Wuxia: A Full Sixty Years of Internal Energy from the Start!

You can write about conspiracy, but don't make it so invincible at the beginning. You can write about harem, but don't make the protagonist look like a eunuch. He obviously has this ability, but he has to be like a gentleman. You can write the problem as a gentleman. What I read is that women are negative, and men have an attitude of not rejecting, not taking initiative, and being irresponsible. I suggest you read mystery novels. If you want to write about high IQ, put down your combat power. As Chu Xuan knows in Infinite Flow, intelligence increases with the increase of force, and it is always higher than force. Only the battle of wits is interesting. I really don't think that a person who can obviously win with muscle would have to use his pitiful intelligence for what? Do you think Zheng Zha was asked to use his brain to fight wits? Also, it's okay for women to cheat on you, but you don't want to make the male protagonist look like a scumbag, okay? I know you want to write about the free and unrestrained style of "walking among thousands of flowers without a single leaf touching you", but the way your character is portrayed is like having those things but being impotent. Why don't you read what the female channel wrote and learn from it? If not, go read the novel "Orléans Grilled Sturgeon" and learn from how he wrote the male protagonist. The harem is a harem, but the male protagonist is really flesh and blood. Speaking of breaking chapters, please don't always break them where you think you are right, okay? Yes, I admit that there will be suspense where you break it, but suspense is not always about whether you guess or not. It is called a matryoshka doll. The real suspense is "you know there is a bomb under the table, but no one knows when it will explode", or "stretch a rubber band, getting longer and longer, you don't know when it breaks, and then suddenly breaks." You are always playing nesting dolls, and there are very few suspense moments that are really satisfying. Finally, there is combat power. It's not that the protagonist cannot fail, but don't make it so inexplicable. The opponent has no foreshadowing, but kills him with various famous moves in his hands. The internal force foreshadows the miraculous skills. This feels like Ye Gucheng who defeated Ximen Chuixue after the Forbidden City was taken over by Wang Xiaoer of the village chief's family. The hatchet blocked a sword, how can you find someone to supplement it later? Wang Xiaoer has been studying Ye Gucheng's sword for a long time. To be honest, even if you say that Potian started studying this sword since Wang Xiaoer's grandfather, and his father has been using the hatchet since Ye Gucheng was born, readers will not think this is a reasonable thing.

The protagonist has a big account and can appear as a person at will, so he is no worse than the protagonist, and he still lives in someone else's game (which is very frustrating). The author likes to delete comments and only leave good ones. The big account is banned by the author, and he is forced to open a small account to express his dissatisfaction.

What did you write? The first chapter is pretty good, but in the second chapter, the hero quickly saves the beauty, and even roasts chicken and gives it to the beauty. After a long fight, three riddles came out in less than thirty chapters: a Wuxin ghost house, a disappearance of the Tang family, and where the master went. At first glance, you can tell it is the kind of riddle that runs through the entire book. I don't understand what is most important about the protagonist at all. It's obviously a reward for catching a knife to gain martial arts and longevity. How can you imagine that you only have more than a year left to live by riding a horse? The protagonist starts off so strong, but ends up feeling aggrieved at every turn, without the sense of satisfaction of having gained sixty years of inner strength. First of all, I don't hate the female characters, but the girls of the Ye family and the Tang family, who appeared first, looked so awkward. They both killed the whole family. They were given a roast chicken and asked where they bought it. Co-writing the roast chicken is more important than the whole family? As for the martial arts category, are you writing a ghost movie? Who can silently seduce the protagonist who has sixty years of inner strength? Let him see the eldest daughter of the Tang family in reality, but it seems to be in a dream, and the whole family can disappear without the protagonist discovering it, and even the government can't find out the news. Only vixens and ghost girls can do it. So is the sixty years of inner strength obtained at the beginning just for show? Being treated like a monkey? You actually have to rely on the portraits left by others to determine that what you experienced is a fact and not a dream. Even if you feed pigs for sixty years, it will not be like this The most important thing for the protagonist is obviously to catch knives everywhere. At the beginning, it was said that there are many ruthless people in the world and there are rewards everywhere. In the end, I wrote 30 pictures and compiled three riddles. The rewards were two horses, which were given by others. The co-author doesn't care about his lifespan at all, right? The categories of martial arts are as neat as those of ghost movies Only one, the daughter of the Ye family, whose entire family is dead and is being hunted, her life hanging by a thread, is still in the mood to ask where she bought the roasted chicken after being given a roast chicken by the protagonist. Based on this, I give it a thumbs up. The death of your whole family and your own life are nothing compared to how a roast chicken can affect your mood.

