Can He Still Be Admitted to Monster Vocational Academy?

It's a pity. It's a very interesting theme and has many interesting ideas, but it's not very well executed: 1. Monster Vocational Academy is an interesting theme. When I first entered the academy, it felt a bit like the college version of Harry Potter, but there were very few classmates and learning links. The protagonist was practicing cheating alone 2. The pace is slow when it should be fast, and it accelerates you crazily when it should be slow. For example, it takes almost ten chapters to enter the academy at the beginning. When the reader is eager to see the extraordinary power, the protagonist is arranged to jog and go shopping to catch bugs. The pace is so slow that it is exaggerated; after entering the school, when the pace should be slowed down and more daily life, he is so fast. Various single-player crazy upgrades, but there is no daily routine 3. The career design is not good, and the general advancement will bring the characteristics of low-level professions. As a result, he is simply a job change. The low-level professions are like excessive ones. They are thrown away after use and have no sense of a career tree 4. A lot of words are spent describing the cultivation of friends, pets, and summoned beasts. As a result, the old partners are no longer useful as soon as they are upgraded, and all the ones that appear are replaced by powerful brothers (can you imagine that as soon as Ash gets a new Pokémon, he throws Pikachu at home to charge his mobile phone) 5. As a rare manufacturing protagonist, in the climax of the plot, he relied on the boss instead of his own creations... It's not unreasonable, but this is very understandable; let alone failing in the exam and beating the teacher by flying a spaceship that was not made by himself... Seriously, why do you want to write a genius character like this? Conclusion: The creativity is good, the performance is not good, it is readable, but it is not very interesting. You can read it in the book wasteland

I can feel that this book is different from the previous two. Although it is a daily step-by-step, the writing style of this one is obviously lighter, and it incorporates many more jokes and funny elements than the previous two. However, the protagonist still joins forces with others as always. Pure Deer Man, you still like metaphors for reality as always, and you also have the same love of drinking iced Coke and eating, but I don't know where the third-generation moon heroine is Then you have to hurry up! I refreshed the simulator and wasteland again. Why is it so bad? !

Fast update

I feel that it has the same quality as the first book, and the settings are explained very clearly, which is better than the book in Wasteland. After reading dozens of chapters in that book, I still didn't have a clear idea of ​​the foggy sea, and the writing was confusing.

The author is really awesome, a new work and a new world view. Could it be that this time he came up with meditating while staring at the pendulum clock? !

The author writes well, but is too greedy for money and starts charging for the wonderful chapters. Then I have no choice but to leave.

The author has reached an age of sexual repression

Although the protagonist of this Monster Academy book often drives a warship and uses others as speed bumps, and also likes to occasionally beat teachers into urns, compared with the protagonists of the previous two books, he still seems harmless. The protagonist Zhou Yi of "Wasteland Development Diary" is just an ordinary human being and the boss of an ordinary company, but his private life is extremely chaotic. His secretary, although she still looks like a girl, is actually the mother of two children. The protagonist still has an unclear relationship with her. The protagonist completely changes the beauty Luna by entering her body, and even the weapons must be female. The protagonist once fought with his adoptive father over the custody of his secretary's daughter. There are rumors that the protagonist led humans and machine life in a war just to give his female subordinates two more days off per week. The protagonist of "God Simulator", Lu Yao, looks like a human being, but he is actually a high-dimensional creature that likes to manipulate monsters and feeds on natural disasters. Even God, who was once aloof, was almost swallowed by him. Now he can only hide in another world and tremble. He pretended to be a human just to obtain the identity of the simulator player. Many people around him have already seen the abnormality in his identity, but they dare not say it. Now he is no longer satisfied with the current two worlds. He has already invaded the world where God escaped, and is extending his claws towards the world where the Soul King lives. Who will save the other world?

