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The book is divided into two parts. The first part systematically sorts out the research on Balzac by French writers and scholars such as Hugo, Saint-Beuve, Proust, Mauroya, and Butor. Then it expands its horizons to the world, mainly introducing representative countries such as German-speaking countries, the United Kingdom, the United States, Japan, and China. The second part focuses on the study of this French writer; based on the previous part, the second part selects ten important sub-fields in Balzac research, introduces some representative research results, and puts forward the academic viewpoints of Chinese scholars, striving to provide a new rationale for the development of Balzac research.

Ancient Greek culture not only gave birth to one of the most outstanding poetic traditions, but also produced a major tradition of poetic theory and poetry criticism. Halliwell's book provides a series of detailed and challenging readings of many important authors and texts in the history of ancient Greek poetry. Its central focus is on how the Greeks conceptualized poetic experience and debated the value of this poetic experience. The overarching theme of the book is the recurring dialectic in ancient Greek conceptions of poetry: poetry is on the one hand an inherently gripping experience (an ecstasy), and on the other hand it is a medium that conveys truth and thus profoundly affects the reader's worldview.

China is a country of poetry with a long tradition of poetry. The word "poetry" comes from what it refers to - the language art style with a certain rhythm and rhyme - poetry. The word "poetry" is used to refer to the style of "poetry", which is directly related to the understanding in the pre-Qin period that "poems" can "express aspirations". With the continuous development of poetry in my country, the objects and connotations referred to by the word "poetry" are constantly enriched. Initially, "poetry" was only used to refer to the Book of Songs, but later it gradually included Sao style poetry, Yuefu style, and non-musical five-character, seven-character, and miscellaneous styles. Ci poems from the Tang and Song dynasties and Sanqu from the Jin and Yuan dynasties were once excluded from "poetry", but later they were also included in "poetry" due to their refined style. The scope of the Chinese character "poetry" is getting larger and larger, just like a trickling stream. As the tributaries continue to merge, the river becomes wider and louder, and finally develops into a rolling giant stream. Poems use an open embrace to tell old stories and incorporate new ones. The style of poetry is always changing and always new, but poetic thoughts and sentiments have lasted for thousands of years, continuing to nourish the hearts of generations of Chinese people.

The notebooks of the Southern Song Dynasty not only expressed the complex mood and exquisite taste of the scholars at that time, but also expanded the artistic potential of the notebook style, occupying a unique position in the history of the development of notebook writing. This book starts from the contemporary situation of the notebook writers in the Southern Song Dynasty, explores the difficult choices made by the creative subjects in the face of difficult situations, and thereby examines the multi-dimensional state of mind shown in their notebook works, and then grasps the theme of the times, unique aesthetic qualities, and influence on future generations contained in their works.

This book is an important poetry theory work by Yuan Mei, a poet of the Qing Dynasty. It discusses a person's endowment, cultivation, reading and practice, the design of the article, the diction and rhyme, as well as the nature, etherealness, twists and turns, as well as the revision, appreciation, editing and selection of poetry, and even the writing of poetry. The scope is very wide. There is also an appendix, "Biben Suiyuan Shihua", which is a useful reference material for studying the Qianlong era, Yuan Mei, Shihua and other aspects. It is printed based on the manuscript of Deng and Zhang collected by Mr. Wang Liqi. The poetry talks involve many literary and historical figures from ancient and modern times as well as poetic terminology. This time, additional annotations are added to facilitate ordinary readers to clearly understand the content of the poetry talks. It was originally arranged vertically in traditional Chinese, but now it is arranged horizontally in simplified Chinese to facilitate contemporary reading.

"Chinese Poetry Research" is an academic journal sponsored by the Chinese Poetry Research Center of Capital Normal University, covering the study of poetry at home and abroad in ancient and modern times. The columns include research on ancient Chinese poetry, research on modern and contemporary Chinese poetry, research on Chinese poetry theory, research on Chinese ethnic minority poetry, research on contemporary overseas Chinese poetry, research on Chinese and Western comparative poetry, research on the history of poetics and poetic literature, and youth forums. It has a good reputation in academic circles at home and abroad and is an important reference book for poetry lovers and teachers and students.

