Monster Hunter: Compass of the Wilds

The previous book on Monster Hunter was mostly about confrontation, either in battle or on the way to battle. Although the summary of the plot development feels average, it is actually very interesting to read. Hunters are divided into levels, such as upper-level and lower-level hunters. The "combat power" is not directly equivalent, so there is no drama or collapse (a common situation in fantasy novels). This book's shaping and description of characters, worldview, and scenes are more detailed and vivid. The occasional question about what a "hunter" is is also impressive and moving. There are very few or almost no standard "bad guys" in the plot. There is no physical discomfort in the plot development, and there is no intrigue and intrigue. The plot development is very passionate and royal, and you can read the plot development smoothly. In addition, the additions to the plot and world view are also very clever, especially for those who have played Monster Hunter. The only bad thing is that the update is very slow. I have read the previous book for the second time. Note: If there are any good road movies or novels about traveling to learn about different worlds and worldviews, I hope you can share them with me.

You really need to hire Haji Gao to revise your introduction. It looks like a novice writer made some messy things in order to attract people. Book friends who haven't read it will easily run away at a glance.

Don't complain, don't complain, all kinds of pimps, damn, I came to watch the battle and enjoy it, what the hell are you writing? Forget about being a pimp, he still uses all kinds of fucking tricks. Real brother, it's disgusting to see. Since when did Kaiwenwen have to engage in CP? It doesn't matter if the protagonist has CP, but you have to pimp all the supporting characters, including cats and dogs, is that okay? . You said you wanted to write it more naturally, that's all. You can't write the problem out. You're just talking about it. Apart from being disgusting, will it help the plot?

As the most awesome protagonist in history (he has a long mouth), from the introduction of other people's backgrounds to their acting styles, it can be said that the card table has enough b-levels. From the plot, it is easy to see that the protagonist used to be withdrawn (he is a lone bird after all) and has a strong desire to kill. The presence of the poster girl feels like a lock on him. As long as there is a hunting permit, Incandescent will kill at will, and the large sea dragon frozen peak will be chopped down at will, not to mention those other small Kalami. In fact, the little boy in the plot gave me the feeling that he was a lonely bird when he was a child, but he did not meet that "master" when he was a child. He lost everything and became a hunter alone. It can only be said that he is not completely crazy, otherwise he would be crazy in the dark night. His time of fame should not be short, he has had many amazing achievements, and maybe as a one-man team, he is an ace team like the Star Team. He has experienced so much that his murderous intention has become a little restrained, so he takes such care of the little boy who is somewhat similar to him.

Let's see how we can change the plot of Wilderness to be watchable.

The most uncomfortable thing about this book is that some readers of the previous book have been using the protagonist of the previous book to push against the protagonist of this book. I haven't read the previous book and want to read this one first so I can follow it, but these trolls are really disappointing. Every time Aolang learns a new trick, he jumps out and trolls and says that the protagonist Lao Jin opened it. I am really stunned! To be honest, I like this novel very much. There are really not many good-looking monster hunter fanfics nowadays. I hope the author can write better and better, and don't bear the influence of readers!

To come up with this introduction, a Hajigao in the Fugu family would have to hire two Hajixians...

Just like the book, write down the characters you want to be in the book, but don't write too detailed, just give a general description. For example, the spearman who resisted the fan fire in the last book, and the children he took in, are ready to embark on a journey. Don't set all the equipment sets too detailed, just write a rough description. There is a chance it will be included in the novel.

Have you ever worn Monster Hunter? I scribbled some things and took it for granted.

The author probably didn't expect the wilderness to be so vast when he started this book, so there's no way to enter the plot now.

