Pillar of Ita

Top statement: The review of this book is only a personal opinion and is inevitably biased. Inappropriate points can be pointed out calmly. Please reduce the comments with a negative temper. PS: This is my trumpet account. Because I mistakenly connected my mobile phone before, I can only post with this account. The main account is partially subscribed (disciple level, student party). Text part: Today I finished "The Pillars of Ita" (hereinafter referred to as "Ita") in one go. To be honest, I was a little disappointed. Compared with "The Amber Sword", the author has only made progress in the details of world view setting, but has regressed in character creation, character interaction, main plot arrangement, and branch plot design. First discuss the most important part of the main plot. I think the biggest problem with "Ita" is that the main plot is unclear, which in turn leads to confusion in the portrayal of the protagonist's character. Based on my impression after reading it, its main line is the Dragon Witch quest line, with the ultimate goal of defeating the evil star and saving the two worlds. Very good, this is an old-fashioned but useful main line to create a traditional hero image. From the protagonist's early immaturity, we can also see that the author is trying to depict his growth through this main line. However, there is a problem with the growth idea established by the author for the hero. Under normal circumstances, the hero's growth process should be "frustration-growth-frustration-continue to grow." Taking "The Three Musketeers" as an example, d'Artagnan in "The Three Musketeers" initially suffered a core setback when his letter of introduction was stolen. Then he was misunderstood by the three musketeers during the process of finding the letter (a small setback). After resolving the conflict, he became a enemy of the cardinal because of his chivalry (a small setback)... During this process, the protagonist gradually became mature and responsible. Now let's take a look at what the protagonist's experience is like in "Ita": at the beginning, the adventure group is destroyed and he is killed by the girl he admires (it should have constituted one of the core frustrations, but there is no follow-up, and the result is that it can only barely pave the way for suspense); after that, the hotel, Dolifen, Fenris , El Paxin, Du Lun... Every big scene is a display of talent and unlimited scenery; not to mention the praises from passers-by in the branch lines, and the disgusted and despised villains are all villains with disgusting faces and sinister actions (except for Liu Liyue, Luo Hao and other exceptions). Despite the oppression of the Super Competitive Alliance and the test of several severe events, it is still difficult to understand why the protagonist has a mature mentality. As of the last chapter, the protagonist I saw is still a rather blind, self-mature tool man (forgive me for using this word) who is good at manipulating structures. This way of shaping reminds me of Kira in "Gundam SEED", who is extremely powerful but has become a standard-bearer who calls for freedom, justice and mutual understanding without thinking about the meaning at all, and is willing to be a simple concept, which is ultimately disgusting. I hope the author can enrich his image in the future. When talking about the protagonist's philosophy and the Super Competitive League, we have to discuss the second issue: the central idea of ​​​​the book is unclear and naive (of course, it may be that the author has not written it yet, but after writing 4 million words, I think I can already comment on this point). If the author wants to write about traditional heroism and chivalry, I think the comedy model of "overcoming difficulties relies entirely on ignorance and fearlessness, and improving abilities does not rely on experiencing hardships and obstacles and relies entirely on adventure" is a big step back compared to the tragic form of "The Hope of Gentle Words" and "The Ride of the Valkyrie" in "The Sword of Amber", and the protagonist's constant pretentiousness also dilutes the shaping of this idea; from the last chapter "What is justice" and the constant criticism Looking at the Super Competitive League as a target, I feel that the core issue the author wants to discuss is the relationship between moral justice and procedural justice. However, not to mention the axiom of "a drama must not have two premises" in drama writing (in my opinion, popular novels can be regarded as extremely elongated dramas), the childish way of writing in the previous article "Those who support the protagonist are good, and those who oppose the protagonist are bad" basically declare the death of this idea. So what exactly does the author want to express? If you want to show your depth, it is recommended to read targeted philosophical books; if you want to celebrate idealism, it is recommended to read more romantic literature and plays by Shakespeare, Ostrovsky, Maeterlinck and others (only within the scope of personal reading, you can find professional book lists online). The third question is character creation. The characters in "Ita" are severely labeled and poorly shaped. Taking the protagonist as an example, I feel that the author wanted to portray him as a "naive fighter" but ended up creating an emotional "fool". Another example is Sylvide. The author tried his best to show her superior political intelligence and cunning and cuteness, but I felt that many places were out of place and even annoying (such as Fenris teasing the protagonist when they met underground, and the ubiquitous "fox tail"). Many other members of the protagonist team could only think of their professions (Jita, Luo Yu) after reading the book. Many characters represented by Sophie were inexplicably kind to the protagonist, and the author also used "goodwill and vision" as the core shaping point. As a result, the ones who impressed me most after reading it were the Dark Dragon Nicol Bolas and Lady Misu. I think the author needs to further strengthen the sharing of pen and ink, and the fullness of the characters does not mean the superposition of daily life and wartime, but the reflection of character in the details. The solution to this problem requires the creator's personal experience, so I won't go into details. The fourth question is writing style and rhythm control. The author's writing style is quite good among online writers, but there is still a lot of room for improvement. A long description does not mean it is delicate and delicate. If it is not written well, it is often just too few words to convey irrelevant information. For example, in the first chapter, the atmosphere is beautiful and peaceful at first glance, but there are a lot of semantic confusions when you look closely, and it doesn't match the tense atmosphere before the war at all. Of course, this is too high a requirement. After all, the update speed of online articles does great damage to the writing style. As for the web-style rhythm control, I don't know much about it and I don't dare to speak nonsense. But what I can feel is that the main plot events are not refined enough. Where there is suspense, there must be reversal-style routine speculation and the main plot insertion is inappropriate. The last selfish suggestion is that I feel that the protagonist's tactical system is still too simple. It is a complete replica of multi-turret bombing. Some control and tactical configurations can be added, such as the early "Mirror Imager" and "Screaming Banshee". I am not a loyal reader of online articles, but the "Amber Sword" that Feihong glanced at back then left a deep impression on me and strengthened my belief that "the author Feiyan can create Chinese-style classic popular novels." However, the current creative results are still far from my expectations. So, Feiyan, please stop playing games. Your current world view setting has been done very well. Now, if you want to upgrade the book to a higher level, you need more life experience and a deeper knowledge foundation. From the perspective of a reader who does not wait for updates (other readers, please don't hit me), I hope that the author will stop updating for one to three months after finishing the third volume or the complete book of "Ita" to fully contact the society and improve his cultivation. I firmly believe that you can create top popular literature in China in the 21st century.

