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"Sven" is a large-scale academic journal with the research object of ancient Chinese prose planned to be co-founded by the Institute of Ancient Literature of the School of Liberal Arts of Beijing Normal University and the Ancient Chinese Prose Society. This book is the eighth volume and is divided into seven columns: "Special Articles", "Stylistic Research", "Big Perspective", "Literary Thought Research", "Ideological History Research", and "Prose Research Literature Review". From the perspective of ancient literary ecology, it distinguishes the thought of name and reality from medieval stylistics and textual theory, the historical view of literary culture, stylistic research, and stylistics. Research, "Grand Unification" from the political perspective and "Grand Unification" from the cultural perspective, in-depth thinking on the classic investigation of "Chen Yan", Su Shi and Buddhism, and the systematic compilation of overseas Sinology documents, greatly expand and enrich the research horizons and paradigms of ancient prose, and improve the level of ancient prose research. It is worth reading.

Gao Xizeng (1921-1980), courtesy name Yinfu, was born in Shaoxing and was born into a scholarly family in Beijing. He studied in the Chinese Department of Fu Jen Catholic University in Peking, where he studied under Sun He, Gu Sui, Zhao Wanli and others. He taught at Tsinghua University, Hebei University and other schools, and has profound attainments in ancient Chinese literature, editions, and bibliography. This book selects 23 academic papers by Mr. Gao Xizeng and organizes them into five parts: Poetry, Ci, Music, Novels and Miscellaneous Essays. Some have been published publicly, some are lecture notes given during the year, and some are compiled from manuscripts. The main works of writers analyzed include Du Fu, Liu Yong, Su Shi, Xin Qiji, Li Qingzhao, "The Book of Songs", "The Injustice of Dou E", "Wangjiang Pavilion", "Journey to the West", etc. There are also many postscripts and miscellaneous talks.

This book is a phased result of the National Social Science Foundation's major project "Compilation and Research of the Multi-Volume Chronicle of Modern and Contemporary Chinese Old Style Poetry and Database Construction" (18ZDA263). This book explores the basic issues in the creation and research of modern Chinese old-style poetry in the past century from the perspective of the old-new debate. Although it is directly related to the dispute between the old and the new in the cultural sense, returning to the literary and stylistic sense to explore the dispute between the old and the new is the starting point of this book. In the academic order of century-old Chinese literature centered on New Literature, national traditional old-style literature, including old-style poetry, has long been ignored or devalued. However, in fact, although the century-old Chinese traditional poetry has gone through many battles between the old and the new, such as the May Fourth period, the Anti-Japanese War, etc., It still tenaciously continues the modern lifeline of the long Chinese classical poetry tradition. Compared with the century-old Chinese new poetry creation, the century-old Chinese old-style poetry creation has not only achieved comparable historical achievements as a whole, but in specific historical periods, it may be slightly less popular, or keep pace with it, or even be even more popular. The stylistic destiny of century-old Chinese poetry is related to the current literary education system and media communication methods. There is a voluminous collection of modern Chinese old-style poetry documents. With the large-scale excavation and compilation of century-old old-style documents in the new century, the other side of modern Chinese literary history is increasingly revealed like an iceberg under the sea. Only by breaking through the existing academic mindset of binary opposition between old and new can we objectively explore the creative achievements of old-style poetry by different groups of poets in specific historical periods in the past century, thereby vigorously promoting the canonization process of modern Chinese old-style poetry and welcoming the stylistic renaissance of Chinese poetry tradition in the new century.

"Chang'an Academic" is a comprehensive journal on Chinese language and literature research, serving the construction and development of Chinese language and literature disciplines. The content included in the collection involves the content of secondary disciplines under the first-level discipline of Chinese language and literature, including language studies, literary studies (ancient literature, modern and contemporary literature, literary theory and foreign literature, etc.), Philology, etc., In addition to book reviews and other content. The book mainly publishes the latest research results in various disciplines such as Chinese language and literature, aiming to strengthen academic exchanges, display cutting-edge results, and promote the development of Chinese language and literature research. This book is the 17th volume and is divided into five columns: "Ancient Literature", "Modern and Contemporary Literature", "Cultural Communication", "Translations" and "Book Reviews".