When the protagonist is in Sequence 9, he can do something under the influence of the job agency. To advance to Sequence 8, he has to rely on the academy's drawings and the extraction and granting from cheating. When he reaches Sequence 7, it is even more exaggerated. Without the drawings, he cannot even make an accessory. It is better to say that he has no intention of making it at all. , The influence of the job agency is basically reflected in the two blueprints given by upgrading, and the talents given by Sequence 9. At Sequence 7, even basic ordnance cannot be understood or repaired without tutorials. Obviously, according to the description in the play, Sequence 7 is already beyond the reach of many people in their lifetime.

Isn't anyone complaining about the newly launched credit mall? 100 Points for graduation and 40 points for a dagger. Then if I take 5 daggers to their school, can they arrange a graduate status for me?

If the author diligently updates 10,000 words every day, then the traitor will retreat in fear, and the moral gentleman will rejoice This is a feat worthy of praise by both Yao and Shun! I have heard that calves born in sheepfolds do not behave like sheep when they grow up. You are in Qidian. You use your computer keyboard frequently, but you have lost interest in updating. Is this reasonable? Qidian is strong because it has inherited the etiquette and skills of its ancestors. Stop bursting, and the pressure has nowhere to release, but becomes tired. Isn't this abandoning the roots of the tree and pursuing the treetops? If this continues, great disasters will surely befall! The reason why platinum can have With tens of thousands of royalties, they are not hurt by villains precisely because they are willing to listen to what upright gentlemen say. However, Poujie cannot get royalties, and are even looked down upon by his girlfriend. This is because they are close to evil villains. I hope you can think carefully about the difference. There is one thing that makes you cry for the author, and there are six things that make you sigh for the author. Since ancient times, people have often used very passionate words to express their opinions. If they are not passionate, they will not be able to touch the heart of the actor. Exciting words are akin to slander. Authors, you should think carefully about whether this is right or not Those authors who update less, delay, or owe updates have no time to feel sad about themselves, so they are drowned in the torrent of works, leaving only later authors to feel sad about them;

Let me tell you my point of view first: it is the most comfortable novel I have read in the past two years. (Unfortunately, it was discovered too early and there are not so many words yet). Let's talk about the protagonist first: If I could evaluate the protagonist in one word, my evaluation would be: positive. I personally don't like the so-called "decisive killing" protagonists in recent years. The type of protagonist I personally like is similar to Spider-Man who is possessed by venom (not compromised by factors such as justice and morality, and at the same time, as a protagonist, he will take the initiative and selflessly take responsibility when he has the ability). The protagonist of this book is a person who "lives by himself and lets others live." The advantage I appreciate the most is "high emotional intelligence". The protagonist's first choice to deal with the incident is to take advantage of the situation, by helping "others" if he is able, and making good friends with all parties, and the bosses are willing to give face to solve the problem. So it seems that when the protagonist faces enemies of the same level or even higher levels, he just uses his luck to run over them. Another advantage I like is that the protagonist is self-aware. The protagonist understands the importance of his own strength and will train himself diligently and relax. He is also polite and dignified to other supporting characters. The last point is my personal preference: in many books I have read, the protagonist has a good personality, but once the protagonist interacts with female creatures, it makes people uncomfortable. I personally can't accept it when the protagonist says dirty words to good-looking women, or when the author describes the women in his books in a very nasty way (that is, you can say how good-looking the women are, how attractive they are, that's fine, but some authors' protagonists act like they've never seen women before, using the form of a street hustler to say dirty things about a middle-aged greasy uncle to women, or they just "imagine" when they see a female counterpart in their mind.) I can't accept it at all. The protagonist in this book does not have the above-mentioned flaws at all. He just appreciates his good-looking figure normally, and when he gets along with the female counterpart, he talks about things and gets along normally. I like it very much. In short, the protagonist made me very comfortable watching it.