This collection is divided into eight columns, with stylistic research as the focus. It is divided into stylistic origin research, stylistic evolution research, and stylistic research starting from a close reading of the works. It not only leads us into classical literature and understands the ancients' way of thinking, expression, rhetorical means, and aesthetic taste, but also leads us into ancient social thought, culture, and To recognize the evolution of prose in the context of institutional changes; "Mr. Nie Shiqiao's Academic Commemorative Issue" highlights and commemorates Mr. Nie's academic achievements and noble character; "Overseas Prose Research" focuses on the results and progress of the compilation and research of overseas Chinese documents; "Review of Prose Research" provides timely and effective information for the study of ancient prose.

"Chinese Poetry Research" is an academic journal sponsored by the Chinese Poetry Research Center of Capital Normal University, covering the study of poetry at home and abroad in ancient and modern times. The columns include research on ancient Chinese poetry, research on modern and contemporary Chinese poetry, research on Chinese poetry theory, research on Chinese ethnic minority poetry, research on contemporary overseas Chinese poetry, research on Chinese and Western comparative poetry, research on the history of poetics and poetic literature, and youth forums. It has a good reputation in academic circles at home and abroad and is an important reference book for poetry lovers and teachers and students.

"Chinese Poetry Research" is an academic journal sponsored by the Chinese Poetry Research Center of Capital Normal University, covering the study of poetry at home and abroad in ancient and modern times. The columns include research on ancient Chinese poetry, research on modern and contemporary Chinese poetry, research on Chinese poetry theory, research on Chinese ethnic minority poetry, research on contemporary overseas Chinese poetry, research on Chinese and Western comparative poetry, research on the history of poetics and poetic literature, and youth forums. It has a good reputation in academic circles at home and abroad and is an important reference book for poetry lovers and teachers and students.

"Research on Tang Dynasty Literature" is the journal of the Chinese Tang Dynasty Literature Society, a national first-level society, and is co-sponsored by the China Tang Dynasty Literature Society and the School of Literature of Northwest University. This journal mainly publishes academic papers on the study of literature in the Tang Dynasty, covering the study of literary creation and writers in the Tang Dynasty (in addition to the overall comprehensive study, including research on various types of literature and writers such as poems, poems, poems, prose, parallel prose, novels, and popular literature), research on literary documents and historical materials of the Tang Dynasty, research on literary theory and criticism of the Tang Dynasty, interdisciplinary research between Tang Dynasty literature and other disciplines, research on the reception and dissemination history of Tang Dynasty literature, research on Tang Dynasty literature and documents outside the country, etc.

"Modern Chinese comparative literature research" refers to the broad sense of comparative literature research that has emerged in my country since the 20th century. This book contains both case studies and overall reviews of comparative literature; it contains both questions and responses to hot issues in comparative literature, as well as criticism and construction of methodological issues. The study of this book not only involves the early classics of comparative literature in my country since the late Qing Dynasty and the early Republic of China, but also takes the rapid development period of comparative literature in my country after the founding of the People's Republic of China, especially since the reform and opening up, as the main object of investigation. Then, on this basis, we will make an overall observation and reflection on the occurrence, development and existing problems of comparative literature in my country, so as to help our country's comparative literature move towards a better future.

This book attempts to place the history of Chinese literature compiled in the early 20th century, such as Huang Ren's "History of Chinese Literature", Lin Chuanjia's "History of Chinese Literature", and Lai Yuxun's "Manuscript of the History of Chinese Literature", into the context of the cultural governance at that time. It examines how the compilation of Chinese literary history in the early 20th century used the "literary history" framework to sort out the evolution of literature in the past, and how to seek effective connections between the compilation of Chinese literary history and traditional academic and Western knowledge. In particular, it focuses on the relationship between the compilation of Chinese literary history in the early 20th century and the reform of the modern academic system, the general trend of academic changes, the tradition of classical bibliography and Western ideological trends, as well as the many individual compilation purposes brought about by the changes in the knowledge structure and mentality of the compilers at that time.

