Mount & Blade: Starting My Own Knightly Order in Pendor and Becoming a Hegemon

Damn it, I highly recommend it🥲🥲🥲. When the new book issue is over, I'll be posting more! ! Fuck, no matter if anyone reads it or not, let's complete it to 500,000 words first! ! ! If you don't make any money from Yuewen, you won't make it in vain. You've already signed a contract, so let's spend a few thousand yuan on it first and then work hard! ! ! (╯°Д°)╯

It feels like the author has a lot on his mind, but when he writes it down, it seems unsatisfactory, often giving people the impression of being very deliberate and using too much force. For example: in Chapter 188, the plot of giving a lot of copper coins to the boy delivering firewood. Silin is a kind person, but she is also in charge of the team's logistics affairs. She just gave the boy a few more copper coins because he was pitiful. Why should she give him so many? Or couldn't you just give him a few pieces of stew? As the saying goes, "Compassion does not control soldiers, justice does not control wealth." The team's property management is the top priority. Slin's original character creation is "stingy and careless", which is quite consistent with this incident. However, this plot of spending hundreds of "coins" "destroyed" the previous "creation" of Slin's character. The "public property" that Silin is in charge of is the team's property, not her own. Its management should be a top priority, and every income and expenditure should be calculated carefully. If she gives a few hundred copper coins today and a few hundred copper coins tomorrow, isn't that a huge waste of the team's assets? It's not that I'm on the line, but the creation of characters and the development of the plot should be consistent with its internal logic, should be appropriately detailed, and should be coherent. The biggest problem for the author is what I said at the beginning: in many places, too much force is used, and it is very deliberate. , I spent a lot of space to describe something that shouldn't have been described in so many words, but my writing power was limited and I couldn't express what I wanted to express. As a result, the things I wrote were superficial and boring, which was a waste of words and made people very irritated. I suggest that the author should not always think about "fancy work" and "new ideas", but be honest, down-to-earth, and write the main characters and supporting characters well. Don't waste writing energy on those "unimportant" places. Speed ​​up the pace and write the main line well.

Calculate the rations for 3,000 off-duty soldiers for two months 2,000 thieves and 1,000 regular soldiers plus protagonists According to the level of medieval soldiers, a person needs a minimum of 3,000 kilocalories a day, and one kilogram of rye provides 3,200-3,400 kilocalories. One kilogram per person per day. 3,000 people will eat about 3 tons of food a day (not counting the knights' horses, auxiliaries and urban population). That's 180 tons of rye in two months! 180000Kg! A medium-sized village with 40 households (Duanpo Village), 400 acres of arable land, strictly follows the two-plantation system of the early and mid-Middle Ages and a seed-to-production ratio of 1 to 3.5-4.2 (The historical background of riding cutting is the early Middle Ages) One acre of land 150-280 kilograms plus 125-200 acres in the two-bed system equals 1.8-5.6 Tons 40 farmers (3 people per household, no serfs, 2,000 calories a day) eat 2.8 Tons of grain in a year After leaving the seeds, there will be nothing left. 5.6-2.8=2.8 2.8-1.3=1.5 1.3X4.2=5.46 (Good year) 1.8-2.8=-1 (Disaster year) If the thieves rely on Tu Village to obtain food. That is, 120 tons of grain must be produced from 60-24 villages. Otherwise, these 2,000 thieves will have nothing to eat. On the other hand, the rations for 1,000 regular troops are 60 tons, and all the surplus must be collected from about 40 villages. It can be roughly calculated that the count has nearly 10,000 yeomen under his command. Farmers Then the problem comes, the regular army expropriated 30% of the land The thieves killed the villagers and got the remaining 60% The earl territory was turned into a white field, there is no one inside, it is even worse than Yi However, a battle that killed 10,000 people was considered a small or medium-sized war of annihilation in the early Middle Ages. The total population in the early Middle Ages was 20 million In my opinion, the author's combat power was already overwhelming Due to the population The lack of calculations, and the delusion that hunting can make up for the shortcomings is like going into the mountains to hunt 8,000 kilograms of prey for the winter in the anti-Japanese drama. And it is written repeatedly 😢 However, there were basically not many free farmers in the early Middle Ages, and free farmers were usually some kind of technical people. The vast majority were tenant farmers or serfs. It can only be said that the author placed the upper limit of land-carrying population in ancient China in the Middle Ages. As for the benevolence of the protagonist, I will not comment too much. It is too idealistic

My mounted slashing game involves the protagonist traveling through time, so I'm not very good at it personally (it's pretty much the same when I get stronger in the later stages). It's more about military and combat content, rather than the individualistic invincible flow of slashing and slashing. In terms of golden fingers, it seems very complicated, but in fact it is purely auxiliary. There is no direct recruitment of resources. Instead, it is more about recruiting personnel for training, and only a small amount of elite training is possible. Therefore, it has certain cultivation attributes, so the protagonist's sense of existence may be a bit diluted. At the same time, the protagonist's real-life time-travel start is similar to the entry of the majority of knights and slashers. There is no starting capital, so it is basically impossible to make money by farming bandits in the early stage (you can't defeat it if you are not strong enough).

What did the author think? First he stole sheep, and then he was found to be a second-rate man. He even wanted to be a blacksmith's apprentice. He didn't have a place in various activities, but he insisted on participating in various activities. He didn't follow any rules, had no respect, and didn't go to the battlefield. He didn't work. He made trouble every day, jumped up and down, like a monkey.

There was a lot of preparation in the early stage, especially the fighting in the fishing village, but the result turned out to be anticlimactic. I'm not saying that failure is unacceptable, but you have to make failure useful or good-looking. No matter what, you have to let Geese kill one person or the draw is exhausted, right? This section is handled so poorly.

The plot is extremely difficult to advance

I feel that the village fighting between chapters 14 to 30 is quite meaningless. What does it mean that the protagonist disappeared for fifteen chapters in the early stage? I thought at first that you wanted to use the stupid big Geese as an important supporting role, and then show off the protagonist's superb sword-making skills. In the end, most of the page was filled with the unexplained bickering between the village leaders and the little officer and Mu Ni who appeared out of nowhere. In the last appearance of Geese, he was defeated by the opponent's small combo. The three protagonists stood still and watched the whole show without doing anything This plot felt like it could be compressed into six or seven chapters. It was so abrupt to suddenly change the perspective from the protagonist group to an inexplicable village and write more than ten chapters.

How much do you know about Pandor's prophecy?

The enemies and subordinates all have attributes and skills, but the protagonist does not. It really doesn't make sense. The selling point of riding and slashing is that if the protagonist doesn't fight it himself, how can it work? Lord management can be carried out in the middle and later stages. What a pity