Pokemon: The Bug-Catching Boy Who Plays It Safe

​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​This should be a historical problem caused by animation and early elf novels, and we will not delve into it. So what do readers want to see? For various reasons that I don't know yet, there must be some readers who want to see a world view that is all black and white. We cannot deny this demand. However, most readers are actually more willing to see a more realistic world presented in the novel. You are welcome to leave a message below which world view you would like to see more. In the real world, people's camps do not distinguish between black and white, but only interests. Because sometimes it is difficult to determine right and wrong. We all think killing is wrong because we don't want to be killed, so we don't approve of killing. But if two people compete in a certain field, how do we determine who is right and who is wrong? The winner can get more benefits, and everyone wants more benefits. Of course, this is just a simple example, and real life is thousands of times more complicated than this. The characters in this book all have their own stance (based on self-interest) and style (influenced by personality) in their actions. The protagonist only wants to survive and grow, and suffers from delusions of persecution to the max; the protagonist's sister is innocent and cute, and her playfulness (Lanyue) has reached a certain level; Wang Laotian is determined to revitalize the country and is unable to save the country (actually, it is due to lack of personal ability, who has such a bad temper) Submit him? The reality is not that whoever has the biggest fist is the boss, otherwise why do we need the president? The warlord can take care of things). He is also very irritable towards his grandson. This kind of person is usually best at incompetence and rage... I have read a book with good creativity and good results before (because I am here to point out the poisonous points, I will not mention the title of the book). There is a plot in that book where the protagonist relies on the advantage of being a time traveler to show some elf knowledge that the world has not yet discovered. Then a doctor gave the protagonist a rare elf egg that he prepared for his granddaughter (hereinafter referred to as Xiaohong). Before that, Xiaohong had taken care of the elf egg for a long time (I just want to ask, is it really his granddaughter?). Then of course Xiao Hong was not convinced, so she ran to trouble the protagonist. Xiao Hong was also very strong, had a Nine Tails (if I remember correctly), and had very strong commanding ability. Then they had a group match, and the protagonist narrowly won, and then they reconciled and became friends with the protagonist... When I saw this, I felt something was wrong, whether it was the doctor, Xiao Hong or the author, something was wrong (Li Yunlong-style swear words)! (I haven't watched the subsequent plot, so I don't know what the elf egg hatched out of, but I blindly guessed that it was an elf stronger than the Yusan family) Finally, the author remembers to pay for it. It's a bad habit to pay for free. If you don't want to pay for it, just add an elf or something.

You can do it, but you go too far, and you don't feel happy at all. There is also a grandfather who doesn't know anything, plus a more willful sister, and a fiancée. I really think that staying in a mountain village can make the elf Gou fight like a mythical beast. What about resources, battle experience, environmental adaptation, and moves?

A steady-flowing protagonist like this wants to be content in his heart, but what the author wants in writing a novel is plot conflicts and ups and downs, which is the so-called no coincidence. This is destined to be impossible for the protagonist to continue to be content, and his strength will have to be exposed due to small details/requests from relatives, etc. Just like what the author wrote in the character tag, it is just as stable as a dog on the surface. Otherwise, there is no need to write this book. Just like the first ascendant in New China, he has been practicing until the entire chapter of Ascension is finished. Readers would not want to read such a book. Let's analyze this book now. It is currently 30 chapters in progress. The protagonist is very cautious. I believe that if there is no need, he can hide in the base five hundred meters underground in his hometown forest for the rest of his life and continue to practice, practice, practice, practice... So what should I do? The author assumes that the protagonist "discovers" that the death of his parents is not simply related to the Abo Monster Cult, and the conflict is about to begin. But it's not enough, because the protagonist can still hide in the underground base and practice until he is strong enough and then come out. So the protagonist has a grandfather and a younger sister. The grandfather wants the protagonist to become a trainer, and the younger sister wants to be taken care of by the protagonist. The protagonist finally has to leave the small mountain village. After entering high school, he has to take the college entrance examination and enter the elf academy. The outside world is too complicated. In order to hide, the protagonist needs various monsters, but for the various monsters, he has to take the initiative to play games and expose himself. As a result, the grandfather found a fiancée for the protagonist when he returned home, and then there was one more person to hide, and it was even foreseeable that there would be a family member. Seeing this, I couldn't help but sympathize with the protagonist. Everyone only saw the protagonist's stubbornness, but not his inability to control himself. Why can the protagonist be so helpless and move forward step by step under the expectations of others? It's just because the protagonist is a person with a bottom line and a person who values ​​family affection, so he cannot refuse the wishes of his relatives for his good, cannot refuse the pleas of his relatives for him, will not use hypnosis to make his grandparents and sisters give up all kinds of thoughts, and will not hypnotize innocent passers-by to stop behaviors that may expose him. It's true that everything is fate and nothing is up to you.

Wayward sister + fingertip as fiancée = double poison

Why are Pokémon so small? Like Groudon and Kyogre, a beast that destroys the world and destroys the earth. Groudon is only 5 meters long. I thought it must be at the level of Godzilla? Kyogre is only 9 meters, smaller than a blue whale... Rayquaza, 10 meters, is equivalent to an anaconda. Even the mythical beasts are like this, let alone other Pokémon. Tyrannosaurus, Biting Land Shark, Kuailosaurus... All kinds of dragons are only about 1.8 Meters, almost the size of an ordinary human being Looking at it this way, it feels a bit weak.

No wonder I stopped writing it. Fortunately, I came out and took a look when I saw the engagement chapter. Just a few chapters later, the cliche plot of an engagement appeared, and they all appeared together. The teacher introduced the partner just after graduating from high school? I graduated from high school and was introduced by my teacher😰😰😰

It was originally quite funny, but since the fiancée arrived, most of the plot revolves around the fiancée, which makes it uninteresting. I don't like reading novels that advance the plot for the sake of others. They are all boring.

I feel like this book is okay except for the protagonist who forcibly finds a brother-in-law for his sister. After all, when it comes to love, the sister should find the right one by herself. The sister has no feelings for him at all, so the protagonist treats him as a brother-in-law and cultivates him. I feel that the protagonist is too lenient. Except for this poisonous point, everything else written is okay.

I'm not the only one who thinks that the protagonist's grandfather and sister are purely used by the author to drag down the protagonist, right? These two have no effect at all. The attributes of a sister that I have always liked are not liked at all in this book.

How to put it this way, it's not a very likable type. The male protagonist's character is more like a mental patient than Gou. I like Gou because these male protagonists can solve problems in the early stage and crush them directly in the middle and later stages. But the male protagonist's stubbornness made me feel very aggrieved. According to this kind of stubbornness, it would be very frustrating to still be stubborn until the finale. There is also a more serious point. The character of the elf and the relationship with the male protagonist were discussed in the early stage. Then it should have started with the appearance of the female protagonist. Most of them are basically gone. It gives me the impression that he is a relatively sloppy character. He puts on the cloak of elf literature to attract readers. This change of skin can instantly transform into the feeling of other novels.