One Piece: The Sky Dragon

What was written well before was immediately broken after Roger was executed. The two fights with Sengoku and Kizaru did not describe the power of the fruit at all. Note that no matter what the setting is, the author just did not write it out. What I saw was that the war started, the protagonist got bigger, the protagonist's dragon body was punched away, and then punched away again, the protagonist was kited, the protagonist vomited thunder, the thunder and lightning was easily crushed by the opponent, without causing any damage, the opponent made a move, and the protagonist's speed couldn't keep up. The protagonist was hit, and the protagonist was beaten painfully... To put it simply, in the two battles described in detail since the protagonist got the fruit, the protagonist was against the wind the whole time, and was beaten, chased, hung, and beaten in various ways. There was no highlight performance at all, and no damage was done at all. Perhaps in these two battles, the protagonist's most glorious performance was summoning thunder to clear a wave of unnamed soldiers? Or is it a wave of big-tailed wolves relying on the data to transform into a body? This problem was okay during the Warring States Period, but just after escaping, Kizaru was beaten again immediately. Different suppression but the same headwind. After seeing it halfway, it was already unbearable. Some people may say that they are so weak because they are facing Sengoku and Kizaru. This is one reason, but this does not prevent the author from not writing about the power of the fruit. It can be said that 90% of all the sense of expectation created from the introduction to the previous twenty chapters was lost in these two battles. In these two battles, what the author showed me was not the towering sky dragon of the Three Illusion Gods in the game, but a flying 100-meter snake, which was beaten in various ways, without any of the style of the Three Illusion Gods. The main reason why this problem occurs is that the author chose the wrong opponent for the protagonist. Perhaps, author, you think it would be great for the protagonist to fight Sengoku and Kizaru in his first appearance. This idea is correct, but you can't help but overpower the protagonist's combat power. It's too obvious! It's really cool, but it was written as a point of dissuasion. A Warring States Period and a Kizaru. It is indeed impossible for the protagonist to beat him now, and he cannot beat him. Otherwise, the protagonist's combat power will be too high, so the protagonist can only lose. Even in order to better suppress the protagonist's power curve, you don't dare to write what kind of damage the protagonist can cause to these two people. After several chapters of fighting, he was basically beaten by various pressures. The protagonist scraped crazily during the battle, almost turning into a bathhouse back rub master, and then the other side said: That's it? Well, that's it. The strong character of Sky Dragon has been suppressed. It has changed from a divine dragon to a flying snake, and from the three illusory gods to a scraping monster. The core expectation of the book is gone... The author should change the article as soon as possible before it is recommended on the home page, otherwise it will be too late. In this situation, either the protagonist needs to be given two different opponents, and a lieutenant general from the headquarters can take action in front of the execution platform, so that he seems to be unscathed, or the specific battle process can be changed to increase the protagonist's combat power. Don't worry too much about settings and stuff. Ignore those who tell you all day long that your combat power has collapsed. Just write it if you enjoy it and be done with it. If you win both of these two battles, or draw, don't worry about whether it collapses later, at least it's a great feeling now. As a result, your ten consecutive chapters of headwinds are too encouraging to give up.

An Anxin has been practicing in hiding for more than ten years. In order to show off and watch the execution of the Pirate King, he even had a high-profile fight with Sengoku... With all due respect, isn't this just a gift? Are you really a time traveler and not the bad-minded pirate in the original novel? Oh, I know I can't beat him, but I just want to provoke the navy, and expose my own capabilities and threat level, so that the navy who happens to be free will chase me and hammer me. Kaido is a strong group and then he gets drunk and pretends to be cool by himself. He can run and fight. You take your family and send them to the group to destroy them. I said it is a benchmark against Kaido... Kizaru should not have the ability to fight at high altitudes (or pretend not to), otherwise the golden lion would not be so invincible. So if he can't fly high with others, Kizaru can't really chase him with all his strength. If he can catch up, he won't be able to paddle behind. This is my personal opinion and may not be correct.

