Taking the Entertainment World by Storm

Jiang Huo, born on February 28, 1980 in Suzhou, China, is a Chinese film and television actress, director, and producer. In 1998, she starred in the Qing dynasty palace drama "My Fair Princess" which was aired and set many records including the first in China, the first in Asia, and the highest replay rate, launching her legendary acting career. In 1999, he starred in the costume martial arts drama "Little Li Flying Knife"; in the same year, he starred in "Huan Zhu Ge Ge 2", which broke the ratings myth created by the first part and became a national cultural idol. He was hailed by sociologists as the "Little Swallow Storm" and "Jiang Huo Phenomenon". In 2000, she played the protagonist Yu Jiaolong in her first film "Crouching Tiger, Hidden Dragon". For her role, she won the Best Actress Award at the 50th Berlin International Film Festival, becoming the first actress from mainland China to win the Berlin Best Actress. In 2001, she wrote, directed and starred in her first video game-adapted fantasy romance romance film "Legend of Sword and Fairy", with a global box office exceeding US$220 million (Friendly analysis from Feiyue's Book Friends), making her the youngest female director in history to earn hundreds of millions in box office while writing, directing and acting. In the same year, she starred in the second part of the "Rush Hour" series. In 2002, the short film "The Waitress" co-adapted and starring Robert Downey Jr. Won the Best Short Film Award at the 58th Venice Film Festival; in the same year, he starred in "Insomnia". In 2003, he starred in "The Butterfly Effect". In 2004, he starred in the first superhero movie of his series, "The Dream," which grossed more than $800 million at the global box office. In 2005, she was nominated for the Best Actress Award at the 77th Academy Awards for her wonderful performance in the film "Million Dollar Baby", becoming the first Chinese to be nominated for an acting award since the inception of the Oscars. In 2006, he wrote, directed and starred in the third installment of the "Mission: Impossible" series, creating the first movie in North American film history to have a daily box office of over 100 million US dollars, with a global box office of US$1.073 Billion. In 2007, for her wonderful performance in the feature film "Heavy Rain", she won the Best Picture and Best Actress awards at the 64th Venice International Film Festival (Added by Black Rabbit book readers), the Best Actress Award in a Drama Film at the 64th American Film and Television Golden Globe Awards (Added by Book Friends of Floating Dreams), and the 79th Academy Awards. She won the Best Actress Award, becoming the first Chinese actress since the inception of the Oscars; "The Departed", for which she was also the producer, won the Best Picture Award at the 79th Academy Awards, becoming the youngest Oscar-winning Best Picture Producer in history, creating the first history to win the Oscars for Best Picture and Best Actress in the same year. Basic information Chinese name Jiang Huo Foreign name Jiang Huo Alternate names Sun Goddess, the little princess of the Universal family, the little princess of the Paramount family, the little princess of the Sony family, the little princess of the Disney family, Her Royal Highness Nationality Chinese Ethnicity Han Astrology Pisces Body Height 172cm Body weight 50kg Birthplace Suzhou Date of birth February 28, 1980 (the thirteenth day of the first lunar month) Occupation Actor, director, producer Graduation school Beijing Film Academy Acting Department Agency company Avatar Films Representative works Heavy Rain, Crouching Tiger, Hidden Dragon, Legend of Sword and Fairy, Waitress, Mission: Impossible 3, My Fair Princess 1.2, Main Achievements Best Actress at the 50th Berlin International Film Festival Nominated for Best Actress at the 77th Academy Awards Best Short Film Award at the 58th Venice Film Festival Best Film at the 64th Venice International Film Festival Best Actress Award at the 64th Venice International Film Festival The 64th American Film Festival Film and Television Golden Globe Award for Best Actress in a Drama Series 79th Academy Award for Best Actress 79th Academy Award for Best Picture Award Early Life Jiang Huo was born in Suzhou. Her parents divorced when she was 6 years old. She and her sister Jiang Yue were sentenced to their mother. From then on, Jiang Huojiu fell in love with watching TV. With his father gone and his mother busy at work, Jiang Huo can only depend on his sister. Going to school during the day and watching TV at home are Xiao Jiang Huo's greatest pleasures. Over time, Jiang Huo developed a fondness for the figures on the screen. She told her sister that she wanted to make TV shows when she grew up. Although Jiang Huo went to elementary school, junior high school, and high school step by step, the idea of ​​becoming an actress became stronger and stronger in her mind. She would also write some short stories by herself and try to perform based on her own judgment. However, Jiang Huo was called a parent by her teacher because she was distracted from writing in class. This was the first time she met her father many years after her parents divorced. From then on, Jiang Huo's grades plummeted. But also because of this, Jiang Huo had an impulse. In 1997, she said goodbye to her sister and came to Beijing. Acting Experience In 1997, Jiang Huo, who came to Beijing for the first time, was selected by Qiong Yao and had the opportunity to star in the Qing Dynasty palace drama "Huanzhugege". At first, Jiang Huo assigned her the role of Liu Hong because of her martial arts skills. Later, because the actor who originally played Xiao Yanzi resigned, she was given the role of the heroine Xiao Yanzi. In 1998, the Qing Dynasty palace drama "My Fair Princess" starring in it was broadcast. The average ratings of the drama exceeded 47%, setting many records such as the highest ratings in China, the first in Asia, and the highest replay rate. It was selected as a repertoire by Hunan Satellite TV and was repeatedly rebroadcast during the Spring Festival, summer vacation and other periods in the following years. In the same year, he was admitted to the Performance Department of Beijing Film Academy. To be continued…

