The Sword Emerges from the Tang Dynasty

The writing skills are still at the level of Hengshan, but the struggle for hegemony is really not what the author is good at. As soon as the protagonist shows off his domineering spirit, some people will bow to him. This is definitely not a low-level mistake that a mature author should make in dealing with character relationships. For example, in the plot of absorbing the protagonist to become the second in command, Du Fuwei wrote that Du Fuwei was very interested in the village near Wuzhuangguan where the protagonist is. Luoxin is prosperous and feels impressed and ashamed. It directly attributes it to the protagonist without focusing on how to manage it, and ignores the objective difference between managing individual villages and the entire city. This is a mistake that was not made in the previous book Hengshan. A similar plot in this book was forced to do so because of poor coordination of the dual main lines. It is really a pity.

It's so well written, I've read Chapter 103 so far, and it's undoubtedly one of the best books in the past year. It is much better than the previous version of Sword Out of Hengshan. The plot of Sword Out of Hengshan is too thin, and the ladder of combat power is also very thin. There are only a few masters who can quickly become invincible, and Dongfang Undefeated's combat power is too high. The cliff-like ladder is not that interesting. Balance is very important. There are many characters in this book. Reasonable arrangements are indeed much better

I've killed the toad, so I'll post a post to celebrate. When will Su Shen write a fanfic of "The Rain and the Clouds"? It's my favorite martial arts. I hope Su Shen will write it.

Throughout the nearly 30 years of development of online literature, in my impression, the well-written Shuangyong fan works are either eunuchs or unfinished, and there are only a handful of them that can maintain the quality and quantity as much as possible. Among them, in terms of performance and writing style, I hope that this "Sword Out of the Tang Dynasty", which is a rare excellent work in recent years, can do it - my confidence in the author comes from his previous book "The Sword Out of Hengshan" by Zhutian Martial Arts. In terms of advantages, the character of the protagonist is stable yet playful, and he does not rely on golden fingers to be reckless, but uses classics and more aesthetic techniques to illustrate his practice and combat. At the same time, the author's portrayal of many original characters is also very good. Like his previous book "Hengshan", he can always highlight the unique charm of the original characters through some creative angles... All of the above are extremely rare in this era of commercial creation that focuses on the beginning rather than the end, and focuses on the beginning of the novel, but it is easy to fail in the middle and later stages of writing. However, while happily recommending it, I still want to point out two flaws that I personally think the book has: First, the emotional ambiguity line of "Datang", in the portrayal of female characters who are closely related to the protagonist, only three or two women in the early and middle stages, such as Dugu Feng and Huo Girl, have spent enough thought. Unfortunately, when the plot develops to the middle stage, more and more original female characters appear, and gradually, there is a trend of becoming a vase. These female characters always easily develop various inexplicable feelings for the protagonist even though the male protagonist does not demonstrate logically convincing words and deeds that modern people can understand. Although this kind of design with not enough details does not conflict with the underlying behavioral logic of the women in the original work (in fact, Xu Ziling and even Kou Zhong in the original work have a similar thin and idealized love line writing method), but compared with the quality of the line of practice and battle in this book, the depiction of the love line inevitably seems a bit weak. Especially when there are many classic female characters in the Double Dragon world, this shortcoming is certainly regrettable. Secondly, the author allows the protagonist, a time traveler, to engage in the cause of historical hegemony using the martial arts martial arts method. The protagonist can go to any area to fight against a certain/certain force. He only needs to kill a few leading masters/high-ranking officials of the opponent, or find several gangs to talk casually in the martial arts style. , As soon as the little Tianshi's domineering spirit is revealed, the people of these forces in this area will be in awe and seek refuge... Relying too much on force in the main line, instead of the time-travelers who usually rely more on farming construction, military command, and scheming to solve problems in martial arts historical online novels. The writing style is martial arts enough, but not historical enough. Although it does not conflict with the content/writing style/style related to Kou Zhong's struggle for hegemony in the original work, it is still regrettable.

A rare and good martial arts novel, reminds me of the time I watched Double Dragon of the Tang Dynasty thirty years ago.

Detailed description is what best reflects the writer's technical level and aesthetic ability, and the detailed description in this book is one of the best among the novels I have read at Qidian.

