The Great Dao Across All Worlds

Author, you seem to have misunderstood the balance between the minimap and the main world. Do you think readers value the minimap that much? It's been overused; the minimap is just for accumulation and diversion. You've barely written about the main world; it's all minimap content. You might as well write a multiverse leveling-up story. Tell me, what's the point of the main world?

The protagonist seems rather weak. If he were a native, the author's writing style would be suitable for a fast-paced, action-packed story. However, considering all the protagonist's overpowered abilities, it's a letdown. He's hundreds of years old, supposedly cunning and shrewd, but his schemes rarely succeed; he basically relies on his power-ups at crucial moments.

Another Great Luo has joined the Yuanshi lineage.

Here we go again, with the author's signature tactic: the protagonist fights to the death, and then someone else ends up getting a piece of the pie. It's disgusting. Out of all these books, the first one, Qingyu's, is the best. It's getting more and more nauseating. Seriously, it started with a pleasant surprise, then turned into disappointment, disappointment, disappointment, and more disappointment.

To be honest, I was pleasantly surprised when I saw this book in the recommendations, mainly because the recommendation, "Walking through the heavens starting from a proton," was just too awesome. I never imagined that the protagonist could be a hostage. It's not even an atom, so how is this supposed to advance the plot? How is it supposed to travel through the universe?

The title "The Great Luo of All Worlds" is just a copy of the synopsis. It's all about martial arts. And you ask why this book isn't popular? What makes it popular? It's like it's designed to kill off a segment of people's expectations. There are just too many books like this.

Honestly, it was incredibly frustrating to watch. It was so unsatisfying. All this scheming and backstabbing—what's with this multiverse transmigration novel? The protagonist is constantly being outmaneuvered by others. Even if he defeats one, another one comes along. It's truly exasperating. And what's most disgusting is how they kill the so-called enemies of the protagonist.

The protagonist is clearly at a high level in the main world and is about to join a sect, yet he's constantly thinking about cultivation techniques from a lower-level martial arts world—that's absurd! He should hurry up and practice until he reaches the maximum level and leave!

The main character is getting worse and worse; now any supporting character has more charisma than the protagonist! Characters like the Jade Purity Dao Master, Jade Xuan, Seven Kill Sword Venerable, and Supreme Demon Venerable are all excellent; the protagonist is just too irritating and superfluous. If this continues, they might as well cut all of the protagonist's scenes! It would be better to treat it as an ensemble drama, focusing on the detailed experiences and schemes of these characters.

The fantasy-to-martial arts genre is too old-fashioned. Why not start with worlds like Shushan, White Snake, Strange Tales from a Chinese Studio, or Journey to the West? Or you could learn from One World, which is also fine. What's the point of writing those worlds by Jin Yong, Gu Long, Huang Yi, and Yi Mind over and over again?