The Unspeakable Dao Venerable

The style of this book is a Cthulhu-like novel that gradually flourishes from the beginning of mystery. It has the indescribable elements and dark background of the Cthulhu mythology, but the actual atmosphere does not have the absolutely desperate and weird atmosphere of the Cthulhu mythology. The setting of the book should be based on some features of The Tribulation of Tomorrow + Me in Tokyo Cthulhu + Lord of Mysteries. The protagonist time travels (doubtfully) into a wealthy son in the world of immortal chivalry. His father was killed for participating in a court dispute. After being rehabilitated, he was sent to a book school (similar to a college-style cultivation sect). Influenced by the influence, when I stepped into the threshold of cultivation, I saw the "truth" of cultivation in this world - the originally beautiful and beautiful cultivation land was a hell on earth full of bloodshot eyes and rotten flesh; the cultivators next to me were covered with terrifying eyeballs like flesh and blood monsters; those sitting high in the sky were not the legendary gods and gods, but several evil existences that could not be looked directly at and were indescribable. The description of this scene obviously has the flavor of Cthulhu in Tokyo, but the author applies it to the background of Eastern fantasy, which adds a unique "Taoist charm" of Eastern immortality to the originally indescribable atmosphere. It is down-to-earth and makes readers who have known Eastern stories since childhood cannot help but ponder. If the so-called gods and blessed places are false and evil, then whether the cultivation of immortals is really, as the novel says, a step-by-step road to madness and destruction. In the setting of the novel, the entire human world seems to be just the pasture of the evil god in the sky. The saints with the peak human combat power currently appearing in the book are also the lackeys of the evil god. Except for the protagonist and a group of people called "Tiangong" (similar to the Immortal Miracle Organization), no one seems to be aware of the truth of the world, or even resist. It can be said that the entire background of the story has the strong flavor of despair of the Grammar style. This book has three advantages: 1. The novel opens with a theme. The second chapter of the plot in which the protagonist enters cultivation and discovers the truth of the world has been written. The background layout of the entire story quickly highlights the topics. There is no redundant foreshadowing so that readers can better understand what kind of story this book wants to tell; 2. The Gram style is rich in flavor. When I reviewed Mysterious Earthsea before, I said that the book also has a strong grammatical atmosphere. However, this book is based on the basic setting of Eastern fantasy. The control of the grammatical style is quite different from Mysterious Earthsea. The description of Eastern mythology is more inclined to support the overall story. The collision of the two styles of the East and the West is even more attractive. The Eastern cultivator's struggle with Tao and the Western grammatical struggle are mixed together, which really makes people curious about the direction of this book; 3. This book draws on books such as Mystery, Tomorrow, and Tokyo Cthulhu while developing its own characteristics; the author is smart enough to learn from the strengths and weaknesses of these excellent works. The mature meeting flow of Mystery, the world setting of Tomorrow, and the environmental atmosphere of Tokyo Cthulhu, plus the author's own innovative settings, may make people feel familiar with these books when reading the full text, but there is not much sense of plagiarism. As for the shortcomings, the author of this book and Mysterious Earthsea seem to have made the same mistake-the plot is too compact. As of Chapter 30, the plot of this book includes: the protagonist is attacked twice at night, Brother Wu De delivers express, two big bosses of the Tiangong organization pretend to be each other (Wenchang Xingjun crazy calculation), the first meeting of the Oriental Tarot Society is held, evil spirits cause chaos in the back of the book school, and the foreshadowing of the protagonist's family convening the protagonist is laid. The overall plot is too tight, with constant climaxes and at the same time the awkwardness of the g-style writing style. How to effectively extract the information in the text is a test for me, who suffers from one glance and ten lines. At the same time, the author did not control many details well: including the assassination of the protagonist, the premeditation of Tiangong Wenchang Xingjun (suspected to be the protagonist's father), and the foreshadowing of Wanyingshu, etc., Etc., Etc., And did not give a very reasonable explanation and description (in order to avoid spoilers, I will not go into details). At the same time, the division of realms in this book has not been uniformly explained once. After reading dozens of chapters, I can only roughly identify the third realm Dharma and the fourth realm. There are a bunch of caves and near-immortal realms in the back. If you don't read and understand them carefully, you won't know which level they are. As for the protagonist's strength, although the plot in the first thirty chapters is extremely compact, there is not much emphasis on improving the protagonist's strength. So when the protagonist has begun to fight against the other big boss in the Heavenly Palace, the protagonist can only rely on the magic weapon given by his elders to save his life, and rely on his own ability to chat and laugh with the "evil god" to break the situation. As for the protagonist's strength, although the plot in the first thirty chapters is extremely compact, there is not much emphasis on improving the protagonist's strength, which is really a bit awkward. ps: The large account has been banned from the whole site for a month for some reason. I really wanted to comment on this book and couldn't hold it in, so I posted it in the small account. (You cannot use the large number to comment (Sad. The large number has been invested.

