My Summons Are Really Strange

Welcome to Seal's new book "The Great Immortal I Invited Has Cat Disease"

Summoned object: Aggregation of ▇▇▇▇ After he released the spell, the corpses on the battlefield gradually gathered together, forming a giant humanoid weird creature with four legs on the ground. The flesh and blood between the corpses did not fuse, but were attracted together like magnets. It can be clearly seen that each corpse seemed to be affected by an indescribable force, forcibly adsorbed and squeezed together instead of spliced ​​together. As the polymer moves, some corpses fall off the polymer, and then are absorbed back into the polymer like iron filings meeting a magnet. On the head of the polymer there is only a tissue that looks like a mouthpart, or it should be said to be an outline. The people present seemed to hear some strange sounds when the "mouthparts" opened and closed, mixed with the kind of white noise that occurs when the signal of old-fashioned TV is not good. Some said it was laughter, some said it was screaming, some said it was crying... But everyone said they heard it ▇▇▇▇▇▇▇. The enemy who was supposed to be running stopped and walked towards the aggregate, then turned into running, landing on all fours in a strange way. The enemy's face was full of fear and he kept crying for help, but to no avail he could only watch himself stick to the polymer, become a part of it and then die. As enemies "join" the aggregate becomes larger and larger, until all enemies become part of the aggregate. The aggregate, which had increased in size several times, slowly turned around and faced its own camp ▇▇▇▇▇▇▇▇▇▇▇▇▇▇▇▇. "What happened next?" The interrogator asked. The surviving soldier was trembling and gritting his teeth, shaking his head vigorously and looking at the interrogator with pleading eyes. The interrogators fell silent, and for a while the only sounds left in the interrogation room were the scraping of the surviving soldiers' teeth and the unclear white noise.

After reading Chapter 185, I would like to express my opinion. The protagonist said that he is a summoner and can summon indescribable things, but in fact, he has summoned two actual ones so far. Then, in order to prevent the protagonist from being too strong, the author made a ridiculous setting that once the summons are summoned, the summoned object will be sealed by the world. What is even more ridiculous is that every time the protagonist is summoned, there are extra costs, such as sleeping for a certain amount of time within 7 days. At other times, when facing others, the protagonist relies on either talking or putting on airs, relying on various coincidences or the opponent's wit, or surprising the opponent by making a good meal. Those with weak magic power will often run out of magic power at critical moments in the battle and rely on others to save them, or their companions will explode after being seriously injured. It's basically like the annoying feeling in Japanese comics where the good-for-nothing male protagonist happens to have some powerful female protagonist fall in love with him for no apparent reason.

Seal raised his arms, and book friends came to this book from the previous book.

At present, I feel that the proportion and influence of the combat system is a bit light after reading more than 300 chapters in this book. Whether it is the ranks, magic, or summons in the book, various unknown martial arts and unknown magic martial arts, it cannot be said that there are few appearances, it can only be said that they are very vague, and there is always a feeling of being brushed off in one stroke. Lulutis is the most powerful "fire mage" currently (of course, although there are many magic factions in the setting, there is no clear distinction between the attributes or factions of the mage in the plot. All factions seem to be only divided into "summoning" and "non-summoning" magicians, and then medicine pharmacist, puppet master, warrior, craftsman, etc.), The only named magic is the "One-eyed Fire Giant", and the magic of the juxtaposed rabbit is only the "Hybrid Furnace", and the principle, effect, consumption, power, advancement, and interaction with other magic and items are unknown. It's like a completely isolated one-time setting, and there is no unique effect belonging to a certain magic/item/martial skill in combat, let alone combination effects and restraint chains. It can be seen that there is not much in-depth work on the power system. In this case, the plot enters the magic tide, and a major event such as "World Version Upgrade" Although the book is called Summons, in fact, there is no detailed setting and reasoning extension of the summoning genre. As the signature golden finger, the "strange summons" can actually be counted on one hand, and they always focus on appearance description rather than detailed description. The more serious question is, "Why can such a strange and powerful summon become the protagonist's exclusive golden finger?" It seems that as long as it has the gram element, it can be very IMBA, but the strange thing is that the author seems to be deliberately avoiding the gram element. There are the gram elements, but it doesn't seem to be there, and he has not really pulled one or two fragments and settings from the gram mythology. Regardless of whether it is the "Flesh Chariot", "Demon Devouring Tree" or "Piano", they cannot fundamentally explain why these summons are powerful but no one has summoned them before. "Flesh Chariot" - It's fine if there is no "Necromancer" in this world (the existence of necromancy is pitifully small). In the presence of necromancy, it is very unbelievable that there is no "magical creation composed of a large number of corpses". The power of the Flesh Chariot comes from "composition of flesh" or "devouring flesh"? No matter which one it is, in this case of deliberately breaking away from the elements of the Greek mythology, it is very unbelievable to set the flesh and blood chariot as a powerful summoning object that is unique in the history of summoning. Not to mention the "Devouring Tree", there are already puppets in the plot that "absorb magic", and "devouring magic" is an all-too-common element. Could it be that as long as it looks weird, it can have powerful skills? It would not be credible without the ancient bloodline blessing of the outer gods. The same goes for "Piano". These three summons all have an unreliable core logic - "As long as the appearance is ugly enough, the skills can be powerful enough." However, in a world where there is an "infection spirit", where a magician can turn himself into a "black mist tentacle monster", and where undead magic exists, there has never been a "ugly enough" summon. It is really unimaginable. Generally speaking, I feel that the whole world is too biased. The political life is very deep, but the power system is too shallow. Although there are genius mages in the setting and ninth-level magic that transcends the times, there is actually no influential magic left. The exploration of the summoning system is also too shallow. The most powerful summoned creature in the original world, the Dragon Slayer, is actually a reward from the world consciousness to the summoner who explores the summoning system. What kind of exploration is this? There is no summoner in the whole world who can imagine the flesh and blood chariot. This level is too pitiful (and the flesh and blood chariot can only kill the same gold-level goblins as it is now. Summoners are so miserable, how can there be people hunting summoners..., Killing a chicken with a sledgehammer). As for the most powerful "Summon No. 1" At present, although the description has always hinted that it is an "outer god", "Old One" and descendants, but without explicitly introducing the "Cthulhu Mythos" system and explaining that the summoned object has received direct influence from the Cthulhu God, no matter how many descriptions are given, it is at most a magical component with "similar appearance and skills", not to mention that the description of the summoning itself is not clearly written in the article. In fact, if you directly introduce the restraint system, and make it clear that the summoning description when summoning the protagonist directly leads to the old god of the restraint system, and this description of the bloodline and mythical power system cannot be deduced from the appearance and ability of the summoned object itself after the summoning is completed, this bug can be fixed, and the bug of "the protagonist's summoned object can also be summoned by others" can also be repaired. This will not lead to exclusive summons such as "imprinted summoned objects" and the overthrow of the summoning system. In fact, this kind of "describe and depict" summoning system has the possibility of digging deeper. For example, one of the biggest problems in existing summons is the unstable summoning-"the goods are not correct" (although there is this setting, the protagonist often avoids it without explanation... .), It can be completely solved by creating "the only anchor of the summoned object", such as "printing card" (yes, it is a card game), which has "description" and "drawing (card surface)" (it is a pity not to create cards), and the summoning system lacks clear "summoning cost" and "summoning". "Strength of summoning objects", all these problems can be solved through "Ink Cards", and even the Ink Card process has been thought out - "Combining the pharmacist and the alchemist, the summoner creates by submitting settings (success rate and cost to be improved) or spiritual communication to summon the temple's summoning object bubble (advanced summoning "The object is designed to be a hidden summon like a hidden profession, which cannot be found directly and requires special sacrifices/environmental conditions/recognition of summons, etc.) To print the card." After the card is printed successfully, you can pay the regular price to stabilize the summons, and you can even add some "unique cards" and the like. On this basis, there is not much room for expansion (summoning "field magic cards", who said summoning can only summon creatures? How about the concept of directly summoning formed magic or field environment or traps, or even directly summoning "attack, causing three points of damage"? Or, through a systematic set of summons to exceed the limitations of a single summon (such as a deck?)), There are too many card games that can be used for reference. And the completeness, depth, and watchability of the entire system have been qualitatively improved (refer to the video of Mizu no Tsukiji) Unfortunately, the article spoils the fact that the next version will remove the "description and depiction" summoning system. If we follow the traditional fantasy flow "summoning-contract" system, it will be too boring, and it is difficult to imagine the protagonist's exciting operations