How about the second book, Sword Out of the Three Kingdoms ? I haven't read any books about the Three Kingdoms for a long time!

Huang Yi first wrote "Datang" and then "Legend of Bianhuang". There was an obvious loophole before and after, that is, the power of the Taoist sect, the Tianshi Dao in the legend of Bianhuang, "the first person in the Taoist sect" Xianyun, Xianyun's apprentice "the first person in the south" Sun En, Sun En's brothers include "King of Dan" An Shiqing and the leader of "Taiyi Sect" Jiang Lingxu, Sun En's apprentices "Demon Lord" Lu Xun and "Demon Commander" Xu Daofu, it can be said that there are so many talents, like the sun. Huang Yi's last work "Sun and Moon in the Sky" was during the Wutang period. Tianshi Dao once again appeared as "the first person in the Taoist sect" Tianshi Xi Yao (the reincarnation of Lu Xun). Xi Yao practiced Huang Tian Dafa. A question arises from this. Even if Tianshi Tao and other Taoist sects in "Datang" do not have a great master, there should always be successors at the master level. In fact, the first person in the Taoist sect is Ning Daoqi, a casual cultivator, and there is no trace of the Taoist orthodoxy. The original text of Bianhuang Legend describes that "the dispute between Taoism and Buddhism has never subsided since the Han Dynasty. He and Zhu Faqing represent the top figures of Taoism and Buddhism respectively. Their decisive battle is destined."; In "Datang", it became a battle between Buddha and Demon, that is, the contest between Huan and Shifeixuan. Inexplicably, the Taoist orthodoxy disappeared like this. This is a very unreasonable part of the original work. Before Xi Yao realized that he was the reincarnation of Lu Xun, he had already become the number one person in the Taoist sect by virtue of the Huangtian Dafa inherited by Tianshi Tao. He told the evil emperor Long Ying about his depression and the secret of the broken void in the legend of the border wilderness. This shows that "Huang Tian Dafa" has not been lost. If there is still a tradition of Tianshi Dao in "Datang", then it is unreasonable that "Huang Tian Dafa" is not included in the list of strange books. So I speculate that the reason why the author set the male protagonist to be the successor of Taiping Tao is to fill the bug that there is no orthodox Tianshi Tao in "Datang". I have to say that it is indeed clever and reasonable.

I don't know if this is good or not, but the writing is okay.

Advantages: 1. It is refreshing enough and in line with the temperament of contemporary online readers; 2. If the highest level is A+, the writing style can be as good as B+. Readers who read more historical texts should understand that B+ is more pertinent; 3. The plot of the story is not too compact, and the reading experience is not bad. It is not all about killing and killing, nor is it all about farming or practicing alone. It is not particularly tiring to read, and there are not many particularly watery plots. 4. The update speed can be given to A, and there are 8 content per day. -9K stable update, which is very fast Disadvantages: The author is a bit of a literary youth. Originally, some historical allusions or poems were inserted into the book, which can beautify the writing style to a certain extent and make the content less boring. However, it is a bit excessive. Some unnecessary chapters are forcibly inserted, which makes it awkward to read and affects the reading fluency. It will reduce the sense of substitution. More polishing will make the feeling better My humble opinion, please don't criticize. If you think what I said is wrong, you can discuss it harmoniously in the comment area.

Haokan

Seven monthly votes for you, come on

Update quickly, update quickly, and watch it too

Is it the top ten in the monthly vote list every month, or is it one star of glory? How is this calculated? Is the Honor List a pure gold list? Only with krypton gold can you get a high star?

Who doesn't love classic martial arts? Replacing old bottles with new wine also has a different flavor. The author's previous book "Sword Out of Hengshan" won my heart. He borrowed the setting of classic martial arts and then rewrote a popular masterpiece on this basis. And the length is just right, without dragging on. This book continues the characteristics of the previous book, because this time the story setting is more grand, there are more characters, and the reading experience of the entire book has been greatly improved. Even if you have not read classic martial arts, you will still have a good impression. The overall style is humorous and refreshing. The first half of the book was a particularly good experience. When it came to the end, the pace was a bit slow, but not to the extent that I wanted to skip chapters. It was probably because the author wanted to complete all the foreshadowing of the characters who appeared. The overall impression is very good. I really hope Qidian has more stories of this length. I will continue to support the author's next work.