As a long-time reader of Pneumonia, I have read Canaan and Amber. I still want to lament that the plot rhythm of this book is still not strong. Although it is not bad overall from the starting point, it is still far from the top level like Lord of Mysteries. (For example, the segmentation of large chapters, the differentiation of strengths, and the characterization of characters). Even if you have pneumonia, you should still work hard to improve your own level (play less games) and learn from excellent works! 😃😃😃😃😃😃🌹🌹🌹🌹🌹🌹

Recently, I saw that Scarlet Flame is getting better and better. On a whim, I would like to write a long review of the novel Pillars of Eta. I am not a long-time reader of Fei Yan. "Pillars of Eta" is the first Fei Yan novel I read. I still remember the first time I read this novel when I was in my second year of high school. I finished it on a small MP3 player. A few years later, I went to college and became an author. The Pillars of Eta is still the most legendary book in my heart, and it is the pinnacle of Western fantasy in my opinion. There are two things I like about this book. One is its fairy tale epic. Pillars of Eta does not have the darkness and cruelty of reality like many novels such as "Dragon". What he tells is a pure adventure story of a young man, an adventure above the sea of ​​clouds, a young boy and a beautiful girl, a very beautiful and exquisite fairy tale. At the same time, "Pillars of Eta" has a very fascinating plot. Starting from the first climax of the Fenris chapter, "Pillars of Eta" unfolds in a staged adventure similar to "One Piece". There is darkness in the fairy tale, the darkness of the super competitive alliance, the political suppression of the kingdom, and the conspiracy of the shadow people. Various plot designs are highly readable. It seems that as we grow up, fairy tales begin to be equated with the word "childish". The Pillars of Eta is such a fairy tale written for old boys. Then, Pillars of Eta truly wrote what we thought about when we were children, a fairy tale-like otherworldly continent. The sea of ​​clouds raging in the storm, the sea of ​​silver sand in Istania, the sea of ​​trees in the autumn of giant trees, and the gate of heaven at the end of the sea of ​​clouds. You can draw an imaginary map on paper and imagine one fantasy story after another in your mind. But it is not easy to turn a pale map into a rich and full world with closely connected stories. The Pillar of Eta did it, and it was done quite well. My favorite plot in the whole book is the story of Fang Plover defeating the Death God Desca in Istania. Princess Rupert's responsibility, and the King's death that he had planned for many years. There is also Fang Plover's sense of responsibility that is used throughout the book. I personally think that Istania is one of the best chapters in the entire book. In addition, there is another thing about Pillars of Eta that I admire very much. The world view of Pillars of Eta is huge and there are so many designed characters. It is very difficult to deal with this kind of novel in the middle and later stages. And many times, in the middle and late stages, the author will start to be impatient and start to want to speed up the plot, which often results in a serious decline in quality. Just like "One Piece", there are rumors of its ending every day, and readers always want to see the so-called final place. But for now, the rhythm of Pillars of Eta has not changed much compared to the previous ones. The overall rhythm is firmly controlled by Feiyan, and the framework of the characters and plot is also very stable. This is particularly valuable. It is true that the results of Pillars of Eta are not excellent. The design at the beginning is indeed lacking, and the first breaking point comes too late. Even putting aside these writing skills and the so-called "trend of the times" The setting and reading threshold of Pillars of Ita are a bit too high, which is also fatal to the results. But I think The Pillars of Etta is a very meaningful and unique novel, just as the title says, a unique fairy tale adventure epic. When I read it for the first time, I often skipped the descriptions of the scenery, but when I read it the second time, I would carefully consider each paragraph and slow down myself. In this fast-paced era, reading such a slow-paced novel and letting yourself slow down is really a kind of enjoyment. Finally, let me talk about my expectations for subsequent updates. In fact, it can be seen that Pillars of Eta is still far from a perfect ending. It has been a full 10 years since the book was first published. With the artistry and uniqueness of The Pillars of Eta, I think it deserves an exquisite ending. I hope this exquisite fairy tale will have a perfect ending.