I'm on a business trip and I've already ordered it all. It's not like I've picked up the previous one, but you have to adjust it a bit It's really simple to create characters with facial makeup, but like Muti, I haven't written out the characteristics of the characters at all so far. What's the difference if I replace Muti's entire text with "no pain, no itching"? Both brainless characters and speechless characters are easy to portray, but it would be boring to just stay on this basis. Ao Lang is even more... How should I put it? Overall, the character story is awkward, but apart from the awkwardness in the first few dozen chapters, most of the time it is written with the role template of a "rich man" in mind. If you replace the entire text with a rich man, will there be a big change? ---When portraying Ancier, there is a naughty person to shape each other. When portraying Orang, there is a brainless one, which really doesn't portray anything. ---If you ask me to close my eyes, I can have a portrait of Dajian Tianzun, but Ao Lang really doesn't have one. Do you understand what I'm saying? Perhaps what impressed me the most was the little brother's unstoppable "slide shovel under the monster" The new flute is a bit more like facial makeup for the sake of facial makeup. As I said, it's really easier to be facial makeup, but you have to think about how to write the character arc. And when you describe the protagonist group in a facial expression, how do you describe the supporting cast? At present, except for a certain particularly flexible fat man, no other powerful golden generation has been described. This should also be noted. Can't we just use the current few NPCs to hack down the large ancient dragon combat handle? The previous work has a very good point that is implemented throughout the whole text, which is to write about the balance between man and nature from the perspective of a fan, which is also the core theme of the world work. Then you are really the sea dragon who ran away to eat the sperm vesicles... To borrow a sentence from a book friend, it feels a bit like a deity opening a trumpet to abuse food. In essence, it's just a bunch of bullshit geniuses who are leaping over the top every day, resulting in aesthetic fatigue. If you are really constrained by the previous game, it is recommended that these people be promoted to the top as soon as possible and then just throw them to the border to suffer. I hope to make adjustments as appropriate, and I hope that book friends passing by will show their respect, as evidenced by monthly tickets.

I hope that the new book can slightly strengthen the personal heroism of the protagonist. The setting of the previous book was too consistent with the original setting of Monster Hunter. It was all about teamwork and strict hunting. Many times, Gordon really didn't feel like a 9-star top hunter. It feels better to feel a little more comfortable when writing online articles. Although I don't mean to cheat like a novice article, it would be better to show more personal heroism.

When I saw the sand boat race and the sea dragon part, my blood pressure was a bit high. In order to match the lunatic Lambert, the team was written in a chaotic and abstract way. He was obviously going to be the guard of the sand boat, but ended up being just for fun. He also used blunderbuss and heavy crossbows to fire off cannons, and tied the lunatic to the bow of the boat to play. The subsequent one-horned dragon attack gave me the impression that Muti and his gang were induced to commit suicide. In addition, Orang also, go When participating in the competition, he didn't even bring weapons when he knew there were monsters, and his cautious character completely collapsed; the same happened with Sea Dragon later on. He only hunted for food and equipment. After the hunt, it was enough to mention where the sea dragon was delicious. He had to hunt mainly for food. The theme was a bit off. In order to rationalize it, he had to hook up with the third princess. She was already in her 40s and 50s, and she began to overconsume the characters from the previous game. Currently, the main plot feels patchwork. The author obviously wrote all the main plot of the main story in the previous game and now doesn't know how to write the main plot. Since the main plot of the wilderness cannot be entered directly (the game content is too small, it is probably impossible to write), so he can only piece together the plots of branch plots and NPCs in the wilderness. There was nothing wrong with Oulang's character at first. He had a desire for revenge coupled with the qualities of calmness, caution, genius and good at learning. As a protagonist, there was nothing wrong with him. However, in order to cooperate with other teammates, his character always seemed to break down. He blindly accommodated his teammates and seemed to have no characteristics. He was like a tool to supplement the shortcomings of other characters. He was a captain, not a nanny. On the contrary, when teamed up with other NPCs (such as Professor, Eric, and Seer), the advantages of this character can be reflected, and the character begins to become three-dimensional. The character of Muti seems to be really unsuitable to be a teammate or heroine. The background is too big and is too deeply tied to the previous work. Although it can attract some readers of the previous work, it is difficult to write well. The characters of genius, good boy and fool seem to be very separated. The character cannot be written as too ordinary or too radical. It looks like a giant baby who has not grown up. Moreover, due to the strong interpersonal relationship and background that overwhelms Oulang, Oulang has no sense of existence as the protagonist, and his growth is like taking advantage of the opponent's resources. In fact, it is more appropriate to place this character as a functional NPC with the same position as Fufu or a lone bird in the wilderness. There is no need to be a fixed teammate, and he can only cooperate occasionally. The best thing I can describe in this way is actually the Ellu cat. Whether it is sea buckthorn or fish balls, they are quite distinctive. At least the character design has nothing to say about it.

