Are the Copies You Made for People to Play With?

The setting is very serious, but the plot is not serious. The game is life-threatening and involves the combat power of the army. After the game unfolds, the anchor and strategy team are the first to take the lead. Everyone treats things that are related to their own real interests as fun and treats them as a game. The writing is also a way to criticize the game planner. There is also a paradox. As mentioned before, what everyone needs is average difficulty but high profit. At present, it seems that the game created by the protagonist is purely transporting, without taking shortcuts. Although the threshold is low, it still involves mental torture (in addition, players do not take the sequelae of substantial harm seriously). It runs counter to the military's "stable" resource channels, and is something that only desperate gamblers like. The corresponding market needs "games" that can deal with scoring bugs, low investment and high returns, not gameplay. Didn't you just gamble on lifespan by rushing for rewards (and deleting key node memories has no meaning other than adding trouble to the official and torturing players) Finally, looking at the discussion forum of the author's previous book, the content of my complaints above are all dumplings made for this butterfly vinegar, but I really couldn't hold on until it unfolded, and was silenced by the "Well, it's fun". It can be seen that the author wants to open a new track, but the writing method is still entertainment-type, changing the soup without changing the medicine, so that it is poisonous before the jealousy comes. (The setting of the female high school player is very strange. It is acceptable to accept that she is a folk master and regards gambling on life as a game, but the official background is still too difficult to accept)

It is difficult for the author's writing skills to support the subject matter of this book to be excellent, but it is no problem to be good or below.

I've read the introductory chapter. I've just read a dozen chapters. I can understand that it takes so many words to lay out the world view and settings. The subsequent construction of the dungeon is a lot of nonsense, and there are a lot of descriptions of the appearance of the protagonist. I finally finished the dungeon, and the experience dungeon is a waste of water. I want to ask whether the paid content will be streamlined later? At least the overall pacing needs to be faster. The pacing at the beginning is too slow. I think it's still watchable at the moment, but I'm afraid it will still be like this later

Because the author has been describing the appearance of the protagonist, you can immediately guess that there must be a lot of daily life in the following. However, although I don't know whether the author intends to write about changing marriages, becoming a hundred, or becoming single, can you not write it so frequently? It really hinders reading! After all, the protagonist only has a few days left to live at the beginning... Then there is the part where the protagonist clears the game he made. A lot of the content is just a mess. The suggestion can be abbreviated as: the protagonist thinks about the game mechanics and speed-passes through past life memories, and then it is better to write the detailed plot and experience through other players. By the way, I personally feel that Sister Qing's game mechanics in "Get Drunk in Green Shirts" are the best; most of the content in "Sister's Bride" is lumpy and short, but it connects players and the game quite well; although the novel "Morning Star LL" is biased towards the fourth natural disaster, the plot is also really good👌…

Come on more! Gone in one day

What jb means, why not put it on a female channel?

The latest two chapters are nothing compared. Does the protagonist owe anyone anything?

Transformation text. Transformation text. Transformation text. If you don't understand, go to Baidu. Any other videos with female videos will be banned.

There are still people who can eat it and become hundreds. I thought this kind of thing was going to be extinct.

I don't know why a game article is so full of reality. After all, readers are here to read a game that once defeated the natives. No one cares about your protagonist. I don't know what you think when writing a game article about City Soldier King. It's because you're enjoying the popularity of the game, not because I want to see your awesome writing. Can't you understand this?

I still think female-led videos are better

It's very inexplicable 🙂, the world view is that all mankind is fighting against something, and there is a front line to protect mankind. In the gamified world, there are system dungeons and civilian dungeons, and there is a profession, the dungeon architect. Then the dungeon builder appears inexplicably to protect the interests of the builder. Everyone who enters the dungeon must forget the memory of clearing the dungeon. The weirdest thing is that this is chosen by the protagonist himself, and is not fundamentally set to prevent the system from being brushed and forced to be unnoticeable 🙂. With this kind of world view, shouldn't there be more good dungeons, and then let your own people grind them, and then practice attribute equipment and skills, and then support the front line in fighting? Forget it that the protagonist is described as cowardly and stupid, just replace his brain with a good-looking body. There is a big conflict between your protagonist's character plug-in and the world view background, and I don't understand why. Ask for answers🙂

It's a story about transformation, not pure female clothing, and the author's introduction is not clearly written 😥

If you change it to white text, what should you put if you don't put male videos? I'm afraid some people haven't started reading online articles when I transformed into this channel before. Why are you pretending to be a big-tailed wolf now?

Boring realistic plot, bloody family ethics drama. Isn't it good to write honestly? A lot of emotional drama

I don't know what the author is thinking. Based on the author's previous work style, the main focus should be on making games where players are tortured but have to finish. Isn't this background setting just to allow the protagonist to make the game alone without having to open a company and recruit a bunch of people? In the end, it was written in the style of the Urban Soldier King, and it was so clumsy that even old readers would have a hard time following it.

