Transmigrating to the Northern Song Dynasty with Them

I have followed the author's entertainment articles a long time ago, and I can be considered an old reader. This book is very well written. I know that the essence of the book lies in the author's grasp of the plot of the novel. Whether it is the new ideas of the six time travelers or the battle between the time travelers and the indigenous people, they are all highlights. But it can be said that there is no research on history at all. Apart from knowing a few names of people, many people do not match their real characters in history. I am a historically illiterate person who can write novels. At least he is illiterate about the history of the Song Dynasty. It is hard to imagine that this is the knowledge about the Song Dynasty accumulated by an author who has written four novels about the Song Dynasty. I haven't looked up the information on the simplest imperial edict format, but anyone who is careful will know that Emperor Fengtian Chengyun was created by Lao Zhu. There was no Fengtian Palace in the Song Dynasty, so where to carry it. They must not be aware of Zhang Dun, Cai Bian, and Zhe Zong's overwhelming hatred for the two brothers Su Shi and Su Che. They must not know that Zhang Dun is a "vindictive father-in-law" no less than Wang Anshi. Summoning the two brothers Su Shi and Su Che back to the court would only intensify the conflict. Su Shi wrote the edict to demote Lu Huiqing in the tone of Zhezong, degrading the reforms of Shenzong and Wang Anshi as worthless. Zhezong as Shenzong's son, Cai Bian as his son-in-law, and Zhang Dun and Su Shi themselves were equally powerful. When the author scolded Sima Guang as a traitor, he must not have checked the information to see if the Su brothers were involved as members of the old party. I have never read "On the Situation of Lanzhou and Other Places" written by Su Che, and I have never seen the outrageous remarks of this person who has never been to the northwest front to lead troops. I didn't know that Sima Guang was only in power for eight months, during which he spent most of the time lying in bed waiting to die. I didn't know that Sima Guang followed Sun Lu's advice, suppressed the old party and others, and changed from cutting off Xihe Road to cutting off four villages. I didn't know that it was only in the fourth year of Yuanyou that the Four Villages were handed over to Xixia. At this time, the Xixia Lion opened its mouth and asked for Lanzhou's defensive barrier. When Wang Yansou and Liu Zhi both began to object, Su Che stood up and accused Xihe Lu Jingluo, Fan Yu, and made unreasonable remarks. Then he was mentioned again by Lu Dafang, Wang Yansou and Liu Zhi. So when I ask if this book is good to read, purely from the perspective of a novel, it is undoubtedly good to read. As long as you don't know anything about the history of the Song Dynasty, or have only a partial understanding of history, this book will be excellent. But if you are a party-minded person, you may scold the author. After all, the author intends to reuse the traitor based on his ignorance of Su Che.

This book has been tasted and is non-toxic. Five well-known female anchors hit and killed a food delivery man with their car. Their collective souls traveled through the Zhezong Dynasty of the Northern Song Dynasty. They all had the same appearance and became younger. The protagonist knows the female anchor, but the female anchor does not know the protagonist. Each character has his or her own thoughts and skills. They are not stupid and sweet. Although the five women decided to assist the protagonist to replace Song Huizong and inherit the throne, they each had their own thoughts. The two that are currently being focused on are a scientific research dog who is relatively simple and has surrendered her body and mind, and a female historical master who is slightly socially anxious and an otaku. She knows that women in that era must rely on men, so she plans to marry the protagonist and then endure the protagonist's death to become the Queen Mother Regent. The remaining three hope to be independent women, but their abilities are temporarily unavailable. I am very much looking forward to how they will perform. PS: I will add a statement a week later. It is indeed not poisonous, but a bit watery. There is no problem in the character design. The problem is that the plot is relatively empty, the opponent is too weak, and the throne has not been suspense for a long time. It can only rely on friendly forces to improve the number of words. In this case, it is better to directly ascend the throne and carry out reforms. It's just that the author probably wanted to treat the enthronement as a small climax and put it on the shelves, so he could only rely on water escape to delay the pace.

