From B-Movie Sets to the God of Tokyo Cinema

I'm also a fan of multi-female protagonist novels, but based on my experience reading many books, three to five female protagonists are enough to create discussion points, unique characteristics, and interesting aspects, rather than being all formulaic and rigid. If there are more than a dozen female protagonists, it's counterproductive and the book will fail miserably.

Why do these filmmakers always cite "Paranormal Activity" as an example when talking about low-budget films? Marketing costs aren't really costs, right? And if the profits were so high, why didn't it become a series?

The female lead is Keiko Kitagawa.

Finally, a female lead who isn't Akina Nakamori! Keep it up!

Bad review, the female lead isn't even as good as Yui Hatano.

Is making movies like this just about earning a salary or making investment money? Earning a salary isn't worth it.

They've already traveled back in time, and now they're creating a parallel world? Don't they have anything to copy from the future?

In Japan, where seniority is the system, seniority is important. To get a high starting point and a fast promotion, academic qualifications are essential. Even if you have exceptional talent and ability, you won't be able to get promoted if you're not old enough.

I just want to laugh whenever I see someone passionate about directing.

So beautiful