"Chinese Poetry Research" is an academic journal sponsored by the Chinese Poetry Research Center of Capital Normal University, covering the study of poetry at home and abroad in ancient and modern times. The columns include research on ancient Chinese poetry, research on modern and contemporary Chinese poetry, research on Chinese poetry theory, research on Chinese ethnic minority poetry, research on contemporary overseas Chinese poetry, research on Chinese and Western comparative poetry, research on the history of poetics and poetic literature, and youth forums. It has a good reputation in academic circles at home and abroad and is an important reference book for poetry lovers and teachers and students.

This book is divided into two parts. The first two chapters sort out the edition situation of Zeng Gong's poetry collections, and analyze the collection and circulation process of Zeng Gong's poetry collections in the Song, Yuan, Ming and Qing dynasties, as well as the edition situations of "Mr. Zeng Nanfeng's Essence of Literature", "Mr. Nanfeng Zeng Zigu's Collection" and "Yuanfeng's Class Drafts"; the next four chapters examine the more important issues in the study of Zeng Gong's literature. The third chapter examines the formation of Zeng Gong's literary thoughts from the perspective of his more important friendships; the fourth chapter explores the specific manifestation of "Tao" as the core category of Zeng Gong's literature; the fifth chapter analyzes Zeng Gong's articles on how to accumulate knowledge and talents, and learn from the classics and examples; the sixth chapter focuses on Zeng Gong's poetry, and explores his scholar's mentality by interpreting the propositions of "Poor People's Words" and temple-themed poems.

This book aims to start from the perspective of stylistics, widely absorb the results of stylistics research at home and abroad in ancient and modern times, and conduct a research on the parallel prose of the Six Dynasties that combines historical description and theoretical discussion. It strives to carefully examine the specific parallelization process and artistic gains and losses of various literary styles in the Six Dynasties period from a macro perspective of overall grasp. And an overall investigation of literary criticism and cultural thought; it draws on and absorbs the research results of linguistics and phonology, and combines the knowledge of famous parallel prose masters in the Six Dynasties with the study of the stylistic characteristics of parallel prose, in order to provide a new perspective for a deep understanding of the internal laws of the development of parallel prose in the Six Dynasties and its stylistic functions.

"Chinese Poetry Research" is an academic journal sponsored by the Chinese Poetry Research Center of Capital Normal University, covering the study of poetry at home and abroad in ancient and modern times. The columns include research on ancient Chinese poetry, research on modern and contemporary Chinese poetry, research on Chinese poetry theory, research on Chinese ethnic minority poetry, research on contemporary overseas Chinese poetry, research on Chinese and Western comparative poetry, research on the history of poetics and poetic literature, and youth forums. It has a good reputation in academic circles at home and abroad and is an important reference book for poetry lovers and teachers and students.

"Research on Tang Dynasty Literature" is the journal of the Chinese Tang Dynasty Literature Society, a national first-level society, and is co-sponsored by the China Tang Dynasty Literature Society and the School of Literature of Northwest University. This journal mainly publishes academic papers on the study of literature in the Tang Dynasty, covering the study of literary creation and writers in the Tang Dynasty (in addition to the overall comprehensive study, including research on various types of literature and writers such as poems, poems, poems, prose, parallel prose, novels, and popular literature), research on literary documents and historical materials of the Tang Dynasty, research on literary theory and criticism of the Tang Dynasty, interdisciplinary research between Tang Dynasty literature and other disciplines, research on the reception and dissemination history of Tang Dynasty literature, research on Tang Dynasty literature and documents outside the country, etc.

Fantasy literature is a popular literature that emerged in Europe and the United States in the 19th and 20th centuries. It entered China with the tide of informatization and networking at the beginning of the 21st century, and has gradually become a core resource supporting content production in the fields of online novels, animations and games in my country. This book provides an in-depth analysis of classic cases of European and American fantasy literature such as the "Lord of the Rings" series, the "Dragonlance" series and the "Baldur's Gate" series, and creatively proposes an interdisciplinary analytical framework for the study of fantasy literature's chronotope. It explores the multiple meanings of the story world in content creation and cultural production, and the production mechanism of fantasy literature's worldview, multiple discourses, genres and text systems, providing reference for the creation, production and management of Chinese fantasy literature, online literature and content industries.

