The Name of Eternity

When I first read this book, I felt that the world setting in the book was relatively good, and the characters were relatively fleshed out. I also wanted to continue to watch the rise of the protagonist and the various plots. But the author changed hands and pulled the big one. The part about the family having a big quarrel and running away from home after it was released was really disgusting to me. After it was released, it seemed as if it was suddenly written by a third-rate female ghostwriter. To be honest, I have been reading books for so many years, and I have tasted good works, extremely bad books, and mediocre ones to pass the time. But the author is like Jing Ke holding out a piece of the map of Yan State when he presented it, and he couldn't help but get confused. To be honest, I was surprised. The introduction of the foreshadowing later made me recall that when I was in school that year, when I read San Shao's autographed works on a pirated website, I felt a bit of shame deep in my heart. Hey, (╥_╥), finally I would like to give the author a big word. Although a work cannot satisfy everyone, and sometimes it cannot make money very well, but at least you must respect the characters you write, reflect the normal thinking of the protagonist and supporting characters, and make the people in the book at least like human beings, rather than like puppets who are forcibly reduced to intelligence just because the plot requires it.

The title of this book refers to the popularity of the baby flow, but personally, I feel that it is more along the lines of the traditional fantasy invincible flow. Only in the early stages of the story, the protagonist's childhood growth is used to introduce the world view and foreshadow the plot. However, if we only look at the first large map, the title of this book is quite relevant. I personally think that as far as the current plot is concerned, the work can be divided into two stages. The first stage ends at Chapter 19 of Volume 3, "Passing the Death River", which is the first two hundred chapters. First of all, we must realize that the essence of this book is a fantasy invincible text with dark blue dots. In the refreshing section where the protagonist pretends to be funny, the author's emotional mobilization and appeal are quite good, and he is worthy of the veteran author's writing skills. But there are really too many traditional fantasy novels, and all the corresponding routines have been written long ago. If there is nothing new, no matter how cool the article is, it can only be said to be readable, but it will be difficult to generate topic discussions. Although this book uses the gimmick of infantile abortion, the infantile abortion itself is not a particularly novel setting, let alone arouse readers' sense of attraction or expectation for long-term reading. On this basis, the author took a different approach and actually chose to use the protagonist's father as an atypical villain to create. Let the protagonist, a free soul from the modern world, have a fierce collision with the patriarchalism of feudal tradition. Then, let me make a digression. The author "Gu Xi"'s books have always had a bit of literary and youth drama, and they do not entirely revolve around the protagonist. The specific form of expression is that the supporting characters in the book will give up the protagonist in certain plots that require choices due to their own positions, preferences, pursuits, etc. This kind of writing is a little bit "kneeling on reality", which makes the plot deduction have a certain logic, but it is not completely refreshing, and it is not purely refreshing writing. Most novice readers of Shuangwen will complain about this. Only by making it clear to readers can they look at it calmly. However, this level of literary youth is not too serious, but it is not bad, and the persuasion rate is not too high. The father of the protagonist in this book is an example. On the one hand, he is somewhat paternalistic. On the other hand, as the head of the family who is solely responsible for supporting the family when the building is about to collapse, he naturally cannot get used to the protagonist who is extremely talented but idles all day long. However, the protagonist, Goldfinger, must be idle in order to gain points in Dark Blue. Naturally, the two sides will have conflicts that are difficult to mediate. Such problems of communication barriers between father and son are common in today's world. To some extent, they can be regarded as hot issues in society. Therefore, although the author's eccentric writing style has caused an uproar among readers, it must be said that it has indeed made the book uniquely identifiable and stands out among the fantasy novels. Many readers can't help but wonder how the author wants to resolve the feud between father and son in his novel. In my opinion, the grudge between father and son in the book is almost unsolvable. If the communication barrier is simply caused by the cognitive differences in three perspectives, as long as the protagonist understands the burden his father is carrying and the desperate pressure in his father's heart, it can actually be relieved. After all, if you hate iron, it will never become steel. But unfortunately, the protagonist is not a real genius, but a cheating player who relies on the system. He can only cheat and add points to continuously become stronger by being idle and not doing his job properly. If you really want the protagonist to practice steadily without relying on the system, the picture will be really beautiful. This kind of contradiction and conflict is equivalent to a fundamental contradiction, which is almost completely unsolvable. But the author actually gave a beautiful solution to the problem. In the third volume of the Qianhe copy, the protagonist is equivalent to traveling to the previous generation. He can feel the father's love and the warmth of family from his grandfather. He also experiences the desperate situation of the family's mainstay dying in battle, and can empathize with his father to a certain extent. At the same time, the copy takes the baby road again, which is also a echo of the title of the book. If you don't blindly pursue a long-form writing method, this book can actually increase the length of the copy of the third volume, form a closed loop of plot that echoes back and forth, write a million-word story that can be adapted into an online drama, and provide a clever answer to the grudge between father and son. It's a pity that male fantasy novels generally pursue long-form stories. This book did not end at the end of the copy, and has since entered the second stage, with a new big map officially appearing, namely Dahuangtian and the Ji family, the family where the protagonist's mother lives. Because the plot of the second phase has just started, I haven't watched it much yet, so I will put it aside for now. In short, just talking about the first stage of the plot, the clever idea of ​​ending the book with a copy, I personally think that it actually has the potential to adapt an anime web drama~