When I saw someone saying that they might consider disclosing their identity, I couldn't help but feel speechless. They don't understand human nature or politics at all. Why are there so many Qing palace dramas nowadays? To put it bluntly, what they like is not handsome guys, but power. Maybe the five people who have received a serious modern education and have some brains are better, but that's all; to put it bluntly, don't look down on the natives, in fact, for upper-class men, even if they are women, they will have a psychological level of flattery, especially for the ancients. What were the identities of these people before they traveled through time? The most important reason why they are willing to compromise is that the protagonist is a serious prince. If a few people know that the protagonist is a modern person, they will not have much modern recognition of each other, but will be more like "Oh shit, you were just a loser before time travel. I had no identity in my previous life, and now I am still sleeping with you and giving birth to a child." Coupled with the various manipulation methods of the protagonist in the past, most of the feelings established between each other will disappear, giving rise to the feeling of being deceived and used. Anyone who has dealt with women in real life will know how troublesome it will be once the other party has such thoughts. With the mentality of many women doing things regardless of the consequences, someone will threaten the protagonist or go crazy. Of course, it's just ridiculous to expect them to rebel. It's not that it's impossible, but I think it's childish if someone really brings it to the table to discuss it. With just your mouth, you can compete with an emperor who has been the emperor for two or three years, has civilized martial arts, and has many heirs? What an international joke. If it really comes to this point, the protagonist will definitely eliminate the hidden danger in an instant with a crushing force; of course, if the protagonist can realize this, he will not reveal his identity foolishly. After doing this, is it possible to still maintain the good situation that is good for you, my country, and our country? Even if the women are all sensible and won't do anything that could lead to death, their attitude towards the protagonist will definitely be different, and their mentality of doing things will definitely be different. It will not be so easy for the protagonist to control it. Furthermore, when the protagonist gives others authority, mutual suspicion will arise. Even if the power can determine life and death, if it comes to that point, it will definitely destroy the martial arts and cause heavy losses. Why bother? Isn't this the way to go for female videos? Not sure what the selling point of this part is? If the author really dares to listen to you, he will really step on a big thunder. The score of this book will be half the score at least. The really correct thing to do is to continue to maintain the character and be careful about it. Then find a way to get a few of them to take the initiative to reveal their identities, and then take further steps. What is naughtiness? To put it simply, it is to use human nature to drive others; why can the protagonist hang up the five women and beat them? The most critical reason for his identity after traveling through time travel is that the protagonist knows how to handle human nature. This is not ruthless, nor is it immoral and distrustful of human nature; only the human heart and the sun cannot be looked directly at. This is the most basic sobriety a ruler should have after understanding human nature, and it is also the most basic technique to control his subordinates. What is a modern person and what is modernity? It is not about the superiority of modern people who shout about freedom and equality; it is about the vast majority of people who, if they have the opportunity to travel through time and take control of power, will have a kind of compassion for the people of the world if they can. They will not be like Zhao Ji and many feudal rulers who only care about their own enjoyment and completely ignore the lives of the people. On the other hand, modernity is reflected in the relationship between people, especially between men and women; instead of getting a slave who only wants to satisfy his own needs, he hopes to get a partner who has a mind and a soul, can communicate, and can stay with him for a lifetime. If the protagonist traveled to ancient times and was an ordinary person, I strongly agree with him taking the initiative to confess his identity; breaking the shackles of pre-modern people between husband and wife is not only conducive to the relationship between the two and the cultivation of future generations; the family is harmonious and everything is prosperous. An equal, progressive, humane and knowledge-filled family is very important to both the individual and the entire family. I think this is what most men and women hope for. But if this matter has something to do with power, especially if the protagonist does not start from scratch but inherits the throne; and there are already so many women, it is impossible to form a modern "monogamous intimate relationship" form of male-female relationship, or even to meet everyone's emotional and physical needs. It is impossible to try to maintain the emotional balance between men and women and the harmony of the family from a modern perspective. The truly correct approach is to keep a distance and use various means of differentiation and fighting to control a few people; this will not only ensure that the protagonist's own status is as stable as Mount Tai, but also protect a few people; it can also stimulate the subjective initiative of a few people and give them a sense of achievement and satisfaction. Especially from the position of the protagonist, it is not an exaggeration to say that it affects not only him, but a group of people, the fate of the people of the entire Song Dynasty and even the history of the entire Chinese nation. How can it be a child's play? The rise and fall of the country is based on trust in others' so-called moral rationality, and one's own so-called moral superiority of modern people is placed above the life and death of all people in the world; this is the real ruthlessness and naivety, and this is a very typical female channel thinking mode. From this perspective, for the five people, the true modernity of a modern person is not to argue about so-called morality and equality between men and women because of jealousy. This is not in line with the production relations at that time. If they really call themselves modern people and feel that they have the sense of superiority and mission of modern people, the most correct thing to do is to use the modern knowledge they have mastered to promote the development of productive forces, thereby changing the relations of production, benefiting all people in the world and leaving their own traces in history. I think it's not just me who thinks this way, this is also the main idea of ​​the author himself. I hope the author will strengthen his belief and not be led astray. Many people actually have the same ideas as me but are not good at expressing them. We are your base.