This book starts from the basic context and historical facts of the history of translation and cultural exchange between China and the West. It takes Yan Fu's translation of Smith's masterpiece "The Wealth of Nations" as the main research object, and combines the English originals, manuscripts, scripts, revised versions of the translation and diaries and other peripheral first-hand materials to explore the translation issues highlighted in the early contact between Chinese and Western ideas. The book focuses on the analysis of Yan Fu's personal reading experience and translation thinking during the translation process. Through his selection and consideration of Western economic ideas, he achieved the purpose of reflecting on and promoting traditional Chinese culture, reflecting his protection and persistence of Chinese culture. The research emphasizes using new discoveries and new interpretations of data as breakthroughs to restore the diversity, continuity and integrity of history. The research path and research value return to the development context of Chinese culture and are reinterpreted from the perspective of contemporary academic thinking.

This book mainly explores the interactive relationship between styles. The Ming Dynasty was not only the trough period of poetry literature, but also the glorious era of opera. The two were both music literature and had long-term symbiosis. A large number of lyrics are parasitic in operas and assume specific structural or plot functions such as "opening". This type of lyrics has considerable literary value and historical significance.

This book is a companion work to "Study on Rhyme Poems of the Tang Dynasty". Compared with the Tang Dynasty, rhyme poetry in the Song Dynasty has undergone new development. Not only has it changed the way of rhyme division, from participants dividing isolated rhyme characters to using words from the best lines of previous poems, but it also generally no longer limits the poetry style and number of lines used. This book first examines all the documents on the use of good verses in poems by poets in the Song Dynasty to ensure the accuracy of the documents used; then conducts a multi-faceted analysis of the good verses extracted from them, and considers the complex reasons why the Song people chose these verses, including cultural traditions, social backgrounds and on-the-spot factors; finally, it further examines the huge influence of the verse verses in the Song Dynasty, which not only directly promoted the development of verse verses in the Yuan, Ming and Qing dynasties, but also inspired the emergence and development of verse verses and personally composed verse verses.

This book takes Li E as the center and systematically sorts out Li E's creative process and poetic concepts. It uses time development as the vertical line and regional displacement as the horizontal line, integrating time and space. It conducts a three-dimensional investigation of Li E's poetic activities and restores Li E's important position in the Kangxi and Qianlong poetry circles. The whole book launches a detailed analysis of Li E's process of entering Beijing and becoming an official, his "unconventional" temperament, errors in the chronology, the dispute between the Tang and Song Dynasties in poetic stance, the style of "Chronicles of Song Poems", the evolution of his creative process, his relationship with the Hanshi Poetry Group, and his influence on the Zhejiang School. This book combines case analysis with overall observation, and conducts a relatively systematic exploration of Li E's person, poems, events and names from point to point.

This book takes the Christian literati in Jiangnan in China from 1868 to 1919 as the research object. It first examines the spread of Christianity in China and the basic situation of Christian literati in Jiangnan in modern China. Secondly, it analyzes the characteristics of Christian literati in Jiangnan in modern China in the literary field from three aspects: literary translation and creation, literary concepts and literary activities. Finally, in connection with the development of modern Chinese literature, the study of Christian literati in the south of the Yangtze River in modern China is placed into the category of literary history to make an overall evaluation. From the perspective of literary research, taking Chinese Christian literati in the late Qing Dynasty and the early Republic of China as the research object can systematically sort out the relationship between Chinese Christianity and literature during this period, fill the vacuum of coverage of Christian religious groups in modern literary history, and supplement the research on the history of literature and literary criticism at the documentary level.

As a cultural core full of changing elements, the American Dream has profoundly influenced the development characteristics of American literature in various periods. This book examines the changes in the connotation and denotation of American humor novels from the perspective of the American Dream, and based on this, reflects on the evolution of the American Dream and its inherent contradictions. At the same time, it examines the historical writing of humorous novels by important writers from the perspective of the American Dream in the four stages of the American Colonial, Romantic, Realist and Modernist periods, explores the relationship between "humor" and "history" in the development of American humor novels, reflects on the impact of the changes in the American Dream on American humor novels, and broadens the channels for understanding the American country and society.