I saw the latest chapter today, "Dharma Saint", and I don't plan to read it. I have a lot to say. In fact, this novel is very good overall. If it weren't for some regrets, it would be better to call it fairy grass. There are endless exciting points. The protagonist's realm improves so quickly that it doesn't look like a mother-in-law. He jumps to the great realm and kills without making people feel that his combat power collapses. The hero's arrogance to take over the world is also admirable. Some of the supporting characters are also outstanding, such as the second master, the thief, the aunt, and even Liu Yuerong (I think this character is really good, although he is a villain, he is also flesh and blood). However, I have to say that the shaping of the parents, Li Tiangang and Feng Qingqing (especially Li Tiangang), is indeed a bit too bad. In fact, it's not that I can't understand the thinking of parents who want to guide and plan their children even though their own thinking can't keep up. For example, in real life, the famous young genius from Peking University ended up failing to buy a house because he forced his parents to buy it, and now it's starting to fall apart. At this time, would a normal person still protect these parents? No, I will only feel sorry for that genius. And do we care how ignorant these parents are? We don't care. All we care about is the fall of genius. The biggest problem with this book is that it focuses too much on describing the rigidity of the parents. Originally, I reluctantly pretended not to have seen it, but when I saw that Dharma Saint was going to accept Li Tiangang as his disciple, I really didn't want to see it. It is obvious that the protagonist is almost the best in the world, and he will go to the new map immediately. It is enough to let Li Tiangang spend the rest of his life in the world reflecting on himself. Why should he further improve his strength? I know, maybe the author has his own considerations. Maybe it is just a plan for Fa Sheng to accept Li Tiangang as his disciple? Is there another plan? Is the water in the Holy Land very deep? But to be honest, as a reader, it's really jarring that such a character can continue to exist in the plot by relying on his combat power. I can see that the author wants to write about a universal person who inherits the fate of heaven and earth and does not care about the restrictions of ethical guidelines. However, such a character should quickly forget about this completely unfit father. The plot should also abandon this character and just mention it after a few chapters. However, the author always insists on shoehorning the character of Li Tiangang into the plot. It is difficult not to make people doubt that this is some kind of obsession of the author. In terms of the excitement of the plot, generally there is something exciting after depression, such as getting revenge after working hard for a bloody feud, or becoming a blockbuster after being bullied. I don't think anyone wants to see a small villain in the early stage acting all the time. To put it bluntly, I even think it's okay to let this character receive a box lunch. After all, the protagonist doesn't care about this pseudo-father anyway. In fact, if Li Tiangang is killed, the protagonist may still go to his grave a hundred years later to make fun of him. If Li Tiangang before Li Tianzong's return was still a good general and a failed father, then Li Tiangang, who accepted the mercy of the Dharma Saint, has completely turned into a villain - he always only has the concept of "I am a father" towards the protagonist, only has calculations of interests, but no sense of friendship. I have no problem calling this kind of character a villain, and readers never want to see a villain who is always alive and kicking. In short, for this work with a very good style and rhythm, it is very unacceptable that the author persists in cramming such an uncomfortable character. Teacher, I sincerely advise you, if it is true that your family of origin has brought you great pressure, I hope you can get out of this haze as soon as possible. But I believe you also understand that we readers are also here to find pleasure. If there are always other people's obsessions in the text and it makes reading unhappy, then it will gradually disappear. If you are really obsessed with it, I not only hope that you will be freed from it, but I also think that the achievements of this book can be even higher. As a writing enthusiast myself, I know that I cannot change the author's planning outline, but I still hope that the author can listen to readers' suggestions. After all, your work is always read by us readers, right? Finally, I really wanted to see the day when Haotian would be arbitrarily determined for eternity, but I really didn't want to see the terrible father of this future peerless lord.