First of all, I would like to state that the following opinions are my personal opinions on this book up to the latest chapter "What is Justice". Some opinions may be too subjective and one-sided, so I hope everyone will bear with me. I guess the order will be a little messy, so I've written it in sections. Let's start with some points that I think are great: 1. A rich worldview. The complex settings of Aitaria may make you feel that the amount of information is very complicated and huge when you first look at it, but it is this sufficient setting correction that makes the entire worldview real and testable. I believe that if you read it patiently, you will adapt to this novel mode, and the readability is still very high. 2. The integration of different worlds. Although this book currently mainly describes the adventures and experiences of Fang Gezi (the name Fang Gezi is an Easter egg) in Aitaria, the real world has always been a dark line. I dare say that it definitely requires a certain amount of writing power to harmoniously combine the military, financial groups, labor unions and the culture of another world in the novel. Between the aborigines and the Chosen Ones, between cultures, and between the game of interest groups, I have seen the integration of the two worlds, which is not easy. 3. The BOSS battle is grand. Every time the pigeon fights the final boss, it must be the most comfortable time for you to watch. For example, when Miss Tata summons all the dragon knight structures recorded in the Silver Tower, the B-suit, oh no, isn't that domineering scene more exciting? At this time, I am really good at describing the details. 4. Weakening of data display. Compared with "Amber Sword", FF has been weakened to varying degrees in terms of level, equipment value, skill proficiency, etc., And has been replaced by the measurement unit of starlight. I have to say that this is a very wise approach. Numericalization is a symbol of netizen articles, but it is also a huge limitation. I have to say that rigid numbers will cause the authenticity of the entire world to be thinned. I am very optimistic about the equipment descriptions of the pigeon's ring and the box's gloves and sword. After all the praise, let's talk about the shortcomings: 1. The side story is too complicated. I think many people feel a sense of waste when reading the branch plots. Of course, this is completely understandable. After all, the branch plots serve the main plot. For example, although the branch plot of the Roswell family is very long, it also involves the main plot of Fenris, and the same is true for the branch plot of Yoshid and his little girlfriend. I don't have any good suggestions for this, because the plot must exist, but how to arrange it can actually be planned better. Of course, this is the case for online writing, and I don't think the word count is low, but the feeling of difficulty is definitely there. 2. Childish handling of emotional lines. To be honest, this is my biggest disappointment. Before I reach the second world, I have no prospects for my relationship with Fang Gege. Miss Silvered's pet bird is the best thing I can say about him. First of all, I think Miya's emotional line was handled too hastily. The conflict between the Sea Witch and the protagonist was well established at the beginning, but I don't think it needs to be bridged so quickly. Men are very stubborn about their first love, but based on the current treatment, the plot about Miya lacks the sense of expectation that the male protagonist chases the Sea Witch. I think that if this contradictory liberation is resolved or even not resolved in the later stages of the plot, it will increase the depth and tension of the protagonist's emotional line. As for Silverd, the protagonist is too licking. It's okay to lick, but if you don't, the tongue is worn out. The real heroine's relationship should be more tortuous. Sylvade should not always be the one to test the protagonist. The protagonist also needs to take some initiative. Sylvade also needs to face some confusions and choices, such as how to choose compared to the male protagonist about the whereabouts of her father or other things she cares about. How should the protagonist choose between truly serious team interests and Sylvade? How to bridge conflicts caused by choices, and sometimes the emotional status has to be at a disadvantage. 3. The missing corner of the protagonist's group battle. To be honest, the current brigade members still lack cooperation in combat, maybe because team battles are difficult to write. In the latest chapter, I can see progress in deploying battles in pairs, which I think is very good. But as a brigade, I haven't seen a true full-member team battle, which is a pity. And to be honest, the combat configuration of the brigade is not satisfactory. Front row: Shield Guard (T) Middle row: Craftsman (reconnaissance, DPS) Back row: Elementalist (control, counter-control, DPS), Naturalist (control, counter-control), Priest (milk), Poet (aura, hybrid) Roaming: Tactics (control, DPS), Shadow Dance (cut back row), thieves (Papalal bastard), rangers (shoot hidden arrows) Currently, the pressure on the front row is too great. Without the big cat man, the entire team has no front-line combat capabilities, and lacks the profession to protect the back row. Therefore, the battles rely on the protagonist's recklessness, and there is no way to do it in a scattered and raid-like manner. The naturalist is a bit exaggerated. The description is indeed good, but the actual ability is only large-scale control, and the mana level is low and it is easy to be cut. I am not optimistic about this profession. I can only say that it has miraculous effects on dungeons. Luo Yu's recent performance is okay, let alone Fang's bug. As a reckless guy, I think I should put more pressure on Box. He has high output, and I think it's a bit disruptive to escape by flashing away. Miss Alisa is also available. Not to mention that the Papalars are the most funny people in this book. Ai Xiaoxiao's poison-pointing skills need to be praised for making up for the gap. The most critical thing to criticize is Tianlan, who has no performance in combat. The poet profession has no combat contribution in the whole process, and there is no halo skill assistance. It has been reflected on in the plot, but there is still no progress in the latest chapter of the battle, so it needs to be criticized. And Tang Xin, now that she's staying in Etalia, as the most important nurse in the team, shouldn't she practice her basic skills to become a grandma? Moreover, the brigade is often unscathed, which makes the important property of the milk have no sense of existence. The protagonist's life depends on a bunch of passive skills, although it is B, it is tiring to watch. Okay, so much has been said, here are some of my thoughts after reading this book. In fact, I didn't finish it because I typed too much and it was a bit late, so I just picked out the key points. I hope to see more team battles in the future. Although Fang Pigeon's 1-jump n looks very comfortable, but you also need to slightly estimate the presence of your teammates. I have seen very significant progress in these aspects recently, and I hope it can be written better!