This book is based on stylistic analysis and takes the three stylistic forms of narration, explanation, and argumentation as its general outline. It directly faces the text of quotations and summarizes Zhu Xi's stylistics and essay studies achievements. As a narrative style, the narrative in "Zhu Xi Yu Lei" is different and related to literary narrative, and has the uniqueness of telling stories and shaping characters. As a style of explanation, the explanations in "Zhu Xi Yu Lei" are closely related to previous generations of classics. Its style elements include explanation methods, explanation words themselves, and the meaning contained in the classics explained. As a style of argumentation, the argumentative elements of "Zhu Xi Yulei" are discussion and analysis, which embodies the spirit of Neo-Confucianism in pursuing truth and appraising right and wrong. "Zhu Xi Yu Lei" is different from "Guoyu", but closer to "The Analects" and "Mencius". It shows Zhu Xi's wise thinking on academics, politics, history and literature, and also reflects his superb ability to control the art of lecturing and the rules of writing.

This book examines the literary activities of Jonathan Swift during the ideological and cultural transformation of England in the 17th and 18th centuries, including letters, biographies, political essays, poetry, historical writing, sermons, etc. It also examines the literary works of members of the Scribblerus Club such as Pope and Guy, as well as the political writings of Hobbes, Locke, Temple, Harrington, Viscount Bolingbroke and others. This book places the above-mentioned text in the political, cultural, philosophical, and legal trends of thought such as the "Debate on the Enlightenment Order," "The Controversy between Ancient and Modern Times," "The Controversy over the Best Political System," "The Controversy over the Successor Act," and the "Controversy over the Standing Army." At the same time, this book also focuses on examining the Chinese characteristics in England's Enlightenment thought, as well as the Chinese elements in Swift's literature and ideological landscape.

Based on strict text reading, this book clarifies the discourse logic, theoretical viewpoints and methodologies of Lotman's representative writings in various periods, and devotes himself to verifying and analyzing the formation of his important theoretical viewpoints and methodologies. It presents Lotman's textual viewpoints, principles, and methodological models for text analysis practice in a specific text context, and at the same time demonstrates Lotman's textual analysis practice. The development and changes of Terman's textual thought are explored to find the context of his textual thought; with the British and American New Criticism and Structuralist Criticism as a reference, by comparing Lotman's textual thought with Bakhtin, Derrida, Barthes, Iser, Gadamer and other textual theories, the unique text existence mode and structural situation of Lotman's textual thought are discussed in detail.

In the trend of literary theory, Bakhtin is an unavoidable peak. His theory has become one of the most important ideological treasures of mankind in the 20th century and is talked about by everyone. People are not only surprised by the uniqueness of his literary discourse and the weird way of thinking, but are also surprised to find that no matter which school or school, almost everyone can find resonance in his thoughts. Understanding Bakhtin becomes a key to entering the thinking maze of contemporary Western literary theory and solving the mystery of the mutual influence, acceptance, transformation and rebirth of literary theories of different nation-states in the globalization pattern. Studying the impact of Bakhtin on contemporary Western literary theory can also better reflect on the problems existing in the acceptance and application of Bakhtin's theory (and by extension, all foreign literary theories) in Chinese academic circles.

This book is divided into two parts. The first part is about the academic theory of literary and historical research, and the lower part is about new interpretations of poetry appreciation, including selected lectures and reviews of Tang and Song Dynasty poems, reviews and introductions to classic literary masterpieces, and appreciation of famous works, such as Zhuangzi's Selections and Commentaries, Laozi's Comprehensive Commentary, Xin Qiji's Selected Poems, etc. The academic works and academic research papers published by the author are the result of decades of painstaking academic research. They have unique insights and high academic value, and are of reference value to scholars engaged in the study of Chinese literature and history.

This book contains a general report, novels, novellas, short stories, documentary literature, prose, poetry, drama, online literature, theoretical criticism, and nine special topics and appendix information. It comprehensively sorts out and briefly describes this year's literary creations, literary phenomena, literary debates, and literary events. Detailed information on the literary world, sophisticated academic refinement, especially the capture and commentary of some focal phenomena and trending issues, highlight the basic style and objective trends of the annual literature, as well as its main characteristics and existing problems in its development and evolution.

In the Qing Dynasty, new schools suddenly emerged, and a new type of literary education named "Chinese Literature" came into being. The first subject of Chinese Language and Literature is not only the product of changes in modern knowledge order, knowledge carriers, and knowledge dissemination methods, but also incorporates many experiences from traditional Mongolian studies and ancient Chinese poetry. It has the dual mission of cultivating reading and writing skills and extending national culture. This book focuses on the creation moment of "Chinese literature" and aims to explore the changes of "literature" in ancient and modern times from the perspective of educational practice, and then explore the universal mechanism of modern knowledge formation.