I originally came here for mindless and cool articles, but I didn't expect that now it's a female channel. I wanted to add some difficulties to the protagonist. I didn't expect that it would disgust us readers first. Write mindless and cool articles. It's very uncomfortable to watch female channels. Your writing style now can't support the connotation you want to express.

I bit the bullet and read the parents' part. After reading it, I just want to say that the author really didn't do enough in shaping the protagonist's parents. First of all, there is a certain separation between the character's personality and the character's performance in multiple identities. His father is a rigid person. He is arrogant and arrogant in his own family, and has a strong desire to control. He feels that everything about the child must be developed according to his ideas, and he does not care about the child's mood and thoughts, which is really amazing. However, in the military camp, only a description of jealousy and relationship-based relationships was given, and no emphasis was placed on his father's rigidity and desire for control. For example, he would never retreat until he received orders. For example, when discussing the war, he only believed in his own judgment and did not want to believe the opinions of others. Why do people look so much more normal when commanding on the battlefield? Why is he so rigid only in his identity as a father? Once a person's character is determined, its main character traits should be reflected in any identity, which makes people feel separated. Secondly, the intensity of character creation is very uneven. Some characters have too much ink, while others have too little. The protagonist's mother is a good example. To be honest, I feel that the protagonist's mother is a pure love-head, the kind who will do anything for love. However, she did not describe the love process of her parents and give some details of the love-mind (except for intermarriage with foreign races). Instead, she directly chose the protagonist's father from two father-son alternatives. This seems to make readers feel that she is targeting the protagonist. There is maternal love, but not much😅, but love comes first. If the author can write about the love between parents, I think I can accept a plot of choosing the protagonist's father. But no. Similarly, the protagonist's mother also has the characteristics of separation between the character image and the character's performance between different identities. In the front, she was still a child, I miss you so much, my mother loves you; but after seeing the protagonist's father, she collapsed and sat on the ground due to the entanglement. Without the courage to be a mother, and without the decisiveness, courage and brains required for marching and fighting, I would like to ask you how you managed to defend the border after fourteen years? But the author knows how to write about women on the battlefield. Li Hongzhuang's description is that of a normal female general (I really like the character Li Hongzhuang) Finally, I don't understand why the protagonist's parents are shaped like this? I think the negatives far outweigh the positives when it comes to bringing out the character of the protagonist. As a time traveler, the protagonist initially faces the protagonist's parents with an adult mentality, but why does he have so high expectations for the protagonist's father and mother later on? Just like a child looking forward to the love of his parents. When the protagonist realizes that he cannot get the love of his parents in this life, he does not face it with an adult mentality at all. The way he behaves is exactly like that of a fourteen-year-old child. There is no understanding or improvement in mentality in these things. There is only "Okay! You are treating me like this! Then I won't want you!", Which seems to be an arrogant person acting emotionally. I can understand the protagonist's mood after experiencing these things, but I can't understand the author using such a plot to create the protagonist's image. Most readers don't like stories that severely abuse the protagonist. What they want to see is that the protagonist at least gets the favor of one party, and maintains a good relationship even if the protagonist does not want this preference, so that it appears more tender. This is not the apocalyptic era in King of Darkness, so you don't understand the intention of abusing the protagonist in terms of fatherly and maternal love. In addition, the plot used to shape the character's image should not be watery where water should be, and water should be watery where water should not be. In the sea, you are all water. The routines are all shocking. Look at how many people in the comments said that the author is stupid. I didn't read the comment section at first because I had read King of Darkness before and was impressed by the author, so I clicked in to read it. After reading the parents section and reading the comment section, I feel like I can give up. The author should cherish his feathers.