No, I can't hold it in anymore. Can you please stop doing live streaming in your novel? It's too dramatic. In a fantasy world view, why do you always do that live streaming thing? You even live broadcast it all over the world. I can't hold it in. It's too hard. Deleting your live broadcast content really won't have much impact on this novel. Your testimony is nothing. Can you hold your nerve every time you write the live broadcast content? 🙂

The book itself is well written, but it is too unsuitable for the market. I have seen many discussions about how to persuade people to quit at the beginning, and Fang Gugu licks the dog, which is too poisonous to stand. Others said that the plot was too long and complicated, making it confusing and confusing. Some even claimed that the central idea of ​​the book was bad. Including the introduction, these are very discouraging to readers. A book with a grand and detailed world view that is not inferior to my best friend, but the results are not ideal. My mood became complicated when I saw the monthly ticket rankings, and I felt unhappy when I saw in the discussion that Fang Gugu was a licker. But in the end I was helpless, because the points mentioned in the first paragraph are just the characteristics of the book itself - affecting the performance but not reducing the quality of the book. But I don't want to persuade Pneumonia to adapt to the market. That would only add a fast-food online novel to Qidian, but lose a book with a grand layout, delicate emotions, a self-consistent plot, and the IQ of the supporting characters. Looking at Eta's monthly tickets, I can't do anything but send 5 monthly tickets every month.

