I! Cleanup Crew!

Emmm... It's a very good book. I personally recommend it. It can be regarded as a good book! I just feel that the author's writing skills are not mature enough, and many plots could actually be more exciting, which is quite a pity ( . There are two plots that make me uncomfortable, both of which are related to the princess... . The other female Are there too many sexual roles? They are all somewhat ambiguous. I personally don't like this kind of entanglement. There is either no heroine, only one heroine, or a harem. The most annoying thing is writing about harems. What is actually written is a plot with a single female protagonist or even no female protagonist Isn't this making fun of me... (A personal perfectionist, I can't regret watching this)

When the fight with the mastermind behind the scenes was at its most intense, the hole just dug had not been filled, and the whole story came to an abrupt end just like playing house. The ending is too hasty. You ruined your excellent work with your own hands, and it is also a humiliation to the readers who followed it from beginning to end. Thinking back to the excitement of reading books late at night, and the anticipation every time I saw you asking for leave, and then looking at these two pages, which can even be called random endings, I felt like a clown. To be honest, a cheap ending is worse than a bad ending. I started following the last book. The humorous writing style and continuous imagination attracted me. The rich characterization of the protagonist and supporting characters, the detailed behavioral description, and even the author's control of the rhythm of the plot ranked first in my more than ten years of online writing career. I originally had higher expectations for this book, and I sincerely hope that the book I recognized can reach a better level than it is now. But now it's all over, ruined by an ending that feels like a junior high school daydream. All the foreshadowing of the protagonist's character and methods, all the descriptions of the villain's psychology, and all the arrangements for the supporting characters on the protagonist's side have nothing to do with the ending. The mastermind behind the scenes directly blew himself up, and the black lady who descended from the sky directly covered the personality. None of the protagonist's badges and methods in the early stage were used, and not a single abnormal object was used. The colleagues in the cleanup bureau were not described at all. The protagonist had spent a lot of chapters to promote the development of mankind, integrate the forces of the major kingdoms, and combine the various worlds, and the foreshadowing was completely useless. The first few hundred chapters were written in vain. I believe this is definitely not the ending the author originally expected. But bringing this shit up must be the result of your careful consideration. No matter what your difficulties are, or how difficult it is, it cannot be a reason for you to ruin a work with a crappy ending. Your works no longer belong to you alone, but have become part of the lives of all readers. Now I will remember for the rest of my life that there are wonderful stories that never get the endings they deserve. Thank you for bringing us a wonderful story. Condemn you for not bringing us a wonderful ending. October 03, 2025

To be honest, I couldn't stand it until chapter 12. The male protagonist's little sister is overflowing with sympathy, but the two nurses next to her opened the door just because the little girl said something. This is not to force the plot, it is too blunt. A monthly pass of several thousand, I thought it was very good food. I hope that the author will not be so blunt in some subsequent details and will not let down the monthly votes of thousands of readers.

Author, who did you kid offend? There are trolls hacking you everywhere, even short video platforms have people hacking you

You have read to the point where the protagonist is about to go to a gang called a gangster but is actually an undercover agent at KBFZ. You have not skipped the chapter yet. The early reading of this book was very good and refreshing. However, since the turmoil in Jijue, the setting has become confusing and confusing. I personally feel that the overall pleasure of reading has dropped rapidly. And the author did arrange for the protagonist to have a red mind, but he did not take any action to plant the red flag all over the world. It is undeniable that red transformation requires strength, and the protagonist is weak, so it is necessary to improve one's own strength; but what cannot be ignored is that red transformation cannot be achieved by relying on one person. It requires the support of the broad masses of the people. However, the protagonist does not win over friends. Instead, he continues to make enemies and breaks away from the people's class to join the cleanup bureau. His rescue of the people was aloof and charitable. There was not much difference between him and those nobles and big businessmen. Red is not one person's red, nor is it brought by one person, but belongs to everyone and is built together by everyone. The red color arranged by the author is just a tool to improve the protagonist. This book is actually a light novel-oriented work. We cannot deny its advantages, but its shortcomings outweigh its advantages.

The previous writing is good, but it starts to fall apart around the 180th chapter. There is no logic. One inexplicable part is that the status of the royal family is equivalent to nothing. The status of the Cleanup Bureau and the status of the royal family are very confusing. It is not recommended to read.