Pre-Qin prose is the beginning of Chinese prose, carrying the spirit of the times in the Pre-Qin period. The content may criticize current ills, advise the king, guide self-cultivation, or correct personality. This book attempts to analyze and interpret relevant representative works of pre-Qin prose within the framework of ideological and political education, and unearth the essence of philosophical thoughts, personality theories, and educational concepts related to ideological and political education contained in them. By analyzing the actual impact of the ideological essence of Pre-Qin prose on ancient ideological and political education, we will explore its ideological and political education value, and by studying the realization of its potential value, we will further promote the integration of Pre-Qin prose and ideological and political education.

This book systematically and comprehensively sorts out the objectively existing close relationship between Qiang and Han literature, and analyzes the historical development of the relationship between Qiang and Han literature from pre-Qin to modern times. It is divided into three parts: Part One, Middle and Part Two, and selects important works of important writers for analysis and evaluation. This book discusses the formation of important literary images such as "Yingying Bluefly", Longtou Flowing Water, Qiang Flute, etc., The writings of Yuan Hao, Bingchang, Qian Shun, etc., As well as the promotion of the popularization of modern poetry creation by "Songyou Xiaoshang", etc., Showing the progress of Qiang literature. The development overview illustrates the inseparable inner connection and cross-influence between Qiang and Han literature, provides reference for exploring effective ways for the prosperity and development of Chinese national culture and literature, and reflects the positive interaction of China's diverse literature and culture from one aspect.

This book attaches great importance to the self-connection and emergence of the internal context of Chuanshan's poetics. From the perspective of "qingji" ("the yin and yang of the lover" and "poetry's emotion, several elements"), it explores the "system" inherent in Chuanshan's poetics itself, and demonstrates that it is a dynamic system with "poetry" that is consistent and highly organic and vital. This book also strives to place Chuanshan's poetics within the "main emotion" tradition of classical poetry, especially with the tradition of poetic theory since the Yuan and Ming Dynasties that "focuses on the Tang Dynasty and deposes the Song Dynasty", "focuses on emotion and rejects theory", and "valus emotions and thoughts over facts". In this "internal context" dominated by diachronic cultural inheritance, we trace its origins, clarify its changes, and gain perspective on the value of Chuanshan's poetics.

Modern Chinese novels have been shrouded in the shadow of death since their very beginning, and are full of time anxiety and survival anxiety. This book uses a variety of classic literary theoretical research and analysis methods such as case interpretation, comparative research, external research, and mutual verification of cause and effect. It takes the death narrative in modern Chinese novels as the entry point to study the spiritual pursuit of modern writers and the aesthetic orientation of novels, as well as the dilemma of the awakening of life consciousness and ideological enlightenment of modern writers. It explores the spiritual connotation of death writing in modern novels, the transformation of death narrative perspectives and different discourse characteristics, and summarizes the aesthetic style and deep cultural metaphors of death narratives in modern novels.

This book integrates a group of writers who were active in literary creation in English and Chinese from the 1930s to the 1950s into a group from the previous scattered attention. The author selected seven writers except Lin Yutang, who has been relatively well-researched so far, and started with their representative works to study their creative characteristics and cultural thinking characteristics, as well as the image of China they objectively established in the English-speaking world. The book proceeds from the inside to the outside, layer by layer, and then explores the impact of these bilingual writers on Chinese and foreign cultural and literary exchanges, thereby providing a worthy reference model for today's Chinese literature and the overseas spread of Chinese culture.

Combining the regional cultural characteristics of Fujian, this book takes an overall look at Chen Shi, a Fujian survivor writer in the late Ming and early Qing dynasties, and his circle of survivor friends, explores the survivor identity consciousness contained in Chen Shi's writings, and discusses the mental characteristics and spiritual situation of the Fujian survivor literary people in the late Ming and early Qing dynasties. The book is divided into eight chapters, which respectively research and discuss Chen Shi's family background, academic career, ups and downs in officialdom, versions of his writings, friendships, and the ideological connotation and artistic achievements of his writings. The focus is on Chen Shi's role in the Change of Dynasty from the perspective of memory and identity. In addition, from the perspective of the integration and transmission of resorts, holy places and Daoshan cultural spirit, the contribution of the survivors' literati represented by Chen Shi in the late Ming and early Qing dynasties to the inheritance and dissemination of traditional national culture and Fujian regional literature was analyzed.

