You’ve Truly Made Things Difficult for Me, Your Majesty

I've watched about a third of it so far, so let's talk about the rating first. On a 10-point scale, I give it 7 points. First of all, the advantages 1. The volume is large and the author is very diligent in updating. 2. The logic is clear and there are no big logical loopholes, at least I can't see them. 3. Good descriptive skills. Then there are shortcomings 1. There are many typos and unsound sentences, which may be caused by the large amount of updates, which is understandable. 2. There are too many plots that are irrelevant to the protagonist, such as the Forbidden Army. Although the plot of dismantling the Forbidden Army appears because of the protagonist, the protagonist can only participate in providing some help, not leading. However, a lot of space is spent describing the Forbidden Army family. When they wiped out Fang La's army, they were briefly mentioned. As an event recorded in history, the protagonist Fang La only appeared for about three times in total and then stopped. There was not even a dialogue between the protagonist and Fang La. Overall evaluation: If you don't mind ntl (cow others), then it's worth watching. (Disclaimer: This evaluation is only a personal opinion, with strong personal preferences, which can be discussed, please do not criticize if you don't like it)

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Hahaha reading

Li Qingzhao is undoubtedly the most talented woman in history in terms of talent, but her personal ethics is lacking. She loves fun, drinking and gambling, and has a somewhat bohemian personality. In "Ugly Slave", an erotic poem written by Li Qingzhao to court her husband, he wrote: "The silk threads are thin and the ice is shiny, and the snow is greasy and crispy. He laughed and said to Tan Lang: Tonight, the gauze kitchen pillow is cool." "Mr. Lang, the bamboo mat is really cool tonight." The implication is: Should we... Well, you know. It is normal for couples to talk about this kind of thing privately, but in ancient times, it was a bit wild for a woman to publicly express such erotic words about her boudoir. Her "Red Lips" and "Die Lian Hua" are also a bit wild for ancient women, but generally they are relatively reserved. Good wine is reflected in many of her words, such as "I am so drunk that I don't know the way back", "A deep sleep can't eliminate the remaining wine", etc. Li Qingzhao wrote in "Dama Illustration": "I like gambling by nature, and all so-called gamblers indulge in it, forgetting to sleep and eat day and night. But what kind of person can live with the numbers all his life and fail to make progress? Just fine." Translation: I like gambling by nature, and I indulge in anything related to gambling. I don't distinguish between day and night, and often forget to eat and sleep. But in my life, no matter how much I bet, I have never failed to win. Why? Just be proficient and focused. Many people defended Li Qingzhao, saying that she only likes to play a game similar to Ludo because she likes gambling. However, she clearly stated in this sentence that she likes to play all gambling-related games and even gambles money. Li Qingzhao wrote "Summer Quatrains" to ridicule Zhao Mingcheng (it is also said to ridicule the Southern Song Dynasty court). But when she was satirizing the weakness of others, she also fled south to Jiangnan, where she continued to drink, gamble and write lyrics, and also wrote the "Dama Tu Jing" to teach others about gambling. She was a bit like the white feathers who only knew how to talk. Many people say that she has integrity and is like a woman, but if she can be said to have integrity by saying a few beautiful words, then there will be no cowards in the world. Personally, I feel that Xie Daoyun, Liang Hongyu, Qin Liangyu, etc. Are the real heroines. Zhao Mingcheng's escape was indeed unreasonable, but he was very kind to Li Qingzhao in the past few decades. With her temperament, not many men in ancient times could stand it. She herself said in "The Preface to the Record of Jinshi" that the two had a good relationship and left her a large amount of property after her death. After Zhao died, Li Qingzhao was 48 years old and could not bear the loneliness and remarried. However, Zhang Ruzhou only wanted to seek her property. More than a hundred days after their marriage, Li Qingzhao went to the government to report Zhang Ruzhou's cheating and demanded To seek divorce, a woman in the Song Dynasty had to go to jail for two years if she sued her husband, but she asked Qi Chongli (cousin of Zhao Mingcheng) for help. Qi was a close confidant of Zhao Gou. With his help, Li Qingzhao was released after nine days in jail, while Zhang was exiled. Many people said that she was defrauded of money and sex and was a simple victim. But she couldn't get married. Someone came to ask her to marry an old lady. She couldn't possibly know what she wanted. She was already 48 years old, and she wasn't a little girl who didn't understand the world. In addition, Zhang would rather risk being prosecuted for a serious crime than reconcile with her. Is there any other secret behind this? Li Qingzhao talked about remarriage in "Qi Chongli Qi, a Scholar in the Imperial Academy". The original text