Invincible flow should engage in reasoning. The key is that you reason and reason and talk and talk and finally solve the problem by force. So how good are you in reasoning? And no matter whether in the previous book or this one, there is no need to speculate on the identity of the protagonist. In the previous book, he was a dart boy, and in this book, he was a mercenary (knife catcher). He was paid to do things. Who cares about the background conspiracy and so on? If you like writing mysteries so much, why not just give the protagonist a detective or a six-door background?

It's all fun. I haven't received the system reward for so long. It's disgusting to the Tang family. The protagonist is being played like a dog. Whoever likes to see such a stupid protagonist will watch it.

After reading Chapter 260, I was completely poisoned and died. Compared with the previous book, the handling of the characters was much worse. From the beginning, the protagonist was made to bear a moral pressure that essentially did not need to be carried. However, the subject who exerted this moral pressure has never appeared seriously in these hundreds of chapters. There is no confrontation with the protagonist. It also lacks a one-man show of its own, leaving only a sense of mystery, and the characters cannot stand out. However, this nihilistic moral pressure is always there, making the entire 260-chapter reading process very depressing as long as it involves the demon sect and the heroine. Who is this inexplicable behavior trying to impress? Does the protagonist of this book need her to save him? Because of a favor that he didn't need at all, the protagonist has to bear hundreds of chapters of moral debt. This plot arrangement is extremely unreasonable. When I see it now, there are only two words, aggrieved. No matter how many times I appear in front of others, I can't suppress the aggrieved!

This is such a deceptive title that if it were written by an ordinary author, I would have just crossed it out...

🤔 What the hell, it was just a young village owner before, but now a flower picker comes out, and even the main character and the protagonist have to chase him for a long time, what a piece of trash, he has been fed to the dog for hundreds of years.

With the first palm, you can gain one Jiazi's internal strength. It can be said that every mountain in the world is higher than the other. What's more, you don't have much life left, and you have to rely on tasks to extend your life, so you still need to act cautiously. Only after arriving at Ghost King's Mansion and Zuodaozhuang, Jiang Ran's internal strength was already invincible in the world. But instead it became more and more unpleasant to watch. Let's say that Jiang Ran pretends to be a pig, eats a tiger, and plays tricks on people, but he has almost never really messed with a pig, because he can win against anyone, everyone knows that he is powerful, and no one treats him as a pig! Let's talk about showing off in front of others, he won't be happy with anyone. Regardless of whether he is an unparalleled master or a person who has gained a reputation, he has to fight back and forth with others. It might be said that he lives behind the scenes and strategizes, but he is always at the forefront of everything and does everything at once. Let's say he is unparalleled in his push, but he turns a blind eye to the conspiracy and conspiracy that has been investigated clearly, and is even so-called "fear of interruption of clues" Let's say it is pure martial arts, this Jiang Ran has thousands of years of internal strength, whether it is the devil's sect or others, all kinds of magical skills are not much better than myths. All in all, the plot, the characters, and the development are all awkward, as if they are all different The writing is just okay

I don't want to read anymore. If you don't want to follow the pure invincibility style of Su Lao Mo in this book, then you can control the system rewards. Even if the internal power is not a simple superposition of numbers, it can still have a hundred years of internal power, right? It is far better than the panel that Su Lao Mo relied on to move darts at the same time, but the performance is far inferior. Take this recent chapter as an example. Even if it is a revised chapter, a man in his twenties can actually use the amazing sword technique with all his strength. Even if his father has been studying it for more than 20 years, what does it have to do with him? Or is it that his father has found the solution to the Jingshen Knife? Then how many rounds can everyone take after revealing it? The previous book also had some plots where the villains took over and vomited blood behind their backs, but it was usually Su Laomo who held back, or it was a random blow, and the villains who could take over were all famous bosses. Now suddenly a plot appears where a young man in his twenties can defeat him? Taking a step back, this Jingshen Sword is too stretched on the crotch. If it weren't for the top internal strength and the deepest internal strength blessing, wouldn't this sword technique really be broken?