"This sweetheart, boiled in oil, fried and mixed with mud and blood, the gods in the sky are so praised, it is not the taste of the human world..." (Chapter 5 of Volume 1) "The demons in the sky spin the roulette wheel, the monsters on the ground are about to come out, but I have an iron sword, which can sweep away the blood..." (1*10) "The evil emperor is sitting in the jade tower, how long will it take to reach peace and purgatory? One day, he suddenly raised his head after attaining enlightenment, and dared to teach the immortals and gods to bow their heads..." (1*16) ""It's so happy just for us to drink wine"!" "If we hadn't drawn the sword, how could we calm down the demons? Most practitioners are true Taoist priests, so why be afraid? This body visits Meng Po. The immortal bones are rusty in the blue river, and there are many ghosts and demons in the shadowy mountains. The green lotus is flying in the sky, and I only hate the young Yama in the world..." (1*17) Listen carefully..." (1*58) Unexpectedly, they will not be less arrogant if this happens hundreds of years later..." (1*158) The jingling sound of the plate does not represent the sound of the flute in the fields. This represents the husband's tears, which stained my husband's clothes. The rain in Bashan on my husband's side, and the frost on my husband's side. The locust trees are blooming and falling, and the osmanthus is picking green mulberry. R> It has been hundreds of rounds of hard work, and the new coolness has returned to the old coolness. The mountains and rivers are still there, but they are no longer as energetic as before. Huai'an and Nanke are drunk together, and the children are obsessed with each other. It's just a thousand-year-old ghost, a hundred-year guest in the north. Talking about delirium, singing about madness, the gods have been a wall since ancient times. If you jump out of this wall, you will live forever. "Catch the gods, catch the gods, the clouds go straight to Lingguan Heaven, there are few gods in Lingguan Heaven, and the net is higher. Gu Xian made the bird in the cage, and Xingjun made the flea in the jar. If you move forward and look down, you will see how many insects are in your hands..." "There are beautiful human bodies, and there are those on the sidewalk. The beautiful gentleman holds the child, and the child holds a green lotus at an angle. The green lotus never shines in the cold light, turning upside down in the dust. The child was so obsessed with purity that he pointed at the three-foot sword with a smile. Tong'er asked: This sword is clumsy and has many gaps, so what's so wonderful about it? The gentleman laughed loudly when he heard this. He pointed at the capital of heaven and looked at the East China Sea with his eyebrows lowered. Lancang of the East China Sea plays the harp and harp, and he stirs the strings with his high singing - There is no way that the gods are in the mysterious sky, and there is no way that the ancient immortals are hidden in the abyss. One sword cuts oneself, one sword reaches the chasm of the sky, but that sword is still at the top. This sword can reach a height of tens of thousands of feet, and can kill two heavens at a time! " "I point to the straw to return to green buds, and I point to the dead to open his eyes. It means that there is no flying snow in this world, and it means that there are few swordsmen in the south. It can change the color of heaven and earth, and can bring good fortune and longevity. Today I am planting green crops, and tomorrow I will be busy harvesting them here. I am in charge of the good sources of blessing in heaven, and I am also in charge of the fame and fortune fair on earth. Don't burn incense and make offerings, and don't make loud noises. There are thousands of straws in the world, all waiting for me to live forever..." "It's a coincidence that it's best to kill gods in your life, and you can kill them every day. If you can survive to the day of eternal calamity... That's it. If you can't survive, just kill the little immortal in the song first..."