is long, so only part of the translation is excerpted here. If you are interested, you can search it yourself. "I have always studied etiquette and etiquette, and I also understand some etiquette in poetry and books. I have been ill recently and there is no cure. The symptoms have reached the point where they are indistinguishable from cattle to ants. The coffin is ready. Although I have my brother Li Hao to take care of the medicine and an old servant to guard the door. But in my haste, I have led to rash results. I trusted that guy like a reed. My brother was easily deceived, and he believed it even though he was an official. How could he know what kind of person he was when he was about to die? In desperation, he agreed to the marriage after much hesitation. It was really difficult for me to get along with this man. How could I marry such a dirty and despicable philistine in my old age? I am already with this stinky person, I just hope to get away as soon as possible; because I have become a treasure collector, Zhang Ruzhou has already wanted to kill me and steal the treasure, so he bullies me arbitrarily and beats me every day, but my body is like Liu Ling, how can I withstand his fists like Shi Le. . I want to follow Tan Niang's example and accuse these evil men; I can't be willing to die in a place like a toilet like Li Chi. " In the letter, Li Qingzhao said that she was about to die of illness. At this time, Zhang Ruzhou came to ask for marriage to an old lady who was about to die of illness. Then both Li Qingzhao and her brother agreed, but they could only say "outrageous". Furthermore, a critically ill old woman was beaten severely every day, went to file for divorce from her husband, and spent 9 days in jail. Then she lived to be over 70 years old. Is life so hard? The truth is most likely not what she said, and she is most likely lying. A classic conclusion can also be drawn from her letter: it's all men's fault. Therefore, Li Qingzhao's self-justification and misfortune in the letter did not arouse the sympathy of the people of Song Dynasty, but were mostly ridiculed. Hu Zai in the Song Dynasty said: "Yi An became a good match for Zhang Ruzhou again, and soon they turned against each other. There is a "Qishi" and Qi Chu Houyun: "The late scene of the mulberry elm is incompatible with the low-level talent of the monk." All the passers-by laughed at it." Festival" Ming Dynasty Lang Ying said: "All books say that they are gay with their husbands, so they love each other extremely... But I don't know why there is a matter of remarrying Zhang Ruzhou... This color can change people, even if the husband is unavoidable." The general idea is: Li Qingzhao and Zhao Mingcheng had a happy marriage, but I don't know why she remarried in her later years, probably out of desire. (Note: The mainstream view in the historical circles is that Li Qingzhao remarried is true, and this letter should be authentic.) Li Qingzhao also loved to criticize people (literati dislike each other), and she criticized many poets in "Ci Lun". In the Five Dynasties, only Li Jing (father of Li Yu), Feng Yansi and others of the Southern Tang Dynasty were good, but the sound of the country's subjugation was too sad to be considered a good poem. Although Liu Yong's lyrics are very suitable for the rhythm, the words and sentences are vulgar. Yan Shu, Ouyang Xiu, Su Shi, etc. Are all very knowledgeable. It should be easy to write lyrics, but for some reason the words and sentences they write are not consistent in reading. Wang Anshi and Zeng Gong wrote good prose, but if they wrote small orders, they would make people laugh and be impossible to read. It wasn't until Yan Jidao, He Zhu, Qin Guan, and Huang Tingjian came on the stage that there was a flavor of commentary, but their shortcomings were all obvious. Yan Jidao lacks narration, He Zhu cannot use allusions, Qin Guan lacks nobility, and Huang Tingjian's poems have some minor flaws that affect the reading experience. Her tone sounded a bit like "everyone here is rubbish". Many people say that Li Qingzhao had a miserable life, but in ancient times, a woman could eat, drink, play, gamble and write lyrics, had a happy marriage for decades, and lived to be over 70 years old. Such a life could not be considered miserable. In that era, how many people died of starvation and freezing, and how many people died tragically in wars, she had already surpassed most people. Her sorrows should belong to the sentimentality of literati, and are more of a spiritual emptiness than a hardship in material life. ------------Dividing line------------- I wrote this article because I can't bear to see some groups praise Li Qingzhao to the sky. Talented women's farts taste good, but if they say something bad, they chase people and bite them. Therefore, the article contains certain personal emotions. All benevolent people have different views on benevolence and wisdom. In addition, saying that Li Qingzhao can't stand loneliness is not just slandering her out of thin air. Judging from her temperament and works, she is not a person who can stand loneliness. It is her freedom to remarry at the age of 48. Saying that she can't stand loneliness is also the freedom of others. You can't take it for granted at the same time.

