interspersed, one of the characteristics of the two-dimensional novel is the intensive use of jokes from the world, but the transfer of the jokes in this book is very stiff. The plot began to collapse from the moment the evil descended, especially after the so-called possession by the evil god, the perception of the plot plummeted. The battle between the protagonist with overwhelming combat power and the wise vampire who transformed at the same time went back and forth. There was a story about killing a vampire with a single blow of the sword, and I had to write four or five chapters. The follow-up plot begins with the Buddha, the body of the demon, and I really can't stand it anymore. Although I don't want to use this word, I am a two-dimensional person, but the "house smell" of this book is really beyond the limit. Even I, who like to read otaku articles, can't stand it. All the characters were severely reduced in intelligence for the nonsensical plot, and it was difficult to maintain their original characters, resulting in a loss of sense of immersion in the plot.

The early stages were pretty good, but the later stages were really not that good. The protagonist felt like he was forced to lose his mind. I really can't stand the last few chapters left.

As exciting as it is in the front, it becomes trashier in the back. The protagonist has no initiative at all and is completely a tool of the system. He knows many worries clearly, but just lies flat and does not eliminate them. I felt that the second half was so frustrating to watch.

I don't know when I ordered all the books, but I found them a few days ago when I was looking through all the books I had ordered. After seeing more than 300 chapters, I couldn't stand it anymore. I didn't have any big problems in the early stage. From the middle stage, I just focused on talking about sex and pornography. Many chapters were about talking about a lot of women and not affecting the main plot at all. If you insert pornographic content into the main content, I can still read it, but as a result, you occasionally write side plots among a large amount of pornographic waste, and you forget what the main plot is...

Although there are some minor poisonous points in the front, it is acceptable. But starting from the Machine City, the protagonist starts to do some inexplicable things. First, he helps the one-handed woman. The protagonist realizes that her identity is not simple, and helps her like a holy mother. Later, the six-tailed fox assassinates the ghost master. The protagonist is thrown out by it the first time, and chooses asylum the second time. It is so inexplicable here. The reason given by the author is no matter what. What state is the ghost master in? Just let the fox know about it. Then you will admit it if the Rakshasa personally brings people to search. Then he will tell the truth and pretend to be B. The routine is serious and has nothing to do with him, or he talks about things that are weakly related to him. While saying that he is afraid of trouble, he is adding to the trouble himself. I really can't see the protagonist with double standards, and the protagonist who is infinitely tolerant of the stupidity of the supporting character. It's really disgusting.

This book is best consumed with intermittent stickers! The author is so skilled at playing jokes and writing dirty jokes. He is so skilled that I feel that it might be normal for the book to be gone one day? Some memes are not recommended to be discussed in depth, peanut warning⚠️. It's normal for the floors to disappear. You can tell at a glance that the author is not as good at driving. And don't be curious about where the cult spell is. I don't know what the Dark Bible is. It's better not to know too much. In short, the author is criticized! (Where did the author get so many resources?)

Oh my God, I read this book many years ago and today it's the introduction