I just replied to book friend Jiang Huo's post about what to film in the future. I thought that Jiang Huo could invest huge sums of money to film "The Wandering Earth" when the technology is mature, so I couldn't help but write this post. "The Wandering Earth" is a good movie, but it is not perfect. It was a complete failure at the overseas box office. The 45 million yuan was only a fraction of the domestic box office (the domestic box office was 4.655 Billion yuan, which is 683 million U. S. Dollars based on today's exchange rate). I thought it was 45 million U. S. Dollars at first, but when I looked at the unit of RMB, I was speechless. The reason is also very simple. China's production of science fiction films has disturbed Hollywood, so overseas distribution will inevitably be suppressed by them (this suppression is much more cruel than the six major crackdowns on DreamWorks, because DreamWorks is just an internal conflict in Hollywood), and no domestic company has mature overseas distribution channels. If the media does not promote it and the theaters do not show it, it is useless no matter how good the quality of "The Wandering Earth" is, not to mention that "The Wandering Earth" itself is not perfect. First of all, we have to admit that the United States and China are the world's first and second film markets. Jiang Huo has made a name for himself in Hollywood, and will not give up the American market. Therefore, Jiang Huo's version of "The Wandering Earth" will inevitably be a Sino-US co-production. One to three of the six major Hollywood conferences will invest. Under this premise, "The Wandering Earth" has the potential to hit $3 billion globally. The original work of "The Wandering Earth" by Liu has downplayed the national and national colors, which also provides the possibility for this kind of adaptation. Jianghuo's version of "The Wandering Earth" will have at least three lines: A line of astronauts on the Navigation Space Station, three astronauts in one cabin, one Chinese (played by Wu Jing), one American (played by Tom Cruise, Tom Cruise can choose to join the cast with financing or 15+10 remuneration + North American box office share, after all, Tom Cruise is not the absolute protagonist), and one Russian (Hollywood has no shortage of Russian actors). A Chinese rescue team line, Jiang Huo (Jiang Huo must have brought money to join the team to reduce the actor's salary cost) replaces Wang Lei as the captain of the Chinese rescue team (by the way, my name is Wang Lei, embarrassing), the other plots generally follow the original version (the final sacrifice can be changed or not, anyway, Jiang Huo has died many times in the movie (*｀▽´*)/), pay attention to telling things clearly while compressing the time (the time has come to test the screenwriter. It is said that the original version did not have a professional screenwriter, the plot was discussed by several creative staff, and the plot was deleted for the sake of length, resulting in the characters not being able to stand up and being easily misunderstood. Hukou and Duoduo looked like two naughty children). An American rescue team line, Robert Downey Jr. And Scarlett Johansson play important roles in the team, a black boy, an Asian nerdy technician, a Latin girl who sells meat, a white girl who sells cuteness (allowing Robert Downey Jr. To show his fatherhood) and other supporting roles. The main plot starts from an underground city in the United States. Go to the rescue, and the rescue is successful (the American main line cannot be like the Hangzhou Underground City Living Fire City), and then take the initiative to repair the equatorial steering engine (maybe somewhere in Brazil or Peru, it depends on which local place name is more convenient), and finally use a similar method to stimulate the engine and ignite the space station together with the Suvelasi engine of the Chinese rescue team. Various Hollywood selling points are appropriately added in the middle, such as teenage rebellion, Robert Downey Jr.'S mid-life crisis, butcher selling sex with so-and-so, etc. The American people just like this. At the beginning of the movie, a montage technique is still used to show the background of the aging sun and the scenes of humans building the Navigator Space Station, the Earth Engine, and the underground city trying to save themselves. Note that China and the United States must have at least three shots each, and the Great Wall and the Statue of Liberty must be in the shot (in reality, the United States is completely downplayed in "The Wandering Earth". It is inevitable to be cold overseas (Hollywood's international influence is much stronger than that of the Chinese film industry). Wu Jing and Tom Cruise took the same promotional photo of the first batch of astronauts on the space station. There are also foreshadowings of Wu Jing and his son watching Jupiter together, and the separation of good brothers Tom Cruise and Robert Downey Jr. (One joins the army and the other becomes an astronaut in heaven). In addition, it should be noted that the Earth Engine is similar, but the underground city style is different. Because China has a large population, it builds many underground cities in a hurry. The style is the urban-rural fringe style in real-life movies, while the American underground city is the style of the hive in "Resident Evil". It is built less but better. This aspect can be left to Industrial Light and Magic. Then the human flesh cameras of Hukou and Duoduo came on stage. In order to escape from his father (Hukou had a deep misunderstanding of his father, which was only solved when the lieutenant colonel died), Hukou, a rebellious young man, was curious