What are the things written in these 32 chapters? In the game, rebound is used because you can earn more by rebounding. In reality, rebound is simply unscientific and does not comply with common sense of physics. If you really have the strength and skills to deflect others, you can just dodge and fight back to defeat the opponent. The protagonist designed the dungeon in order to improve his self-protection ability. The rebound is a special rule skill in this dungeon. When brought out in reality, it is a very powerful skill (can violate the laws of physics at will). Then other players enter the dungeon. If you don't tell them the numerical mechanism of the monster that can be bounced, they can kill the player. If you tell the player that the monster can be bounced, it means that everyone can bring out the bounce.

What is the official image of the protagonist now? A genius architect who is an autistic orphan, he is also a potentially dangerous member of the "underworld" that threatens him. Then the official God of God started to kidnap him morally as soon as he got him to the base. He said how difficult it was for the official, and then said that the price was one yuan, so why other deceptive copies were priced at random. The protagonist can't do it, right? They have to charge you a symbolic reward of one yuan, and they arranged another one A stupid young man is attacking the protagonist, one is a white face and the other is a bad face, right? It's a PUA, right? The protagonist doesn't dare to kill people because he's in the base, right? This plot looks like the official bullying an orphan, tricking people into the base and then eagerly starting to threaten the orphan. Why is it that no one comforts the family when they are in trouble, and starts to pour out the bitterness when they become prosperous? Aren't you afraid that this lonely girl who just killed someone will break up with you? Aren't you afraid of someone else's dungeon being hacked? Aren't you afraid that people will superficially agree that the copy is priced at one yuan, but keep this in mind, and when you grow up, they will turn over old scores and kill them all? Do you think the protagonist dares to kill "gangsters" but not you? Or do the officials think they can take advantage of this lonely orphan and use the protagonist as a cash cow?

The idea is fine, but the other bits, especially the means of advancing the plot, make me feel sick to my stomach.

One thing I don't understand is why the heroine's novel describes women in such detail...

The protagonist pretends to be sweet and wants others to praise her for her smelly feet? If you make a dungeon for yourself, can you create a simple mode that reduces the number of people or the numerical value? It's so hard to do it now, and the first question is "Am I a genius?" A video was posted saying, "Oh, yeah, it's actually for teaching," and then a bunch of people started talking about it. It turns out that's how it is, as if you've just become wise recently. Are you talking about spending so much money to go to school in a dungeon that has only a few chances to pass the level? Is it possible to learn or not? 😐

I don't know why, but I decided to put up the incense stick and say goodbye.

The biggest problem for the author of this book is to cram in those embarrassing character descriptions. Is it because he doesn't know the audience of his novel? As for the content of the text, I want to give it a good review. If it is stable, it will be no problem to order it all.

Regarding the pricing of copies of the latest chapter, I don't feel that there is any moral kidnapping. To put it bluntly, for the protagonist, the points are just a number, and there is no real sense. I tend to cooperate with the protagonist and the official. But I think the ticket pricing of 1 survival point is a devastating bug for the world view. The survival points mentioned earlier are so important, and how difficult it is for ordinary people to survive has become a joke. Everyone should become architects and make more low-difficulty copies. Even if they are the same as 💩, as long as the difficulty of passing the level is reduced without maxing out the survival points.

I don't know what the problem is, but I always feel that there is a sense of inconsistency. Logically speaking, the updated plot is still okay. It may be that the inexplicable plot of the heroine's sister is the trigger, or it may be that the writing for the official is very inexplicable, and there is no desire to watch it.

The protagonist didn't care about the previous deceptive dungeons and set the price casually. Even the protagonist's predecessor was deceived to death. As a result, the protagonist made dungeons with high difficulty and high rewards and thought the pricing was unreasonable. He was bullying honest people, right?

The subject matter itself is interesting, but the author's writing habits make the whole text poor. If the content of these 1670 chapters is written normally, I can explain it clearly in 80 or 90 chapters. Oftentimes, thousands of words can be written on even the most important things, especially the battle part, where a chapter can be written in just a few seconds. The author should consider changing the writing style and refining the direction of the text. Chapters that have been paid for subscriptions can only be flipped through at a glance, and it is difficult to have the desire to subscribe.

I just want to ask how little control the official coordinating bureau has in this world? A few presidents of big guilds and a group of gutter rats dare to challenge the official state agencies face to face. Even if there is a two-year short-term period, once the national team ends, it is not something that a few grassroots grassroots teams dare to confront. What's more, the setting of the novel is during a war. Your personal armed forces can only cooperate in front of the state machine despite being powerful? Or does the entire novel have to follow the logic of female channel weird talk? Can anyone come out and explain?

Can this tour be ended earlier if it's not interesting at all? It's smelly and long.

It's amazing that there are so many transformation manuscripts about singing songs, but the one with the best writing skills is actually the first one.