I was caught again, playing with my own life. Whether I can escape depends entirely on luck. If I'm not lucky, I'll be waiting to die in jail. I don't know how many people will be persuaded to quit this plot, so I might as well enter once in a few dozen chapters, and finally become a prison escape king. Don't say you will be rescued, he is just a fool anyway. You write that the protagonist is deliberately caught, prepares the back-up plan for escape, and can make a taunt when he comes out. The protagonist's IQ is not mentally retarded.

The protagonist is not like a time traveler, but like a low-IQ native in the original work. His way of thinking and behavior have been perfectly integrated into the world of One Piece, a middle-aged and mentally retarded person. Did the author deliberately pursue this effect, or was his writing skills so poor that he could only portray the protagonist as a psychopath?

Sky Dragon is a really good idea. Who doesn't want a handsome god card? Fu Fu is not a big problem. I haven't seen any heroines these days. The author can just follow his own ideas. The problem is that the fights after the execution are really sparse. What impresses me about the God Card is that he looks so handsome when he appears. No matter whether he can fight or not, he can't pull his hips in this scene. Moreover, you are an air unit. You can operate a little and catch air units on the sea. This dragon has such poor awareness. After fighting Barrett, he was assimilated. He had to fight against this demon-slaying order. It would be better for you two to fight side by side and be caught in the end. (Maybe you, the author, have some plot arrangements, but your fight is too outrageous. Let the protagonist take his brain with him when he goes out.) It really doesn't work. It's better to save two chapters before this kind of chapter. I'll update it and release the later part as soon as possible. It makes me uncomfortable to read it. --Personal opinions, feel free to author, come on

Let me talk about the reasons why I feel the performance is not good. There are three main points. The first one is Fufu. She has no self-awareness and acts in the name of the protagonist, which annoys readers. However, the author is a very thoughtful person. He clearly writes less space and things that can be solved by hiding in the later stage. He keeps arranging things to appear like a fly, and the more he reads, the more bored he becomes. The second point is that Pirates fans don't write about 1v1 battles between hot-blooded men. The later period is all about daily py transactions, and the style of painting doesn't match Pirates at all. The third point is that the protagonist's combat power is too high, but the combat power of others is low. In the early stage, the nine-star fruit's other abilities are already at the top with three or four stars. The other generals and four emperors' abilities are set too low. With the nine-star fruit's physical quality, the other six-star hegemonic gas skills are already invincible. In the later period, the protagonist no longer practices and is just fishing for money. It is too boring. One ability of the four emperors should be set to ten stars, and other abilities can be used eight or nine stars.

The author listened to others' advice and deleted the emotional scenes, or just condensed them into one chapter. What the hell has he been writing recently? The most thankless thing about writing pirate novels is ambiguous. This world is suitable for writing monk novels. Friendly battles and adventures are the main themes. Don't ignore the basics.

I have finished reading the latest chapter. To be honest, Katakuri was able to fight with Barret and the protagonist without being blocked. I was shocked. The general level was described by you. How can I put it? Katakuri's strength is not as good as Luffy. According to your description, Katakuri was able to fight with Barret without being blocked. It's not a big deal. Bull B, I'm blind. Goodbye.

What kind of cattle and horses are written about snatching away friends' pets and selling them for tens of thousands of beli? ? 🙂 Traveling through time and becoming a child, have you become a child in your thoughts? Tens of thousands of Baileys are of use

Pig's Knuckle is really a dead ringer for Kaido's character. Not only is he the strongest creature, he has also failed seven times and been captured eighteen times. Moreover, even Jack admires the level of iron-headedness. Opposite him are Warring States, Aokiji, Crane, Peach Rabbit, Sand Crocodile, Lieutenant General and Giant. This lineup of Yonko would have to kneel down if they don't play in a group, and the pig's feet are actually as strong as steel if they don't run away. 🤔🤔