I saw some readers mentioned that they felt that the protagonist's abilities were not fundamental enough. Although it seems that not many readers care about it at the moment, I still want to explain it. I would like to emphasize that I will not write things like dual-wielding swords and ghosts dancing wildly. What I pursue is realistic and reasonable. So far, all the so-called "borrowed moves" are actually reflected in the works of various generations. Katate Kenranbu comes from the "Sword Dance" hunting skill. Katate Ken Ranbu's charge is actually an enhanced version of Jr. Tachi's charge has a similar performance in Rise, and so on. I just don't want to be limited by the moves in the game. There are only a few moves going back and forth, as if the angle of swinging the sword is fixed. In fact, I had a headache at the end of writing the last book. The moves of the protagonist group were solidified, and it was difficult to write innovative battle scenes through repeated descriptions Just like a warrior in reality, who can fist, kick, and use swords and guns, it is normal for him to integrate some force techniques. It is not necessary to say that boxing is boxing. My master only taught me to punch like this, so I will swing like this for the rest of my life.

I can't stand it at all I don't know if it's the problem of CP being too early or the character of the protagonist, or the problem of the previous book being too invincible I want to read it but I feel like nothing is right 😰

The author must have been dizzy with writing these days. Even Enshin can't explain himself. He wrote about the reasons for hunting for so many times before he thought of a patch. Whether the patch can be recognized is not mentioned yet. These chapters about combat power are completely overwhelming. If we talk about hunting The reason is that the patch is barely enough, and the patch about combat power is just a mess. The Tianxiang Dragon is in the border with taboos such as the Black Dragon in the Extreme Expedition. Even if you don't agree that it is a taboo level, it is not too much to say that this treatment is the highest level of lifting the ban. What did the author say? While saying that he doesn't recognize Chi Dong's taboo strength, he also talks about cutting Tianxiang into the same level as Lanlong and Fenglei. Not to mention that the author of the official setting doesn't approve of it, so are Lanlong and Fenglei just wild dogs on the roadside? Is it possible to lose points like this when you are on the same level as these guys? Two seven-stars + two six-stars plus a few disposable dragon guns plus and bed crossbows can complete the crusade. Then wouldn't the so-called Tianjin Disaster and Hundred Dragons' Night Parade become a complete joke? And in terms of combat description, the battle on the ship can be said to be completely meaningless. The ancient dragon, whose wisdom has been emphasized many times, is written to be stupider than ordinary flying dragons. As mentioned before, the combat platform is not large, and it has been written more than once that Muti is afraid that he will fly down when he fires a cannon. In this kind of battle situation, facing Tianxiang who is very good at range attacks, the protagonist group can actually dodge range attacks at will? Physical attacks were blocked, range attacks were dodged. He and Tianxiang were angry for a long time before destroying the bed crossbow and then exploding a ship. The damage caused to the protagonist group and scholars was directly 0. When fighting the Emperor Zheng in front of him, he had an entire city as backup, and had the most suitable combat platform and a large number of bed crossbows. One-seven Stars two and six and groups of four and five stars have been chased like dogs. Now you two, seven, two and six, can beat Tianxiang on their home court, with full first sight kills, severely limited battle space, and no backup at all, etc., With full debuffs. This performance is not to mention the level of Lanlong. Even if Di Zheng comes, you can kick Tianxiang to death.