about the surface of the earth and wanted to see it. The god-sister Duoduo of his savior (who insisted on holding Duoduo out of the water before his death and persisted until his grandfather rescued him) skipped class and smuggled to the surface (the screenwriter must make it clear here, otherwise it will be like two naughty children), secretly driving his grandfather's luck. Transporting the car, which leads to the long shot that we are blown away by (from the transport truck to the increasingly larger industrial machines to the entire earth engine and then to the entire wandering earth), because the investment is larger ("The Wandering Earth" invested 320 million yuan, Jianghuo Film will invest 300-500 million US dollars, and most of the funds will be spent on special effects, not enough for more), the special effects will be more exquisite, coupled with the 3D/4k/120 frame technology boasted by the weak author, the effect in the cinema will be extremely shocking. A long shot leads to the Navigator Space Station, where Wu Jing and Tom Cruise are preparing to hand over work and return to Earth. Wu Jing is thinking about what to say when meeting his father-in-law and son after returning to Earth. Tom Cruise directly requests to speak to Robert Downey Jr. In an underground city in the United States, thus introducing the minimalist technology style of American underground cities and ground vehicles and machinery (American style is smooth shells, streamlined lines, China It's the straight edges and rough appearance, the contrast between the silly, bold and delicate.) Cruise wanted to share the wine he had hidden in heaven with Downey, while Downey, who was in a mid-life crisis, complained to Cruise that the military There is no hope of promotion in the team, there is a shortage of supplies on the earth, and there is a estrangement from the rebellious daughter who spends less time and more time away from each other. After the exchange, the camera switches to the account where the police caught her during a temporary inspection. My grandfather rushed to the police station to arrest him. Delete parts of the plot in the police station as appropriate. In short, it is a surge in Jupiter's gravity (some people say why scientists have not calculated the gravitational anomaly. In fact, the formula for calculating gravity simplifies Jupiter and the Earth into two mass points. The Earth is a solid with a relatively uniform mass, and Jupiter is The fluid planet with uneven mass distribution cannot be completely calculated unless humans completely master the chaos algorithm), causing earthquakes on the earth, and a large number of engines stalled. Hukou and his party fled from the police station, losing the back of the car in order to escape on the way, and then came the exciting final scene of the coalition government. High mobilization (the scene in the real-life movie is not big enough. Jiang Huo can spend money to make the scene bigger. For example, a large number of rescue teams collect flint from a special warehouse and set off. It is said that flint is a miniature nuclear bomb specially designed to stimulate nuclear fusion, so it must be stored in a centralized place). The CN171-11 rescue team that lost the front of the car (the original driver took the initiative to uncouple and let the front of the car fall off the cliff in order to save the flint in the rear compartment) was temporarily requisitioned. The team leader was the heroic Jiang Huo, and there was also a team doctor, a Gatling soldier with heavy weapons, other ordinary soldiers, and several technicians. At this time, Wu Jing and Cruise, who heard MOSS's warning about a large number of Earth engine flameouts, quickly contacted the Earth. Wu Jing contacted his grandfather and found out that he was requisitioned and asked Jiang Huo to relocate Hukou and Duoduo to the nearest underground city. Cruise contacted Downey, who had already communicated with Scarlett Johnson led the rescue team together, and Downey's daughter somehow got into the rescue team (acting as a cute little white girl). The team also included a team doctor (a sexy Latina girl), a strong black man with heavy weapons, other ordinary soldiers, and several Asian and white technicians. The Chinese rescue team line roughly follows the original work, changed to Jiang Huo's sister in the Hangzhou underground city (taking into account the screenwriter and Jiang Huo's small life, it can be arranged that she also joined the rescue team and was not in the underground city when the city was melted by living fire), Gangzi died, After his grandfather's protective suit leaked and died, Hukou and Jiang Huo quarreled and separated, but they still met Li Changtiao. When the Hangzhou underground city was gone, Hukou found Jiang Huo, who had lost his target after the flint was broken by the team doctor, and everyone rushed to the rescue of Su Weilasi. The scene turned to the American rescue team led by Robert Downey Jr. After successfully rescuing the Houston underground city, they received a rescue signal and rushed to the scene to find that the plane rescuing the equatorial steering engine in Hawaii had crashed due to reduced air pressure (they had not thought carefully before, and the equatorial steering engine built in Brazil The engine is too far away from Southeast Asia, and it is impossible to visit Jupiter at the same time, and the reputation of those places is too small, ordinary Americans have no idea about it, and there is no sense of substitution). At a critical moment, the Houston underground city provided a sci-fi-looking ground-effect aircraft, and Robert Downey Jr. Led a team to rescue Hawaii. To be continued