Personal opinion: Liu Shuiwen, all staff have low IQs

Is this a Glory 4-star novel? The starting point is really a defense. After reading 100 chapters, I really can't stand it anymore. It's like the mindless novel I read at a roadside stall 20 years ago.

First of all, let's talk about the good stuff The theme of this work is novel. The opening is a relatively new opening recently. It is written from birth, and there are a lot of descriptions from childhood to adulthood. The essence of golden finger is the old point-adding, which adds points for overall improvement of skills and experience-based upgrade of God's reward for hard work, but there are breakthrough conditions. Specifically, you can only gain skill points by gaining experience in acrobatics to increase your cultivation. The historical background is ancient fantasy. The map of Novice Village is a kingdom (dynasty). There is no specific description of the map, but it should be quite big judging from how many miles the protagonist moves. The internal relationships among ancient princes are also complex, with good ones, powerful ones, evil ones and neutral ones. The character descriptions are full. Let's talk about the bad ones The first is the protagonist's father-son relationship. The description of the problem is very sharp, and it is a point of reference, but this is necessary. The protagonist has grown to a limit at home, and it is necessary to change the map. This change of map is very clever, instead of suddenly like other novels, the world is huge and I want to see it. But why say bad? Some readers do not accept this kind of plot, thinking that such a character is stupid, and making an arrogant evaluation from a God's perspective, which is very subjective. The main purpose of reading books for these readers is probably to escape the unhappiness of real life through the imaginary world. I do the same, but they accept what they are willing to accept. The mountains have ups and downs, and the poems have their ups and downs. How can a book only have a climax? Even if it is a growth story, there will be a time when it reaches its peak, and that time is the end. Finally, as for the future prediction of this book, I will not continue to read it at the moment. Firstly, it is because of personal reasons. I am a student with little money, so I will not read the rest of it. I have fully experienced the author's talent and imagination in the previous part. The second is a pessimistic view of this work. The author is very talented, but the style is invincible, at least according to the label I see now. In the book, the protagonist's strength soared too fast, and it would be bad to be stuck for too long. Changing the map would be faster if it were not stuck, but changing too much and changing it too quickly would not be good. Later, it is estimated that the protagonist's mother will have to be changed to a map. There is a foreshadowing, but it depends on how to change. Currently, it is estimated that the motivation is to find the mother. Leave a piece of advice to the author: prosper by this, or perish by this.

It was good to read this book at first, until it was clear that it was about to start to feel good, but the author suddenly started to feed the readers one lump after another, and the author even asked Lian to subscribe for a monthly pass. The content written at the end of the book really stepped on all the pitfalls that could be stepped on, and that thunder was like a thunderbolt. One by one, he can arrange for you all the plots of old dog blood that you have been thinking about for more than ten years. Whatever you are afraid of, he will give you exactly what he wants, and he will feed you precisely. If it weren't for the author setting a fan value of 400 before he could post a book review, he would have spent dozens of extra dollars to watch a few episodes of old dog blood in order to post this anti-drug post.