This book is the result of a National Social Science Fund project and is the first special research work on minority female poets. This book takes the Bai female poets of the Dali area from the Yuan Dynasty to the Republic of China as the research object. It conducts in-depth research on 23 female poets and their works, discusses the reasons for the formation of Bai female poets, reveals the theme content of poetry, and the connotation and characteristics of artistic aesthetics. It examines the poetry creation of Bai female poets and ancient Chinese female literature, and points out the value and status of Bai female poets in the history of ancient literature.

This book takes the surviving poetic works of the Northern Song Dynasty poet Guo Xiangzheng as the research object. It first adopts the method of "knowing people and analyzing the world" to outline Guo Xiangzheng's career and life path wandering between the two ends of "official" and "hidden", in order to interpret the reasons for the formation of Guo Xiangzheng's unique personality and his open poetry style in the context of the evolution of scholarly style in the Song Dynasty. Then, this book describes the original style of Guo Xiangzheng's poems from many aspects such as content, genre, imagery, organization, style, etc., While interpreting the artistry of his poems, it also uses these poems as annotations to Guo Xiangzheng's mental journey, in order to show the poet's beautiful feelings of conveying his heart through poetry and loving poetry as life.

This book discusses several aspects of the narrative of "Zuo Zhuan" from the perspective of the Spring and Autumn Dynasty clan. If you are a professional, you can read Chapter 5, which sorts out several groups of keywords in literary research; if you want to do in-depth research on this issue, you can read Chapter 1, where there are more deficiencies that need to be explored; if you have just come into contact with "Zuo Zhuan", you can read Chapter 2, where the analysis of the narrative structure can provide a reading method; if you just happen to meet it, read Chapter 4, where people and things are explained in a relatively systematic manner. There are some personal emotions in the book. Why do so many people look up to the Three Dynasties? Why is the Spring and Autumn Period not a carnival of the Six Dynasties? Even why "the death of Qin must lead to Chu" is such a disorganized existence. If someone reads or re-read "Zuo Zhuan" because of this little book, it will be a great blessing.

This book is the first work in the field of modern Chinese literature research to discuss modern literary historical materials from the perspective of "historical material criticism." It is a relatively complete summary and reflection on the content, norms, methods, and values ​​of modern literary historical material criticism using critical thinking. The author strives to reconstruct modern Chinese literary historiography with the theory of "historical material criticism." This book has certain innovations in the systematization of modern literary historical material knowledge, the integration of historical material methods, the hierarchical construction of historical material critical theory, the integration of historical material critical methods, and the analysis of specific historical material critical techniques. It is an important domestic treatise on the use of critical thinking to study modern literary historical materials, and has theoretical depth and methodological value.

This book is a special collection of materials with the theme of the study of Chinese classical novels. It contains 79 rare materials on the study of Chinese classical novels by Western scholars from the 18th century to the mid-20th century. It takes into account documents of different themes, different periods and different languages, in order to fully reflect the early Western academic circles' study of Chinese classical novels. The book is organized into ten categories according to the themes of Western academic research on Chinese classical novels. The articles included in each theme are arranged in chronological order, and each article is preceded by a title explanation, introducing the author's life, selected version, origin, main academic viewpoints and academic influence, etc.

The story of Adam and Eve is like the shadow of human beings as a whole, which continues to exist in religion, literature, art, and philosophy. It is not only a hymn to human responsibility, but also a dark allegory about the tragic situation of human beings. Stephen Greenblatt builds a bridge between human origins and modern civilization by tracing back the story's immense value, revealing its rich allegory, sexual and moral conflicts, virulent misogyny, and profound moral insights, all the while tracing the story's post-Darwinian persistence in contemporary times, triggering our thinking about issues such as freedom of marriage, women's rights, and the measure of freedom in today's society.