What's going on in the comment section? There weren't many comments in the first place, so why are there so many negative reviews? Although this book has been updated a little less recently, the plot should be at an average level. Also, none of these accounts have ordered all the works, and have not voted for a few monthly tickets. This kind of account looks abnormal, and it offends people.

The following content is about materialism, plot development route, and how to deal with the relationship between extraordinary power and the people. Materialism is a way of understanding the world, as opposed to idealism. Materialism has existed since ancient times and is not equivalent to scientific socialism. It simply acknowledges that the origin of the world is matter, including the matter of "abnormal objects". That is, just because the protagonist has a badge of materialism does not mean that he is going to embark on a revolutionary path. However, considering that the protagonist mentioned socialist theory in the confrontation with the water bottle gun (but it reflects the protagonist's low theoretical level), on the one hand, we can see that the author wants to write in this aspect, but on the other hand, the protagonist's theoretical level is not high at the beginning (he can only recite the first five paragraphs, which can explain the current behavior of the protagonist, and responded to the question about the so-called "poison point" in the comment area). Next, we need to talk about how the protagonist grows and improves his theoretical level (cognitive growth is not covered by William's side) Regarding the revolution in the extraordinary world, here is a reference to the novel "The King of the River". The protagonist sets scientific socialism as a doctrine, and agreeing with it will provide the power of faith. At the same time, he can use faith to release "divine magic", so that the masses can actually become low-level mages. At the same time, the population base of the masses is large, and the number of extraordinary people will be greater, but usually the extraordinary people who appear among the masses will be recruited. In the novel The Cleaner, the introduction has nothing to do with the "revolutionary road". The background of the era is about the second industrial revolution, which feels like the 1870s and 1880s. There is nothing wrong with the rationality of the novel, but the protagonist's tendency is different from what was initially stated. What the protagonist is currently doing has nothing to do with revolution. However, we do not rule out the possibility of using the power of the "chaotic party" to develop trade unions, carry out reforms by supporting the princess, and establish a bourgeois republic. However, it will never be socialism. On the one hand, the protagonist's level is indeed low, and the princess has not shown her mass position. On the other hand, there is no reasonable setting that allows the masses to master "violence" (the anomaly of the chaotic party is created by water bottles). Once again, the protagonist's tendencies will make socialism difficult to achieve, even if he becomes as invincible as William, the Lord of Arcana. The reason is that the protagonist's theoretical level is low and it is difficult to carry out reasonable system construction, and there is no plot to show that characters with intellectual advantages such as the princess and old Charlie can innovate theories. Leon's attitude towards socialism is more like a spontaneous dissatisfaction with the exploiting class after being oppressed, rather than an "ideal" So, the focus of the next plot should not be to continue to improve his strength, but should focus on how Lyon builds his own power (which can be based on the "chaos party"), or how his thoughts change and awaken, and he becomes a mentor step by step. Because it is unrealistic to expect the protagonist to be invincible and rely on one person's violence to forcefully average the means of production. What happens after the protagonist dies? Even if he were immortal and relied on violence to force an equalization, that would still be a narrative of a heroic historical perspective. William's story did not involve this issue, because the French reform could be a bourgeois reform, but this was not the case. How to carry out system construction and how to make the masses "awaken" will be problems that this book will have to face later in the development.

I really want to put the author in a small dark room to write, and won't let him eat until he writes twenty chapters a day.

The writing is good, but it still fails to escape the flaws of the system flow. This is a pity. Whether it is "Money Toad" or "Princess Forgotten", the breaking points are all systems. The system is supreme and unaffected, so it breaks the situation, which is boring to see. Perhaps my expectations were a little too high due to other content and settings. Looking for wisdom in Shuangwen is still too reluctant.

It can be seen that the author wants to describe the characters profoundly, but what is presented is "profound and thin". The writing power can be polished more, please work hard. But the most interesting thing is a novel based on Europe during the Industrial Revolution. The language style is completely Chinese. I really can't complain and can't stand it.

Hey, the author has the ability to write a good narrative, so why does he have to forcefully introduce emotions? I saw that the plot with the princess was so stiff, and the plot with the sister was so awkward. I wanted to see the battle of wits and courage in the cleanup, but in the end, a lot of space was devoted to emotions. Come on, the mainstream is single now. I would accept it if it was free to watch, but it's a pity that it has to be charged.

