
Stranded on a Desert Island: How Did Spiritual Energy Make a Comeback?
人在荒岛,灵气怎么复苏了?
- Status
- Ongoing
- Length
- 873k Words
- Genre
- Sci-Fi
- Subgenre
- Evolution & Mutation
- Updated
- 3d ago
- English
- Request a translation
Synopsis
Stats
Honours
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Reader comments 147
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Watching the author go from a science fiction master to a writer of simplistic, amateurish fiction is, undeniably, a form of moral decay.
Is the author trapped on a desert island? Several books in a row are about desert islands... Unlike previous authors who sought novelty and variety in their themes!
The initial premise is a bit far-fetched; if I hadn't read the author's other books, I would have given up long ago.
A ship carrying over 6,000 people sank in the Pacific Ocean, leaving them all stranded on a deserted island. Even if rescue ships arrive in five days, with a signal, so many wealthy individuals, internet celebrities, and rich kids could easily assemble a drone fleet to drop supplies, or charter a plane for airdrops.
Recently, the main character has barely appeared in any scenes; the focus has been on the development of humanity on the island, and it's written in a very childish way. 😅
My understanding of the idealistic worldview of *Eternal Donkey* is this: a sheet of paper represents the material universe, an ink bottle represents the idealistic universe, and a drop of ink on the paper forms the worldview of a book. The *Mythical Age* and *Alternate Dimension Game* books are one drop of ink, the grind-heavy deserted island is another, the treasure-hunting Pangu Continent book…
The title and synopsis don't seem like a book at all. 😅 Is there a Shennong?
The protagonist's attribute is really awkward to look at.
You can either write Strength, Agility, Endurance, and Intelligence separately, or you can write that you unify physical attributes into one physical attribute and mental attributes into one spiritual attribute. What you've written now has the Constitution attribute covering Strength and Speed, and then you add a separate Agility attribute; it looks really awkward.
I haven't read this book yet. But judging from the title, it should be the same as the previous two. I feel that the author was able to write some ingenious settings in the early stages, as well as the feeling of the protagonist struggling to survive under tremendous pressure. However, towards the end, especially with the return to human civilization, it started to fall apart.
Could you please handle the romance scenes? Either include both main characters together. The protagonist is too pretentious, not as good as Lu Yiming. He's always playing hard to get, creating a lot of ambiguity.
This author really enjoys challenging their weaknesses. Can't they at least cut back on the parts they're not good at? If you can make a plot this weak, how many more days are you going to keep padding it out?