The Eighth Grand Servant

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Come on, I really like this kind of protagonist and the setting 😡

In my opinion, the author's style is somewhat similar to Luo Qing's. This style is a double-edged sword. When it comes to radio waves, I feel comfortable with it, but when it doesn't, it feels "light and airy". Some details are too detailed, and some places are too brief (actually it's just an illusion caused by comparison). It is suitable to read a volume in one go. It is very comfortable for a drama that you don't understand, and there is almost no self-exciting, kitchen-oriented language and dialogue; but for those dramas that you have a certain understanding of, it seems that there is some water in some places, and the settings you know are thrown out without advancing the plot. It will be a bit painful to catch up with the update.       ，，， Especially if the author writes it in this way, it will look very watery. So my suggestion is to make trade-offs when choosing a dungeon. It is best not to choose a linear map where you have to follow a group to advance the plot, such as Sword Art Online and FGO, especially the first part of Sword Art Online. Writing in this way is at most just walking Master Tong's path in a different way. At first glance, it may seem a little different, but in fact it is just to go through the plot again and leave SAO in advance. Of course, FGO can pick a singular point to write about, but it would be really boring to write about it one by one. The plots of the first few singular points are also average. On the one hand, it is difficult for readers who do not understand the plot to empathize with it. On the other hand, readers who have played it will find it boring and it is difficult to feel like a game. Luo Qing's Summoner book is often criticized, partly for this reason. It is best to choose some map copies similar to the open world, with different forces. This way it feels more convenient to deal with. At worst, it will not be the same force as the protagonist. Personally, I prefer the dungeon of "Zhi Die Infinitely Learn to Fight the City". It is different from the plot and focus of the protagonist group. It is not very novel, but you can enjoy it regardless of whether you understand the plot or not. You can also create some original plots based on the original. Another thing is that if it is the same copy as the author's previous book, it is best to take a different route from the beginning. This writing method is not suitable for simple reuse of a copy. It is also best to avoid the things of the original protagonist. It is really boring not to take what the original protagonist takes and then take it again. Luo Qing's book was criticized partly for this reason. Xx From the original protagonist to Wu Yan/Noah/Fang Li, and then to Luo Zhen, the effects and similar plots have to be repeated every time, which is endless. Since the protagonist is aiming to find emotions, he can even choose some daily dramas to transition to, and there is no need to forcefully design each world to be stronger than the previous one. The [combat power upper limit], [main combat power range] and [special characteristics] of the world can be arranged more freely, and the focus can also be made clear. For example, the combat power of Demon Slayer World in this book is not as high as that of Zhanmei World, but the emotional expression is better. Return to Demon Slayer, you can focus on the description of the feelings between the characters, and you can also create some small plots to express these emotions. In fact, the degree of originality in the world of beheading girls is good, but I personally feel that the detailed treatment is not very good. The interaction between Esdeath and Lu Xia on the desert island can be written in detail, so that Lu Xia's emotional fluctuations later will be more natural. What I mean is that if you decide who will bring emotional fluctuations to the protagonist, it is best to use a larger amount of pen and ink to describe it. After all, if the reader does not have emotional fluctuations, how can it affect Liu Xia (laughing) Of course, I am just making suggestions. It is the kind of thing that can be done without back pain. The author still chooses to accept it or not.

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This painting feels great, the color scheme and painting style are very in line with my taste (like it)

I'm asking for everyone's opinions. The world I want to write about in this book has not yet been completely decided. I would like to ask you what you want to see. Just leave a message on this page and I will choose some to write. Note: The daily world is not required, and the combat power level should not be too high. It is mainly used as a transition.

Hi everyone, I am like sunshine. In order to write this book as well as possible, if there are any problems with the relevant settings in the text, you can comment here, and I will make modifications as appropriate. I will also explain here where the modifications have been made in the text. Thank you everyone!

Original text: "Brown broken hair, long bangs covering light eyebrows, a pair of rare amber pupils exposed underneath, and flesh-colored thin lips lightly pursed under the slightly straight bridge of the nose"