"Oriental Literature Research Collection" is a publication sponsored by the Oriental Literature Research Center of Peking University, a key research base for humanities and social sciences of the Ministry of Education. It is a concentrated reflection of its academic achievements over the years. Most of the papers included in each issue are the latest achievements published at academic conferences related to Oriental literature in the current year or the previous year. To a certain extent, they represent the academic level of the domestic Oriental literature research field. This collection is mainly divided into five parts: comprehensive research, literary sociology research, narrative research, female literature research, and book reviews.

"The Medieval Reception of Ming Dynasty Poetry" is a topic worthy of in-depth study. The Middle Ages here refers specifically to the Han, Wei and Six Dynasties periods. The literati of the Ming Dynasty and the literati of the Middle Ages belong to different historical contexts, but in pursuing creative standards and exploring the source of creative inspiration, they have resonances from different generations. This book examines the reception of medieval poets and poems by Ming Dynasty poetic commentators Yang Shen, Xie Zhen, Wang Shizhen, Hu Yinglin, Xu Xueyi, and Yuan Hongdao from the perspective of reception aesthetics. This is not only a way to explore the characteristics of Ming Dynasty poetics, but also a way to study the influence of medieval poetry on later generations.

Pat Barker is one of the few female novelists with war themes in the contemporary British literary world. This book focuses on the study of six of Buck's novels set in the First World War, and systematically elaborates on the traumatic narratives in Buck's works and the cultural significance of such narratives. Starting from the dual perspectives of the appearance and implicitness of the existence of things, the book analyzes the retrospective and historical perspectives, non-textual and textual media, bottom-up and top-down concepts, special and general considerations, and different paths of art and science in the novel. It presents the dynamic development of the characters and the complexity of their inner world in the social and historical context at that time, revealing Buck's postmodern stance to challenge cultural stereotypes and conventions, emphasizing exploration under tension and inclusive and open dialogue.

Guo Moruo was a famous Chinese writer, revolutionary and important national leader in the 20th century. However, in recent years, the understanding of Guo Moruo in academic circles and among the public has been skewed, and Guo Moruo has been portrayed as a "two-faced man" and a "little grasshopper". Many remarks are based on untrue words. This book conducts an in-depth analysis of various "rumors" and "slanders" about Guo Moruo's literary creation, academic research and other issues over a period of time, and clarifies the untrue words that have been placed on Guo Moruo. At the same time, it analyzes the causes of several major "rumors" and "slanders", restores the true colors of historical events, and presents readers with different aspects of the life of a celebrity who adhered to Marxist ideals and made great contributions to the Chinese revolution.

This book studies the transformation of old and new ci studies. It can be said to be the first monograph in the field of ci study to explore the changes between ancient and modern times and the transformation between old and new. From the perspective of aristocratic families, societies and universities, the book collects and excavates historical materials as much as possible, pays attention to repeated original details, and strives to return to the historical scene to discuss the transformation of Ci studies, including in-depth discussions on Ci studies ideas and Ci study methods, and an appropriate interpretation of the Ci works involved.

This book starts with literary works and film cases, and attempts to discuss the fluidity of the socialist literary and artistic field configuration and the hybrid nature of the literary and artistic ecological structure in the 1950s and 1960s. On the one hand, this book provides a historical perspective on the in-depth participation and long-term influence of various literary and artistic forces in the construction of the literary and artistic field; on the other hand, it also places the construction of socialist literary and artistic identity in a broader world pattern for understanding and reflection. Those elusive ideal literary and artistic forms that need to be achieved, those abstract, contradictory, and unpredictable discourse operating mechanisms may gradually emerge from this.

The Liu family in Pengcheng in the Southern Dynasties was one of the literary families that produced the most writers and had the greatest influence in the Southern Dynasties. "There were seventy brothers and nephews at that time, and they were all capable of writing, which was unprecedented in modern times" ("Liang Shu Biography of Liu Xiaochuo"). The Liu family was an important promoter of the development and changes of literature in the Southern Dynasties. Its family literature can be said to be a microcosm of the entire literary history of the Southern Dynasties. It completely reflects the evolution trajectory from Yuanjia literature to Yongming literature to Liang-Chen literature, connecting the Wei and Jin Dynasties to the Sui and Tang Dynasties. This book systematically explains the literary achievements of the Liu family, especially the Liu family's creative genres, creative techniques and creative characteristics.