Ahem, let's explain the hatred with one country's curse words first. First of all, I don't recommend it for new readers. Although this book has outstanding advantages, most of the other books are not bad at all. The advantage is that the description of the environment and scenes is very good. When you describe the forest, you can feel the wind blowing on the treetops. When you describe the sea of ​​clouds (the real sea of ​​clouds), you can see the white waves rolling up the golden sand. The forest sea is inserted into the waves along the continental shelf, and the scattered islands and reefs rise and fall. The detailed descriptions in the book are very good. I am still impressed by the passage, for example, there is a paragraph describing the early "Angel Power" type, and there is a paragraph "The Angel Power uses his right foot as a fulcrum, turns around and kicks sideways. He raises the blade of his foot and stabs the opponent with a sword." It's concise and can be described in a very concrete way, instead of just punching and stabbing each other. Maybe Pneumonia often plays games just to collect materials (reverse Tiangang💦). At the same time, this book has an epic feel. Forgive me for my lack of reading. In my impression, I have never seen anything that can surpass it. At the same time, the shortcomings are also obvious First, it is too procrastinating and does not prioritize. Almost any campaign is a long, crazy pile of stuff. For example, the Treants and Leylines, the Treants gave epic materials, and the Leylines are considered clues. Although the things are not bad, if there are too many such plots, the real pretentious plot will be separated far away. At the same time, there is also an over-description of details. As far as my impression is concerned, there are not many, but it is really impressive to spend several pages describing what everyone in the team is doing when they are warming up. Pneumonia really has your ability to fish. You are really touching the water. The number of words. You are the real water****** (omitted here) Go to 100 words of bad language in Longmen) Ahem, secondly, Pneumonia basically does not describe war. She likes the battle very much. War (the number of protagonists reaches rural fighting and above) is simply for the protagonist to expand his horizons, but fortunately there are not many such scenes. Third, this is the core issue. The protagonist is a genius of Shuangwen Template, but he is suppressed everywhere, and he does not try to attract influence (like the Ghost Walker). You say you don't want to attract people like capital, which is cliché, and it offends your spiritual obsessiveness. So what if you want to gain popularity? You have saved the world several times, and all three evil gods have done it. As a result, when you get to a new map, the best situation for the civilians is "Oh, isn't it the one who cheated and caused damage?", And almost "Oh, I know, who is the one whose name is quite bluffing?" Why bother? This book is so cool that it's just a slap in the face. There's no depth for you to dig in other places. Most of the people who find it uncomfortable to read may be here. Finally, pneumonia is really not short of money. The fire in El Paxin will last two or three years, right? Anyway, from the time I was in my third year of high school (19 years) until I graduated from college, the protagonist might have been promoted to level 10 (level 50 is the full main world, but I haven't entered the second world yet, there are two major levels, and there is a third world in the main story). I was originally a big fan of Pillars of Eta, and I was curious as to why it was so rare to get good reviews. Grandma, a Bodhisattva with such a heart can help you become the Tenth Palace of Yamas. Are you an old lady like War Eagle? (Not 💦) In short, the good points are really good. Mainly, I really like her description of the scenes. If the length is shorter, don't beat the younger ones instead of the older ones (this is really terrible, it's like the Soul Palace beating Xiao Yan, and it's still not fun) and digging holes everywhere. Cutting out the complex and simplifying it, Pillars of Eta should have been awesome Finally, Sister Pneumonia is a woman (forcing the truth)

Although I was a bit put off at the beginning (mainly because I didn't know much about the world, so I was a little confused), but as I read on, it became more and more interesting. Ed is so innocent at the beginning that it makes people anxious, but as the plot progresses, you can really see his growth - from a naive to a bit silly young man, gradually growing into a calm and decisive brigade captain who does not change his original intention and does not lose his sense of justice. The world of Aitaria also gradually showed its style from the initial clouds and fog. Dragons and monsters, elves and dwarves, wind, snow and sea of ​​clouds are real places of adventure. It is not only Ed's dream, but also a dreamy place that I am eager to experience and explore. What is more touching than the customs and customs of another world are ideals and passion, justice and original intention. Ed, who first entered Etalia, was just a young man who didn't understand anything and just moved forward. At that time, he was pure and simple, and his recklessness even made me unbearable at times. Is this unbearable because he was wrong? Or is it because after years of hard work, I have unconsciously begun to use a superior perspective to judge the directness and drive that I had in my youth that I had forgotten? But Ed is a real hero. It's not just that he always turned the tide, but that even though he gradually saw and suffered all kinds of injustice and darkness, he still kept his original intention and moved forward. He has seen the truth clearly and is aware of the various compromises and interest entanglements of so-called mature people, but he is still upright and still loves. He has grown up, but he is still himself. This is something more touching than a fantasy adventure. It is the desire and resonance for fairness and justice hidden in our hearts. It is the brilliance of our ideals that should not be worn away by various disturbances in reality.

It's been several years since I updated it, and I thought it was cut in half again. Bro, the adventures you write are the most epic, and the world ruled by gods and humans is the most fantasy-like. Apart from the emotional scenes, it's still hard to describe in one sentence. Fang Yu's character is also too shy, but the growth in his character can still be seen. Different from the dark mythology of the Soul series, the multi-racial hero mythology story that favors Middle-earth is more in line with the theme of fantasy adventure. In short, I hope Bro can write a lifetime of adventure stories. Even if the stars dim, the blessings fade, and the sea of ​​light dries up, please be the King of Eta🙂