"Chinese Poetry Research" is a large-scale academic series founded by the Chinese Poetry Research Center of Capital Normal University. The content covers the study of poetry at home and abroad in ancient and modern times. Since the first issue, it has successively set up columns such as research on ancient Chinese poetry, research on modern and contemporary Chinese poetry, research on Chinese poetry theory, research on Chinese ethnic minority poetry, research on contemporary overseas Chinese poetry, research on Chinese and Western comparative poetry, research on the history of poetry and poetic literature, and youth forums. Among them, the history of poetry, research on poetic literature, and youth forum are featured columns. The former focuses on the summary and organization of academic history and poetics documents, including genealogical results that are extremely valuable but difficult to include in other publications. The latter mainly focuses on the important research results of young scholars and actively supports the growth of the industry. It has a good reputation in academic circles at home and abroad.

"Chinese Literature Research Papers" is a collection of papers sponsored by the School of Chinese Language and Literature of Southwest University for Nationalities. It covers ancient Chinese literature, modern and contemporary Chinese literature, philology, literature and art, comparative literature and other disciplines. It contains a total of 23 papers. It advocates adhering to scientific and constructive principles and encouraging academic innovation under the guidance of Marxist ideas.

This book takes the literary translation thoughts of Australian sinologist Professor Du Boni as its main research object. Du Boni is an internationally renowned researcher, translator and translation theorist of modern and contemporary Chinese literature. Her research covers the entire modern and contemporary Chinese literature, integrating research, translation and teaching. She has made important contributions to the spread of Chinese literature and culture overseas, and has contributed greatly to the improvement of the international influence of Chinese literature and the improvement of cultural soft power. By sorting out, summarizing, theoretically elucidating and practicing verifying Du Boni's literary translation thoughts, the book builds Du Boni's complete translation thought system, presents the full picture of Du Boni's translation thoughts, and further enriches the existing translation research on Du Boni.

The tentative title of this book is "Special Lectures on Ancient Chinese Literary Theory". It is a reading book on ancient Chinese literary theory for undergraduates majoring in Chinese. The focus of this book is mainly reflected in the following two aspects. First, it conducts thematic analysis around the core topics of ancient literary theory, transforms its own research results, and actively absorbs recent academic results. While being academic, it allows students (readers) to understand relevant research trends and deepen their understanding of traditional literary theory. The second is to effectively integrate the sorting out of literary theory themes and the reading of literary theory works. The selection of literary theory focuses more on the annotation of the works but less on the sorting out of theoretical ideas, while the history of literary theory focuses more on the sorting out of theoretical ideas but less on the in-depth interpretation of the works. This book integrates the analysis of classic works into the corresponding thematic context. The focus of reading literary theory works is not on the interpretation of words, but on examining the discourse composition and flow of meaning of literary theory works, that is, solving the problem of "why the author wrote this way", and then indicating a method of close reading of texts. The following is a tentative table of contents. Only part of it is currently completed, and one or two more chapters may be added later.

The study of "poetry can be grouped" in this book takes Confucius's poetic thoughts as the core, but it is not limited to Confucius's exposition. It traces the origins and traces, and takes the tradition of poetry communication as the object of investigation. From the ritual and music poetry activities of the pre-Qin Dynasty to the poetry communication activities after the Wei and Jin Dynasties, it explores the specific connotation of the poetry communication tradition in each era and its logical evolution relationship, and reveals the rules of its evolution.

This journal is the first volume of the Chinese literature research paper abstract series. It has five columns: "Ancient Chinese Literature and Philology," "Literary Studies," "Chinese Modern and Contemporary Literature," "Comparative Literature and World Literature," and "Linguistics." It reprints and recommends outstanding papers in the field of Chinese literature research since 2020 in the form of "academic abstracts" and "argument excerpts", and uses "host words" written by column experts as a review and introduction. The selected papers undergo preliminary review by the column team, review by the editor-in-chief, and external review by peer experts. We strive to be less complex and more eloquent among the rich annual academic achievements, and to select the most problem-conscious and original ideas for inclusion in one publication, showing the latest developments and development directions of Chinese literary research.