The heroine's character is well developed, the story development and combat system are organized, there are many interesting foreshadowings, the plot has twists and turns and climaxes but is not depressing, and there are some thought-provoking passages. It is a pity that the male protagonist is very single-minded despite having helped so many queens to rise to power, and there are one or two plot points that are not very comfortable to deal with.

The writing is good, it doesn't require the plot to be very deep, just don't make the readers feel frustrated (it seems anxious in the middle, and it feels like the protagonist is running around the world taking tasks but not completing them, so it's better not to make it too complicated)

After chasing it for so long, I suddenly wanted to take a look at the book circle, but found that there are so many trolls. . . Is there any fishmeal that can help me run it? Bubble bubbling would be good too

I gave up on this book for a long time and came back to take a look at it. The reason why I gave up on it was because I felt that the male protagonist was very strong but I couldn't explain why. The more I read it, the more uncomfortable it becomes. Sure enough, I am still suitable for Xiaobai's novel.

Come on

The story is interesting but poorly paced. This book is a series of small abnormal events. If you look at one event alone, the plot is pretty good, and the characters who appear in this event have all done what they should do. But overall, the transition between events is not good enough, and the control of the main plot and daily life (almost not much) cannot be said to be relaxed and relaxed. Another common problem in most Qidian novels is that they cannot handle the problem of character disconnection. The longer the novel is written, the more exposed this problem is. For example, the owner of Charles Department Store and his daughter were disconnected after related events. The daughter moved next door to the protagonist's house and has been disconnected for hundreds of chapters. She is also a female character. At least the policewoman can come out from time to time to be a tool for the protagonist...

Thank you for your support. I admire your depth of thinking. You can think deeper and broader in various details than I, a little kid who has just grown up. This also makes your works generally very logical and fascinating. I don't quite understand why the initial plot makes so many people complain in the comment area, because I saw it as soon as I read it and I couldn't stop now with more than 900 chapters. I thought it was so good. So, I selfishly hope that you can conscientiously conceive the next story according to the previous ideas, so that I can continue to experience such a beautiful feeling after the college entrance examination is over in four months. Goodbye!

After the latest chapter, a new copy is coming. The author should pay attention to grasping the framework and not repeat the same mistakes. The last book failed because of the failure to grasp the overall framework, which resulted in more than 1,000 chapters to solve the door to the dead country. This book needs to speed up the pace and make the framework stronger. Just write two more copies around the defeat of "King Killer". Don't really write one kingdom after another. That will wear down the readers' patience. As Leon's strength increases, there will be two copies at most, and "King Killer" will not be able to keep up with the version.

Hurry up

Just finished watching the toad part. The protagonist is set as a time traveler at the beginning. He lived a complete life in his previous life and has lived for three years. The protagonist behaves like an honest young man who is a bit timid. He doesn't have the maturity that a person who has lived his whole life should have. Nor does he have the arrogance of ordinary time travellers. It feels more like a local. There is clearly something wrong, but there is no progress in three years. Based on the content that has been read, it is not difficult to obtain badges, and they can be obtained in a wide range of areas, such as job hunting, shooting, and parkour, and there are also tips for advanced routes. It's unreasonable to be an ordinary person in three years without any skills. Even if you just cook at home, you can gradually become a chef. People are also too kind. They don't fight for what they should fight for, and they don't accept what is given for free. The younger brothers and sisters are purely background. They say it is for them verbally, but in practice they refuse to improve their lives. It's hard to imagine that this is a person whose pension has been suspended. His sister fell ill because of an illegal alchemy factory and could not afford to take medicine. He voluntarily stopped taking medicine in order to save money. He wanted to sacrifice himself and keep his share of the pension, but he put down the butcher knife when the evil spirit magnified his malice several times. In general, the settings just stay in the settings and are not integrated into the characters and story.

The reason why I am so discouraged is because saving the world is a very serious matter, and being funny can only go hand in hand with being unreliable. If one day the world is going to be destroyed and the savior is Yue Yunpeng, will you despair?