Come on. Good looking

😁

To be honest, I have been reading books for so long at Qidian. I have only read two martial arts books by the author from beginning to end, and I have never read any other books 🤓

The pursuit order has been issued, I hope Su Ye will take care of himself.

It's very simple, I just cut the books! Having said that, He Shouchao's aura is no longer concealed, nine turns! ! Then thrown aside a copy of "Biyang Fairy Gate" and chanted: I knew at an early age that the world would be difficult, so I copied the book to the top. I pick up people's wisdom and fill it with wonderful pens, and steal their good sentences to write new chapters. His skin is thicker than the city wall bricks, and his literary courage is as light as catkins. Mo Dao's platform has no discernment, and he was eventually cast aside and infamous.

Thank you He Shou for recommending a good book. I haven't read a martial arts novel in a long time. It's really well written.

Not a buddy, Quan Ding is still a disciple, how can you have the nerve to end it 😭

Author, why did you plagiarize the creative beginning of "Biyang Fairy Gate" in 2025? 🙂

Use this precious place to promote books🙏I will give you a silver alliance after it becomes popular

Get more than a thousand likes and go straight to gold 🤓

It's so annoying. I copied it from the previous book. Are you copying the author of This Is the Starting Point at the beginning of this book? 🙂

Su Ye, who are you? You actually mobilized the history books and copied Lord He's Biyang's creativity into his own novel a few years ago, causing Lord He's reputation to be damaged 😡

Su Ye, you don't want the book anymore, do you? Our teacher Heshou came up with Biyang Immortal Gate long ago when the world first opened. What does it mean that you, Su Ye, secretly stole my idea from my teacher Heshou and sent it out in advance 😡

Everyone is welcome to speak enthusiastically, and the options are all drawn up by Su Ye. The luxury choice of four has surpassed that of primary school students for thousands of years. The following is a personal analysis for reference only: The first is Shushan. According to Su Ye, Shushan is difficult to write about because the law of cause and effect is too tight and all causes and conditions have already been determined. Unless the protagonist is a powerful reincarnation or has a golden finger, it will be difficult to make waves. Even if there is a golden finger, it is easy to be discovered and identified as an extraterrestrial demon and suppressed by the "righteous way". It is like dancing with shackles 🙄. Of course, I have read a book about how the protagonist surnamed Chen breaks the situation, but I don't recommend Su Ye to write it like this. Anyone who understands it can understand it. The second is Qin Shi. I don't know much about it. I only know that the original work seems to have not been finished. The two brothers BKING are outstanding. There are many strange swords and the flying snow and jade flowers are very nice. Moreover, the struggle for hegemony during the Warring States Period should be a subject that Su Ye avoids. After all, this book also cuts out a lot of plots of the struggle for hegemony 😵. Next is Tianlong. Although it has been written by many people, it has endured for a long time. It is attributed to the eight TV series of Tianlong that have been constantly remade 😜. The world limit is not as high as this book. Maybe it can be added to the movie version of Tianshan Tonglao's worldview 🤫. Tianlong has a large audience and will not be an upset. It is recommended to write "Sword of Heavenly Dragon". Finally, there is Fengyun. The gap in the combat power level of the trilogy is too big. The tyrant in the first part is just a roadside boss in the third part 🙂. In the end, there is even a super-standard boss like the Great Sun Tathagata. I have only read the solution in one book. The Tathagata is myself 🤫. Back then, the TV series Fengyun surpassed the Spring Festival Gala ratings and had a huge audience. I highly recommend writing Sword Out of the Wind 🤭. The works I recommend are all works that have appeared in TV series and are widely read, and are within Su Ye's writing comfort zone. Of course, if Su Ye wants to break through himself, writing about Shushan is not a bad idea. The above are all personal opinions. Everyone is welcome to speak enthusiastically, discuss actively, and provide inspiration for Su Ye 😄

The prophet predicted it 25 years ago, and the video did not say that the sword came out of the Tang Dynasty