This book is one of the second series of the "Chapterology Research Series of the College of Liberal Arts of Henan University" and "The Collection of Famous Poetry Masters of Henan University during the Republic of China". Yang Yilin (1909-1995), whose real name is Yucang, was born in Xiaogu, Qianwei, Sichuan. He once studied at Peking University, was inspired by Zhang Taiyan, and later studied ci under Shao Ruipeng. In 1931, Shao Ruipeng went to Henan University to serve as the director of the Chinese Language Department. Yang Yilin followed him and entered Henan University to continue studying Ci. In addition, he also participated in the singing and singing activities of the teacher-student Ci club organized by Shao Ruipeng, and his singing and lyrics were compiled into "The Remaining Sound of Mountain Birds". After Shao Ruipeng died in Kaifeng, Yang Yilin returned to Sichuan to engage in politics, and then faded out of the field of Ci study. This book is the first work that comprehensively collects and organizes the literature on Yang Yilin's Ci, including "The Rules of Zhou Ci", "Ci Model", "Yang Yilin's Ci", "Collation of Ziyang Zhenren's Ci" and "Miscellaneous Notes on Reading Ci". Among them, "Zhou Ci Dinglu" is the first Ci notation work in the history of Chinese Ci that includes both four-tone notation and flat and oblique notation. The compilation and publication of this book hopes to help Ci researchers gain an in-depth understanding of the academic achievements of Ci scholar Yang Yilin, and to promote the further development of Ci rhythm studies, Ci selection studies, Taoist research and other fields.

This book mainly includes three parts. Research on the themes in Turgenev's novels: the theme of contradiction between ideals and reality, the theme of the relationship between love and obligation, and the theme of social change; analysis of the romantic features in Turgenev's creations: poetic scene descriptions, sincere and profound subjective lyricism, legendary character plots; the poetic expression of Turgenev's world view (philosophical outlook, outlook on life, and outlook on love).

This book selects dream fragments from Chekhov's novels and conducts an in-depth analysis of them to integrate and analyze the use of words in the language of this famous Russian short story writer, including writing techniques and writing creativity. The content includes an explanation of the Russian entries and word combinations related to "dreams" in Chekhov's novels; the types and analysis of the description of the characters' dreams in Chekhov's novels, and exploring how Chekhov can reflect the relationship between real characters in the dreams of the novel; and distinguishing reality from fiction from the narration of the characters' dreams in Chekhov's novels.

"Frontiers of Literary Theory" (biannual) was founded in 2004. As the journal of the Chinese and Foreign Literary Theory Society and the only Chinese publication of the International Society of Literary Theory, it is currently one of the largest circulation journals in the humanities and social sciences in my country. This book is the 24th volume. It has three columns: "Exploration of Frontier Theoretical Trends", "Marxism and World Literature Research" and "Diaspora and Postcolonial Criticism", with a total of nine articles. These articles stand at the forefront of international literary theory and cultural studies, conduct in-depth research on hot topics of widespread concern in today's academic circles, and provide new interpretations.

This book provides a platform for the textual research of Chinese popular literature. The book takes the study of ancient operas and popular literature as its main object, features empirical research, attaches great importance to the discovery and utilization of first-hand documentary materials, and emphasizes the investigation, cataloging, and textual research of basic literature. It especially emphasizes the research of textual research on literature and materials, that is, it focuses on author research, important event research, edition literature research, collection of catalogs for collectors at home and abroad, research on rare documents, and collection and interpretation of new literature materials. Opera, popular literature, literature, and empirical evidence are the key words that distinguish this book from other similar publications.

Lessing began her writing in 1950. Her writing on identity not only reflects the characteristics of the times in identity writing in literature, such as the writing of inter-identity and the recognition of the constructive nature of identity discourse; it also pays full attention to hot issues in the context of the times: such as post-colonial identity construction, female identity politics, and marginalized identity writing, etc. As for Lessing's basic strategies for writing identity, she also brings the theoretical awareness of modern and postmodern literature's exploration of forms, such as the strategic significance of spatial narrative, body narrative, and narrative means for identity writing. This book chooses to explore Lessing's literary creation from the perspective of identity writing.

"Sven" is a large-scale academic journal with the research object of ancient Chinese prose planned to be co-founded by the Institute of Ancient Literature of the School of Liberal Arts of Beijing Normal University and the Ancient Chinese Prose Society. This book is the seventh volume, focusing on the latest scientific research results in the field of ancient Chinese prose research, ancient Chinese prose stylistic research, literary thought research, such as the collection and arrangement of new materials on ancient prose, exploration of new methods for ancient prose research, comments and praise of new treatises on ancient Chinese prose research, in order to build a platform for ancient Chinese prose research, and communicate practical experience in theories and methods in ancient Chinese prose research.

This book provides a platform for the textual research of Chinese popular literature. The book takes the study of ancient operas and popular literature as its main object, features empirical research, attaches great importance to the discovery and utilization of first-hand documentary materials, and emphasizes the investigation, cataloging, and textual research of basic literature. It especially emphasizes the research of textual research on literature and materials, that is, it focuses on author research, important event research, edition literature research, collection of catalogs for collectors at home and abroad, research on rare documents, and collection and interpretation of new literature materials. Opera, popular literature, literature, and empirical evidence are the key words that distinguish this book from other similar publications.

