Tokyo: Am I Drawing Doraemon?

I was attracted by the title, and found it pretty good at first. I was still wondering why there were so few data, but after seeing the eighty chapters, it was no longer surprising. You are so fond of stuffing your own private goods with niche horror and curiosity. You Tomie is awesome, and Parasite is awesome, but is it fucking mainstream? Is it worthy of Doraemon's Kingly Way to take over after it starts? Let's talk about a start-up youth-oriented magazine. For the sake of gimmicks, short-form horror comics are used as the first pillar of the publication. The long-form works they undertake are still novel-oriented works. You can just call it the horror magazine Yesterday.

I have also watched anime after Ikkyu, and Doraemon's writing is pretty good. Tomie and Parasite are a bit unclear. They've already been copied, so why aren't there so many people copying them to watch them? If I were allowed to copy answers in the college entrance examination, I would never copy 80 points

I discovered that these p authors always like their own comics and have never heard of them. They specialize in sewers.

I thought it was okay to draw Ikkyu earlier, but then it felt wrong to draw Doraemon who had already appeared. Later, you ran away to start a magazine by yourself, but in the first issue, you ended up drawing Tomie? How to choose a niche track like horror? Obviously you can move the timeline forward a little further and draw Doraemon yourself. Or for your first issue, you can find a short comic with more potential, such as "Looking Back at Dusk", "Goodbye Eri", "My Broken Mariko", and "Emmanon". Aren't these works more suitable for the public than the bloody and weird "Fujiang"? You want to take a special route, so why not draw Detective Comics? This can even allow the whole country to participate in the process of finding the murderer. To be honest, Tomie is not strictly speaking a short comic, because there will be many single volumes in the follow-up. Mr. Junji Ito specially built the Tomie universe for her. I can only say that for Tomie, I think there are some problems with your outline, the author, and the themes you have chosen are very biased. Since you want to take the jump route, then you should honestly draw the themes that can really be popularized in advance, and take the jump route, leaving him with nowhere to go.

The plot of this book is great and I like it very much, but the writing is really flawed. The visual sense is too weak, and the scenes that should be exciting have no effect at all. It is necessary for authors to practice their writing skills, and don't let their writing skills hold them back.

First, Tomie and the parasitic beast are disgusting, and then there is the anachronism of Five Centimeters per Second. Five Centimeters per Second was painted for the Japanese social beasts after the Plaza Accord. Different times give people different feelings. If you look at the rapid economic development of Japan after the 1970s, and even in Japan in 1989, where you had to use a 10,000-yen bill to hail a taxi, others have no sense of involvement at all.

This is the first time I have seen someone who defended the caged bird. Neji's outlook on life and attitude towards life were actually due to a bad mentality. It is not his fault that he was labeled as a caged bird. After being carved as a caged bird, his life was no longer in his hands. It is said that Neji was not as good as Naruto and was bullied but still had an optimistic attitude.

Bull Demon is b's harem again, goodbye

Later, I was criticized for not daring to write a youth manga, and then I wrote Naruto, which was poorly paced, and then I went on to write something special about Ultraman. It seems that the author prefers tokusatsu dramas. It's just that Doraemon to attract traffic.

The most important thing is people and people. Does the technical level of 1975 have that level of strength? Can the leather case be so exquisite? Are the actors that good?