Gu Xi was also a great author in the past. His works were very popular back then. The beginning of this book was very creative and in line with the current popular trend. It was a promising book. But unfortunately, the author himself has completely failed to keep up with this era. He has not made much progress over the years. After writing it, he returned to the way he used to be when he was a great author. It is a popular style in the age of gods. Unfortunately, this kind of short-term writing can no longer satisfy readers whose horizons have been broadened by recent books, especially those who need to arrange for the protagonist to forcibly subdue their wits, the Holy Mother, and the inexplicable relationship between men and women in order to spread some plots and low word count. Now there are some in the book These inexplicable things are too clumsy and rubbish. They are really in the book. Now I am mainly reading it because I want to see if the author can come up with any new ideas about cultivation. As a result, this book also has various settings and loses track of progress. It is so bad. After reading some novels, I want to read the depth between the lines. The meaning and foreshadowing, this makes people just want to see if there is any new idea. If you look carefully, you will get dirty eyes. Just like this, the realm is named "Three Immortals and Four Inseparables", but it can be said that the writing style is delicate. Hey, when writing about sadness, I just write it with tears and roar to vent it. It can be considered delicate writing style. It is indeed the end of the world.

It can be set like this. Cut off blood ties. But the turning point was poorly prepared. It just looked awkward. Very rigid. My father's real dragon brain is like two hundred and fifty. My mother didn't have any brains either. This looks very awkward. The conflict is also very blunt. This seems to make the readers smart. The author still needs polishing.

Regarding the content of Chapter 87, I actually had some guesses before. The author has already foreshadowed this. In the past, there were always people who emphasized rules in life, but the fisherman saved him and allowed the protagonist to continue to be leisurely (forgive me for forgetting his name); there are also other people's opinions on the protagonist's servants - they are too unruly. From these we can see that the Li family, the mansion of the mighty generals, pays great attention to rules, especially the conversation between the Diaoyu Guy and the protagonist, "Anyone from the Li family who has the talent for cultivation must die in battle." It can even be said to be pedantic. Therefore, this scene should have been anticipated. After all, the character of the protagonist and the family environment are irreconcilable. In the past, I didn't dare to take care of him without the real owner. Now that his father is back, the pedantic leader must take care of it. Therefore, conflicts naturally arise.

I can't stand it anymore after reading half of it. It's so disgusting. Is there anyone else who likes this book like you?

Finally I can post. I have written so many chapters about a disgusting father character. I want to torture him or not. It is really disgusting to read. The more the plot goes on, the more the same. Not to mention other plots, just the role of the father is really uncomfortable to watch. He insists on his own ideas. The title has to be a cool article, but it is not cool. I feel sick when I see his father. Did the author really check the comment area? How many people hate this character? The previous setting If you don't have 500 followers, you won't be allowed to comment. I changed my name because I know what I write will be scolded, so I will continue to write. Are you trying to hide yourself by changing the name? And the plot of going to his mother's side is even more outrageous. I wrote about his father trying to take his son back no matter what. Is he trying to clear his name? It will only make people sick to watch. His father still has the same thoughts and ideas. I really can't stand it anymore. The protagonist still continues the previous routine. It's really bad.