The two female characters I have seen so far, one is Li Qingzhao and the other is Di Ji, and the previous dog officer was also the same. Why are they all like this...😒

To be honest, there is nothing wrong with the protagonist's time travel, not even physical enhancement. Can he really achieve something in ancient times? Still become an emperor? Is it reasonable? An ordinary person travels through time

If you don't plow the scholar-bureaucrat class, and go to conquer the Song Dynasty yourself, even if you win the world in the future, your foundation will be bad. When you rule the world, you can't kill them all. Lao Zhu is the founding emperor who can kill, but the Jiangnan landlord class is still a local emperor, and the people at the bottom are in dire straits.

During the Jingkang Disgrace, Li Qingzhao was already over 50 years old. He and Zhao Mingcheng had lived together for decades.

I think back then, you guys and I were deceived by her reputation as a talented woman, and the name Li Qingzhao was also quite fairy-like. After getting to know her later, I realized that she only had these two advantages😮‍💨

First of all, let me say that I am not procrastinating. This book is okay. If you don't supervise it, it will be the best fairy grass according to the current level. Let's talk about the advantages first: the writing is not procrastinating, there is no water at all, it is all practical information, and the progress control is very accurate, it is the kind of thing that should be done when it is time. Reading will not give you the feeling of a mother-in-law and a mother. The character description is also very distinct. The current supporting characters have very distinct personalities, and this The article will not forcefully pull the readers' emotions. Some authors like to be moved by themselves and force the readers into emotions such as sadness and movedness. They are really embarrassing. This book is not like that. The jokes, humor, and emotions of concern for the country and the people are all revealed naturally, and there is no awkwardness at all Disadvantages: There are too few updates at the moment.

Yes, the strategic policy set at the beginning has been changed again. It is justifiable for the Jin army to go south to destroy the Song Dynasty and then send troops to conquer the Central Plains to dominate the world. Now if you take the initiative to attack, how can you take control of the Central Plains even if you win? Even if he succeeds, he is still a traitor who seizes the country unfairly.

I have read Chapter 24 so far. I felt something was wrong so I went back and took a closer look at the details. What a fool, they are all broken shoes. Is it true that history loves wives and martial arts love cuckolds?

The author's choice of heroine is very problematic. Who did you choose? Empress Zhu in the Jingkang Incident? Don't accept all kinds of emperors and concubines? Anyway, they are all wives, why not choose the most noble one? Look at the many queens and queens with long swords in the late Jin Dynasty

One of the conditions for obtaining the fan title is to reach level three of being out of the group This is also the easiest condition.

During the Song Dynasty, no rebellion was successful, and it was not a time of chaos. Even in the Jingkang period, when the last clan moved to the south, it was basically stable. If you, a modern person, had nothing to do, why would you rebel and become the emperor?

When I saw that the female protagonists were Li Qingzhao and Li Shishi, I didn't want to watch it. It's not that these two people are bad, they have been written badly by countless authors. Each author's portrayal of her is different, which makes me feel very torn when I see these two people, as if they have become monsters like Cthulhu. Is this the price of reading too many online articles 🙂

The writing is not very enjoyable. When faced with a big coward, I feel like you are not getting any benefits. The golden people can extort money in all kinds of ways. You, the little bully in the northwest, have never gotten any money. It's outrageous.

It's a bit unreasonable. The scholar-bureaucrats of the Northern Song Dynasty are so arrogant. Will the Jin army obey you even if they don't break the capital? Would you rather let everyone be flattered by the Northern Song Dynasty than harm both sides of the Jin Kingdom so quickly?

It is better to wait for the Jin army to go south and the protagonist sends troops. Taking the initiative to send troops now is unjustifiable. It will be funny when the Song Dynasty and the Jin army join forces to fight for the protagonist The Song Dynasty often does this kind of thing The Northern Song Dynasty allied with the Jin to fight against the Liao Dynasty. The Northern Song Dynasty was gone The Southern Song Dynasty joined forces with Mongolia to fight against the Jin Dynasty and was destroyed

It's too dramatic for a low-level military officer to keep meeting historical celebrities. It seems like the plot cannot unfold without historical celebrities to promote it.