This book mainly studies the theoretical texts and creative texts of pure literature to sort out the origins and changes in meaning of modern Chinese pure literature and its variants, forming a re-understanding of the creation of modern Chinese literature; by examining the specific manifestations of modern writers' pure literature practices, it forms a confirmation of the value of pure literature, and provides historical clues for the debate on pure literature in the field of contemporary literature; by studying the evolution of pure literature trends in modern China, it summarizes the experiences and lessons of modern pure literature creation in China, and enriches the understanding of the diverse development paths of modern Chinese literature.

"Chinese Poetry Research" is an academic journal sponsored by the Chinese Poetry Research Center of Capital Normal University, covering the study of poetry at home and abroad in ancient and modern times. The columns include research on ancient Chinese poetry, research on modern and contemporary Chinese poetry, research on Chinese poetry theory, research on Chinese ethnic minority poetry, research on contemporary overseas Chinese poetry, research on Chinese and Western comparative poetry, research on the history of poetics and poetic literature, and youth forums. It has a good reputation in academic circles at home and abroad and is an important reference book for poetry lovers and teachers and students.

This book discusses the stylistic theory and related issues of the Han, Wei and Six Dynasties. The content involves the role of book classification and regulations on the development of literary styles; the stylistic theories of Cao Pi, Lu Ji, Liu Xie and others; the combing and necessary examination of the origins, changes and functions of various literary styles such as poetry, fu and Sao; based on the stylistic classification of "Selected Works", the characteristics of various styles are analyzed and the stylistic concepts of the selected writers are revealed; the potential system of ancient stylistic theory is explored from several aspects such as talent identification, style identification, imitation and innovation; etc.

The author takes Rozanov's literary criticism in the Russian Silver Age as the research object, and studies Rozanov's criticism of Pushkin, Gogol, Dostoyevsky, Tolstoy and other classic Russian writers, as well as 19th-century Russia's Belinsky, Chernyshevsky, Dobrolyubov, G. The literary criticism of Ligoriev and other critics reveals the specific views and main ideas in Luo's literary criticism, explains the reflection and reflection of these ideas in his literary criticism practice, and explores the deep philosophical connotation and unique artistic personality contained in his critical texts. In addition, the author also explores the trajectory of Rozanov's continuous search and exploration in the field of literary criticism and the path beyond previous thoughts in Rozanov's complicated and even contradictory literary views, trying to solve the mystery of Rozanov in the field of Russian literary criticism in the late 19th and early 20th centuries.

This volume explores the characteristics and patterns of the development and evolution of Australian novels, poetry and drama since the 1970s. It adopts synchronic research methods and focuses on "Australian literature from a multicultural perspective", "Questioning Australian identity in multiple historical and cultural memories", "Deconstructing and constructing Australian identity in multicultural social relations", "Reflecting on the Australian-style relationship between man and nature in a multi-dimensional ecological relationship", "In the transnational The five special topics "Revealing the New World in National Borders and Cross-Cultural Writing" take Australia's Miles Franklin Award-winning works as the research object, analyze, interpret and interpret the aesthetic value contained in literary works, reveal the complex ethnic relations, internal and external cultural relations in Australia's multicultural values ​​and the direction of literary creation, which is of great reference value for deeply understanding and grasping Australia's hybrid multicultural characteristics that are neither one nor the other.

This volume studies the characteristics and patterns of the development and evolution of Australian novels, poems and dramas since the 1970s. It adopts synchronic research methods and focuses on "Australian literature from a multicultural perspective", "Questioning Australian identity in multiple historical and cultural memories", "Deconstructing and constructing Australian identity in multicultural social relations", "Reflecting on the Australian-style relationship between man and nature in a multi-dimensional ecological relationship", "In the transnational The five special topics "Revealing the New World in National Borders and Cross-Cultural Writing" take Australia's Miles Franklin Award-winning works as the research object, analyze, interpret and interpret the aesthetic value contained in literary works, reveal the complex ethnic relations, internal and external cultural relations in Australia's multicultural values ​​and the direction of literary creation, which is of great reference value for deeply understanding and grasping Australia's hybrid multicultural characteristics that are neither one nor the other.