Don't fight if you are angry. If you don't know how to write a love scene, don't write it. Especially when someone is engaged, they interfere. There is no need to create such contradictions to advance the plot. Later, I guess the author's imagination opened up, and the other man was raped by the demon, and then he was reincarnated and hated the male protagonist. There was really no need for another reversal. My liver hurts from watching it. 1. If a person is thinking now. After awakening the so-called past life memory, it depends on his or her own choice whether he would rather be himself or his past life self. What's more, awakening past life memories is not just a dream. Can you change your personality just by having a dream? In this case, if you write about such a meddling thing, you are not clearly being forced into marriage. Instead, you ran over and forced me to get married with the engagement contract. 2. Let's not talk about the harem. You already have a girlfriend that you have held hands with before. Don't tell me that the person named Lin is not even a girlfriend, but only an ambiguous partner. Now I turned around to find another girl, who was still unawakened. No one knows you. You don't know anyone else either. I just asked if it was appropriate? 3. Knowing that I am powerless, I still go there with a shy face. The so-called mere companionship, but also interfering with other people's lives, is both important and unreasonable. When you get there, find a place to stay and practice quietly, knowing that you are powerless and not trying to improve yourself. What's the use if you can't even fart at someone else's house. If nothing happens to your reincarnated body, you can practice normally. If something goes wrong, you can go and help. I also admire you as a man. You went over to me without explaining your purpose, and just kept mumbling. You also know that you can't say it, so why are you visiting? Don't you even read what your benefactor gave you? It's not like your benefactor handed it over to you. It passed through your own hands without looking at it and was just sent over. So many experiences have been lived in dogs? They said they would give it to you over there. Handing it over without even looking at it, forcibly pushing this embarrassing plot. 4. What I wrote earlier was okay, before these chapters came out. I think it is understandable no matter what others say. After all, it is true that I am in danger without knowing it. The Guardian went after someone else. Although it does not make sense, for example, if we can meet early, we have to take a detour with the guardian all the way. . . It is also a mysterious operation. They are all in the same camp, they are still people who knew each other 100,000 years ago, and they are also accompanying them in the future, but in the end they turn a blind eye to the people from 100,000 years ago. But other reasons can also be blamed. For example, I don't know who the visitor is and I don't want others to catch up. But this shameless pursuit of another reincarnation is really bad. Be more logical. If the situation is not good, you can stop updating. Don't ruin your hard work easily. Creation is not easy. If there are bottlenecks in the plot, discuss it with your good friends or book friends, and look for more ideas instead of working behind closed doors. Learning Doupo's tricks and eating them all over the world is really aesthetic fatigue. Others have always been so horrible. There is really no need for you, your own boss, to be a villain. You tell me that a person who is greedy for life and afraid of death can become an Immortal Emperor? Then your so-called Dao Heart or Emperor's Heart settings in the early stage are not funny. Don't lower the Immortal Emperor's character. You said it's more or less a conflict over some treasure, transcendence, or going a step further.

This book can reach Honor 4 stars. This editor is really incredible. Tomato's funny writing is better than this one

As for the entire setting, although there are flaws (for example, the effect of art points in each realm is the same, which is actually unreasonable), it is still relatively good-looking in the early stage. The later part is just a mess after his father came back. Forcibly portraying his father as an inflexible idiot who only has rules in mind. Obviously his father was also the unruly type when he was young. Forget it if you are always hostile, and then you will start to clean up. I was so sick that I threw up.

If you don't know how to write emotional scenes, you don't have to write them. I personally don't feel much about the story of the abusive protagonist. It's a setback on the road to growth. But you must create a character who has almost no bond with the protagonist, and then let the protagonist pay for him wishfully, and then stab the protagonist in the back. Outsiders can see clearly, but the person who stabbed the protagonist in the back cannot see clearly. Abuse for the sake of abuse, pure intelligence. At this level of description, either I need to start a vest to practice first, or I should abandon the emotional drama and just write about the invincible path. Except for the occasional hook in the follow-up, the protagonist's growth is completely invisible in the side scenes. The scene with Li's father is even more funny. It can be seen that he wanted to create a traditional image of a strict father who would do his own thing. In the end, he wrote a story about breaking the law for his wife, but he beat his son for being able to listen to outsiders. Don't you think it is inconsistent and intellectually demoralizing? If you really want to create a protagonist who commits suicide, why don't you start in an orphanage from the beginning? If you want to read this kind of story, you have already gone to see Li Jing and Nezha. Why read Shuangwen? This kind of plot would be fine in a female channel, but backstabbing in a male channel would be pure humor. Even the pets picked up on the roadside were willing to sacrifice themselves to save the protagonist. The protagonist's mother simply sold the protagonist who came to save him. So I would like to ask what is the purpose of creating these two characters? Disgusting, so disgusting. I'm too lazy to mention the number of words in the dialogue throughout the subscription chapter. The pacing in the early stages was okay, but once it got to the end, it started to be violent and disgusting. However, I didn't believe it and I subscribed and ended up eating a huge meal.

