The Daoist Master Is No Villain

Generally speaking, it is very good, but the writing feels inconsistent with the times. It is said that ancient people spoke like modern people, but the text is filled with a lot of modern people's rhetoric, which looks awkward.

Great book! It's not an exaggeration to say it's a book of fairy herbs! Let's talk about the advantages first: the characters have clear roles and each has its own characteristics. The story is strong and the plot is coherent. The writing is smooth, not like a newbie. The settings about monsters are eye-catching! The author should have worked hard on setting the background of the novel's story. Worthy of praise! 👍 After talking about the advantages, let's talk about the disadvantages: practicing the Thirty-Six Methods of Tiangang is too easy and relaxing! The effect displayed is too ordinary! Take Zongdi Jinguang as an example. With such a great magical power, let alone achieving it, even if you are just getting started, it shouldn't be a problem to take a hundred miles at a time! Not to mention other magical powers, it feels unworthy of its name! Also, as of now, there is no mention of mana! When you use magical powers, you consume your own aura! I think this setting is very problematic! According to Taoism, aura is the embodiment of one's own will and soul! Belongs to sex! But if you cultivate your nature but not your Qi, this is unjustifiable! The word Qi can be said to run through everything in Taoist practice! Qi is the source of Taoist practice! Therefore, I think this setting can be changed. Finally, it seems that until now, the protagonist has no killing power that he can use. I think we can master the Five Thunders of the Thirty-Six Methods of Tiangang. Personally, I still like Lei Fa very much. Among the three thousand Taoist methods, Lei Fa is the most respected!

After reading a few chapters, Jiang Feng said: Strength is responsibility. It feels weird, what does it have to do with them that the protagonist's power is cultivated by himself. I don't think they are kind people! To put it harshly, this is their own responsibility. Why should they ask others from the moral high ground?

There is an underworld in the book, but there seems to be no such thing as reincarnation. Since the protagonist is allowed to come to this world to practice Taoism and become an immortal, it means that it is possible to become an immortal in this world. It feels like the author may have mixed in some weird stuff

The world setting should be an extreme contrast between black and white, but you can't tell the difference between black and white when doing things The night is full of malice, while the fire is warm and bright. The general trend should be the dark category. The small situation is that human beings have defeated monsters, demons, etc. And gained local advantages. However, the human world is still dark and full of darkness. Civilian life is miserable. The overall situation is dark and the small situation has no light. It is a desperate world The law enforcers work hard to fight monsters and abide by the rules. They are no-nonsense little people. He opened his mouth to talk about the world situation and the future of mankind, with a posture of asking for help for mankind, and talked about monsters, devils, ghosts, and monsters. He always wanted to be reasonable, always trying to see the big from the small, and to see the wind and thunder from the small, but the writing was not enough, and it sounded like he was talking to himself The protagonist does not have his own three views. I followed monster hunting, blindly practiced JB, and pretended to think I was very stylish. I learned some miscellaneous things, but I didn't understand the fundamentals. I was just messing around, stupid and shallow, and couldn't take the initiative to deal with the darkness. I could only rely on the author to lead me to the light. The boundaries between immortals and mortals are blurred, and the conversation between immortals and mortals is blurred. A large number of events involve mortals, but they abide by the rules that do not involve mortals, and finally break the rules. It is unclear how much immortals and mortals know each other, and how to deal with them. There are a lot of modern words and Western fantasy words in fairy tales, which make people play. The writing method is deliberately mysterious. The author said that monsters and ghosts are the products of distortion. The author's writing method clearly shows how these things are distorted and generated.

This fucking thing is written inexplicably. It is full of four words to make things mysterious, foreshadowing, reasoning, and mystery. This writing is nothing. There is no trace of foreshadowing, no logic in reasoning, and mystery turns into nerves. It's really a good "idea", a "good writing style" and a "so silly"

I deserve to be thrown into the street. I can't stand it at the beginning. If nothing else, the sentences are at least fluent. Don't talk about foreshadowing. The sentences are not fluent and the foreshadowing is useless.

If you can't protect what you want to protect, if you can't persist on what you want to persevere, and you keep walking in other people's righteousness and rules, what kind of truth are you cultivating? A child's friend has turned into a ghost. He is conscious but has not done any evil. If he kills him, the bad guys will not be able to kill him. He must abide by the rules. Is this cultivation? Let's go see Su Zhou

The greater the power, the greater the rights, the less the responsibility

It's not without reason that this book is lukewarm. I didn't bother to talk about it in the first chapter. I didn't grasp the key points in the first few chapters. What the readers want to know at first is not what organization you are forced to join. After you introduce the golden finger, you should write about how to use the golden finger to practice and strengthen yourself.