This volume mainly studies the overall characteristics of the development of New Zealand literature since the 1970s and the aesthetic value of representative works. First, from a macro perspective, it explores the uniqueness and diversity of New Zealand society as it moves from duality to pluralism; then it starts from the meso level, discussing the important achievements in literary book production and the three major genres of novels, poetry, and drama; finally, this volume focuses on the micro level - selecting 19 unique representative writers and their works, using a combination of theme classification interpretation and multi-dimensional interpretation of artistic styles to reflect on New Zealand's diverse history, reflect New Zealand's diverse social reality, and show the new style of literature in the era of globalization. The study found that New Zealand literature in the 21st century is actively integrating into the trend of globalization with an inclusive, mixed, diverse and open attitude from a higher starting point.

This volume mainly starts from the problems faced by pluralism, from the perspective of the diversity and complexity of human civilization, and uses a combination of macro and micro methods to comprehensively discuss the historical context and evolution rules of the origin and spread of pluralism, the multiple patterns and interactive relationships in Oceania, and reveal the historical motivations of the multiple generation mechanism in Oceania. By analyzing the cases of diverse practices in Australia, New Zealand and South Pacific island countries, it highlights the complexity and diversity of the intertwined shields in a pluralistic society. Based on the practical challenges and dilemmas of the intricate relationship between China and Oceania, we propose paths and strategies for civilization and differences, and advocate mutual learning, so as to promote the development of exchanges and cooperation between China and Oceania.

For the first time, this book systematically, solidly and meticulously sorts out the classical Chinese translation of the Zhou brothers; using a large number of Japanese materials from the Meiji period, it unearths several lost translations of the Zhou brothers and examines the Japanese blueprints of several creations. Based on an in-depth study of the classical Chinese translation of the Zhou brothers, a large number of commonly accepted errors in the early translation thoughts and practices of the Zhou brothers have been corrected.

Tagore's thoughts and creations are an important part of the excellent spiritual culture of mankind. This book sorts out and explores various aspects of Tagore's influence on Chinese literature in the 20th century in a cross-cultural context: the ways in which Tagore influenced Chinese literature, the scope and degree of influence, the cultural landscape of conflict and integration during the influence, the characteristics of influence, and the personalized acceptance of Tagore by Chinese writers, etc.

The borderless requisition of Bakhtin's theory in academia has become a common phenomenon. In Bakhtin's conceptual field, the words "polyphony", "dialogue", "carnivalization", "polyphony" and "exotopy" have their own original contexts. Enter the historical scenes and cultural backgrounds in which these discourses were generated and developed, and explore the multiple connotations of these discourses that may seem easy to understand but actually contain rich connotations.

This book is the final result of a project funded by the National Social Science Fund. "The rise and fall of Ziji" is a summary of the transformation of private academic writings from Zishu to collected works in the history of medieval academic history, and includes many academic assertions made by later scholars that Zishu and collected works are consistent in the nature and style of writing.

This book is a research result on the exploration of drama screenwriting theory and techniques. It is currently the only work in the drama circle that integrates screenwriting theory and screenwriting creation. It mainly studies the internal theoretical laws of classic drama works, and summarizes creative techniques on how to make the works more dramatic by analyzing active drama works on the stage. The content includes the selection and exploration of dramatic works, dramatic situations, dramatic conflicts, dramatic actions, dramatic plots, dramatic suspense, dramatic structures, dramatic characters, dramatic language and dramatic scenes. It reflects the internal laws of drama and features the analysis of stage plays that have been active in recent years. Only plays that can be active on the stage for a long time are viable, more in line with the laws of artistic creation, and have reference value for current drama screenwriters. By analyzing the screenwriting rules and techniques of classic drama works, it is of great significance to future drama screenwriters in script creation. At the same time, it can help more screenwriters lay and improve a more solid theoretical foundation, filling the gap in the combination of theory and practice.

Typical events in the history of Hunan poetry mainly involve research topics such as the development of poetry history, poetry school activities, literati singing, and picture chanting. The content of this book mainly discusses and studies the connection between four types of events: social events, natural disaster events, cultural events, and official events, and literary groups and literary works. Such events are rich in literary and social energy, forming tension and motivation. Events have an impact on the creative tendencies of literati, and literati also need to use events to form a force that intervenes in history and promotes history, showing their special role. This book combines certain extension, enrichment and innovation of research perspectives and methods, which helps to understand and enrich the connotation of Huxiang culture, and thereby better understand and spread regional culture. At the same time, it has made certain contributions to promoting the study of Qing Dynasty literature, discovering the essence of ancient literature, and carrying forward the excellent national cultural traditions.