Partially agree with the view of Book Friends 2019... (A string of numbers cannot be copied). But as far as I'm concerned, issues such as character creation and pacing are actually quite acceptable. Many readers cannot accept it. Perhaps the core concepts and settings of this book are not as deep as Amber's, which results in the book's sense of substitution not being as good as Amber's. First of all, what is Kohaku's core goal? It is to save the country, and to fight for the ideals that we fought hard in the past but still failed to achieve. Around this theme, the protagonist seeks to become stronger, while the protagonist of Ita is just a big boy who longs for the legendary stories of his predecessors, and his motivation is weak. Although ff has been exaggerating the glory of early risers to show the legitimacy of Dove's dream persistence, in fact, the readers have not been exposed to even one specific incident and have no concept at all. In Amber, Brando's experience in the game such as the assassination of the Valkyrie and the death of the princess can be compared with the changes he made to the character's fate in reality. Readers have a very strong understanding of the reasons for Brando's actions. After that, in the initial introductory part of the book, Amber introduces readers to the world. It is a group of border people who suffered in the war of aggression. Brando fought with them and led them to escape among the thousands of armies. Readers know that they miss the mountains and wind of their hometown all the time, but they have almost lost their homeland forever due to the appeasement of the nobles. No matter how angry and struggling they are, a group of living lower-class people can only find a space to survive in the gap between the nobles' struggle for power. The legions in the occupied areas are still fighting hard, and the northern nobles are obsessed with the conspiracy to steal the country. This sinking world background has brewed the reader's full investment in the protagonist's side of the battle in Ampelsel.       ?，，， The readers have no idea about the people of Kaolin Ishurion. They don't know what they miss, how they live every day, whether they hunt for food in the mountains, or work hard in farming, and whether they fumble around in their free time to brag about the scars left in the Battle of Bain more than ten years ago. This is very obvious in the plot of Istania. As the battle for the capital of Istania is similar to the Battle of Ampelsel in Amber, how much investment do readers have? There are no villagers who miss the Pine Mountains, there are no princesses who would rather sacrifice themselves to revive the kingdom in their memories, there are no domineering empires and submissive Eruin nobles in the Ring of Trade Winds. , What do readers know about Istania? A slave boy with a weak sense of existence saved by Idos explains the slavery in this country. The two princesses said that their mothers were assassinated before. There are sand pirates in the desert who may be quite cruel. There is also a leader. The king and prince of the sand country are quite generous and will perform some shows around the fire during the ceremony. It's over, it's over. What else do you think I know about Istania? Sorry, I really don't know. The Battle of Ampelsel established the situation between the north and the south of Eruin. The royal party's northern nobles' ambitions were all in vain, and they planned to regain the lost homeland of the villagers in the future. A battle in the capital of Saudi Arabia? I really don't think this country, where the people don't know how to live, and the protagonist group only knows a few princes, nobles and members of the craftsmen's association, is worth fighting for. What, you mean the faith of the chosen ones? Readers know the devil. This is the biggest difference between the two books in my opinion. No matter which one of Etta's stories, it is incomparable to the sense of immersion accumulated in Kohaku's early stages. Amber Brando's driving force for action is real, the unresolved ideals of the old conflicts, the homesickness of the villagers, and the dying fate of the people around them, each of which can convince readers and look forward to future progress. As for Eta, the grievances in the Dawn Star battle are the more gripping points at the beginning. The competition in Traveler's Rest and the Dragon Cult, emm has some competition plots in the early stage of the fast food era. It is a bit attractive, but to be honest, I can't figure out what the pigeon wants to do. I feel like a fan of a previous e-sports master. The plots of the Continental League and Dolifen are pretty good as dungeons. When it comes to Fenrik's Sky Island Falling Chapter and the Southern Realm Chapter, the epic feeling even has the charm of amber. The dreams of the previous generation's Chosen and Free Chosen are already somewhat established. But then we continue to change the map to Idos and Istania. Although there are lines such as Dragon Cult, Bane Star and the Second World Ship Group, readers will still feel that it is scattered. In the plot of the Kingdom of Saudi Arabia, it is not satisfying to save a country that I have no feelings for at all, and I will feel that my integration into this world is not as deep as Amber's. All in all, Etta and Amber are two different stories. Ita feels more like One Piece, haha. Every time there is a new map, one or two characters are introduced to let the protagonist group come into contact with local conflicts and disputes. After a fight, the protagonist shouts that I am the man who wants to become the Pirate King (the pigeon is Kukai King hh), and continues to the next plot. In terms of the depth and sense of immersion in a plot, it cannot be compared with Kohaku's earlier focused story like Attack on Titan, where a country is in deep crisis, suffocatingly powerful enemies, and events and conspiracies unfold one after another. That's about it, I hope sister ff can give us more and deeper touches. Dear readers, you can wait very much. After all, the Amber Year update is here.