The author's description of different races has no distinctive features at all. It's like people wearing cosplay costumes, goblins, dragons, and elves. I feel that they are no different from humans regardless of the settings. If you replace them with people from different regions, different camps, and different strengths, there will be no sense of disharmony at all. Instead, it looks a little weird now. 😵

The snow monster Nana Oba said banana felt that the stage girl was rag-washing, and the snow monster also felt that the rags of all races who resisted under the influence of infiltration were washed banana started an endless reincarnation, and the snow monster also started a reincarnation of immersion and reappearance banana killed all, and the snow monster was also very capable of fighting The two have never appeared together Q. E. D

The more I read, the more disappointed I became. I originally thought it was an excellent fantasy road novel. As a result, the further you go, the more you want to write about plots and struggles. The problem is that you didn't write it clearly before. The goblins are very childish, but it can still be read as a fairy tale. And I don't like to do subtraction, but I am not careful or my memory is not good enough, and the character's personality is in conflict. It directly leads to a strong sense of fragmentation when reading. Writing fantasy in Qidian is enough. I hope the author will change it in the future. I can see you become platinum one day.

I just caught up with the latest chapter, and it looks good. However, I have to say but, the author seems not to know how to write fun. The protagonist team wins every time, which is aggrieved. Take the part where the piano destroys the army, it seems very happy, but in fact, the Blue Water Alliance loses miserably and suffers huge losses. Even the body is used as a summoning material; Lulu casts a spell over the top and is forced to sleep; There is also the real Big Daddy No. 1. All the descriptions are talking about how awesome it is, but in the end, it shocked a pseudo-ninth level, or one-sixth avatar, and was banned as soon as he showed up. You know, it ended in an anticlimax. It was really disappointing. The powerful skills that the protagonist cannot use are really better than nothing. The same goes for fighting Kraken. Before the battle, I looked so relaxed, and Snow Monster also followed suit. I originally thought it was a crushing victory, but the actual performance was very embarrassing, ugh.

Let me tell you my opinion. I originally fell in love with interesting summons, but after seeing that the ones summoned in more than 200 chapters were always from the resistance type, I couldn't stand it anymore. The number one summon was still from the resistance type, and when the author described this paragraph, he wrote that the protagonist was looking forward to the arrival of the longed-for god. The first time I watched the summoning of the protagonist, it was like fighting for my life. It was very exciting when I first summoned it, but it was boring afterward. I couldn't feel the sense of accomplishment after being the protagonist, leaving only emptiness. It was completely different from my expectations for the summoning. The author described the supporting characters quite well, and I felt comfortable watching it. The description of the Goblin King was bright in my eyes, but when the summoning suddenly changed, it made me feel uncomfortable. So, I saw this