Saving Nuwa, Starting with The Legend of Sword and Fairy

The Nuwa family clearly has the best talents and inherited magical powers, but they don't practice well. They only think about falling in love. This is the source of their tragedy!

Just a quick comment Some time ago, when the author was writing the chapter on the ancient sword, I briefly expressed my dissatisfaction. In short, it was too slow to get into the main text, and it was just dog food, not hard food. Later, I don't know whether it was the author who saw it, or whether he just followed his own schedule and entered the ancient sword incident very quickly, which surprised me a bit. Unexpectedly, surprises are always short-lived. After the ancient sword chapter came to an end, the author kept announcing that he would enter the world of Xuanyuan Sword. Although it looked very happy, I even said "a little bit looking forward to it", but the fact is that as of today, 15 chapters have been updated, and the protagonist still has not entered the story of Tianzhihen. After these two things, I have to say that in my opinion, the author has two serious flaws. First, it is difficult to distinguish the priorities and the rhythm is improperly controlled. The title of this book is clear from the beginning, "Rescuing Nuwa from the Immortal Sword". The main task is to save Nuwa. The way to achieve this is to go to the world of Immortal Sword, Ancient Sword, Xuanyuan Sword and other planes to learn skills, obtain treasures, make allies, defeat enemies, etc. To save Nuwa. The problem is, there is more than one Nuwa, and it is not just Nuwa who needs to be saved, but what do we see? An endless supply of dog food, dog food, and dog food. The funeral affairs, the funeral affairs, the endless affairs to be explained. It is true that readers now have better tastes. Female characters cannot fall in love without thinking, and girls cannot suddenly fall in love with each other after having a harem. Readers hope to see that the author's description is reasonable, but unfortunately, this book is "too reasonable". It is so reasonable that it doesn't look like a novel, but like attending a wedding. The host took the man and woman from acquaintance to falling in love in every detail, and made a PPT with a bunch of BGM. Is it reasonable? Are you impressed? Do you understand the applause? ! From this point of view, the author might as well change the title of the book and call it "My Yirujiang can't be so cute", or "The Days of the Dream Tapir Master from the Fairy Sword", with daily life + love + occasional upgrades and monster hunting, plus more than one update a day, it is infinitely higher than the "Demon Refining Pot" by Gou Haihai next door. What's so cool about wearing it quickly? Where is the coolness in the world? What's the cool thing about diversity? The author really needs to think again, instead of just two chapters on how to comb the female character's hair and how to change the male protagonist's clothes. This is dog food, let's talk about the funeral. I don't know whether it's because the author has subconsciously regarded the male protagonist as an invincible type and is ready to clear the level with A, or whether it's because the semi-invincible type can turn danger into a disaster by just having adventures. Anyway, the male protagonist has never encountered any obstacles in the next dungeon. Of course, this is nothing, as long as the plot is decent, readers don't want to be too brain-burning; the problem is that as soon as the protagonist comes out of the dungeon, or before entering the next dungeon, he is always arranging and arranging in a serious manner, informing this, telling that, taking A to see B, taking B to see C, giving Ding some exercises, and asking E to refine some elixirs for him. The whole process is not like a novel, like Ctrip Tuniu's best customer - my mileage in each chapter of flying with a sword, shrinking the earth to an inch, jumping in time and space, and teleporting to another world has beaten 99.99% Of the protagonists in the whole starting point! You would say that the protagonist is very good at fighting. The author is always helping him lay hidden stakes and create chess pieces to form good relationships, which makes the male protagonist appear to be scheming and confident. But you said that the protagonist relies on planning to rise. He also loves to fight and likes to show off. This leads to the following problems: Second, the protagonist is unclear, and the text is not exciting enough I still can't understand what kind of person the protagonist is. I can understand you saying that he changed his destiny in order to defy heaven and change his fate of being enslaved by the demons and turned into a puppet. What will he do after this, and what kind of person does he want to become? In the relationship between men and women, he seems like a toad. Someone has to poke him with a small wooden stick from behind, poke him once, move him once, and poke him a lot before he starts to take the initiative. Otherwise, it would be a standard act of not taking the initiative or refusing. Of course, Nuwa is there to keep her in check, so she would not be irresponsible. But that's it. What kind of opposite sex does the male protagonist want? What meaning does such a person of the opposite sex have to you? Has the hero or the author thought about it seriously? To put it bluntly, the playful Liu Mengli and the jealous Li Yiru are better portrayed than the male protagonists. This is about the relationship between men and women, let's talk about the main plot, saving Nuwa. As I said before, there is more than one Nuwa, and it is not just Nuwa who needs to be saved. Saving someone simply for the sake of saving is just a tool controlled by the player, with no emotions at all. Now the author's shaping of the male protagonist can be summarized in these three sentences: 1. Because I want to save Nuwa, I am now in love with a descendant of Nuwa. (The word "descendant of Nuwa" is too Tang-style) 2. Because I want to change my destiny, I keep downloading dungeons to become stronger 3. Falling in love with descendants of Nuwa and downloading dungeons have given me the qualifications to ascend to immortality, but I don't With such a male protagonist, can you tell what kind of character he has? What about his charisma or temperament? No, you can't tell, this is still a tool man. He is also a tool man who travels around the world. Sudak of a certain group impresses people with his iconic darkness, while Phoenix's Roman eyes have long been famous for being a tease - sometimes you don't need too many deliberate arrangements or excessive descriptions to create a person, as long as he is never convinced and is shorter than a B-level horror character. (Or he can fight Supergirl for 3 million words) Finally, let's talk about the cool points of the text. Every copy, or more broadly, chapter, and final plot of the author lacks explosions, big conflicts, or dramatic turns. , Basically no, most of them are explanations like "I have brought in a few powerful thugs + the BOSS will naturally usher in its final stage" - to tell a joke, my biggest joy in the world of ancient swords is that the male protagonist, the tour guide, took Baili Tusu to see Ziying after he released the dungeon. It's not that the author can't write fighting/fighting scenes, or that the author really fails to portray the male protagonist, but the so-called "relaxation and relaxation", the result is that the foreshadowing is as long as a foot wrap, the excitement is as light as watered wine, the plot design is always a little bit worse, and it never scratches the reader's itch, which is very regrettable. The reason why I started pursuing this book is that there are too few themes about fairy swords nowadays. I really appreciate the author's intention. That's why I complain so much because I hope the author can write better. After all, novels are common but fairy grass is not common. It would be a pity if we can't keep improving. Above.