This book is considered a good book but there is obvious room for improvement. It can be rated as 80-85 points. The advantage lies in the setting of the combat system and the arrangement of some excellent plots. It can only be said that the author did not waste his time playing games. Alchemy, the specific classification of combat craftsmen, the settings of dragon knights and dragon souls are all unique. This part can definitely be scored 90+. I personally think it is okay to score 95+. This aspect has reached the level of a masterpiece, and there are not many works of the same level starting from the starting point. It's a pity that except for combat craftsmen, the descriptions of other professions are a bit thin and single, and no characteristics can be seen. In addition, most of the plots can be considered excellent. Some plots can stabilize at 90+, and the overall plot is between 85-94. One thing that was not handled well was that during the airship battle, the ground troops were useless and the team was almost wiped out. In the end, the protagonist relied on the protagonist to save the world. There was no sense in this setting at all. It's quite satisfactory I read that the author's writing style is good, but maybe I'm not interested in epic style writing. I just feel that there are a lot of gorgeous rhetoric and some meaningless words. This can be seen at the beginning. The protagonist's crisis, anger and other emotions are not obvious, or it is a bit like a drama that is amplified and exaggerated for expressiveness. Overall I can only give it 80 points. Rhythm, or the main line and branches, the daily arrangement of battles. Details taken care of. There's nothing to say about the front and back care, etc. There's nothing wrong with it, but it's not outstanding enough, at about 80 levels. Space for improvement The protagonist's character is not three-dimensional enough, and the supporting characters are not fleshed out enough. The protagonist is somewhat stereotyped, with the protagonist Tuan Wei and Guangzheng, and the enemy being selfish and dark. And after going through a lot, the protagonist's growth is not very obvious, let alone others. Except for the protagonist, Fairy Dragon Soul, the rest of the protagonist group has characteristics, but they are not enough to make people remember. Not to mention the supporting characters such as the dwarfs and dwarf masters of the Craftsmen Association. If you put the names of these people together, you wouldn't be able to tell who is who. And the general battles are okay. Once the final battle is reached, the rest of the protagonist group disappears, such as the desert against the sand pirates, and the airship battle in the north. It feels to me that they are not on the same level as the protagonist. In other online articles, this would be enough, but in this novel, it is a hindrance. Can score 75-80 points. The central idea is unclear or even conflicting. On the one hand, the author advocates the mass line and gives a lot of descriptions of other people, but on the other hand, the protagonist is always the most outstanding. The center of the stage can only belong to the protagonist. No matter how high the level or strength of others, they can only take advantage of the protagonist's light. The lighting engineer will not give the extra light to others. This is also one of the reasons why the accessories above are not rich enough, which can only be rated 75-.

Operations Officer, please come out and check in, so that I know you have not given up on this work 🔪😟

I don't have much time, so I would like to express my opinion briefly. 1 The writing is great, and I don't think there is a problem with the rhythm control of the plot (but I doubt whether this kind of granularity can be completed within ten years) 2 I have never felt the labeling of character creation. At least I think it is better than the most popular works of Qidian, and much better 3 There is a big problem with the world creation. It's basically too scattered. Until now, we don't know the overall appearance of Kaolin-Ishulian, nor the main combat power of the super-economic alliance. 4 The pigeon's spirit makes people anxious. Although we have encountered many epics so far, pigeons have been able to stand up for themselves, but the constant "I can't do anything about this kind of thing, I'm just a mortal" is very uncomfortable, and this directly results in the fact that the actual main line has not yet been formed. But it seems that after this battle (what is justice) can change a lot. 5 I am afraid of the bad writing about the Super Competitive League. The core part of its evil is not its corruption or its blending with the dark gods, but its obstruction to freedom and competition. The premise that it claims that only it has the power to do great things is that it makes other people who can come together to do great things disappear. Corruption and blending are just inevitable by-products of this. Resisting it is essentially the same as resisting slavery and is worthy of praise. It is not wrong to go against the protagonist. But on the other hand, this might be a 404. . . 6 It's a personal taste: I like the settings related to alchemy very much, but it seems that there has been a lot less use of this aspect recently. Alchemy seems to have become a simple fighting method, which is a bit disappointing. In addition, the scientific research atmosphere in pigeons is a bit weak. 7 All in all, I look forward to opening up the situation in the future. The more I write, the better it will be.

Today, Fang Gugu's audio series has been played 100,000 times. This is not an advertisement. Of course you think it is, so be it. I just read some of the content in the comment area and wanted to share my thoughts. I estimate that besides the author, I am the most attentive person reading this book, because I want to put the characters and events in the book into context with my voice. A lot of people are talking about how to lick the dog, but I can only say that you must not have read more than 10 chapters. The author does not list all the settings at the beginning, but as the story progresses, through events, and through learning, he gradually reveals a huge and another world that is the same as the earth. The author does not give you a setting book at the beginning so that you can figure it out before you start, but gradually opens up clues, just like upgrading, and constantly unlocks new skills. This is certainly not for lovers of cool reading. Because this is a coming-of-age story. Please calm down and read it. If it really doesn't suit your taste, just say it, rather than just repeating what others say. Of course, I also want to complain. The author's typos made me confused. I often had to guess for myself what I was talking about here, whether it was about cultivating virtue or about cultivating virtue. In addition, you should also use dim sum for place names, it saves your brain.