I have a few questions to ask the author 1. ① The protagonist thinks that Flame King is a naughty child and an unfilial son, but the first protagonist only listened to the candlemaker's words when he made this conclusion. The Flame King has been imprisoned since he was created. The Candlemaker asked him to create the fifth floor. Then he has been passive and unwilling to go, but this is actually a normal thing and should not be criticized. As your boss in reality, the treatment given to you is not good. Are you willing to be passive and take advantage of the situation, or are you willing to work hard and obey orders? I think most people will choose the former. Let me ask a person who has been imprisoned, what attitude he should have towards the person who imprisoned him. It goes without saying, doesn't it? If a person's lying down means that resistance is not allowed, why not severely punish the person who imprisoned him? The candlemaker keeps saying that he wants to accompany them and treat them as friends, but do he and the protagonist really treat them as human beings? If you really think that Flame King is an unfilial son, you must first treat him as a human being. But he was not treated well, wasn't he? ② If the protagonist thinks that he is a creature and should not be treated as a human being, then the initial thought of a naughty boy as an unfilial son is not true, is it? What's more, this Flame King is just a child in his mental age 2. The author uses the teacher's words to say that the protagonist knows how to share, and refutes that other people do not know how to share, and then treats other people in a derogatory manner, but I want to say that the protagonist's behavior is not the same as the kind of sharing that the author wants to express. The protagonist's behavior is just a simple effort and cannot be regarded as real sharing. Just like if a person is young and promising, and then creates a company while in college, and then the company flourishes and becomes a leader or a unicorn, then it is a simple matter to reserve some places for the seniors, seniors or juniors of the school, just like the protagonist. If it is truly worthy of sharing as this teacher calls it, then the protagonist should share it and sail on dry land. I'm not saying that the protagonist must share, but at least the protagonist cannot reach the level of sharing that his teacher said. And here, when the teacher criticizes the selfishness of others, it is based on the fact that the protagonist is not selfish, but the problem is that the protagonist is like Sima Zhong of the Jin Dynasty, why not eat minced meat. The author is very open to the protagonist. He said at the beginning that for this cruel academy, the graduation requirement is sequence nine, but what about the protagonist? Upgrading is like drinking water, and having a client is almost outrageous. When it comes to excessive plug-ins, he is given the Scarecrow and Dark Souls. At this time, he already has the actual combat power of Sequence 2, so I think it is such a so-called harsh criticism. It is just that I feel that others do not share, that others are selfish, and that they just stand and talk without pain, that's all. It's like Fafa telling you, why are you so poor? It's just that you don't work hard. 3. I think the author, the ideal he promotes in his works, is communist as a template, right? But, in the story, whether it was the teacher at Monster Academy who said this, he was extremely arrogant and condescending. It's like if you don't eat, the world will be like fireworks. Or maybe at first, Criticism felt that this guy was doing whatever he wanted, which was a derogatory view of him, but what the protagonist did was exactly doing whatever he wanted. That is, what the author admires is completely opposite to the protagonist's portrayal. In other words, a large part of the protagonist's image is what the author criticizes. That's why I say that the protagonist's personality is problematic

I changed the website and finished reading it. My biggest feeling was that I couldn't feel the oppression of the level. The teacher was a headhunter, and I couldn't imagine how to fight at level 3. There are also classes of girls, idols, the protagonist's own traveler, and beast tamer (the protagonist's target is basically a small insect, played as a farming profession), all of which have abilities that cannot be fought and are used for farming and escaping. Imagine a traveler reaching the highest level. As a result, you can run around and no one can catch you. An idol can only rely on charm to reach the highest level (this mechanism is too simple to write about combat), and a headhunter, wc, how can a headhunter fight? And at the same time, most of the protagonist's classmates are level 9 or 8

How much money does such a beautiful book cost? He is really not a human being, the author!

Isn't the author's introduction too brief, and I'm not interested in clicking on it?

Suddenly I realized that the three Laolu books I had read all seemed to have a supermodel combat power at the beginning, Isabel in God Simulator, Emerald City in Wasteland, and Ship in this book.

God Simulator is the best. The previous one was just a good one. This one is really mediocre. If the author is not good at writing group portraits, this one will not write group portraits at all.