It's better than expected, but the title is a bit obscene

Doesn't it mean that after five children are born, there is no need to keep the identity of the time travel secret? I'm looking forward to the reactions of the five of them. As for those book reviews that exhort, I suspect they are all female readers. Unable to accept the underlying logic that power comes from the control of violent institutions There is no possibility of losing the power of the emperor because of the identity of the protagonist before time travel Strategy, palace fighting... None of the five heroines has a prominent natal family. If you replace the Sui and Tang Dynasties, these five legitimate daughters from different families and seven surnames, if they work together, it is difficult to say who will win. All their power now comes from the male protagonist, and no matter how they think subjectively, they can't change the objective imperial power Wang Mang's attempt to seize the Han Dynasty was based on recruiting allies in the front and building up enough strength in the back If the male protagonist is wary, do these five female protagonists have the capital to recruit allies and gain strength? Of course, with the decline in the average moral level in reality and the attack of judicial bias, some readers can also understand their disappointment in human nature.

I have already seen how the Song Dynasty perished after Zhao Yu. As the saying goes, Zhao Yu did this, and his descendants followed suit. They indulged in women, emptied their bodies, and died suddenly before the age of thirty. The heirs became younger and younger, and they were ignored by ministers...

At present, it is non-toxic and relatively high quality. Too many historical essays are boring, but this one seems lively. A modern person who goes to the Northern Song Dynasty is more principled than the people of the Northern Song Dynasty. Don't look at all kinds of indecent things. It is really poisonous. A lot of them are like this in the starting point. The title of this book is very poisonous, but the content is not poisonous. It is very smooth and arbitrary, which is a bit refreshing. There is a very interesting point in "The Beauty of Youth", that is, if a wife escapes, she will be caught and beaten to death. It is very true. If a woman dares to jump in time travel, she will probably die immediately. Sometimes I think, maybe the first priority of time travel is to survive. Many people may be beaten to death by the ancients within a few days of time travel. This is also the automatic correction of history. Otherwise, why would only Wang Mang be famous in future generations.

I feel like we still have to focus on the court. The description of the harem is too big. It takes up more than half of the page. Even half of it is already a lot.

The technology tree is so easy to climb. Can a person make a machine tool by traveling back to death?

There are many comments about charging money. First of all, I did not receive money from the author. Secondly, I really think this book is okay. Each of the five female supporting characters should have their own characteristics. Currently, only one of them, Ma Dalei, has been accepted by the protagonist, and the other one, Queen Mother Jun, is also very ambitious, although a bit stupid. Although these five female supporting characters have temporarily swallowed their anger, they still cannot let go of their modern identities. But that's right, as long as they have traveled through the past, everyone thinks that they are destined to return, and now they are just dormant slowly. After all, all those who have traveled through the past have their sights far beyond the natives, and they are proud of it. I really don't see many poisonous points. I really think this book can be regarded as food to a certain extent. I don't understand why the comments are so malicious, or am I just boycotting the harem Bundo heroine? Judging from the current performance, these five female supporting characters cannot compete with the queen chosen by the male protagonist, and the female supporting characters chosen are not beautiful. Even Queen Mother Xiang knew what the protagonist was doing, but she had to choose the protagonist because he was good enough.