I have been subscribing and have read more than 290 chapters, but I really can't stand it anymore. The first free chapter was okay, but in the middle Jin Chan started to have problems, and various logical problems became more and more serious later. It can be seen that the problem obviously lies in the author's own life experience. It is set in the background of social turmoil and war, and is also full of various heavy social atmospheres. However, the handling of character behavior is full of an innocent flavor. Many places have the feel of a light novel rather than being close to serious realism. Let's talk about the recent chapter 294. The little golden retriever of the Lane family was obviously led by Leon to rebel against the army. In the end, he borrowed money from Leon and went home without any problems. What is this operation? ? What do the people in the army think, and what do his family members think? Does he want to return to the team? Shouldn't he find a way to deal with the military brass and avoid trial or prison sentence? In the end, he went home without any problems? ? You thought it was school? ? The same thing happened when Xi Jue was attacked by the rebels—— At that time, the follow-up was not completed, and it was as if nothing had happened and he returned to the bureau (as if he was going home). Where is the person who was caught in the chaos? Didn't he kill him? And such a big thing happened on this day, and he actually got drunk that night? ? The biggest problem with this book is that it is too "fairy tale"! In such a heavy social background, there is no urgency and pressure of responsibility, death, or huge conflicts and contradictions between people. There is only the innocence of the protagonist who remains aloof when it is time to stand up and take responsibility after gaining a powerful position! His bottom-level thinking model cannot bear the "red badge"! Without being tested in practice, overcoming the setbacks and tribulations of reality again and again, and truly realizing why reality is like this, this idea cannot be firm and solid! It has been foreshadowing that the protagonist seems to have a huge ambition in his heart to initiate changes, but what he has done has always been just an upgrade on a personal level. He has neither expanded his power nor spread his ideas. He has power in his hands and has not seen opportunities. He has not actively changed to seize the opportunity, but has been passively accepting the arrangements of fate. This is completely deviated from the background of this character! ! This kind of plot style arrangement has a Japanese light novel flavor and a lazy style of the petty bourgeoisie male protagonist, rather than the real resistance style of the lower class people. Until I read Chapter 300, the male protagonist has never really taken up responsibility and action, and is full of inertia of thought! Full of innocence! The author obviously hasn't figured out the conflict at the core of literature, but instead mixes plots of various styles together. However, such a cruel social background is obviously not suitable for such an innocent plot like animation. The plot can be full of absurdities, but there must not be such a "fairy tale" with huge logical loopholes. The male protagonist lurked into the rebel party and replaced the original leader. The core subordinates did not even know the true identity of the male protagonist. After hearing a few words from him, they really went back to their homes. Are they desperate? They don't know who the male protagonist is or what he is. How can they trust the male protagonist without fearing that he might lead them into trouble at any time and kill them? ? If the author cannot write these details, he can also briefly explain them in Spring and Autumn style, but he must not not write them. This is clearly not what these characters were thinking about. Neither the supporting characters nor the protagonists are established. The whole world is filled with a sense of intelligence that is completely centered on the protagonists, which is difficult to bring into.

I suggest you change your profile. You are being deducted from your salary even if you are working part-time. Such a profile is very unpleasant and can easily persuade people to quit.