It's well written and very innovative. However, many chapters involve a large amount of information, and because the settings are original, many people would not be able to understand them. The amount of information is dense and lacks some foreshadowing, making it difficult for everyone to empathize. This kind of article is better to peel off the cocoon and peel it off bit by bit. In addition, most of the characters are thin and not very three-dimensional. The characters' language and expressions can all reflect a person's personality, but it is not three-dimensional. It is easier to shape the character by using events to show multiple perspectives of the character.

Everyone has their own preferences, and there are many readers who praise my book. I am very happy, but I also know my own level. This book has a lot of flaws in the early stage. Such praise is really ridiculous, but it is too much to say that they are trolls. I usually make fun of myself and no one will take it seriously, right? I am so poor that I haven't even received a single red envelope when writing a book. The only reason I write a book is to get the 600-yuan perfect attendance. If I have the money to hire a fake army, why would I write a book?

Some people are very funny. They were originally created by novels or bragging. Some people are madly complaining about the setting of Honghuangliu, but they all agree with the chaotic system created by foreign novels. I think it is still the same old habit. They like to use new and unique things to show off, thinking that they know better.

I have a bold idea, that is, those things that are similar to the master. One day, I will find that everyone and everything are controlled by the author. All breathing and thoughts are what the author asks you to do, and every move you make is controlled. In order to escape the author's control, they turned themselves into indescribable weird creatures (I don't even know what I was doing).

People of the Ke type go crazy when they see indescribable things. To put it bluntly, the people inside are not all mortals. They directly face high-level creatures, and these high-level creatures do not yet restrain their own aura and information of high-level creatures. How can low-level mortals not go crazy? In the world of immortal cultivators, immortals can completely restrain the aura and information of their own advanced creatures, so that mortals are not affected. Moreover, immortal cultivators still become stronger step by step from mortals, and they are not directly faced by mortals.

Good books are successful or not. Popular or not, the most important thing is persistence. If the author feels that the current results are not good, you can consider reducing the update speed to ensure quality. Don't be a eunuch. If you really want to make money by writing books and want to achieve something, eunuchs are your biggest enemies. Only if you have at least one high-quality debut book to lay the foundation will someone be willing to believe in your follow-up. The number of words does not need to be many. Do a part-time job first to make sure you can support yourself while being stable. Update regularly, control your work and rest, and take good care of your body. There is no need to force a big update, a big update must have a fan base. You may not have very good results after finishing this book. However, if someone reads your next book, it will be better if the author's last book is really good. If word of mouth spreads, life will be better Come on, although I don't like the Cthulhu style, but I like the rhythm of this book I think it is written really well!

It's well written, better than Xiaobai's, but the setting in the front is a bit vague, there are too many holes in the layout, and no hints are given to the readers. Some of them are confusing and unreasonable, but the holes in the back are basically filled in. There are also some inappropriate wording, and the book bag keeps falling off. Some people don't like this style.

"The Tao can be Tao, but it is not the eternal Tao. The name can be named, but it is not the eternal name - what can be described is not the eternal Tao, and what can be named is not the eternal name." "The nameless beginning of the heaven and earth, the named mother of all things - the unnameable is the beginning of the universe, and the tangible things are the mother of all living beings." "Therefore, there is always nothing. If you want to see its wonder, there is always something. , Want to see the secret - freedom from desire can only see the appearance. " "The two have the same origin and different names, and they are both mysterious and mysterious. The door to all mysteries - all mysteries and appearances flow from the same source. It is called darkness, and it contains things darker than darkness, which is the door to the truth."