N. Strakhov was a thinker and political commentator who had a profound influence on Russian literature in the 19th century. His interpretation of Pushkin, Turgenev, Herzen, Dostoyevsky, Tolstoy and others greatly influenced later generations' evaluation of these classic writers.

This book is a work on the study of Chinese literary communication. From the perspective of Chinese cultural self-confidence, this study takes Grant Haowen's translation of Mo Yan's novels as a case study. Firstly, it analyzes the current research status of Grantham's English translation of Mo Yan's novels, expounds the relationship between Chinese cultural confidence and translation research, analyzes Grantham's translation views, and then interprets Grantham's English translations such as "Red Sorghum", "Life and Death", and "Sandalwood Punishment" respectively, discusses the characteristics, translation strategies and techniques of English translation, and explores the Chinese cultural outlook of translator Ge Jiewen. Finally, it reveals the inspiration of Grantham's translation for Chinese literature to go global, and clarifies the future development direction of Chinese literary translation. This book can be read by lovers of related literature research and researchers in the communication of Chinese literature.

This book is a literary monograph, focusing on the women in Forster's works. It is a study of Forster's works and female thoughts. In line with the principle of knowing people and judging the world, this book introduces Forster's life, ideological concepts, creative characteristics, and characters, and conducts a comprehensive analysis of Forster. After that, women will be the focus of the study, and the women in his works are summarized into three major groups: arrogance and intolerance, awakening and growth, and new women. They respectively discuss the typical female images in the works and the author's intentions behind the female images. This book also discusses the significance of the portrayal of female groups in Forster's works, and is a useful reference for studying Forster's thoughts on women. This book has certain reference value for literature, feminist researchers and workers engaged in front-line teaching.

This book is a literary work. It uses detailed discussion and in-depth analysis to lead readers to appreciate the inner power of those talented writers in the field of literature. Through the interpretation and appreciation of these writers and their works, it aims to inspire readers' love and interest in Chinese literature, thereby deepening their sense of identity and pride in our national culture. "Tracing to the Origin: Themes and Art of Novel by Major Modern and Contemporary Writers" is an excellent work for appreciating the charm of modern and contemporary Chinese literature. It provides a window for literature lovers to understand modern and contemporary Chinese literature, allowing readers to contribute to the prosperity and development of Chinese literature while appreciating the brilliant achievements of these literary masters.

This book is an academic monograph. This book aims to explore the narrative structure and narrative space characteristics of Chinese and Japanese classical poetry, and comparatively analyze the commonalities and differences in the poetic traditions of the two countries. The book is divided into six chapters. The first chapter provides an overview of Chinese classical poetry and Japanese classical poetry, and introduces typical representatives of Chinese and Japanese classical poetry. Chapter 2 explores the correlation between poetry and narrative, explains the concept of narrative, and discusses the origin and development of Chinese and Japanese poetic narrative. The third chapter takes the Book of Songs as an example to analyze its narrative structure and narrative space, including agricultural poems, sacrificial poems, war poems, banquet poems, marriage and love poems, etc. The fourth chapter focuses on "Man'yoshu" and conducts an in-depth analysis of its narrative structure and narrative space. Chapter 5 compares the common features of narrative structure and narrative space in the Book of Songs and the Manyoshu, explores the reasons for the common features in the two works, and elaborates on their common features from two aspects: narrative structure and narrative space. Chapter 6 focuses on the differences in narrative structure and narrative space between the Book of Songs and the Manyoshu, analyzes the reasons for the differences, and compares the differences between the two works from the aspects of narrative structure and narrative space. Through an in-depth study of the narrative structure and narrative space of Chinese and Japanese classical poetry, this book reveals the cultural connotation of the poetry of the two countries, provides a new perspective for Sino-Japanese cultural exchanges, and aims to promote mutual learning and integration of the two countries' cultures.

This book is a study of Rachel Carson's ecological literary works. This book is based on Rachel Carson's ecological literary creation. It first provides an overview of ecological literature, then an overview of Rachel Carlin's life, and on this basis, an overview of her ecological literary works. Afterwards, the background of the formation of Rachel Carson's ecological thoughts was analyzed, and the ecological philosophical thoughts and narratives in her works were studied based on her works. Finally, the contemporary value of Rachel Carson's ecological literary works is explained. This book has informative theories and clear views, and is suitable for readers who are interested in Rachel Carson or ecological literature.

