Literary Giant of the Korean Peninsula, 2008

In fact, if you write about literary giants, it is better to write about Chinese and Japanese. The literary works of the two countries are obvious to all, so you can copy them as you like. If you write about Korea, the heroine will feel that you should not write original ones, because people who watch Peninsula are all looking for those female idols. If you write original characters, you will be divorced.

The theme of this book is a literary hero, so it should focus on the career line, with the love line and daily life as embellishments, but the love line accounts for half of it. Even if you want to write about love, don't throw out three heroines and a bunch of female supporting characters at the beginning. Wouldn't it be better to gradually introduce each one one by one? The beginning is the most rhythmic part. Isn't this slowing down the rhythm? I'm not even following the update, but I read it continuously and couldn't finish it. Many times, I felt like my immersion was interrupted. Slow reading does not mean that the rhythm is dragging.

The heroine surnamed Gao and her family are likely to be the downfall of this book.

This book feels very real, and the exposure of many works really depends on timing and high-level coordination. The character description is also good, but it feels like too many beauties will take up less of the plot, but more readers will also like it very much.

Korean celebrities always feel like they come from an assembly line, and you can't even tell who is who.

Mid-Autumn Festival and good health~

Korean is so rubbish that no good articles can be written at all. Pakaka completely abolished Chinese, and Korean literature is in decline.

It's a rare Korean writer's article, but at the beginning, soul travel + rebirth + semi-empty screened out some readers

Kim Tae Hee

How can I thank Xi more than Wenchao? In addition, for the original heroine, wouldn't it be better to just use an idol or celebrity? Reader plates are bigger.