What mistakes are easy to make in historical novels❓ Before the Ming Dynasty, the emperor was not called "Emperor". In the Song Dynasty, he was mostly called "Guanjia", and in other dynasties, he was often called "Your Majesty". From the Ming Dynasty, the emperor was occasionally called "Emperor", and in most cases he was called "Your Majesty". After Kangxi of the Qing Dynasty, people began to be generally called "Emperor". Princes and princes call themselves: Princes in the pre-Qin and Han Dynasties can be called "Gu", and a few can be called "Ignores". After the Wei, Jin, Southern and Northern Dynasties, the title of "Ignores" gradually became exclusive to the emperor, and princes, princes and princes can only be called "Gu" or "I". Song, Yuan and Ming called themselves "I" or "I". Before the Qing Dynasty, princes and princes rarely called themselves "this king". Starting from the Kangxi year of the Qing Dynasty, princes generally called themselves "this king". In ancient times, women called themselves: "nujia" was a modest name for women after the Song Dynasty. Women in the Han and Tang Dynasties more often called themselves "concubine", and noble women could call themselves "I" and "I". Before the mid-Ming Dynasty, most dynasties used copper coins for daily transactions, with very little gold and silver. It was only in the mid-to-late Ming Dynasty that silver became the mainstream currency. -In the late Ming Dynasty, "meeting votes/deposit checks" appeared among the people. There were no unified rules. Most of them were deposits and withdrawals/exchange receipts from acquaintances or local circulation, and were not legal currency. In the early years of Daoguang in the Qing Dynasty (1823): Rishengchang Bank was established, and private banks began to issue standardized banknotes, focusing on cross-regional exchange. They were only circulated in Shanxi merchant trade circles and major commercial ports, and were not yet popular. In the third year of Xianfeng in the Qing Dynasty (1853): the official issued the Ministry of Revenue official banknotes (official banknotes), which were forced to circulate nationwide. At the same time, the network of private banknotes expanded to the whole country, and official and private banknotes ran parallel. The use of banknotes entered an explosive period and became the "starting point of popularization." ​ High-leg tables and chairs only completely replaced the low tables for sitting on the floor in the Song Dynasty. During the Han and Tang dynasties, people knelt and sat on the tables to eat and discuss matters. The furniture was mainly low tables and couches. The memorial system was only established during the Kangxi period of the Qing Dynasty. Officials in the Tang and Song Dynasties used "memorials", "tables" and "statements" when submitting memorials, while in the Ming Dynasty they used "memorials" and "memorials". There is no such thing as "memo" or "zhezi". In ancient formal occasions, the hand-over gesture was performed with the left hand outside and the right hand inside. The right hand outside was a special "unlucky gift" for funerals. "Better greetings" is a unique etiquette of the Qing Dynasty. It was mostly used by subordinates to superiors and juniors to elders. During the Tang and Song dynasties, people often performed cross-hand salutes and bows to greet greetings when they met, and there was no such thing as "sending greetings". Before the Yuan Dynasty, lower-level officials rarely called superior officials "adult". In some dynasties, subordinates called eunuchs "adult", and in some dynasties, they called their parents and elders "adult". Beginning in the Yuan Dynasty, lower-level officials would occasionally call officials of second-rank and above "sir". From the middle and late Ming Dynasty, only officials of third-rank and above would be called "sir" by their subordinates. Officials with lower ranks could not be called "sir". However, in the late Ming Dynasty, there began to appear a few cases where officials above the fourth rank were called "adult". Before the mid-Qing Dynasty, following the rules of the Ming Dynasty, only officials of third rank or above would be called "adult". Starting from the mid-Qing Dynasty, calling officials "adult" gradually became common for lower-level officials. Attention! ! ! What is mentioned above is that lower-level officials refer to higher-level officials. No matter which dynasty, it is absolutely impossible for higher-level officials to call lower-level officials "sir". Some novels even write about emperors or nobles calling other officials "sir". This is simply contrary to Tiangang! ! ! Finally, let's talk about the problem of civilians calling officials Before the middle and late Qing Dynasty, civilians in various dynasties and generations called officials differently, and most of them called them "officials" and "masters". From the middle to late Qing Dynasty, civilians also called officials "adult". {"NickName":"Supervision and Restriction","UserId":406440657}