First of all, I have read two of the author's works. They both surprised me at the beginning. The writing is smooth, the supporting characters are rich, and the protagonist's character is qualified. The shortcomings of all of them are that in the later period, they are the same as reading a running account. The more you read, the more annoying you become. It feels like the author is kidnapping the readers with the plot, adding a little concentrated drink to the water, and asking the readers to pay for a little taste. It turns out that it is fake and only contains water. Let's first discuss the protagonist's skills, the "red" and "materialism" badge. Why do I say that the author is a skill-based headliner? Because he took advantage of our judgment based on our own cognition and arbitrarily biased this skill towards Marxism or socialism, believing that the protagonist is a mentor who will change the world and a great leader who will lead the people to a republic. But in fact, this is just a way the author uses to attract attention. Red is just a color, and materialism is just a powerful buff. It has nothing to do with the socialism we think of. The protagonist is not someone who has transcendent ideas and goes through fire and water for the people. The leader, especially after the protagonist appears, was originally bullied but revolted blindly because he had no ideological program. The protagonist was labeled as a "terrorist" because he caused a large number of casualties. It's awesome. I can only say that it's awesome. Afterwards, the protagonist has no ideological spirit or anything. Well, just like the traditional kingly protagonist, the history of people's suffering, the history of blood and tears, the deep hatred, class conflicts, and the impact of economic development on society are not important. Everything is only based on the protagonist's opinions. The sins and oppression of the feudal class in the past are not important. , As long as the princess and her daughter are good-looking, they will be included in the harem, and the good guys from the feudal dynasty will be directly classified as the protagonist's camp. If there are any feudal remnants who have disagreements, let them kill a few civilians or conduct evil experiments/rituals and then be judged by the protagonist for "harming the masses." Well, it is really an exciting plot. What socialism? Capitalism? Feudalism? From now on, it will be Lyonism. If there is a protagonist, everyone will be happy. Without a protagonist, human desires will lead to various crimes. There will be no ideas at all. It will be pure high-tech feudal rule, which is hilarious. The harem is closed to everyone. Evil is desire and inner filth. Harming the masses is ignorance, stupidity and radicalism. The decline of thinking is the solution of abnormal brains and killing. I want to see the people's leader or the protagonist save the people, and the liberation revolution can be withdrawn. In the later period, pure water, in order to add a few brainless plots to add to the harem, I am speechless. Some places are well written, some places are like a trickle, and some places are just relying on 💩. Maybe some old aristocratic organizations will rebel, businessmen and capital will suppress them, and then the villain will go to the extreme and join forces with the cultists to summon the evil god, and then borrow these things to the protagonist Arrange an affair, take in women, show justice, become stronger, and then suddenly some villains that you have never heard of before but appear inexplicably and are very powerful appear as stepping stones, and then change the map for some reason, and then a hunter girl, a noble lady get involved for some unknown reason, highlighting the innocence, justice, simplicity, intelligence, and cunning that are incompatible with other people, and then establish a good relationship with the protagonist, and then a few more events, and then think... Big brother! I beg you! Could you please strengthen the protagonist's thoughts and strengthen his appearance? Do you think a reader who is always surrounded by beauties or surrounded by all kinds of royal plots, but cannot see any growth in the protagonist and still accepts women everywhere, will not scold her? The character design of the protagonist at the beginning of your last book was pretty good. I thought the protagonist was the kind of person who is cold on the outside but sultry in reality, intimidating to the outside world, but soft on the inside, calm in love, firm on the difference between lust and love, and protecting important people while keeping a distance from others, both mentally and internally. He is an indestructible and steadfast knight whose heart and body are equally indestructible. As a result, I looked down and slowly deducted points. The cold character was basically lost, lust was unleashed, and the harem was widely opened (not to mention not a harem, if you have the ability to firmly reject other women), you felt happy sitting in your arms, and then I couldn't watch it any more. Really, let's establish a charismatic protagonist. I've seen so many harem protagonists that I almost vomited. (I have read two of the author's books and am a loyal reader of his, but I really can't tolerate his operations. The uniqueness at the beginning attracted me, but in the end, it started to turn towards a routine plot. Really, I felt that my coins were cheated and I was kidnapped by him.)

When I watched the beginning, I felt that the protagonist was a little frustrated, and there were some unreasonable aspects in the setting, but there were no particularly bad points. I forgot all the unreasonable aspects in the second part, maybe because the world view slowly unfolded later, and some places were explained and confirmed. In general, the protagonist is getting stronger and growing, getting and encountering more magical anomalies, and getting to know many interesting people. At the same time, the novel has also laid down many interesting foreshadowings or pitfalls, waiting for the protagonist to solve the puzzles. I feel that the subsequent plot is getting more and more exciting. Now I am still reading it, and when I posted this post, I did not say that this book is very poisonous. I just said that I would post about some plot issues of this book later, but the bottom of the post said "I won't read it" or something, so I came out to explain.

I found an interesting phenomenon. The people smeared in this book are all apprentices and trainees, but those at the deacon and helmsman level are all highly praised. So the question arises, are those who evaluate this book based on superficial reading and malicious slander, or are they based on the facts and express their own opinions and views after careful reading, and make a judgment? I don't rule out the possibility of subscribing to a few more chapters and becoming a deacon, helmsman or elder before slandering him! It is not advisable for scholars to look down on each other. Write good books based on your own strength, rather than belittling others as your way to get ahead!

Reading the synopsis, I feel like I'm being discouraged. So, as a savior, does the protagonist also have his salary deducted and live in poverty?

As of Chapter 801. Please click on the picture to enlarge it. Please scroll down for other people's anomalies.