"Chang'an Academic" is a comprehensive journal on Chinese language and literature research, serving the construction and development of Chinese language and literature disciplines. The content included in the collection involves the content of secondary disciplines under the first-level discipline of Chinese language and literature, including language studies, literary studies (ancient literature, modern and contemporary literature, literary theory and foreign literature, etc.), Philology, etc., In addition to book reviews and other content. The book mainly publishes the latest research results in various disciplines such as Chinese language and literature, aiming to strengthen academic exchanges, display cutting-edge results, and promote the development of Chinese language and literature research.

This book selects about 400 illustrations from early Western translations of Chinese classical novels from the 18th century to the early 20th century, compiles them into a volume, and photocopies them for publication. It is a special collection of documents focusing on the illustrations of Western translations of Chinese classical novels. Spanish translations of Chinese classical novels are an important medium for Western readers to understand Chinese novels and Chinese culture. The illustrations, like the annotations, play an important role in helping readers understand. From the quasi-woodcut-style illustrations in the 1761 English translation of Passy's "The Legend of Haoqiu" to the exquisite novel illustrations printed with lithography technology in the late 19th century, illustrations in Western translations of Chinese novels have experienced long-term development, promoting the spread of Chinese classical novels in the West, and they themselves also form a part of Western Sinology research.

This book takes Fu Yingren, a Manchu folk storyteller, as the research object. It integrates the texts told by him and other scattered materials (including interviews and memoirs of scholars) to construct the academic history of "Thousand Storytellers". The book is divided into two parts. The first part conducts detailed archival research on the myths, stories, Manchu legends and other text materials told by Fu Yingren, and discusses the process of Fu Yingren as the narrator in a specific historical period, and the process of discovering, recording, and organizing his texts, as well as As a writer, he played an important role in Manchu folk culture; the following part is the current relatively complete and comprehensive research result of "Donghaiwo Collection". The author focuses on the text, variations, inheritors and related religious and folk customs of "Donghaiwo Collection".

This book clarifies the process and stage characteristics of the spread of Haruki Murakami's novels in China, describes the main themes in Haruki Murakami's novels, analyzes the economic and cultural context of the spread of Haruki Murakami's novels in China, and then points out why Haruki Murakami is popular in China and set off "village fever". The book classifies and briefly introduces Murakami's works, and then analyzes Murakami's consumption needs and consumption paths based on the way Murakami's audience obtains information and views on Murakami. It also points out that the Chinese media's promotion of Murakami's historical views is one of the important reasons for his popularity in China.

Yasushi Inoue is the leader of the Japanese literary world after Kawabata Yasunari, and he was also a popular candidate for the Nobel Prize in Literature. His novels with Chinese themes such as "Dunhuang", "Lolan" and "Tian Ping Zhi Zhi" are very popular. Inoue Yasushi's youth coincided with the rampant Japanese militarism. He wrote his personal destiny and the pulse of the times into his poems, but he always insisted that poetry should not serve politics. Junichi Miyazaki used empirical research methods to trace the life trajectory of Yasushi Inoue when he was young, analyzed poems with important node significance, and clarified the origin of the two characteristics of Inoue's literature, the prose nature and the perspective of bystanders, which provided a useful perspective for re-evaluating Yasushi Inoue's literary status.

This book is a monograph that studies the literary thoughts of Lu Wenfu, a famous modern and contemporary Chinese writer. It is divided into three parts: upper, middle and lower parts. The first part discusses Lu Wenfu's literary literacy and dual perspective, specifically discusses the impact of personal experience and work environment on the formation of dual perspective, as well as the connotation analysis and creative research value of dual perspective. The middle section discusses the creative process of dual perspectives in four stages, including the "seeker" stage, "taking off in suffering", "the world in dreams", and "seeing the way to go". The second part discusses the construction of realist literature and novel aesthetics, focusing on the analysis of the relationship between dual perspectives and novel aesthetics, the ideological significance, theoretical connotation and textual expression of "thinking for readers", and then analyzes the contribution of Lu Wenfu's creation to the realist literary tradition, as well as to the development of Suzhou literature and local culture.