Gee, there's something wrong with the setting, and the plot of this novel falls apart at the beginning... What's the point of being able to travel through the world, and what's the point of the fairy sword as the main line? ? In other worlds of cultivating immortals, the world of Immortal Sword is a plane with imperfect rules in the shapely world Any normal mid-to-high-level combat power in the world of Immortal Heroes can wipe out the world of Immortal Sword, let alone Nuwa in other worlds. Does Nuwa need the protagonist to save her? ? The female snail in the world of fairy sword is the Virgin Mary. This kind of creature is a shapely creature. All tragedies are caused by herself. I don't think she has anything to do with the orthodox female snail... She is not strong enough, and she is inexplicably a virgin. She is not a tragedy, but who is a tragedy? She did it herself, which embarrasses the saint snail.

Li Yiru

What does the author think about the beginning of the second generation of Immortal? I have only played Immortal 1 and Immortal 4. Immortal 2 is too niche. There are movies and TV works about Immortal 1 and Immortal 3 that are not as classic as Immortal 4.

Fairy Sword novels are really rare. I used to remember that there was a Fairy Sword: Rejecting Sorrow, which was also a classic. It's a pity that I couldn't successfully connect the Fairy Sword shopping works together. Unfortunately, it was just a memory. I hope the author can work hard. After all, writing is not easy. This is also a reminder for me, who has been a fan of Fairy Sword for 30 years. Thank you!

Liu Mengli is so miserable. She is obviously the heroine. She has no character card. She even said she doesn't like the protagonist enough. She has been waiting for five hundred years and her appearance is about the same as a tool. Every time the protagonist goes to her place, she mentions something, not even a formal line. Her acting role is not as good as Grass Valley. As a heroine, she really has no sense of existence So I suggested that Cao Gu also be the heroine

By the way, I suddenly remembered that the descendants of Nuwa are all very strong women. If you open a harem, the only result will be that the descendants of Nuwa leave you. Once this person is with the descendants of Nuwa, her breath will remain in your soul. No matter how many times you reincarnate, as long as this descendant of Nuwa does not die, the descendants of Nuwa can find you with this breath. , If you have a particularly extreme temperament, you will kill you after knowing that you have a harem, and then commit suicide, because the descendants of Nuwa are very dedicated. If you meet other descendants of Nuwa after marrying a descendant of Nuwa, you can feel it. Then there are only two endings, one is that she leaves you, and the other is to kill you and then commit suicide. Li Yiru's character should be the latter.

Floating clouds fully explain what it means: Dian Niang tortured me thousands of times, but I treated Dian Niang like my first love 😎

I just saw someone saying that the descendants of Nuwa fall in love and do not do their proper work. In fact, what I want to say is that the descendants of Nuwa fall in love and are the real business. Other serious cultivation, saving the world and so on are just side jobs. Nuwa has three identities at the same time Red Hydrangea is the ancient god of marriage, the creator of the human race, and the saint of the demon race. It is obvious that what Nuwa wants to do is to harmoniously coexist with humans and demons through the way of marriage. For this purpose, it is not an exaggeration to even create a world specifically for falling in love!