This book is a work on the study of Chinese marine literature. It consists of eight chapters: exploring the creation myth of the ocean in the pre-Qin period, exploring the ocean imagery in the Qin and Han Dynasties, the flourishing of ocean poetry in the Wei and Jin Dynasties, the romantic romance of the ocean in the Sui and Tang Dynasties, the diverse ocean sentiments in the voyages of the Song and Yuan Dynasties, the dawn of marine civilization in the Ming Dynasty on the way home, Awakening from a Dream: the afterglow of marine literature in the Qing Dynasty, and the soul of the blue ocean in the new wave of modern times. Based on the background of different historical periods in China, the development trajectory of marine literature in ancient and modern China is sorted out and studied, which has certain reference and reference significance for practitioners in the fields of marine literature and marine culture.

This book is a monograph on the inheritance and protection of folk literature. The book deeply discusses the definition, origin, characteristics, value and rich genres of folk literature, and deeply analyzes the ways and methods of creating, spreading, collecting and organizing folk literature. The book combines rich examples and in-depth theoretical analysis to guide readers to comprehensively understand and understand the communication channels and social influence of folk literature. With its comprehensive research perspective, in-depth theoretical elaboration, rich empirical cases and detailed operation guide, this book has important reference value for academic research, education and teaching, cultural protection and inheritance of folk literature. This book is suitable for scholars, educators, cultural preservers, and readers interested in folk literature.

In the history of Chinese and Western literature, literary retrogression has appeared repeatedly. For example, the restoration of poetry in the Tang Dynasty, the ancient prose movement of the Tang and Song Dynasties, and the restoration movement of the Seven Masters before and after the Ming Dynasty. In the West, it is the classicism of ancient Rome, the Renaissance, and the neoclassicism of the seventeenth century. Although there are many differences between literary phenomena in foreign lands and different times, they are surprisingly consistent on fundamental issues such as returning to classics and emphasizing rationality and norms. From an aesthetic perspective, this book conducts a comprehensive study of the poems of the Seven Sons of the Ming Dynasty, integrating literature, aesthetics, and culture, and attempts to explore a new research paradigm on ancient literature in the fields of literary theory and aesthetic research. This book has certain reading significance for teaching and researchers engaged in ancient literature, literature and art, aesthetics and other related disciplines.

This manuscript is a specialized research work on Jia Pingwa's literature. It mainly explores the connection between Jia Pingwa's creation and traditional Chinese culture from the following aspects: First, it explores the reflection of the traditional Confucian culture's active participation in the world in his creation, caring about the national economy and people's livelihood, and being full of worries. Second, the content of Jia Pingwa's works often contains ideological connotations such as compassion, optimism, and detachment. The ethereal and quiet aesthetic taste reveals the influence of Buddhist and Taoist thoughts. The third is to study the combination of realism and image construction, the dependence of virtuality and reality, and the inheritance of the artistic technique of using reality to depict virtuality. The fourth is to explore the reference and inheritance of the narrative art and stylistic aesthetics of his novels from ancient notes, legends, storybooks, and novels of the Ming and Qing Dynasties. The fifth is to explore the traditional origins of language art in his works. His language has gone from being fresh and beautiful in the early days to being quaint and concise, then to imitating the language of Ming and Qing novels starting from "The Wasted Capital", and then to pursuing the style of the Han Dynasty in the "With Lamp" period, always paying attention to exploring the expressive charm of ancient literary language, and pursuing new Chinese writing between tradition and modernity."

This book sorts out the transformation of emotional expression in modern Chinese love novels. This transformation not only reflects the influence of foreign literature, but also witnesses the continuation and transformation of Chinese literary tradition. In this process, Chinese writers and translators were not passive recipients of foreign influences and local traditions, but actively and creatively translated and borrowed literary traditions from different languages ​​and cultures, creating the diversity and heterogeneity of Chinese romance novel writing in the early 20th century. "Love in a Foreign Land: Translation and Writing of Modern Chinese Romance Novels" chooses to approach this topic from the perspective of intertextual translation theory, which is an effective theoretical framework for studying literary influence, literary relationships and emerging national literature. This perspective abandons the simple identification of literary influence, but instead explores the occurrence of "literary influence" in depth based on meticulous comparative reading of texts, exploring how cross-linguistic and cross-cultural text borrowing affects the ideographic and lyrical effects of works, thereby expanding the boundaries of traditional influence research.