If the protagonist is the emperor, how can he ensure that after his death, China will be the first to enter the technological revolution, instead of being invaded by other countries that are the first to enter the technological revolution? The absolute monarchy forms a fundamental restriction on the independent scientific and technological revolution. The monopoly of power stifles institutional innovation. The monarchy builds social order with imperial power as the core. The world is the absolute rule of the royal land. Under this system, policy formulation relies on the emperor's personal cognition, social innovation is constrained, and the intellectual class is reduced to a vassal of the imperial power. I think the only way is for the protagonist to implement the constitutional monarchy before his death. If the protagonist wants his descendants to have long-term peace and stability, he must implement Britain's early mixed constitutional monarchy. The British constitutional monarchy is an important starting point for modern political civilization. Its core concepts, such as the rule of law, checks and balances of power, and parliamentary sovereignty, have been widely inherited by countries around the world. British institutional innovation has shaped the political landscape of the modern world. From the period after the Glorious Revolution to the 18th century, Britain showed the dual characteristics of separation of powers between the monarch and parliament. This check and balance of power in the transitional stage laid the foundation for the modern parliamentary constitutional monarchy, and finally completed the transformation to parliamentary sovereignty through the establishment of the responsible cabinet system. The protagonist should not implement Britain's late mature constitutional monarchy or other republican systems at the beginning. A phased and gradual strategy should be adopted, and the protagonist must gradually implement a mixed constitutional monarchy within no more than 60 years. History has proven that any reform that cannot complete the restructuring of power within three generations will eventually return to the old order. {"NickName":"Supervision and Restriction","UserId":406440657}

In the Warring States Period, he and Ying Zheng fought against each other, in the early Tang Dynasty, he fought against Li Er, in the Northern Song Dynasty, the generals rebelled, and in the late Yuan Dynasty, he and Chongba seized the throne. If you didn't have extraordinary strength, you would be done with it, buddy.

It's been a long time since I've found a book like this that allows me to read millions of words at a time. Personally, I'm still very picky. I don't want to read any of the trivial writing, mindless writing, and abusive writing. But this book is really comfortable to write, with personal struggles, the torrent of the great era, and women in the harem. It has everything. I'm curious whether I have not been impressed by an author of this level before? This is a book. Anyway, I feel that normal men will like it. It's nothing to praise. It's just comfortable.

I have read about 1/4 of the whole book so far. The protagonist is very proficient in politics, but knows nothing about science and technology. He can't even bring a little gain to science and technology, so don't expect advantages in science and technology. I'm surprised. It's only been a few years since we occupied the land of Xixia, and we can build so many weapons and armors to arm 100,000 people. So you say that the technology tree is not up? And there was a paragraph before that said something like, "Before the war starts, you crazily accumulate all kinds of small advantages, so that it will be easier when the war starts." I forgot the specific words, but it is almost the same. As a result, some modern methods have not been learned at all, such as the mines with bamboo fuses buried in them. You can't make a gun to blow it up. Explosive bags are easy after all. After all, you already have gunpowder. You can throw explosive bags with a trebuchet. Ball bearings are a bit difficult, but roller bearings are not difficult. A mold can make rollers of the same size. Even if you just use ordinary steel and some animal fat, your land transportation efficiency can be doubled, but the result is useless.

I don't know since when, historical literature has always written about the world as a hell, unable to climb out, and the main tone is depression! No wonder history is lonely! I've already read online articles, but here's what I'm reading!

What would you say if the protagonist was born in Jingkang ten years ago, when Li Qingzhao was about 34 to 36 years old?

I would like to ask if the score of this book is too high?

We often attribute many social problems to "historical limitations", with the subtext being "the ancients didn't understand, but we have made progress." But if you look more closely, you will find that many of the so-called new problems are just old contradictions with new clothes: from the annexation of farmland to the concentration of capital, from the hereditary inheritance of clans to the intergenerational transmission of resource circles. Institutional forms are iterating, but human nature's pursuit of security, desire to control resources, and certain inertia of social structures seem to have amazing continuity. Acknowledging this is not to fall into the nihility of history, but to face the present more honestly - not to simply place hope on the illusion of "the progress of the times", but to realize that the real challenge may not lie in transcending a certain historical stage, but in how to build a more resilient order under the unchanged background of human nature.

Not bad, I've finished reading it, it's a relatively good historical article. The protagonist is shameless enough in the early stage, kind enough but not lacking in violence in the mid-term. He is based on the military, which makes him more comfortable and less aggrieved. It also successfully shapes the protagonist's personal charm without cheating, which is pretty good. What is rare is that with good writing and good historical data, there is no literary youth disease common in historical areas. The plot is reasonable but enjoyable enough. It's an excellent article about historical areas.