Crystal Dragon Set

Black Boom Set

Compared with the Tianhui Dragon battle in the previous book, the Tianxiang Dragon battle is just a mess Facing the Tianhui Dragon in the previous book, the battle is forced. The main combat venue is the ground. Priority is given to destroying the wings to prevent escape. This book not only takes the initiative to provoke the Tianxiang Dragon, a dragon that flies at the highest peak, but also takes the initiative to fight in the sky where it is home. Let me put it bluntly, if Tianxiang Dragon hadn't been corrupted by God's will, he could have passed the level without any damage if he had followed the game stages step by step and fought him with a thunderbolt.

In this book, Gordon was conservative. A lone bird in the wilderness can lift a several-ton lock-bladed dragon away with a single lift, and he can also fight monsters with his head on it.

"It doesn't make sense. Wasn't the soup this color before stewing?" "Ah, I added some more things..."

This introduction looks like Xiaobai's article. Highlight a brainless golden finger and a systematic feel

I found that even in this situation, the author is still matching. 😁 If you have this skill, you might as well practice the process of repairing that mess

Comparing the Tianhui Crusade and Misty Dragon missions in the previous book, what you Gu Long wrote is a piece of shit. The previous book also said that the guild is an authority that overrides the country. The hunting mission requires the guild to send scholars to evaluate whether to crusade or not. Talking about the character plot, are you saying that the character who has a goal to chase the wild hook suddenly makes a mistake and goes to school directly? 😅If you want to make money for milk powder, just copy your notes, okay? If you don't want to make money, just be a eunuch. The plot is full of shit and dragging the soup. I also deserved it after reading your book.

What a crappy plot in Wilderness, Pufferfish🐡Don't borrow plots from Wilderness, especially Ding Zhen's plot.

I was reviewing the hunting pen recently, and suddenly I seemed to understand why I always felt that this book didn't look very good. On the one hand, chasing, but on the other hand, I felt that Olang was too smooth. Either form a group to hunt monsters of the same star, or find someone to hunt high-star monsters. It was not exciting at all. When I saw it, I knew it would be successful. There was no crisis at all. There was an accident when hunting the Taimaulosaurus. It was a bit difficult to fight, but as far as how difficult it was, it was just like that. Unlike Gordon, who is always forced to face high-star monsters alone or with teammates of the same level due to various reasons. He always survives and tries his best to win. Occasionally, he only leads others or practices skills when fighting against the same star or low-star monsters. At that time, when I saw the story of Gordon still having the courage to swing a knife towards death in a life-or-death crisis, I felt so excited that I wanted to fight alongside him. The plot of this book doesn't feel that exciting, and I can't get emotionally involved. I don't know how Fugu will deal with the plot in the future.

The plot of Tianxiang Dragon made me feel that the previous game Black Hawk was really not worth it. This kind of book-eating is on par with Capcom.

The author will post a chapter or a single chapter explanation. It is best when the plot has been changed. Can anyone help me to kick me out? I can't order anymore. Thank you🙏

Judging from the author's current situation, what the Black Hawk did in the previous book was completely irrelevant. The biggest mistake of the Black Hawk in the previous book was that he did not have an 8 or 9-star father-in-law and mother-in-law to back him up. It turns out that humans have already ruled the world of monster hunting, right? I casually released one from the ban and kicked it to death as if it were one on the side of the road.

Okay, okay, Yuan Cheng wants the protagonist to learn a lesson with the possibility that all mankind will pay for it, right? I'm so angry, okay? Then let me ask you, what is the experience of the protagonist group growing up so far? I won't talk about things that happened too far ago, I will just say that I knew not to provoke Lan Long not long ago. It's so easy to be led astray by scholars. It's just to reduce intelligence Hot knowledge. Using intelligence to teach the protagonist a lesson and make the plot reasonable will only annoy readers more Why do readers think they shouldn't take the initiative to provoke Tianxiang Dragon? Because according to the normal logic of the protagonist group, they will not take the initiative to provoke Tianxiang Long without considering the consequences. If they really provoke him, they will not agree to go to their home court to provoke him If they like to use wisdom to let the protagonist group fight Gu Long, they must learn a lesson, or simply let Tianxiang Dragon win. The protagonist group you are writing now is not worthy of winning even if they are seriously injured.