It's a great book, with a grand world, FF's unique epic description method, and Pigeon Pigeon and Pigeon. The only pity is that it's not suitable for following. If you don't read it for two hundred chapters, it won't be enjoyable at all. . .

Personally, I feel that the reading experience of this book is not very good, but it will be much more comfortable if I save it for a while and read a large paragraph in one breath. The problem seems to be that the settings are complex and diverse, and the plot itself has too many foreshadowings. When chasing, there are often foreshadowings that cannot be clearly understood, leaving questions that remain blocked. After reading it in one breath, all the questions were answered, the pitfalls were filled, and I felt much more comfortable.

Love this book. Many people criticized this book, saying this is not good and that is not good. Maybe it is because they had too much expectations for this book and did not achieve their expected goals. I don't think there's anything bad about it, just like someone who loves stinky tofu won't care about the daunting smell.

What's going on with everyone lately? Do you think Feiyan is just a bad writer and doesn't know anything about "Pillars of Ita"? Funny🙂

At present, I feel that the difficulty of getting started is a bit higher than that of Amber. Because the amount of setting information to be received at the beginning is too large, you have to work hard in the early stage and have a basic understanding of the setting before you can start enjoying this novel. (You will feel a little confused in the early stage) Many people may not be able to survive the early stage and give up. It is really a pity. I don't know if it's an advantage because of the above reasons. Feiyan's novel is one of the few novels that I read many times (actually it's the Amber Sword. Although I've read the others, they all seem to be eunuchs) Because after the second reading, the understanding of the setting will double the pleasure of reading. (Of course the more important thing is the interesting content) I hope this novel will be as exciting as Amber Thank you Feiyan for writing these touching novels You can imagine how brain-burning it is to write such a novel😄

This update caught people off guard, and they completely forgot about the previous plot.

I looked at it a few years ago and it seemed like it was broken. I passed by today and clicked in. I didn't expect it to be updated! ! ! !

The sea of ​​clouds, the sails of the fleet... dragons and ancient and unknown history, as well as complex alchemy and snow-covered mountains... On the floating continent is a kingdom established by swords and magic Beside the lake, in the basin, generations of legendary adventurers left their footprints in the forest and sea Pull down the sling and put away the anchor chain! Inject the magic and start the engine! Holding the steering wheel with alchemical gloves, the tilted bow of the ship breaks through the clouds, the sails on all sides are swollen and roaring, carrying the wind blowing from the abyss, and the white clouds and mist condense on the stern of the ship to form an elegant track line... Let's go! Seven Seas Traveler!

This is from my classmate. He posted it on the forum. I will help him forward it

Seeing that many netizens suspect pneumonia, I want to say something: Calm down, Ji Cao, I started reading The Amber Sword in 2010, and it ended in 2016, and the plot ended quickly at the end of the novel. The same goes for Jialan. I started reading it in 2005, but ended up writing it in 2010. Can you believe that the last chapter was updated in 2013?! Pneumonia Pigeon King, I am used to it, but we cannot deny that the conception and plot of the novel, as well as the design of the world view and the core idea of ​​the work, all require the consumption of pneumonia brain cells. But I'm determined to pay attention. I won't dare to read Pneumonia's book until it's finished. Otherwise, you won't know how painful it is to update Pneumonia's chapter for several months when the plot is extremely exciting. But I am more worried that we readers think that Yi Zhu has written 50%-60% of the plot, but in the eyes of Pneumonia, 99.99% Of the plot has been written.

The map of Corin-Ishulian has been made and was dedicated by Ms. Papamo. However, since it is the map for the Seven Seas Brigade's own use, it only roughly marks some of the places they pass. You can use the mobile APP to view character fanart, and some other settings/maps will be launched in the future~

It doesn't update, and it doesn't save the manuscript. He also said that he owed a few chapters. I wish you a big guarantee of 80 every time

26.7.7 ＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝ At this time last year, I asked how far the plot of Feiyan was, and the answer was "almost 60%." I asked again this year 2025.3.23 ＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝ Hand washing "Ask, how far has the plot progress bar been advanced?" Feiyan "80%. Probably, at least 70% is there, all involving the battle of gods. " Handwash "How long will it take to enter the second world?" Handwash "Since you asked, how long do you plan to finish it?" Handwash "What the hell? Come on, brother."

You win, you only updated one chapter in a year and a half, okay, you are so awesome, you are so cruel, I will write a book in a year, why don't I write it myself!

Doriffin Mr. Gray Rock Box and the Big Cat Drawed a Dawn Star Fang Gugu

I drew some illustrations in my spare time. This corresponds to Miya in the first chapter. I plan to go through the specific settings from the beginning.