After reading the previous part of the book, I felt that the main body was too weak, and I was a little bit poisoned. I went to see God Simulator. I felt that God Simulator was much better. After reading Chapter 317, I felt the same problem as this book. The main body is very weak, but it is always unnecessary. Going to danger Going to die in a dangerous place is not really looking for death. It just feels like the protagonist knows that no matter how he tries to die, he will not die, so he is not afraid at all. He is so stubborn that I am still reading. I hope the author can really improve it in the next book. This is really disgusting.

It's hard to comment. Tianhuan Group subjectively sent its promising seedlings to the hands of the hostile forces (Brilliant Herd) (Endless Battlefield), allowing them to explore the quality of their own seedlings at will, and then the hostile forces decided whether to kill them on the spot. In this process, Tianhuan Group did not have any effective way to intervene, including using the power of the Dragon Palace to stop them. The protagonist went to the Endless Battlefield and came out to win the opponent with the Bone Demon at the beginning. A genius, it can barely be regarded as a leapfrog killing. Although there is nothing to talk about in novels about leapfrogging battles, it does not count as a climax, and there is no explosion of troops in the rear. The whole plot is just to make the brilliant herd operate illegally, and then let the protagonist call for a dry land boat ride to show that the protagonist has a boat. In order to accomplish this, the world view has been directly destroyed. Writing this paragraph is like stabbing himself with a knife twice. Let me see if he is smart enough.

Didn't I say one person becomes an army? Why do you keep putting on your own armor? Earlier, I wrote about how to fight this bone demon by myself, but then I put a suit on myself. You said you put it on yourself to protect yourself, and then commanded a lot of people to fight it. I can also understand why you have to fight it yourself?

In fact, I have always had a few questions, that is, well, the paragraph about King Yan in the article is in the wax museum, and then the author thinks that this so-called King Yan is an image of a breasted child, but I think it is unacceptable. First of all, you tell him, that is, the world is unfair, and you have to learn to fight for fairness on your own, so it means showing off. Isn't it a kind of struggle? Just like when many people are working now, the treatment given by their bosses is not good, and they just lie flat and fish. Isn't this wrong? If you think about it, that's all. You see that you said before that it is life, a real life. So if it is life, it is permanently imprisoned in a wax museum, where can it be? That is to say, being able to continue working means that kind of willingness. Adults are not willing, let alone a child. Then later on, the protagonist convinced the hot sauce, not the general, and then let him, uh, resurrect. The other three said King Yan, and then the protagonist said to the King Yan at the beginning, this is fair, right? , But the problem is that it is still unfair. This is the matter. If it means that King Yan is regarded as life, this kind of imprisonment is unfair in itself. How can he be a kind of naughty child? The protagonist is too biased. It seems that the existence of King Yan is to serve the general. If it is really just for the Lord. If it is about service, then there is no need to write about the so-called family love, it is not the so-called naughty child, isn't it? It is a naughty child, please be his, first it must be a child, and then he must be treated as a person, otherwise, how can we talk about naughty children? If you regard it as a creation, then it is even more important that you do not regard it as a human being. Then there is no such thing as a naughty child. Also, what Teacher Du said later is that the protagonist knows how to share, but in my opinion, it is actually very ridiculous to say such a thing. That is to say, he said that others do not know how to do it, but is there a possibility that the protagonist is just lucky? Do you think he can It is said that he can upgrade without exerting much effort. It is said that upgrading is like eating and drinking. He does not need to pay anything at all. There are cyclists to guide him and there are a bunch of people around to help him. Then it is said that he has inherited it inexplicably. That is to say, boating on dry land and even running now. It is said that he has mastered the hexagram that is difficult for ordinary people to reach. , That is to say, what you said later is that he considers the junior students, yes, but for ordinary people, if they are already developed when they go to college, then, just like the school allocates some places, and then in total, it means that the junior students may have better employment, then there is no problem, I believe it should not be Who would be willing? Just because of this matter, how unhappy I am, I think this is just a little effort, and sharing is the so-called ruler is short, and an inch is long. I think this is wrong. The main character is not called sharing. At most, it can be called a little effort. It releases goodwill, but there is no so-called sharing. Sharing, because the kind of sharing you are talking about is actually just sharing. To put it bluntly, I feel that this is the kind of sharing that is done by the surgeon. If the true meaning is to be praised and praised according to what he said, he should take it out of the land. Oh, of course, the protagonist can't do it. So, I just think, can we stop bragging? It means that what the protagonist does and what he does are perfect, they should match, right? You set such a big trap for the protagonist, and then backhandedly reprimanded those people for not knowing how to share. The problem is that you have cheats, and your progress is not very strenuous and easy. As for your love, you don't need to worry at all. As for your own ecological niche, and then you refer to others' selfishness, this is actually a very ridiculous thing. In one sentence, it means why not eat minced meat? I think it is actually more inclined to say that Jin Hui Emperor Sima Zhong is the same, that is, the protagonist should read his words, the author highly recommends it, and communism is OK, but does the protagonist's actions have anything to do with this? That is, does it first give others human dignity? What I mean is, that King Yan in the Wax Sex Hall, that is, can you feel his pain? That is, if the protagonist says, I mean, I will do whatever I want, and it is completely on my own side, then please, say no, you are linking the protagonist with the so-called idealism, I This doesn't mean that he can't do anything with a little effort, it means don't hook up, don't praise the protagonist very highly, as if the protagonist is such a moral person. I think it means that before you talk about others, do you have to consider whether others have the conditions you have? To be honest, this is very bad. The author said that when considering the tone, did you think about the setting of the protagonist? Egoists, stand on your own side. You see, before that Yuan Shen didn't have it, that is to say, uh, when it wanted to be orange, and then what did the protagonist think? He didn't think about it, that is, whether he was the so-called most talented person in this orange, but what was his first thought? It is to kill this orange. So, does he have anything to do with Gao Sheng's so-called ideal? I think he is a very realistic person, so since you are so realistic, don't always talk about ideals. What is the positioning of the protagonist? Have you seriously considered it?