Why do you feel like your sister's dream is to be your older sister (brother)?

Why can I sit on the top spot in the same year of 2000? There is no way, who makes me more handsome (≧▽≦) The charm of my character is unstoppable (≧▽≦)

The difference between old bookworms and new bookworms. Old bookworm: What the hell is this thing that randomly adds emotional scenes and a harem? It's really annoying. It's obvious that the single heroine is quite comfortable, but then another one pops up after writing it. It's really poisonous. New bookworm: emmm, the plot is really exciting and the writing is really touching. The more female protagonists, the better.

The rest is okay, but the emotional drama is a mess... The protagonist is Green Tea, the younger sister is the mistress, and the widowed sister is Huangmao(눈_눈)

I'm having a chest opening tomorrow afternoon. I don't know if I can come back. I have 10,000 left, so I'll give it to you.

This person put this on the wrong channel. To be honest, he doesn't like this kind of book. Why do you put it on a female channel? Why do you want to occupy the male channel's recommended spot?

Sorry, I gave up the book. I can't accept my sister and Scarlett getting together. The protagonist doesn't care about himself, and his sister and Scarlett don't have any good feelings, so they have an affair without any reason? It feels so baffling to me. My sister was obviously dissatisfied with the protagonist's behavior before, but she turned around and went to bed with another woman? It would be better to just write Scarlett as the protagonist and attack a pair of sisters in love at the same time. In addition, the author's Scarlett is like someone who can fall in love with her just by looking at her. This makes me very suspicious of the relationship between Scarlett and the protagonist. It feels like child's play. So, I'd better give it up, but except for the emotional drama, everything else in this book is pretty good. I hope the author's writing will get better and better.

This picture should be good when they were still brother and sister❥(^_-)