Fans are worthy enough, just to comment. His father has been very poisonous since he came back, and he is always complaining and can't explain anything clearly.

Lighthearted and humorous... Seriously? 😅😅😅

Ever since the southern region of the Immortal Realm was so depleted that it was unable to resist, chaos began. I thought I would suppress it first and then increase it, but it turned out to be a failure, right? A deflation is not enough, so I will continue in the northern region, right? Has my brain been wiped out by the Supreme of the Southern Region, and I didn't do the basic situation investigation. It has no other use than resisting stress, right? At least there is a plan with some thought. It can only be "firm", and it can be used to push the ball firmly! Mother of the Su family also doesn't care about the emperor-level agreement. Why is the emperor so cheap? Is the mistress so retarded? I just don't know what to say now. I rarely get so angry that I post comments to scold the author, I just can't help it 😅 In the end, I feel that Li Hao deserves to be Li Tiangang's cub. Li Tiangang wants to raise his son in his own way, regardless of whether the son wants it or not. Li Hao wants to "accompany" his benefactor in his own way, regardless of whether the other person wants it or not. This is not to change his surname back to Li 🤫

The most disgusting thing for me when reading this book is not the plot, nor the poor writing, but the fact that the author keeps cheating on monthly tickets, making announcements saying that he is going to update the book with 10,000 words in a row, only to delete the announcement after two or three days and continue to be terrible. Making money from writing requires talent. There are definitely times when people are in poor condition, and they may work hard for a long time and still not be able to write like some great masters. I can tolerate these things. As long as you really work hard at writing and can attract me, then I think there is no problem in voting for a monthly vote. But this book has been cheating monthly passes for several months. After cheating once or twice, I tasted the benefits and continued to cheat. I was really disgusted, so I never believed in the empty promises after that. Of course, the author became more and more bad, until he became a eunuch. The monthly ticket for that year, just feed it to the dog with sincerity.

I heard this book in Himalayas, but I couldn't put it down at all. I saw it today at Qidian and I wanted to complain about it. Forget about breaking up with his dad, he finally met his mom, and the whole story about his dad not loving him and his mom not loving him shows that the author's life is really not going well.

Spend money to read a novel and still have to suffer from it every day. What am I picturing? No more chasing, this author will be blacklisted. Dear book friends, if he releases a new novel in the future, don't read it or you'll find him dead like this again when you get in the car. Now vote for the next author. I will uninstall the APP later, hahahahaha, see you all book friends 🙏

It's like having a serious illness. The first chapter is about cool articles, cool articles, all of them are cool, and the rest is all about it. With the system in hand, you can't break through without encountering someone who pressures you every time. It's really abstract.

I won't give it to you if the monthly ticket is in vain.

I have read novels for many years, and I don't know how many poisonous books there are. This one is the best among them. It makes people feel stomachache and groan. The female channel is far inferior to it. People have something to say. They tell you clearly that you are going to abuse the heroine. This book is more XX than XX. The plot is based on the author's personal experience. It makes people immersive and finally understands what some people who want to take revenge on society go through. Writing a novel for people to see can also be a means of revenge.

You just gave the book friends a big shit

Why is the function of the system gone? Can't you figure it out?

If you like eunuchs, then this account is basically useless. Opening a new account and writing a book is not that easy in this environment. There is even a risk of being recognized.