It's all for you😋😋

Why is the protagonist in such a hurry? Why is he thinking about taking out the insect swarm for a loan?

Additional refinement

I won't talk about low levels, it's too confusing and I haven't written them in detail. Only talk about immortals, evil gods and masters, and legendary creatures. Immortal = top master/the maze to be promoted (the master of the candle's maze) Reason: The performance is far inferior to that of the innate evil god, and the reader level will most likely not be comparable, otherwise who would be the master! Innate Evil God=Reader? Reason: It is logically like this, but there are so many evil gods now. If one of the reader levels does not appear, it may feel that the readers are more mysterious than the innate evil gods. Legendary Creature = Reader Reason: It appears less often and is more mysterious. The description of power is also at a very high level, far stronger than the Dominator. Reader＞=Cosmic Pendulum Reason: Guess Here I feel that the innate evil god is not at the reader level. As I wrote before, the evil god is at the pendulum level. The above are all guesses. I think the reason is that the master's writing is poor and the protagonist's writing is too strong. Take the group as an example. It has been said that the group is very strong, but in terms of plot, it has been failing. When something happens, it is the protagonist who has to solve it, as if there is no one in the group. So many ministers, aren't they all masters? It is said that Area 0 is very critical and the protagonist cannot be contacted yet. Wouldn't it be enough to send two ministers to come over and solve it at this time? I don't even ask you to solve it, can you delay it for a while? Or perhaps the Dragon Clan sent out a few masters to delay the situation, but the solution was to directly invoke the Ring of Heaven to release the legendary curse, which is difficult to understand.

When will it be available?

It's been a long time since I've triggered an advancement. Now the protagonist's strength basically comes from external improvements.

Will it be linked with "God Simulator"?

Is this book good? 🙂🙂 I just read it.